分类: entertainment

  • Faith Meets Fierce Competition on KTV Gospel Night

    Faith Meets Fierce Competition on KTV Gospel Night

    As the countdown to the grand final of a popular KTV singing competition gets underway, competitors delivered a memorable night of faith-infused performances at the iconic Bliss Center in Belize District on August 19, 2026. With only four contestants remaining in the running for the $10,000 grand prize, every participant pushed their creative and vocal boundaries by stepping far outside their usual performance comfort zones.

    Unlike previous rounds that featured mainstream popular music, this special edition of the competition centered on gospel selections, original self-penned compositions, and custom jingles created for SMART, a key event partner. The theme twist brought a unique blend of spiritual conviction and artistic originality to the stage, as every singer sought to connect deeply with both the judging panel and the voting public that will ultimately decide the winner.

    Local entertainment correspondent Britney Gordon has prepared a full highlight package of the night’s standout moments, with raw video clip set to be added to the online broadcast following the original evening television airing. This online publication is presented as a verbatim transcript of the televised newscast. Per the outlet’s long-standing editorial policy, any commentary delivered in Kriol, Belize’s widely spoken creole language, has been transcribed using a standardized spelling system to preserve the original tone and content of the remarks. Readers can access the full uncut televised broadcast via a linked embed on the news organization’s website.

  • MUB Points Finger At Belize Team over Tikal Backlash

    MUB Points Finger At Belize Team over Tikal Backlash

    The 2026 Miss Universe Belize pageant has found itself at the center of widespread public outrage after a major cultural misstep during a segment dedicated to celebrating Belizean national heritage. What was meant to be a moment to highlight the Central American nation’s unique cultural legacy instead drew intense criticism when an image of Tikal, Guatemala’s most famous pre-Columbian archaeological site, was featured prominently on broadcast screens.

    In an official statement released on Tuesday, the Miss Universe Belize (MUB) organization broke its silence on the controversy, placing full responsibility for the error on the local Belizean production team contracted to handle all visual elements for the event. “We were equally surprised to see Tikal appear on screen during that heritage segment,” the organization noted, confirming that every graphic, design and piece of artwork used throughout the competition was curated and selected exclusively by the local Belizean production professionals. MUB has declined to release the name of the specific team or private agency tasked with the visual production work, leaving questions about accountability still unanswered for many viewers.

    The Tikal blunder is not the only misstep to plague this year’s pageant, which marks the first edition under new ownership by an El Salvador-based company. National Director Destiny Wagner, who was appointed to her role just seven weeks before the August 15 grand finale, previously addressed a separate error in a Monday Facebook post. During the final elimination round, hosts incorrectly announced a Top Six semifinalist group instead of the planned Top Five, creating widespread confusion among both contestants and audiences. Wagner issued a formal apology for that mistake, saying “It should not have happened, and I sincerely apologize to the delegates and everyone watching who was understandably confused.”

    Wagner explained that the string of production errors – which also included a disruptions during the competition’s question-and-answer round – stem directly from the extremely compressed seven-week timeline the organizing team was forced to work within. From her appointment on June 26 to the live grand finale, the team had to rush to put every element of the event together, leaving little room for error checking or revisions. “Was everything perfect? No! We are learning. We are growing. We are adapting,” Wagner said in her statement, framing the mistakes as growing pains for the newly restructured organization.

    Moving forward, MUB has pledged to implement stricter international standards for both production quality and competition scoring in future pageants to prevent similar missteps. The organization emphasized that the missteps from this year’s event will serve as important lessons to strengthen the pageant program long-term. Now, MUB is calling on the Belizean public to set aside the controversy and rally behind the newly crowned titleholder, Caleigh-Rose West, who will go on to represent Belize at the upcoming international Miss Universe competition. “It is in your hands, and in the hands of all Belizeans, to speak positively about Belize and about what we want to project to the world through our worthy representative,” the organization’s statement concluded.

  • WCMF 2026 set to feature Ne-Yo, Machel Montano and top local, regional and continental acts

    WCMF 2026 set to feature Ne-Yo, Machel Montano and top local, regional and continental acts

    One of the Caribbean’s most anticipated annual cultural celebrations is making its return next year, with organizers ready to deliver a three-day celebration of global Creole-influenced sounds. Dominica’s iconic World Creole Music Festival (WCMF) is scheduled to run from October 23 to 25, 2026, at the Windsor Park Sports Stadium, holding its traditional spot in the heart of the island’s national Independence season.

