分类: entertainment

  • Fish Festival a resounding success, says organisers

    Fish Festival a resounding success, says organisers

    The 2026 iteration of the beloved Oistins Fish Festival has wrapped up, and event organizers are celebrating it as a marked success, citing tangible improvements across multiple areas of operation compared to previous years. In a closing statement following the conclusion of the multi-day festivities, Israel Mallett, co-chair of the festival organizing committee, shared his positive assessment of this year’s event, highlighting upgrades to both pre-event preparation and on-the-ground execution. Among the most notable advances was a streamlined onboarding and setup process for participating vendors, which ran far more efficiently than in prior editions. Most importantly, the entire festival unfolded with almost no major disruptions or safety incidents, a key milestone for the community-focused gathering.

    Mallett noted that only one minor issue arose over the course of the event: a small vehicle collision that resulted in no injuries to attendees or staff, an outcome the committee counts as a win for event safety. That said, organizers did not dismiss constructive feedback from the public, which included observations that the festival’s atmosphere felt slower or less energetic than in past years at certain points. Rather than dismissing these critiques, Mallett connected the subdued energy to broader economic headwinds currently impacting the country, framing the public input as a valuable asset for future planning. He emphasized that the organizing committee actively welcomes all forms of feedback, as it gives the team clear areas to refine and improve for coming editions of the event.

    “We love criticism. We like to hear from people what their thoughts are, what their feedback is, because those are things that we look to internalise and implement and work on for the years to come,” Mallett explained.

    The co-chair also addressed growing concerns from participating vendors, who have reported declining sales and shrinking profit margins at the festival in recent years. While Mallett confirmed that the organizing committee takes full responsibility for core marketing and promotion of the event to drive attendance, he stressed that driving visitor engagement and sales is a shared responsibility among all stakeholders: event organizers, local fisherfolk, and vendors themselves. He added that the team adopted a new proactive approach to resolving vendor issues in real time this year, pointing to one example where organizers leveraged social media to amplify a struggling vendor’s visibility and attract more foot traffic during a slow period.

    “One of the things we try to do is to work with the vendors. If there’s an issue that we can resolve on the spot, we try to resolve that issue on the spot and if it’s something we can’t resolve on the spot, we take it into our post-mortem and planning,” Mallett said.

    Looking back on his tenure leading the festival’s organizing team, Mallett reflected that his time in the role has been a period of extraordinary personal and professional growth. When he first took on the leadership position, he brought little prior experience planning large-scale community events, but he noted that his outsider perspective and fresh approach have ultimately been an asset to the long-running festival. “It’s been a real experience of growth coming into it,” he said. “I have met a lot of great people through the vendors, the community, the fisher folk… it has been a really expanding experience for me.”

  • Zulu promises elevated experience for Crop Oper

    Zulu promises elevated experience for Crop Oper

    As one of the most anticipated groups taking part in this year’s Crop Over festival, Zulu International is celebrating a major milestone: a full decade of participating in the iconic Caribbean cultural celebration. To mark this 10-year journey, the band has announced that it will pull out all the stops this season to deliver what leadership calls the most authentic, immersive Crop Over experience in the group’s history.

    The promise was made public by Nadesha Fagan, Zulu International’s Deputy Chief Executive Officer, during a pair of landmark events held Sunday: the official reveal of the band’s 2024 festival costumes, and the first edition of *Toast*, the group’s new pre-festival garden party. Fagan framed the 10-year anniversary as a point of deep pride for the entire organization, reflecting on how the band grew from a small, ambitious idea into a staple of the annual Crop Over lineup.

    “What started as a simple vision a decade ago has grown into a band widely recognized for its infectious energy, vibrant atmosphere, and commitment to honoring the core of what Crop Over is all about,” Fagan shared during the event. “Celebrating 10 years this season is a really proud moment for every member of the Zulu International family.”

