分类: entertainment

  • Courvoisier named official cognac of Xodus Carnival at Lost In Paradise

    Courvoisier named official cognac of Xodus Carnival at Lost In Paradise

    Jamaica’s iconic carnival season is gearing up for a luxe new addition, as world-famous premium cognac producer Courvoisier steps in as the official cognac partner for Xodus Carnival’s highly anticipated 2026 edition, ‘OlympiX’. The historic spirits brand will take center stage at one of the festival’s most buzzworthy happenings: the one-of-a-kind Lost In Paradise experience.

    Lost In Paradise is far from a standard carnival pop-up, forged through a groundbreaking cross-regional partnership between Jamaica’s Xodus Carnival and a leading event brand rooted in Barbados. This collaboration marks a new chapter for Jamaica’s already dynamic carnival landscape, bringing together diverse Caribbean cultural perspectives to create a one-of-a-kind celebration for attendees from across the globe. Organizers say the fusion of regional creative energy and cultural influence will deliver an immersive, unforgettable experience that redefines modern carnival entertainment.

    For Courvoisier, the partnership is more than a sponsorship—it is an alignment of values. The brand will craft an elevated, premium guest experience that weaves its centuries-old legacy of artisanal craftsmanship and luxury elegance seamlessly into carnival’s vibrant, high-energy spirit. From custom-crafted cocktail tastings to interactive immersive brand activations, every touch is designed to amplify the event’s atmosphere and leave a lasting, positive impression on every attendee.

    “Carnival at its core is all about unapologetic self-expression, joyful celebration, and genuine connection between people—values that are exactly what Courvoisier stands for,” explained Georgia Fearon, Brand Manager for Courvoisier. “As the official cognac of Xodus Carnival’s OlympiX season, we could not be more thrilled to bring our signature touch of elegance and refinement to such a high-energy, culturally rich experience at Lost In Paradise.”

    As countdown to the event begins, anticipation continues to build among carnival fans, with many already marking Lost In Paradise as a can’t-miss highlight of the 2026 season. The event is designed to blend top-tier live entertainment, rich Caribbean cultural heritage, and curated premium offerings into a seamless, immersive experience. Courvoisier’s involvement, organizers note, further strengthens the event’s core commitment to delivering quality, elevated style, and once-in-a-lifetime memories for all guests.

    “Teaming up with Courvoisier for Lost In Paradise lets us take the overall guest experience to the next level for our patrons,” shared Pierre Goubault, CEO of Xodus Carnival. “As the official cognac of Xodus Carnival, the brand brings an unmatched level of luxury and refinement that aligns perfectly with our mission: we don’t just put on an event, we deliver a memorable, immersive lifestyle experience that sticks with you long after the celebration ends.”

    Scheduled for April 10, 2026, Lost In Paradise will be hosted at the scenic Gardens at the Jamaica Pegasus, and is structured as a drink-inclusive experience. Attendees can look forward to exclusive, custom-curated DJ sets from a lineup of regional stars, including Jamaica’s own Rice the DJ, Trinidad’s acclaimed Major Penny, and Barbados’ fan-favorite Jus Jay.

  • Canadian office hosts a taste of Antigua and Barbuda

    Canadian office hosts a taste of Antigua and Barbuda

    On a Tuesday evening in Toronto’s trendy Yorkville neighborhood, the Antigua and Barbuda Tourism Authority turned EPOS Cafe into a vibrant showcase of Caribbean culinary heritage, welcoming more than 20 journalists and digital content creators to its exclusive intimate event, “A Taste of Antigua and Barbuda”.

    Attendees were greeted with handcrafted signature cocktails and alcohol-free mocktails as they arrived, before taking their seats for a carefully curated five-course gourmet dining experience. Every dish on the menu was conceived and prepared by celebrated Antiguan chef Giovanni Meyer, who drew deeply from the layered cultural history and vibrant native ingredients of the twin-island nation to craft each bite that tells a story of the destination.

    Tameka Wharton, the Antigua and Barbuda Tourism Director for Canada, opened the event with a warm welcome to guests. Beyond highlighting the evening’s one-of-a-kind tasting menu, Wharton extended a formal invitation to all attendees and travel lovers across North America to experience the full breadth of the islands’ food scene in person during Antigua and Barbuda’s national Culinary Month, held this coming May.