    Organized by the Discover Dominica Authority (DDA), the event has already opened ticket sales to the public, with a full range of visitor accommodations — from small guesthouses and private apartments to luxury villas and full-service hotels — still available for travelers planning to attend. This year’s assembled lineup draws musical talent from across six countries and four continents, blending award-winning international stars with beloved regional and local Dominican acts.

    Headlining the international roster are a host of household names across multiple genres: Grammy-winning R&B performer NE-YO, Trinidad and Tobago’s legendary soca icon Machel Montano, British reggae mainstay Maxi Priest, top Jamaican dancehall artists Alkaline and Skillibeng, groundbreaking South African amapiano DJ Uncle Waffles, iconic Jamaican reggae performer Capleton, and Haitian American singer-songwriter Fridayy. Additional international acts include Haiti’s famous kompa groups Klass and Tabou Combo; Guadeloupe’s Les Aiglons, Jean-Marc Ferdinand and Edday; Martinique’s rising star Maurane Voyer; Democratic Republic of the Congo soukous legend Diblo Dibala; Trinidad and Tobago’s Full Blown; Grenada’s V’ghn; and Saint Lucia’s DYP Band, featuring a roster of guest performers Shemmy J, Tall Boy, Sedale, Hollywood HP, Nerdy, Andrew Biscuit and Ezra D’Funmachine.

    Dominica’s own rich musical scene takes center stage alongside its international guests, with a local contingent that includes iconic bands Midnight Groovers, TK International, Asa Bantan, Signal Band, and Extasy Band, plus solo artists Colton T, Mr. Ridge, Pudaz, Reo, Nice, Gwada G and Shaxx. A curated lineup of DJs — Osocity, Kevin Crown, Optimistic Sounds, and DJ Outkast — will also keep crowds moving between full band sets.
    True to its mission, the 2026 festival will showcase an extraordinary diversity of Afro-Caribbean and global rhythms, including bouyon, soca, dancehall, reggae, cadence-lypso, kompa, soukous, amapiano, and contemporary R&B.

    In an official press release announcing the lineup, DDA Chief Executive Officer Marva Williams noted that the WCMF has long served as a critical bridge connecting Dominican musical traditions to regional and global audiences. “For nearly three decades, the World Creole Music Festival has provided a distinctly Dominican platform where our music meets the sounds of the Caribbean and the world,” Williams said. “The 2026 lineup continues that tradition, but WCMF is also part of something much bigger. We invite visitors to spend some time with us in Dominica this October and immerse themselves in the spirit of our Independence season, with WCMF as one of its major highlights. Come for the music, but stay for the culture, the cuisine, the traditional wear, the village celebrations, our people and the incredible beauty of the Nature Island. There is so much more to experience and this is one of the most exciting and authentic times of year to discover Dominica.”

    Beyond its cultural impact, the festival has become a core driver of Dominica’s tourism sector during the key Independence period. DDA data shows the 2025 iteration of the three-day festival drew more than 42,000 attendees across its three nights. In the nine-day window surrounding the 2025 event, the island recorded 10,540 visitor arrivals — a 48% increase compared to the same period in 2024, and 61% higher than 2023 visitor numbers.

  • Mrs. Vernice “Debbie” Williams, widow of SPBS Founder & President, to be honored with 2026 Distinguished Service and Legacy Award at Dr. Stewart O. Williams Awards Gala in New York.

    Mrs. Vernice “Debbie” Williams, widow of SPBS Founder & President, to be honored with 2026 Distinguished Service and Legacy Award at Dr. Stewart O. Williams Awards Gala in New York.

    A decades-long legacy of selfless service across the military, healthcare, and community advocacy will be formally honored this fall, as Mrs. Vernice “Debbie” Williams, widow of Sandy Point Benevolent Society (SPBS) founder Dr. Stewart O. Williams, is set to receive the 2026 Distinguished Service and Legacy Award at the annual Dr. Stewart O. Williams Awards Gala in the Bronx, New York.

    Williams, a 70-year-old Bronx native, closed out a more than 30-year career of public service when she retired in March 2026, leaving behind a trail of transformed lives shaped by her discipline, empathy, and consistent commitment to lifting up others. Her path of service began in uniform: Williams spent six years serving honorably in the United States Army, where she rose to the rank of Sergeant. That tour of duty instilled in her the core leadership skills, resilience, and sense of civic duty that would define every phase of her later career.