    This year’s official festival theme for the band is “New Dawn”, a title Fagan says carries layered meaning that extends beyond the group’s own milestone. The theme is designed to represent Zulu International’s decade of steady growth, while also mirroring the broader evolution of Crop Over and Caribbean festival culture as a whole, she explained.

    “New Dawn stands for growth, evolution, and stepping into a bold new era — that’s true for Zulu, but it’s also true for our culture that we celebrate every year,” Fagan noted. “This moment feels like the perfect time to embrace that change together.”

    For festival goers joining Zulu International on the road this season, the band has planned widespread upgrades that elevate every part of the experience, from the design of the celebration costumes to on-the-ground service and the overall crowd atmosphere. Fagan emphasized that the entire team has put in extra work to make the 10th anniversary year unforgettable for all participants, regardless of whether they are first-time revelers or long-time Zulu members.

    “Revelers can expect an elevated experience across every single area — stunning hand-designed costumes, improved customer service, and an unmatched, energetic road vibe that you can’t find anywhere else,” Fagan said. “We’re going all out to make this year one for the history books. Whether it’s your first time marching with Zulu or you’ve been part of our journey for years, Zulu is absolutely the place to be this Crop Over.”

    The 2024 Zulu International band will be split into five distinct costume sections for this year’s festival: Diamonds, Kalinago, Emerald, Zulu, and Flora, each with its own unique visual design and thematic styling to align with the overarching “New Dawn” theme.

  • Campari Xodus Wet Music Festival delivers

    Campari Xodus Wet Music Festival delivers

    Jamaica’s downtown Kingston came alive with color, rhythm and nonstop energy on Easter Monday, as the highly anticipated Campari Xodus Wet Music Festival kicked off Xodus Carnival week at Port Spectrum. True to its immersive, one-of-a-kind branding, the event drew hundreds of carnival enthusiasts who spent hours embracing the full experience: mixing sun, splashing water, vibrant paint and colored powder, and relentless soca beats that kept crowds moving from pre-dawn until late morning.

    Even an early 4:00 a.m. start time failed to dampen the spirit of diehard soca fans, with many arriving hours before sunrise to secure their spot and mark the official launch of the week-long carnival celebration. A stacked lineup of top-tier disc jockeys, including fan favorites Travis World, Tony X, Sinistar, Zess, Rico The DJ, Papi Jae, Fatalic, and Tegabrooks, kept the energy soaring for hours, with wet, paint-dusted partygoers dancing continuously until the event wrapped up just 20 minutes before noon.

    One of the festival’s defining features was its massive foam pit, a hit with attendees of all ages. Building on the momentum of the successful inaugural staging in October 2025, organizers upped the ante for 2026 by offering branded Xodus Wet monokinis for pre-order and purchase as early as 2025, giving attendees the chance to pick up themed apparel ahead of the main event.

    Scott Dunn, Group Managing Director of Dream Entertainment Limited, which produces the festival, shared his unreservedly positive assessment of the day’s events in an interview with the Jamaica Observer following the fete. “Campari Xodus Wet met all our metrics for success: crowd size, production quality, food and beverage offerings, and overall vibe,” he said, noting that he had no major complaints about how the day unfolded.

    Thanks to strategic collaborative partnerships with major food brands, attendees enjoyed complimentary catering from well-known names including Elle & Vire, Foska Oats, Pizza Hut, and KFC, adding extra value for early-morning partygoers who worked up an appetite dancing.

    The highlight of the festival came with a headlining live set from Trinidadian soca superstar and celebrated songwriter Voice, who delivered a high-energy performance packed with his most popular hits, including *Cyah Behave*, *Pandemonium*, and *Dear Promoter*. In a surprise crowd-pleasing moment, Voice invited legendary Trinidadian soca veteran Iwer George to the stage, where George delivered a fitting performance of his iconic track *Water* that sent the crowd into a frenzy.

    By the time the festival drew to a close, the Port Spectrum venue was transformed into a vivid kaleidoscope of rainbow hues from the paint and powder. Many attendees left so saturated with water and paint that some discarded clothing items that were too stained and soaked to be cleaned and saved.

