分类: entertainment

  • FILSD 2026 to feature more than 70 international writers

    FILSD 2026 to feature more than 70 international writers

    One of the Caribbean’s most anticipated cultural gatherings is set to return next year, with organizers officially pulling back the curtain on plans for the 28th Santo Domingo International Book Fair (FILSD 2026). The 12-day event will be hosted at the iconic Juan Pablo Duarte Cultural Plaza, kicking off on September 23 and welcoming book lovers and cultural enthusiasts through October 4.

    Roberto Ángel Salcedo, the Dominican Republic’s Minister of Culture, revealed the expansive scope of the 2026 edition in a recent public announcement. This year’s lineup will bring 70 celebrated international writers to the capital, alongside more than 600 distinct activities spanning multiple art forms. Beyond core literary offerings such as new book launches, expert-led conferences, and intimate author conversations, the fair will also host interactive writing workshops, thematic film screenings, live musical performances, and a full slate of specialized programming designed to engage young readers and children.

    A key strategic focus of the 2026 iteration is expanding the fair’s footprint on the global literary stage. By convening a diverse cross-section of literary stakeholders—from established writers and avid readers to independent publishers, seasoned booksellers, and leading cultural managers drawn from dozens of nations, including delegates from many of the world’s most prominent literary events and festivals—organizers aim to foster broader global connections within the literary community.

    In his remarks, Salcedo emphasized the dual mission that guides the long-running fair. First, the event works to embed literature as a fundamental, accessible pillar of cultural life across the Dominican Republic, making reading and literary engagement available to audiences of all ages and backgrounds. Second, it creates a structured, welcoming space for meaningful cross-cultural exchange and open dialogue between participating creators, industry leaders, and the general public, reinforcing the country’s growing role as a hub for cultural exchange in the Latin American and Caribbean region.

  • Borger Breeveld geëerd met muziek, herinneringen en ‘Wan Pipel’

    Borger Breeveld geëerd met muziek, herinneringen en ‘Wan Pipel’

    On a Monday evening in Paramaribo, Suriname, hundreds of people from across the country gathered to honor the extraordinary life and enduring cultural legacy of iconic Surinamese actor, filmmaker and media personality Borger Breeveld, who passed away earlier this month at the age of 82.

    Organized jointly by Breeveld’s family and the Office of the President of Suriname, the event, titled *Celebrate Borger*, centered not on mourning his loss, but on celebrating his unparalleled contributions to Suriname’s cultural identity and national life. The tribute opened at the Paramaribo Congress Hall, where guests ranging from immediate family and close friends to fellow artists, senior government officials and ordinary admirers gathered to share personal recollections and professional reflections, before moving to Independence Square for a communal screening of *Wan Pipel*—the 1970s classic film that cemented Breeveld’s place in Suriname’s cultural history.

    Breeveld died on August 10 in the Netherlands, where he was cremated three days later. In keeping with his final wishes, his ashes were transported back to his home country of Suriname for the tribute. During the Congress Hall portion of the event, attendees were invited to file past the urn holding his ashes and pay their respects, concluding the moment with a long, standing applause to honor his memory.

    Speakers throughout the evening offered intimate, varied perspectives on the man behind the public persona. His brother Hans Breeveld shared personal anecdotes from their shared childhood and adult lives, while media commentator Clif Limburg highlighted Breeveld’s far-reaching impact on Suriname’s media and communications landscape. Enver Panka reflected on the profound personal influence Breeveld had on his own career and growth, while his daughter Romy-Angele Breeveld described her father as a multi-talented, warm, playful and constantly surprising person, thanking the Surinamese public for the outpouring of support extended to the family following his passing.

    Live music, a core part of Breeveld’s life and work, formed a centerpiece of the tribute. Aisha Breeveld performed Bob Marley’s *Three Little Birds*—a song she recalled singing together with her father on countless occasions. Additional performances came from Hans Breeveld, Carl Breeveld, Nisha Madaran and Bryan Muntslag, weaving personal and cultural connection through the evening’s program.