    Chef Meyer brings an impressive, cross-continental resume to his work showcasing his home country’s cuisine. He completed his foundational culinary training at two respected institutions: the local Antigua and Barbuda Hospitality Training Institute, followed by advanced studies at the prestigious Culinary Institute of America. Before launching his work showcasing Antiguan flavor globally, Meyer honed his skills at top local venues including Carlisle Bay Resort and Sheer Rocks in Antigua, then refined his technique at world-renowned establishments overseas: he held a position at the Michelin-starred A Voce in New York City, and later worked at two of Toronto’s most acclaimed dining spots, Constantine and Byblos.

    The Toronto event also drew another notable culinary guest: Canadian celebrity chef, TV host and cookbook author Devan Rajkumar, who was on hand to share his own upcoming connection to the islands’ Culinary Month. Rajkumar is set to travel to Antigua this May, where he will team up with a local Antiguan chef for the program’s headline closing event: a Finale Beach Party and Cookout hosted at the scenic Tamarind Hills property.

    The immersive tasting event marks a key strategic push by the Antigua and Barbuda Tourism Authority to position the twin islands as a top culinary tourism destination, tapping into the growing global interest in food-centric travel experiences that connect visitors to local culture.

  • Quiz : Did You Know ? #13

    Quiz : Did You Know ? #13

    As part of its ongoing monthly general knowledge series “Did You Know?”, the popular free quiz platform Quiz.HaitiLibre has released its 13th installment, focusing on a hidden historical gem of Haiti that ties together national heritage and revolutionary legacy: Fort Ogé in Jacmel.

    Perched on the elevated Cap-Rouge hills overlooking Haiti’s southern coast, the fort carries the name of Vincent Ogé, one of the earliest martyrs who fought for civil and political rights for freedmen in the colonial era of Santo Domingo, the precursor territory to modern Haiti. Constructed shortly after Haiti gained independence in 1804, the installation was originally a core component of Jean-Jacques Dessalines’ national defense strategy, tasked with monitoring Caribbean waters to fend off potential colonial reconquest invasions.

    Architecturally, Fort Ogé follows the standard defensive design of early 19th-century Haitian fortifications, built with dry stone and mortar to maximize structural durability and unobstructed strategic visibility across the coast. The decision by Haiti’s founding leaders to name the fort after Ogé was no accident: it was a deliberate choice to anchor the young nation’s new built heritage to the heroes who paved the way for revolution before independence was achieved.

    Today, the fort serves two key roles for Haitians and visitors alike: it offers sweeping, unrivaled panoramic views of the Caribbean Sea, while also acting as a living educational landmark that connects younger generations to the sacrifices made by the earliest pioneers of Haitian freedom.

    This little-known historical fact is pulled from the answer key accompanying the 13th entry in Quiz.HaitiLibre’s popular series. The free, no-registration platform caters to knowledge seekers of all backgrounds, offering dozens of quiz games covering topics from Haitian history and culture to global current events, with three adjustable difficulty levels – normal, intermediate, and advanced – and full support for both French and English languages.

    As part of its scheduled April 2026 monthly update, 28 brand new quiz games were added to the platform on Wednesday, April 8, expanding the already extensive library of content available to users. Curious readers and knowledge enthusiasts can explore the full collection of quizzes, including previous installments of the “Did You Know?” series, by visiting the official Quiz.HaitiLibre website at https://quiz.haitilibre.com/en.

  • PHOTO: Alfred Rolle Wins Flow’s Final Riddim and Rewards Grand Prize, Takes Home $1,000 Cash

    PHOTO: Alfred Rolle Wins Flow’s Final Riddim and Rewards Grand Prize, Takes Home $1,000 Cash

    The final installment of Flow’s popular Riddim and Rewards talent competition has wrapped up, and the spotlight now shines on Alfred Rolle, the standout competitor who walked away with the grand prize. After weeks of intense performances that showcased a diverse range of musical and rhythmic talent from across the region, Rolle outshone all other participants to claim the $1,000 cash top award.