    With the wet festival marking only the start of Xodus Carnival week, Dunn confirmed that Dream Entertainment is fully prepared to deliver the full “Xodus Xperience” for the rest of the season, which has been in planning for a full year under the event name OlympiX. “We’ve got five more large-scale events, costume distribution, and the biggest Road March Carnival Jamaica has ever seen coming up,” he said. “Everyone needs to feel what the Xodus Xperience is all about. Even if you only make it to one event this week, you’ll leave feeling like part of the Xodus Family.”

  • Soca artiste Patrice Roberts ordered to pay US$30,000 to Canadian entertainment company

    Soca artiste Patrice Roberts ordered to pay US$30,000 to Canadian entertainment company

    PORT OF SPAIN, Trinidad – A long-running legal disagreement between internationally recognized Soca performer Patrice Roberts and her former Canadian management firm has concluded with a binding ruling from the Trinidad and Tobago High Court, ordering the entertainer to compensate the company for professional services rendered during her two-year representation.

    The case centered on an informal oral management contract struck between Roberts, 40, and Ontario-based agency Soca Bookings Incorporated in February 2015. Under the terms of the unwritten deal, the company committed to delivering end-to-end career management support, spanning international performance bookings, brand development, studio recording coordination, and global promotional outreach to expand Roberts’ audience outside the Caribbean.

    While both parties never disputed that a working agreement existed, key contractual details remained ambiguous, most critically the timeline for management fee payments. Soca Bookings argued fees were due immediately upon provision of services, while Roberts maintained all compensation would be deferred until the business partnership turned a profit.

    Delivering the final judgment, Justice Robin Mohammed sided with Roberts’ account of the payment terms, finding the management firm failed to provide evidence that the profitability threshold had ever been met. Even so, the judge ruled that equity demanded Roberts compensate the company for the tangible work and financial support it provided to advance her career. He awarded Soca Bookings US$35,472, a sum that covers both reasonable compensation for the firm’s services and cash advances the company issued on Roberts’ behalf between 2015 and 2017, plus accrued interest.

    The ruling also offset this award with a separate sum owed to Roberts: the court ruled the entertainer was entitled to US$10,367.88 plus interest, representing digital music sales revenue the firm collected on her behalf during the management period that it had not turned over. A separate US$11,600 claim tied to expenses for a music video production was thrown out entirely, after justices found the company provided no credible proof it had actually incurred that cost.

    After accounting for mutual awards of pre-judgment interest and legal costs that the judge ordered can be set off against one another, the final net sum Roberts must pay amounts to roughly US$25,104.12 plus TT$26,983.71 in cost assessments.

    In closing remarks accompanying the ruling, Justice Mohammed issued a stark warning to entertainers and industry professionals about the pitfalls of informal, unwritten contracts in the entertainment space. He noted that the entire costly and time-consuming legal dispute could have been completely avoided if the two sides had formalized their arrangement in a written, signed contract that clearly outlined all core terms and expectations.

  • Jamaican artist takes Tricia Handmade global

    Jamaican artist takes Tricia Handmade global

    For Jamaican artist Tricia Gordon-Johnston, a 12-year journey starting with self-directed experimentation in handmade jewellery has culminated in a landmark international partnership, bringing her distinct minimalist design vision to a global stage. The founder of independent brand Tricia Handmade is now working alongside Italy-based fine jewellery label MindMink by Octo Jewels, combining the company’s lab-grown diamond expertise with Gordon-Johnston’s signature handcrafted approach.

    Gordon-Johnston shared the details of the new collaboration in an interview with *Observer Online*, noting that the partnership officially launched in late 2023. Under the terms of the joint project, MindMink by Octo Jewels produces ethically grown lab diamonds, while Gordon-Johnston leads all original design and hand-finishing of the finished jewellery pieces.