    After concluding her military service, Williams turned her focus to caring for communities through nursing. She earned first an Associate of Science in Nursing from Montgomery County Community College, followed by a Bachelor of Science in Nursing from Immaculata University, launching a clinical career that spanned 26 years at Abington Hospital (now part of Jefferson Health). During her tenure there, she worked across high-need specialties including Medical-Surgical Nursing, Telemetry, and Stroke Care, earning a reputation among patients and colleagues alike for her calm demeanor, compassionate care, and unwavering professionalism. She also took on the critical role of clinical preceptor, mentoring hundreds of newly licensed nurses as they transitioned into their first roles in patient care.

    Later in her career, Williams joined Aetna/CVS Health as a Nurse Case Manager, where she specialized in supporting patients navigating complex, fragmented U.S. healthcare systems. She coordinated cross-continuum care for vulnerable patients and connected countless families with life-sustaining social and medical resources, extending her commitment to patient advocacy beyond the hospital walls.

    Beyond her professional career, Williams was a foundational leader of SPBS, the nonprofit organization her husband founded and led for decades. Working side-by-side with Dr. Williams for more than 40 years of marriage, the pair built their family on a shared foundation of faith, perseverance, love, and service. Williams helped advance SPBS’s core mission of expanding educational access for underserved youth and empowering the next generation of community leaders. She is also a proud mother of three daughters and grandmother of two grandchildren, and in retirement, she prioritizes spending time with family, building new memories with her grandchildren, traveling, and enjoying the fruits of a life spent in service.

    The 2026 Dr. Stewart O. Williams Awards Gala will take place at Maestros Catering Hall, located at 1703 Bronxdale Ave in the Bronx, and carries the fitting theme “Rooted in Service, Grounded in Giving Back.” Early-bird tickets are available for $140 through August 25, 2026, and can be purchased from SPBS members or online via the organization’s Givebutter page at www.givebutter.com/spbsinc.

  • Dominican writer Zephrine Royer shortlisted for 2026 BCLF Elizabeth Nunez Award

    Dominican writer Zephrine Royer shortlisted for 2026 BCLF Elizabeth Nunez Award

    The Brooklyn Caribbean Literary Festival (BCLF) has advanced two Dominican creative voices to the final shortlist stage of its prestigious annual short fiction prizes, shining a spotlight on emerging and established storytelling talent from across the Caribbean and its diaspora.

    Dominican writer and documentary filmmaker Zephryn Royer earned a spot on the 2026 shortlist for the BCLF Elizabeth Nunez Award for Writers in the Caribbean, recognized for her evocative short story *River Mouth*. In a separate category, fellow Dominican Kwame Labassiere was shortlisted for the Elizabeth Nunez Caribbean-American Writer’s Prize for his work *What Cannot Be Done Alone*.

    Per an official statement from Royer’s team, the shortlist was made public via BCLF’s official Instagram account on Sunday, August 16, 2026. The awards, part of the festival’s annual Short Fiction Contest, were created to honor the legacy of Dr. Elizabeth Nunez, a celebrated Trinidadian-American novelist and Distinguished Professor of English at Hunter College, City University of New York, who spent decades advocating for underrepresented Caribbean and African-American writers.

    The regional Elizabeth Nunez Award is open exclusively to creators who were born, raised, or hold citizenship in a Caribbean nation and currently live and work within the region. Entrants submit original short stories capped at 3,000 words, which are evaluated anonymously by a panel of established Caribbean authors.

    Founded in 2019, BCLF holds the unique distinction of being the only literary festival based in the United States focused entirely on elevating Caribbean literature. Its dual Elizabeth Nunez prizes are designed to recognize exceptional literary talent both based in the Caribbean and among the Caribbean diaspora community in North America. The longlist for this year’s contest was first revealed on August 4 by judges Kevin Jared Hosein and Carol Mitchell, featuring submissions from creators across a wide range of Caribbean territories including Barbados, Dominica, Guyana, Jamaica, and Trinidad and Tobago.

    Hosein, an acclaimed Caribbean author himself, praised the 13-story longlist as a bold collection of work defined by creative risk-taking and singular, unforgettable narrative voices. He emphasized the central role of character-driven storytelling in short fiction, noting that “a memorable character is the best vehicle to carry the reader.”