    Suriname President Jennifer Simons joined the tribute, alongside senior cabinet members including Education, Science and Culture Minister Dirk Currie and Transport, Communication and Tourism Minister Raymond Landveld. In her remarks, Simons emphasized the inseparable tie between Breeveld and the cultural soul of Suriname, noting his name is “inextricably linked to the soul of Suriname.”

    Breeveld first rose to national prominence as an actor in the 1970s, when his lead role in *Wan Pipel* turned him into a household name across the country. He went on to appear in another landmark Surinamese production, *Kon Esi Baka*, but his contributions extended far beyond the screen. A skilled communications specialist, he spent decades working in media, and dedicated much of his later career to mentoring and supporting young emerging artists and creatives across Suriname.

    Simons remembered Breeveld as an approachable, sharp-minded public figure who held uncompromising standards for craftsmanship and perfectionism. She also highlighted his enduring joy for life and remarkable ability to retain his energy and optimism even through challenging circumstances, noting “For me, he is someone who stayed forever young.”

    After the conclusion of the Congress Hall program, attendees moved as a group to Independence Square for the final segment of the tribute: a free open-air communal screening of *Wan Pipel*, the film that forever tied Breeveld to one of the most important chapters in modern Surinamese cultural history. Attendees were invited to light small candles in Breeveld’s memory during the screening.

    Event organizers expressed satisfaction with how the tribute unfolded, noting the evening stayed true to its core mission: it was not merely a farewell to one of Suriname’s most beloved public figures, but a joyous, collective celebration of a life well-lived, a groundbreaking body of work, and a cultural legacy that will shape Suriname for generations to come.

  • Calls Grow for More Traditional Mas at Antigua Carnival Despite Weak Costume Sales

    Calls Grow for More Traditional Mas at Antigua Carnival Despite Weak Costume Sales

    As Antigua and Barbuda prepares to mark the 70th anniversary of its iconic Carnival in 2027, Prime Minister Gaston Browne has reignited a long-running debate over cultural preservation by calling for a greater, more visible presence of traditional mas (masquerade) alongside the event’s dominant modern, bikini-centric costume format.\n\nBrowne laid out his vision during an appearance on the local *Browne and Browne Show*, drawing on a recent cultural experience in neighboring Barbados to make his case. “I saw some traditional mas in Barbados,” Browne noted. “If we can get a little of that. Everything can’t be just about having a little bikini.”\n\nThe prime minister emphasized that his goal is not to displace modern Carnival traditions, but to keep a core piece of Antigua and Barbuda’s cultural heritage alive for current and future generations. To achieve this, he proposed carving out dedicated space for traditional mas: either during the Carnival opening ceremony, or on a separate designated day, where programming can focus on classic cultural characters, handcrafted floats, and family-friendly traditional presentations. Browne specifically called for the return of iconic figures like John Bull, a staple of historic Caribbean mas parades, saying “Let our people feel that traditional mas.”\n\nHowever, festival officials with the Antigua and Barbuda Festivals Commission are pushing back on the proposal, pointing to past attempts to expand traditional mas that failed to generate public participation, even amid repeated public calls for more cultural representation.\n\nCalbert Francis, a commission board member and leader of the popular Sections mas band, shared a firsthand example of this gap between public demand and actual participation. When his band launched, it included an all-traditional costume section designed by celebrated local Antiguan designer Calvin Southwell – yet fewer than 10 of the handcrafted costumes were sold to masqueraders.\n\nFrancis explained that the experience exposed a core challenge of integrating traditional mas into modern Carnival programming: while crowds enjoy watching traditional characters, most paying participants prefer to take part in contemporary, modern costume sections. “There may not be an appetite for people to play in traditional-looking costumes, but they do have the appetite to see the traditional Carnival characters,” Francis said.\n\nCurrently, festival organizers already integrate traditional mas into annual parades: cultural groups in partnership with the Department of Culture regularly field classic characters including John Bulls, stilt walkers, and traditional dancers early in the parade route, ahead of the larger modern party bands. But officials note that many spectators arrive late for the main event, miss the early traditional segments, and later complain that classic mas is underrepresented.\n\nLooking ahead to the milestone 70th anniversary celebrations in 2027, the Festivals Commission says it will continue exploring viable strategies to strike a balance between preserving Antigua and Barbuda’s cherished Carnival heritage and accommodating the preferences of paying masqueraders and international visitors that drive the modern event.