    The brand’s origins stretch back to a side creative pursuit Gordon-Johnston took up while pursuing formal fine arts training in painting at Jamaica’s Edna Manley College of the Visual and Performing Arts. Though her academic program centered on painting, the artist’s complementary coursework in ceramics and printmaking gave her a broad technical foundation that continues to shape her multi-disciplinary practice today.

    A self-taught jeweller, Gordon-Johnston launched her brand by selling small runs of handmade pieces at local Kingston boutique Gayshel, setting up shop every Saturday to connect directly with customers. Over more than a decade, she steadily grew her reputation and audience, building a distinct brand identity defined by handcrafted quality and understated minimalist aesthetics. In recent years, she has expanded her practice to return to her roots in painting and pick up ceramics again, growing her creative portfolio beyond jewellery.

    Today, her range of original work includes fine jewellery, hand-sculpted ceramic masks, original paintings, and experimental work in clothing and graphic design. Her design aesthetic draws heavily on geometric shapes—triangles, squares, and circles are recurring motifs that echo tribal art traditions. Her recently popular ceramic masks have drawn comparisons to pre-Columbian Taino artistic traditions, a connection that ties her work back to the layered cultural history of Jamaica, even as she retains her minimalist core.

    Gordon-Johnston’s lifelong passion for art has defied conventional expectations: she grew up in a household of accountants, with no family background in creative practice, but art has been a core part of her identity from childhood. She credits a trio of influential Jamaican artistic mentors—Omari Ra, Petrona Morrison, and Norma Harroch—for shaping her creative perspective and supporting her career growth. Over the course of her career, she has shown her work in exhibitions at leading institutions including the National Gallery of Jamaica, as well as international shows in Florida.

    Currently, Gordon-Johnston sells her full range of handmade work every Saturday at Mutambo Indigenous, a local retailer focused on Jamaican craft, and regularly participates in pop-up and cultural events across the island to share her work with new audiences.

  • Rockhouse announces Rousseau Sisters as new culinary directors

    Rockhouse announces Rousseau Sisters as new culinary directors

    One of Jamaica’s most celebrated fine dining destinations, Negril’s Rockhouse Restaurant, has announced a major new creative leadership appointment: Kingston-based culinary trailblazers Michelle and Suzanne Rousseau, globally known as the Rousseau Sisters, will step into the role of new culinary directors. The sibling duo, who have built their reputation on centering Jamaican food heritage and cultural storytelling, is set to launch their groundbreaking new culinary program in the first week of June 2026, according to an official press statement from the restaurant.

    The upcoming launch will introduce a fully reimagined menu and a refreshed brand identity for Rockhouse Restaurant, one that leans into bold distinctly Caribbean flavors while weaving in subtle Mediterranean influences. Crucially, the reboot will remain faithful to the venue’s iconic rebellious spirit and decades-long legacy that has made it a favorite among locals and international travelers alike.

    To mark the new era for the restaurant, a special two-day launch celebration has been scheduled for June 5 and 6, 2026, as a centerpiece of the Rockhouse Foundation’s Coastal Culinary Weekend hosted at Rockhouse Hotel within Skylark Negril Beach Resort. The immersive weekend event will bring together a star-studded lineup of Caribbean culinary talent beyond the Rousseau Sisters, including Andre Fowles, Miss Lily’s culinary director and published cookbook author, and India Doris, recipient of the MICHELIN Young Chef Award. Attendees will enjoy a curated schedule of exclusive dinner parties, guided tours of local food and cultural sites, and intimate panel conversations that shine a spotlight on the depth and diversity of Jamaican cuisine and cultural heritage.

    In a move that honors the venue’s existing talent, the Rousseau Sisters will not be replacing the current kitchen leadership. They will partner closely with Rockhouse Restaurant’s beloved executive chef Jermaine “Bagga” Forrester and his entire longstanding culinary team to bring the new vision to life.