    For Royer, who currently resides in Martinique, the shortlist recognition carries deeply personal meaning, as it offers her the opportunity to represent Dominica, the island that shaped her artistic identity and inspires all her creative work. “I am absolutely honoured to be a part of the BCLF short fiction contest shortlist. I am even more thrilled to be able to not only represent Dominica but to also pay homage to the place that shaped who I am as a writer and that breathes life into all my stories,” Royer shared in a statement.

    Royer already boasts an established career in nonfiction storytelling, with her documentary work earning recognition and support from leading industry programs including IF/Then, HotDocs Cross Currents, the Caribbean Film Academy, Brown Girls Doc Mafia, and the European Film Market. In fiction, this is not her first major accolade: her stories have twice been longlisted for the Commonwealth Short Story Prize, with *Alé-Viré* selected in 2024 and *Witness* earlier this year. *River Mouth* marks Royer’s first honor from BCLF.

    She holds an Associate’s degree in Modern French Literature and a PhD in Bilingual Education from the Université des Antilles. The winners of both BCLF Elizabeth Nunez awards will be announced during the 2026 Brooklyn Caribbean Literary Festival, set to run from September 9 to 13 in Brooklyn, New York. This year’s gathering will explore the theme “One Hand Don’t Clap: Caribbean Worlds, Writing Towards the Future.”

  • OPINION: It’s Time We Recognize Antigua Carnival’s Unsung Heroes

    OPINION: It’s Time We Recognize Antigua Carnival’s Unsung Heroes

    The confetti has settled and the calypso beats have faded after another hugely successful edition of Antigua’s annual Carnival, and now the traditional cycle of post-event gratitude is underway. Every year, well-earned public praise flows to the Antigua and Barbuda Festival Commission, the island nation’s police force and defense force, emergency response teams, media partners, local vendors, corporate sponsors, and the throngs of international visitors who turn out to celebrate the island’s cultural heritage. But one critical group remains conspicuously absent from most shout-outs: the unsung Parade Marshals, who work tirelessly behind the scenes to keep every event safe and running on schedule.

    Long before the first costumed mas band steps onto the parade route, while most revelers are still preparing for the day’s celebrations, marshals are already on site. They spend hours coordinating band positions, liaising with event organizers, troubleshooting early logistical issues, mapping crowd control strategies, and prepping for any unexpected crises that might emerge. They stay at their posts from the first light of dawn until the final band crosses the finish line, long after most spectators have headed home for the night.

    Contrary to common public misconception, the role of a parade marshal extends far beyond walking alongside bands or directing vehicle traffic. Tasked with preserving the flow and structural integrity of the entire procession, marshals collaborate constantly with police officers, emergency medical teams, band leaders, and other event stakeholders. They maintain constant situational awareness, making split-second real-time decisions to keep the parade moving safely and efficiently for participants and onlookers alike.

    What remains widely unacknowledged, however, are the hardships and unfair treatment many marshals endure while carrying out their duties. It is not uncommon for marshals to face verbal abuse from spectators who resent being asked to move out of restricted areas, or who disagree with on-the-spot calls marshals must make to keep the event on track. In more extreme cases, they have been subjected to aggressive behavior and even physical confrontation, simply for doing the job they volunteered to do. Even more disheartening is the unfair blame they absorb for parade delays that are not their fault.

    A core part of a marshal’s mandate is to keep the procession moving at a consistent, manageable pace. But there are repeated instances where mas camps, bands, or individual participants deliberately slow their pace or hold up the procession, creating large, disruptive gaps between parade sections. When marshals’ repeated instructions to keep moving are ignored, the resulting delays are often wrongfully blamed on the marshals who tried to prevent them. This double standard raises a fair question: how can marshals be expected to deliver a seamless parade when participants deliberately refuse to cooperate with official guidance?

    Marshals cannot be in every section of the parade at once, nor can they physically force groups of participants to adhere to the required pace. Their authority is limited to communicating instructions, monitoring progress, reporting issues, and intervening when appropriate. A successful parade ultimately depends on the cooperation of every group involved: bands, mas camps, participants, spectators, and organizers. It is fundamentally unfair to place all blame for delays on marshals when disruptions stem from parties that refuse to follow established event protocols.