  • Miches to host Este Festival celebrating Eastern Dominican culture and gastronomy

    Miches to host Este Festival celebrating Eastern Dominican culture and gastronomy

    MICHES, EL SEIBO – The Dominican Republic’s Ministry of Culture has officially unveiled plans for the first-ever Este Festival, a three-day celebration of the country’s eastern regional identity set to run from August 28 to 30 in the coastal town of Miches. More than just a public event, the inaugural gathering is designed to serve as a dynamic platform for converging the diverse artistic, culinary, ancestral, and cultural expressions that define the eastern region of the nation.

    At its core, the festival prioritizes elevating the work of local creators, from independent artists to skilled artisans, giving these underrepresented groups a centralized space to display their craft, share their culinary heritage, and pass down long-held regional traditions to new generations. It also aims to foster deeper cultural connection and exchange between different communities across the eastern Dominican Republic, breaking down geographic barriers to cultural engagement.

    In a meaningful tribute to the region’s artisanal legacy, the first edition of Este Festival will be dedicated to renowned local artisan Genaro Reyes, widely known by his nickname “Cayuco.” Through an official Ministry of Culture resolution, Reyes will also be appointed as an honorary advisor for national cultural industry policies. The appointment leverages Reyes’ decades of on-the-ground experience in the artisanal sector, with the explicit goal of strengthening national craft fairs and creating more sustainable support systems for artisanal development across the country.

    Culture Minister Roberto Ángel Salcedo shared full details of the festival initiative during a gathering with local artisans and press representatives at Miches City Hall. During his presentation, Salcedo underscored the long-term value of expanding access to professional opportunities for regional creators, noting that bringing vibrant cultural programming directly into local communities is a core priority of the current administration’s cultural policy.

    Local and national cultural authorities confirmed that Este Festival forms part of a broader, ongoing strategy to spotlight and preserve regional craft and tradition, while expanding targeted support for cultural sector workers and organizations across the eastern Dominican Republic. The initiative marks a key step in decentralizing cultural programming from major urban centers and investing in the unique cultural identity of regional communities.

  • Department of Culture Celebrates Calvin Whyte’s Lifelong Contribution to Steel Pan

    Department of Culture Celebrates Calvin Whyte’s Lifelong Contribution to Steel Pan

    As part of its annual celebration of World Steel Pan Month, the Department of Culture is shining a spotlight on one of the art form’s most enduring figures: Calvin Whyte, a veteran panist, composer-arranger and educator whose six-decade career has shaped steel pan culture across three regions. Whyte’s love affair with the steel pan began in unlikely circumstances, rooted in a weathered, rusted instrument that sat in his family’s South Street yard when he was just a child.

    At the age of 9, Whyte picked up the instrument for the first time, claiming his older brother’s discarded pan as his own practice tool. What started as daily, informal practice sessions on that worn instrument quickly ignited a passion that would become the defining throughline of his entire life. The Department of Culture notes that this humble early start laid the foundation for a lifelong commitment to advancing, teaching, and preserving steel pan music.

    Whyte cut his teeth in the steel pan community as a member of the Brute Force Steel Band, where he trained under the mentorship of legendary band leader Denley Samuel and drew creative inspiration from acclaimed musician Johnny Gomes. Even in these early years, he showed a drive to build community around the art form: he launched his own small pan ensemble using retired instruments donated by Brute Force, giving new players a space to develop their craft.