    For years, the Rousseau Sisters have been recognized as leading voices in preserving Jamaica’s culinary stories and cultural traditions through their work with the island’s foodways and historic hospitality venues. They have cemented their status as leading authorities on Caribbean cuisine and heritage, having launched fan-favorite dining concepts including Two Sisters Jamaica and the now-closed Summerhouse, both located in the scenic parish of St Ann.

    Per the official release, their collaborative partnership with Forrester and his team will leverage the Sisters’ signature culinary style: elevated yet accessible to all diners. They will center the core elements that have defined Jamaican cooking for generations — warm complex spices, signature smoked flavors, and fresh locally sourced ingredients — while reinterpreting these staples through creative new techniques and unexpected combinations that promise to excite both returning guests and first-time visitors.

  • Chronic Law and Pimpdon Records climb to number 4 on US itunes reggae chart

    Chronic Law and Pimpdon Records climb to number 4 on US itunes reggae chart

    Jamaican dancehall recording artist Chronic Law and independent label Pimpdon Records are currently celebrating a breakout commercial win, with their collaborative new single skyrocketing to the number 4 spot on the prestigious United States iTunes Reggae Singles Chart in less than a fortnight following its official release.

    Titled *Millionaire Badness*, the track has earned a spot among reggae and dancehall’s most iconic names on the chart, sitting just behind three higher-ranking releases from legends: the late pioneering reggae icon Bob Marley, diamond-certified entertainer Shaggy, and the self-proclaimed dancehall queen Spice. For Pimpdon Records founder and lead producer Lloyd Thompson, the single’s rapid success has come as no shock.

    In a recent statement reflecting on the achievement, Thompson explained that his production approach centers on crafting concepts that resonate deeply with audiences, touching on themes that listeners either connect with personally or aspire to experience. “I’m grateful for all the support from fans and industry peers, but I wasn’t surprised by how quickly this track caught on because the musical quality speaks for itself,” he said. “When I’m working on new music, my goal is always to deliver a final product that matches or exceeds the standard of anything else out right now.”

    Beyond the single’s chart performance, the official music video accompanying *Millionaire Badness* has also racked up impressive streaming numbers: more than 330,000 views on YouTube in just 11 days. Thompson added that conversation around the track has exploded across social media platforms, with organic chatter keeping the single in front of growing audiences.

    “Every time I scroll through my feeds right now, I see people talking about the track. It’s already blowing up, and I truly believe it’s only going to keep gaining momentum from here,” Thompson said. “I have to thank every single fan who has streamed, shared, and supported the project.”

    This chart-topping release is far from Pimpdon Records’ first collaboration with established dancehall and reggae talent. The label has previously partnered with a range of popular acts including Vershon, Top Banks, 1 Biggs Don, Xcappe, and Fido on past projects, building a reputation for releasing high-energy, commercially successful dancehall content.

  • Express Fitness named official fitness partner for Xodus Carnival’s “OlympiX” 2026

    Express Fitness named official fitness partner for Xodus Carnival’s “OlympiX” 2026

    KINGSTON, Jamaica — Jamaica’s leading fitness network Express Fitness has locked in an official partnership with Xodus Carnival to support the 2026 edition of the beloved cultural celebration, which will carry the theme “OlympiX”.

    In an official public statement, Express Fitness outlined that as the event’s exclusive official gym partner, the brand has already rolled out a full suite of support for participating masqueraders gearing up for Carnival’s iconic road parade. These resources include custom-designed specialized fitness classes, carefully curated wellness programming, and a range of interactive community engagement activities.

    All offerings are tailored to help Carnival revellers build the strength, boost self-confidence, and develop the physical stamina required to keep up with the high-energy demands of Jamaica’s annual soca season.

    Kandice Moncrieffe, Group Marketing Manager at Norbrook Equity Partners — Express Fitness’s parent company — framed the collaboration as a natural alignment of shared values. “Carnival stands as one of Jamaica’s most vibrant, dynamic, and physically taxing cultural events,” Moncrieffe explained. “With this year’s ‘OlympiX’ theme, we could not be more excited to help revellers unlock their inner strength, boost their endurance, and step onto the parade route feeling their most confident selves.”