    Even in the face of these constant challenges, marshals continue to show up year after year. They work for hours under the scorching Caribbean sun, they pull all-night shifts during multi-day events, they walk miles along the parade route, they de-escalate tense confrontations between uncooperative spectators and participants, and they often put themselves in harm’s way to protect other attendees when crises arise.

    When the last band completes its route, when crowds disperse and the street cleanup begins, marshals are still hard at work. Their responsibilities do not end when the music stops; they remain on post until every final task is complete and the entire parade operation is wrapped up. The bitter irony of their role is that when they do their job perfectly, their work goes entirely unnoticed. If the parade runs smoothly, everyone simply enjoys the festivities without a second thought for the coordination that made it possible. If something goes wrong, however, marshals are often the first to face public criticism. To be clear, the marshals themselves acknowledge that there is always room for improvement, and teams work every year to refine training and processes for the next event.

    Despite this, the public attitude toward parade marshals is long overdue for a shift. Public recognition for Carnival contributors should not be reserved only for those whose work is visible from the sidewalk. It must extend to the behind-the-scenes workers who keep the entire festival running safely and efficiently. Parade Marshals deserve widespread appreciation not just for the countless hours they dedicate to the event, but for the abuse they endure, the high-pressure situations they navigate, and the personal risks they take to deliver a successful celebration.

    As Antigua and Barbuda celebrates the conclusion of another successful Carnival, it is time to ask why the people responsible for keeping parades safe, organized, and on schedule are so often left off the list of publicly thanked contributors. This piece, written by a former parade marshal who has experienced these challenges firsthand, is a tribute: to every marshal who reported for duty before sunrise, who stayed on post for endless hours, who managed difficult confrontations, who absorbed unfair criticism, who faced verbal or physical aggression, and never wavered in their commitment to getting the job done: thank you.

    Your work matters. You are not just people in vests walking along a parade route; you are an essential cog in the machinery that makes Antigua Carnival the beloved celebration it is today. It is long past time that the nation recognizes Parade Marshals not as an afterthought, but as the indispensable, foundational part of Carnival that they truly are.

  • Leisure : Did you know ? #51

    Leisure : Did you know ? #51

    In its latest twice-weekly “Did You Know?” knowledge feature published on August 19, 2026, Haitian digital media outlet HaitiLibre has unveiled new interesting trivia for quiz enthusiasts, alongside a major update to its popular online quiz platform that has grown its collection to more than 200 interactive games.

    This 51st installment of the series centered on a trivia question tied to the outlet’s World Martial Arts Quiz 1.1: What southern Chinese close-quarters striking martial art was famously taught to legend Bruce Lee by grandmaster Ip Man? The answer, revealed in the feature, is Wing Chun, a disciplined fighting style with a centuries-old history and unique core principles.

    Rooted in southern China, Wing Chun was developed as a practical combat system that does not rely on extraordinary physical strength to defeat opponents. Unlike many martial arts that prioritize large, sweeping movements or raw power, Wing Chun centers on economical motion, lightning-fast strikes, and efficient redirection of incoming attacks. Folklore traces the style’s origins to a Buddhist nun, who designed it to let a smaller woman defend herself effectively against a larger, stronger attacker.

    Two of Wing Chun’s most defining characteristics are its use of direct attack trajectories and the iconic Chi Sao, or sticky hands, training method. This technique teaches practitioners to feel and read an opponent’s pressure and movements through constant physical contact, building instinctive reaction times. The style gained global recognition in the 20th century largely thanks to Ip Man, one of its most revered grandmasters, and his star student Bruce Lee — the legendary martial artist and Hollywood actor who would go on to popularize Chinese martial arts around the world.

    Today, Wing Chun remains one of the most widely practiced martial arts globally, valued as a pragmatic self-defense system that focuses on immediate reaction and proper bodily alignment rather than flashy techniques.

    Beyond sharing this martial arts trivia, HaitiLibre used the feature to announce a key milestone for its free online quiz hub. As part of the platform’s regular monthly content update, 30 brand-new quiz games were added to the roster on August 1, 2026. This expansion brings the total number of available quizzes to 210, with new games added to the platform every single month to keep content fresh for returning users.

    The HaitiLibre quiz platform is designed to be accessible for knowledge seekers of all ages and skill levels. Every quiz on the site is offered completely free of charge, requires no user registration to access, and is available in both French and English. Each topic also offers three distinct difficulty tiers — easy, intermediate, and hard — so casual learners and expert trivia fans alike can find content suited to their knowledge base.