    As his reputation grew, Whyte’s involvement in the steel pan scene expanded rapidly across decades. In 1974, he joined the ranks of the Supa Stars Steel Orchestra before moving on to perform with the Burt Ramsey-led Peace Pipes Combo. He also stepped into a foundational role as one of the co-founders of the Buccaneer Steel Orchestra, working alongside fellow steel pan advocates Bernal Edwards and Eustace “Tacy” Edwards to build a new ensemble that would nurture local talent.

    Beyond his musical pursuits, Whyte built a parallel career in media and journalism throughout the 1970s. Between 1972 and 1979, he held roles as a reporter and news editor at multiple leading regional outlets, including ZDK Radio, the Government Information Service, and ABS Radio and Television. He also served as a Antigua-based correspondent for the Barbados Nation newspaper, bringing local stories to a wider regional audience.

    A major turning point came in 1980, when Whyte relocated to St. Croix in the U.S. Virgin Islands, where he would deepen his impact as a performer, teacher and arranger for the next four decades. During his time on St. Croix, he added another accomplishment to his resume: author, publishing two foundational texts for steel pan education: *The Instructor* and *Musical Keys to Your Improvisation* that are still used by teachers and students today.

    From 1990 to 2010, Whyte led the music program as a supervisor for the Department of Human Services on St. Croix. He later transferred to the island’s Superior Court, where he worked as a music arranger and lead instructor for the court’s Rising Stars Steelband program, a initiative that used music to engage and support court-involved youth, until his retirement in December 2013.

    Even after stepping into official retirement, Whyte never stepped away from teaching and performing. He continued to share his expertise as an educator at Country Day High School on St. Croix until he relocated to Orlando, Florida in 2019. He remained an active competitor and performer late into his career, taking home first place at the 2017 Virginia Beach International Pan Fest competition, and also served for years as the lead instructor and arranger for the St. Croix National Steel Orchestra.

    In honoring Whyte’s legacy this World Steel Pan Month, the Department of Culture emphasized that his decades-long journey reflects more than just individual artistic achievement: it embodies a life rooted in discipline, commitment to community, and a relentless focus on passing the tradition of steel pan music to the next generation of players.

  • The Trial of Hamilton and Nelson this Saturday, August 29 at 6pm

    The Trial of Hamilton and Nelson this Saturday, August 29 at 6pm

    CHARLESTOWN, Nevis – August 24, 2026 – Local tourism operator Nevis Sun Tours is set to launch its 2026-2027 inaugural performance season this weekend with a groundbreaking new theatrical production that re-examines two of history’s most iconic figures through a modern, interactive lens.

    *The Trial of Hamilton and Nelson*, an original courtroom-style production conceived for Nevis’ unique historical landscape, will hold its first public performance at 6 p.m. on Saturday, August 29 at Charlestown’s Malcolm Guishard Center. The production interrogates the complicated, far-reaching legacies of Alexander Hamilton and Admiral Horatio Nelson – two men who spent their formative early years on the Caribbean island of Nevis – through a structured legal debate that pushes audiences to confront how the pair’s choices still resonate across the Caribbean, the United States, and global affairs today.

    Unlike traditional historical dramas that center the famous figures themselves, *The Trial of Hamilton and Nelson* leaves Hamilton and Nelson off the stage. Their lives, career decisions, and historical impacts are instead debated by opposing legal teams, who lay out four core charges against the two men. Those charges include an examination of their enduring emotional ties to Nevis, their involvement in expansionist and revolutionary wars, their well-documented marital scandals, and their complicity in the transatlantic system of chattel slavery.

    What makes the production uniquely interactive is its role for attendees: every member of the audience steps into the role of the jury, ultimately casting a verdict on which of the two figures carries greater culpability for the harms outlined in the charges. The format blends rigorous historical research with dynamic theatrical storytelling, creating space for lively post-performance debate and challenging popular contemporary narratives about Hamilton and Nelson’s public legacies.