    Through this new partnership, participants gain access to a more intentional, holistic approach to Carnival preparation that integrates physical training, community connection, and high-energy fun. From thematically aligned workout sessions to exclusive pop-up social events and ongoing “road to Carnival” fitness challenges, Express Fitness has become a core part of transforming how masqueraders train, connect with fellow participants, and build excitement in the weeks leading up to the big event.

    Xodus Carnival has also expressed clear enthusiasm for the collaboration, emphasizing the strong synergy between the two Jamaican brands and the elevated experience the partnership will deliver to attendees. Kamal Bankay, Executive Chairman of Dream Entertainment Ltd, Xodus Carnival’s parent company, noted that the partnership advances the brand’s longstanding mission. “Xodus has always prioritized delivering a premium, immersive Carnival experience for all participants, and this collaboration with Express Fitness pushes that commitment even further,” Bankay shared. “Our ‘OlympiX’ theme encourages masqueraders to embrace strength, discipline, and peak performance — core values that align perfectly with Express Fitness’s mission. Together, we are reimagining what it truly means to be fully road ready for Carnival.”

    The two organizations are jointly calling on Jamaicans across the country to approach their 2026 Carnival preparation with intentional purpose, and step onto the parade route equipped with the strength, confidence, and unrivaled energy to make this year’s celebration unforgettable.

  • Vendors complain of poor sales at Oistins Fish Festival

    Vendors complain of poor sales at Oistins Fish Festival

    One of Barbados’ most beloved annual cultural gatherings, the Flow Oistins Fish Festival, is facing an unprecedented downturn that has left long-time and first-time vendors alike frustrated and calling for urgent institutional changes. During a on-site visit by Barbados TODAY on Easter Sunday afternoon, the widespread discontent among stallholders was impossible to miss, with nearly every seller reporting historically low foot traffic and revenue that fails to cover even basic participation costs.

    An anonymous toy vendor, visibly frustrated by the lack of customer activity, shared that she had only earned $80 on the festival’s Saturday, and had not made a single sale by mid-afternoon Sunday. Surveying the nearly empty aisles between stalls, she explained that recouping the fee she paid to secure her vending spot is now almost out of the question.

    Multiple vendors pointed to insufficient promotional outreach as a core driver of the low turnout. One seller, who described the first three days of the event as shockingly lifeless, noted that numerous attendees she spoke to had no advance warning that the festival was running that weekend. Even after dark, when the event traditionally draws the largest crowds, there has been little energy or activity this year. She stressed that while she holds out hope for a last-minute uptick in visitor numbers, the 2024 festival is already the worst she has ever experienced. To reverse the decline, she suggested organizers reintroduce popular traditional activities and add more family-focused programming specifically designed to attract young children and their parents.

    For Angelina Powell-Austin, a veteran vendor who has participated in the Oistins Fish Festival for 43 consecutive years, the 2024 downturn is part of a gradual but steady decline she has watched unfold over decades. “Years ago, this event was vibrant. By Saturday alone, we would already earn back every dollar we spent on our spot, then pack up early and return on Monday to keep all remaining sales as pure profit,” she recalled. Now, she says, each passing year brings worse turnout and lower sales, and this year’s atmosphere has been “boring, dead” compared to the event’s glory days. Though she acknowledged that all events evolve over time, she joined other sellers in calling for meaningful changes to reverse the trend.

    Lateisha Edwards, who runs a local plant and seedling stall and has participated in the festival for 15 years, echoed that assessment, calling 2024 one of the worst iterations of the event in her tenure. She noted that only opening Friday saw moderately heavy foot traffic, with all subsequent days slowing to a near standstill—even though many browsers stopped to look at her plant stock, very few ended up making purchases. Edwards says she is still holding out hope that sales will pick up before the festival wraps.