    The outlet invites users of all backgrounds to visit its quiz portal at https://quiz.haitilibre.com/en to explore a wide range of topics covering Haiti, global affairs, and dozens of other general knowledge categories. Visitors are also encouraged to share the platform with family and friends, and leave feedback via the comment form available at the end of every quiz to help the outlet improve its offering.

  • Destiny Wagner Breaks Silence on Pageant Controversy

    Destiny Wagner Breaks Silence on Pageant Controversy

    Nearly three days after a chaotic Miss Universe Belize pageant sparked widespread accusations of score manipulation and organizational misconduct, national director Destiny Wagner has publicly addressed the controversy that has overshadowed Caleigh-Rose West’s historic victory. In her first detailed comments since the Saturday night event, Wagner pushed back firmly against claims of intentional sabotage or altered results, attributing all confusion to uncoordinated production missteps rather than bad faith.

    Wagner made clear in her interview with pageant co-host Chealsea Munoz that West’s win was fully earned, rejecting any narrative that the title was improperly secured. She explained that unexpected coordination challenges with the Miss Universe franchise’s El Salvador-based central operations created disruptions that threw the live event off schedule, leading to the errors that triggered public backlash.

    Munoz echoed Wagner’s account, noting that last-minute surprises and miscommunication that the production team had not prepped for created avoidable chaos. She specifically addressed the widespread confusion around the announcement of the top five contestants, explaining that organizers accidentally distributed an incorrect delegate list to on-stage announcers in the heat of the live broadcast. The mistake led to six names being called instead of the planned five, with West, who was ultimately named the winner, originally left off the wrong list distributed before the final round.

    “Things could absolutely have gone better, but that doesn’t take away from the incredible work all eight contestants put into this competition,” Munoz said, pushing back against public criticism that has centered on production missteps rather than the competitors’ performances. “It’s unfair for people to judge what happened when they weren’t behind the scenes dealing with the chaos of the moment. Caleigh-Rose West earned her spot in the top five and her win fair and square; this was just an honest, human mistake.”

    Beyond the top five announcement error, the pageant also faced criticism for featuring imagery of Guatemala’s iconic Tikal Mayan ruins during a segment dedicated to Belizean cultural heritage. In a public statement released after the event, the Miss Universe Belize franchise confirmed that all visual and artistic elements for the cultural segment were selected by a local Belizean team, which has since formally acknowledged and taken responsibility for the accidental misattribution of the landmark.

    This report is adapted from a transcript of an evening television news broadcast, with original Kriol language portions transcribed per standardized spelling conventions.

  • New York mission builds momentum for Vincymas 2027

    New York mission builds momentum for Vincymas 2027

    A high-level delegation from St. Vincent and the Grenadines (SVG) led by Kaschaka Cupid, Minister of Sports, Culture and the Creative Industries, has wrapped up a working visit to New York focused on galvanizing international support for the 2027 edition of Vincymas, the country’s iconic national carnival, under the campaign banner “Road to 50”.

    This trip marks the first major push in a broader outreach strategy to connect with the large Vincentian diaspora based in North America, boost global participation in the landmark 2027 celebrations, and lay early groundwork for a milestone commemoration: 50 years since Vincymas shifted from its traditional pre-Lenten timing to the popular June-July calendar it follows today.

    The centerpiece of the New York visit was a formal media briefing hosted at the Consulate General of St. Vincent and the Grenadines by Consul General Roland “Patel” Matthews, which brought together key government, tourism, carnival, and diaspora leaders from SVG to share details of the 2027 planning with overseas communities.

    Joining Minister Cupid at the briefing was Sharon Jones, Senior Advisor for Diaspora Affairs at SVG’s Ministry of Foreign Affairs, Foreign Trade, Foreign Investment and Diaspora Affairs. During the event, Jones’ department launched a new digital engagement tool: an official Diaspora Registration QR Code, designed to streamline data collection on overseas-based Vincentians, strengthen government connections to the diaspora, and create a centralized registry for future outreach initiatives.