    The project has already garnered international attention ahead of its debut, with features in major outlets including *The New York Post*, NPR’s *Journeys of Discovery* based in California, and the popular travel and lifestyle podcast TripCast360. Beyond its media traction, the production also prioritizes local creative development, providing paid performance and behind-the-scenes opportunities for Nevisian actors and artists.

    This weekend’s opening performance marks the first installment of a season-long series that will expand on different dimensions of Hamilton and Nelson’s legacies in future shows. Tickets for the August 29 debut are available for purchase now through three channels: the official Nevis Sun Tours website, the on-island Alexander Hamilton Museum, and Charlestown’s Sip on the Square venue.

  • Antigua and Barbuda’s One Nation Concert Could Expand to Three Nights in January

    Antigua and Barbuda’s One Nation Concert Could Expand to Three Nights in January

    One of Antigua and Barbuda’s most anticipated annual cultural gatherings, the One Nation Concert, is currently in advanced planning stages that could see the popular event stretch across three full nights when it returns in January, event organizers have confirmed. The concert, which has long served as a unifying platform for celebrating the Caribbean nation’s diverse artistic talent and shared national identity, has historically run as a single-night or two-night showcase, drawing thousands of local attendees and international tourists each year.

  • PM Browne Offers to Help Finance Tian Winter Album for Carnival’s 70th Anniversary

    PM Browne Offers to Help Finance Tian Winter Album for Carnival’s 70th Anniversary

    As Antigua and Barbuda prepares to mark the 70th anniversary of its iconic Carnival celebration in 2027, Prime Minister Gaston Browne has stepped forward with a commitment to back one of the nation’s top musical talents, promising financial support for leading soca artist Tian Winter to create a full-length studio album tailored for the milestone event.

    Browne publicly recognized Winter’s standing as Antigua and Barbuda’s preeminent contemporary soca performer, issuing a call for the artist to leverage his decades of industry experience to craft a compelling, high-quality collection of tracks that will honor the anniversary’s legacy. The prime minister emphasized that established, successful artists carry a critical responsibility to nurture the growth of the local music ecosystem, noting that consistent release of polished, culturally resonant work is foundational to advancing the sector.

    To illustrate this point, Browne drew a parallel to legendary figures who have shaped the nation’s cultural landscape: the late iconic soca artist Swallow and beloved local band Burning Flames. Across multiple generations, the consistent output from these cultural trailblazers helped forge and solidify Antigua and Barbuda’s unique cultural identity, leaving a lasting impact that endures today. While Browne acknowledged the raw talent and promising future of emerging young soca performers across the country, he noted that Winter uniquely combines the seasoned experience, proven artistic skill, and national profile required to raise the bar for Antigua and Barbuda’s soca scene.

    Following his remarks, the prime minister made a formal public offer to contribute directly to the production costs of the proposed album. This government backing comes as event organizers prepare for a significantly expanded 70th anniversary Carnival celebration, aligned with broader national efforts to strengthen the domestic music industry. As regional and global competition for audience attention in Caribbean festival and music markets intensifies, the initiative aims to position Antigua and Barbuda’s cultural offerings for greater international recognition.

  • Arajet and Miami Marlins celebrate Dominican Heritage Day in Miami

    Arajet and Miami Marlins celebrate Dominican Heritage Day in Miami

    South Florida’s vibrant Dominican community stepped into the spotlight recently when low-cost Dominican airline Arajet teamed up with the Miami Marlins and the Dominican Republic Ministry of Tourism to host a one-of-a-kind Dominican Heritage Day celebration at LoanDepot Park. The event was held alongside the Marlins’ regular-season matchup against the Washington Nationals, turning the iconic baseball stadium into a hub of Dominican culture, tradition, and shared national pride for thousands of attendees.