    A jewelry vendor in only her fourth year of participation struck a more optimistic tone, even as she acknowledged that the 2024 event has failed to meet her expectations. “Business is always a gamble,” she explained. “Even if sales are slow this weekend, this is still a chance to get my brand in front of new people, and many customers come back to purchase from me after the festival ends. There is always reason to hope things will improve.”

    Fruit and vegetable seller Shiann Harvey added that her sales are also far below average. In typical years, she would have sold out of her entire stock by Easter Sunday, but this year she still has most of her produce left. Like other vendors, she called for organizers to add more diverse entertainment and engaging attractions to draw crowds back to the event and revitalize its declining popularity.

  • Malie Donn closes Vacae Weekend with electrifying performance at Campari Sandz Festival

    Malie Donn closes Vacae Weekend with electrifying performance at Campari Sandz Festival

    OCHO RIOS, Jamaica — The 2026 edition of Jamaica’s beloved Vacae Weekend drew to a spectacular close on Monday evening at Plantation Cove in St. Ann, where the sold-out Campari Sandz Festival brought a four-day celebration of Caribbean music and culture to a rousing standing ovation. The annual Easter weekend entertainment series capped its run with a high-energy grand finale headlined by one of dancehall’s fastest-rising talents, Malie Donn, whose commanding set cemented his status as one of the genre’s most exciting new acts.

    Thousands of enthusiastic music fans packed the St. Ann venue for the closing event, turning out in droves to cap their long weekend with live entertainment that blended chart-topping music, immersive production, and signature Caribbean hospitality. For years, Sandz has built a reputation as one of Jamaica’s most polished and dynamic festival events, and this year’s iteration did not disappoint. Attendees were treated to a stacked lineup that mixed live vocal performances with sets from some of the region’s most in-demand DJs, including Shukkle Bus, Chromatic, Donhot and Ricky Platinum, who kept energy high from gates open through the final encore.

    The night’s undeniable highlight was Malie Donn’s performance, the latest career milestone for the V6 deejay who has quickly climbed the ranks of the global dancehall scene. Taking the stage to roaring cheers, the breakout artist delivered a 45-minute set packed with his biggest fan-favorite hits, including *7:00 pm*, *Body Tea*, and *Dragga*. His high-octane, audience-focused performance held the crowd’s attention from start to finish, with thousands singing along to every lyric and reinforcing the growing commercial and cultural traction he has earned across the Caribbean and beyond.

    Complementing the on-stage talent was this year’s carefully executed *Pirates of the Caribbean*-themed production, which wove a cohesive visual narrative through every element of the festival space. From the custom-built stage design to small decorative touches scattered throughout the venue, the theme was brought to life seamlessly, creating a visually immersive atmosphere that elevated the entire attendee experience.

    For event organizers, the smooth execution of this year’s Sandz Festival is a clear marker of how far Vacae Weekend has come as a premium international entertainment brand. Andrew Ellis, CEO of Twenty14 Ltd — the parent company behind Vacae Weekend — noted that the 2026 event hit every goal organizers set out to achieve. “This year, we focused on delivering a strong, satisfying finish to what had already been a perfect weekend of celebration,” Ellis explained. “From the headlining performance to the small production details, everything came together seamlessly. We’re endlessly proud of the work our team puts in to pull off an event of this scale, and to bring this kind of world-class experience to Jamaica.”

    This year’s Vacae Weekend would not have been possible without the long-term support of title sponsor Campari Group, whose ongoing investment in Jamaica’s entertainment and cultural sector helped elevate every element of the event. Across the four-day series, the global beverage group integrated its portfolio of premium brands to enhance multiple attendee touchpoints, aligning with the company’s long-standing commitment to backing events that center Caribbean music, lifestyle and cultural heritage. For attendees, organizers and artists alike, the 2026 Campari Sandz Festival has set a new bar for future editions of the beloved Easter weekend tradition.