    A cross-sector delegation of SVG stakeholders participated in the briefing, including Richard MacLeish, the St. Vincent and the Grenadines Tourism Authority’s U.S. Director of Sales; Colin Graham, Deputy Chairman of the Carnival Development Corporation (CDC); Gary “Tunkak” Edwards, Representative for Vincy Day USA; and Atiba Williams, Chairman of the New York Vincymas Launch Committee. Additional delegation members included CDC CEO Rodney Small, National Lotteries Authority Board Chairperson Luann Haddaway, and Board Member Delisia DeFreitas.

    Attendees used the briefing to underscore Vincymas’ outsized role in SVG’s national identity and economy, noting it stands as the country’s most prominent cultural event and makes major contributions to tourism revenue, the growth of the creative industries, small business entrepreneurship, and broad-based economic activity across the island nation.

    Following the briefing, the delegation traveled to Long Island’s Heckscher State Park to take part in the annual Vincy Day USA Picnic, the largest annual gathering of Vincentians held outside of SVG’s borders. The event offered a rare opportunity for delegation members to connect directly with thousands of overseas Vincentians and supporters of the country, sharing firsthand the vision for the 2027 “Road to 50” festivities.

    Through the “Road to 50” campaign, the CDC aims to deepen long-term ties with the global Vincentian diaspora, encouraging overseas community members to act as cultural ambassadors for Vincymas, return home for the 2027 milestone celebrations, and introduce SVG’s unique cultural offerings to new international audiences. Beyond celebration, the campaign also seeks to highlight the country’s rich cultural traditions — including soca music, masquerade, calypso, and steel pan performance — showcase its creative talent, heritage, and renowned hospitality, and expand Vincymas’ contribution to inclusive national development.

    In an official press release following the visit, organizers confirmed the New York mission was deemed a clear success. The delegation achieved its core goals of holding direct, productive engagement with diaspora members, U.S.-based tourism and cultural stakeholders, and the Vincy Day USA Picnic organizing team, while delivering a consistent, clear message about the importance of the upcoming 2027 milestone. The release emphasized that the New York visit is just the opening phase of a multi-year global effort to build widespread excitement for what is set to be one of the most significant celebrations of Vincentian culture and creativity in the event’s modern history.

  • ‘No sabotage, No manipulation’: MUB Executive Director Speaks Out

    ‘No sabotage, No manipulation’: MUB Executive Director Speaks Out

    On August 18, 2026, a public controversy surrounding the Miss Universe Belize pageant’s finalist selection process has prompted a formal response from the organization’s leadership, as Destiny Wagner, the executive director of Miss Universe Belize, took to Facebook late Monday to publicly push back against widespread claims of rigged results while acknowledging an honest production mistake that led to the unexpected Top Six announcement.

    In her candid statement, Wagner did not shy away from the flaws of this year’s competition, admitting that not every element of the event ran smoothly. “Was everything perfect? No! We are learning. We are growing. We are adapting. This has been a tremendous learning experience for me personally,” she wrote, framing the incident as a growing opportunity for both her and her team.

    Wagner clarified that the decision to name six finalists instead of the originally scheduled five was entirely an accidental production error, not a deliberate manipulation of the results. She confirmed that contestant Caleigh-Rose West rightfully earned her spot in the official Top Five, and the extra finalist was added by mistake. “It should not have happened, and I sincerely apologize to the delegates and everyone watching who was understandably confused,” she said, firmly denying any allegations of foul play. “There was NO sabotage, manipulation, predetermined result, or alteration of scores.”

    Explaining why the organizers opted to keep all six contestants on stage rather than correcting the error immediately, Wagner noted that the mistake was not the fault of the extra contestant, and she chose not to publicly humiliate the young competitor by eliminating her after she had already been announced as a finalist.

    Wagner also attributed the mistake to the tight turnaround the organization faced after a change in ownership: Miss Universe Belize was recently acquired by an El Salvador-based company, leaving organizers just seven weeks to pull the entire national production together. Coordinating teams, logistics and communication across different countries and time zones in such a compressed schedule created avoidable miscommunications that the team will address moving forward, she said. “I am human. My team is human. Mistakes were made, and we will learn from them,” she added.

    However, Wagner’s statement has failed to fully quell public criticism, as many social media users have pointed out that she ignored a second major controversy that sparked backlash online. Multiple commenters on Wagner’s Facebook post questioned the pageant’s use of Guatemala’s iconic Tikal monument as a background for a segment meant to celebrate Belizean national heritage, a point Wagner made no mention of in her address, leaving the public still waiting for an explanation on that issue.