    Festivities kicked off long before the first pitch was thrown, at the stadium’s West Plaza, where live traditional Dominican bands and folk dancers greeted fans as they arrived. The energy carried into pre-game and in-game activities, highlighted by a colorful Dominican Heritage Parade that took over the stadium’s infield, giving attendees a front-row look at the community’s vibrant identity. Beyond performances, the celebration offered a full sensory experience of Dominican culture, from authentic local street food to family-friendly interactive activities designed to introduce guests of all backgrounds to the country’s customs.

    As a key co-sponsor of the event, Arajet partnered with the Dominican Ministry of Tourism to curate a range of exclusive experiences across the stadium. Attendees had the chance to join interactive cultural activities, connect with organizers from both the public and private sector, and enter giveaways for grand prizes that included all-expense-paid trips to the Dominican Republic, inviting visitors to experience the country’s renowned beaches, culture, and hospitality firsthand. After the final out of the game, the celebration wrapped up with a highly anticipated headlining set from iconic Dominican merengue singer Toño Rosario, capping off a day of celebration with a high-energy performance that honored Dominican musical heritage.

    Manuel Luna, chief communications officer for Arajet, explained that the airline’s investment in this event goes far beyond a one-time celebration. He noted that the partnership reflects the brand’s long-term commitment to deepening connections with the large Dominican diaspora based in South Florida. Luna added that Miami stands as Arajet’s second-busiest U.S. route by passenger volume, a statistic that underscores the deep, enduring economic and cultural ties between South Florida and the Caribbean nation. For the airline, the event was both a celebration of community and a reflection of the growing bond between the Dominican Republic and its neighbors in South Florida.

  • Antigua’s Abigail Piper Places Second Runner-Up, Captures Multiple Awards at Regional Pageant

    Antigua’s Abigail Piper Places Second Runner-Up, Captures Multiple Awards at Regional Pageant

    The annual Caribbean regional beauty pageant, which draws talented contestants from 15 island nations across the region, wrapped up its five-day competition over the weekend with a stunning finale that kept audiences on the edge of their seats. Among the standout competitors, Antigua’s own Abigail Piper delivered a series of standout performances that earned her widespread acclaim from judges and fans alike, ultimately taking home the title of second runner-up and securing multiple individual awards across competitive categories.

    Piper, a 22-year-old graduate of the University of the West Indies with a degree in environmental sustainability, impressed pageant panels in preliminary rounds long before the grand finale. She took home top honors in the talent competition for her moving spoken-word performance focused on Antigua and Barbuda’s coastal conservation efforts, and also claimed the award for best evening wear, where she showcased a hand-designed gown crafted by a local Antiguan designer that incorporated traditional Caribbean textile patterns. In the popular fan vote component of the competition, Piper placed third, adding another accolade to her growing collection from the event.

    Pageant organizers noted that this year’s competition placed a renewed focus on contestants’ community engagement and advocacy work, aligning with a global shift in modern pageantry away from a sole focus on appearance and toward celebrating purpose-driven young leaders. Piper’s ongoing work with local Antiguan nonprofits focused on marine conservation, including leading monthly beach cleanups and educational programs for local primary school students, resonated strongly with judges during the question-and-answer portion of the finale, where she outlined her vision for expanding youth-led climate action across the Caribbean.

    In a statement posted to her social media following the competition, Piper expressed gratitude for the opportunity to represent her home country on a regional stage. “This experience has been more than I ever could have imagined,” she wrote. “Getting to share Antigua’s beauty, our culture, and our work to protect our natural home with the entire region is a gift I will always cherish. I could not have done this without the endless support of my community back home, and I am so proud to bring these awards home to Antigua.”

    Local government officials in Antigua have also extended their congratulations to Piper, with the country’s Ministry of Tourism and Culture issuing a statement praising her for elevating Antigua’s profile regionally and highlighting her work as an example of young Antiguan leadership. Planning is already underway for a public reception to welcome Piper back to the island next week, where community members will gather to celebrate her historic performance at the regional competition.