    The Riddim and Rewards series, launched by telecommunications provider Flow, was designed to celebrate and uplift local emerging creative talent, particularly those rooted in Caribbean rhythmic and musical traditions. The competition drew dozens of entries across preliminary rounds, with fans and a panel of industry judges narrowing the field down to a handful of finalists for the concluding event. From skillful lyrical delivery to innovative rhythm composition, each finalist brought their unique artistic flair to the stage, but Rolle’s standout performance resonated most strongly with both the judging panel and the audience in attendance.

    Industry observers note that competitions like Riddim and Rewards play a key role in nurturing the next generation of Caribbean creatives, providing not just financial support but also much-needed exposure for artists who may otherwise lack access to mainstream opportunities. Flow has long positioned its community-focused entertainment initiatives as a way to invest in the cultural fabric of the regions it serves, and the conclusion of this year’s series marks another milestone in that ongoing commitment. For Rolle, the $1,000 cash prize is more than just a reward—it is a validation of his artistic work and a stepping stone for future projects in his creative career.

  • Soca Meeting Postponed To Support “Manifesting Greatness” Event With Masicka And Dawson Lewis

    Soca Meeting Postponed To Support “Manifesting Greatness” Event With Masicka And Dawson Lewis

    In a show of commitment to nurturing the next generation of creative talent in the soca industry, the National Soca Fraternity (NSF) has formally announced the postponement of its general meeting originally planned for the current date. The decision was made to clear the way for full participation and backing of the high-profile “Manifesting Greatness” youth and artiste engagement initiative.

    The organization has issued a public call urging all young creatives and working artistes across the region to seize the professional and personal growth opportunities presented by the “Manifesting Greatness” event. NSF leadership emphasized that targeted engagement programs like this play an irreplaceable role in advancing both individual careers and the collective evolution of the wider soca and creative entertainment industry. By stepping back to accommodate the youth-focused gathering, the fraternity underlines its priority of investing in long-term industry health over routine organizational business.

    Following the postponement, the NSF has confirmed a new rescheduled date and venue for its general meeting: attendees will now gather at 3:00 p.m. on Saturday, April 11 at Dele’s Restaurant and Bar. The organization extends an open invitation to all soca artistes, industry stakeholders, and interested community members to join the rescheduled session for discussions on ongoing initiatives, future planning, and collaborative projects.

    In closing, the NSF Executive Board offered sincere apologies to all members and guests who had adjusted their schedules to attend the original meeting, acknowledging that the last-minute change may have created unplanned inconveniences. The board reaffirmed its enduring institutional commitment to centering programs and policies that lift up working artistes, foster connectedness across the creative community, and build a more sustainable and inclusive soca industry for all participants.

  • Antigua & Barbuda Youth Symphony Orchestra Hits a High Note with New Musical Equipment

    Antigua & Barbuda Youth Symphony Orchestra Hits a High Note with New Musical Equipment

    Young emerging instrumentalists of the Antigua & Barbuda Youth Symphony Orchestra (ABYSO) are preparing to showcase their craft with a fully upgraded percussion section, after the Sandals Foundation’s Caribbean Artisan Programme contributed more than $35,000 Eastern Caribbean dollars in new instruments and supporting equipment to the ensemble.

    As the philanthropic arm of Sandals Resorts, the foundation has built a long-running regional commitment to growing creative opportunities for young Caribbean people, and this donation marks another milestone in that work. Heidi Clarke, Executive Director of the Sandals Foundation, emphasized that investment in youth arts delivers far more than recreational benefits: “We are dedicated to nurturing Caribbean youth through the creative arts. Music acts both as a transformative tool for individual growth and a robust cultural sector that can generate sustainable livelihoods, boost national economies, and amplify the Caribbean’s unique cultural voice on the global stage. Today’s students are tomorrow’s composers, producers, educators and world-class performers who will carry our region’s heritage to audiences across the globe. By investing in initiatives like ABYSO, we help young artists refine their raw talent, build lasting confidence, and envision viable, long-term careers within the creative industries.”

    ABYSO leadership notes that the orchestra’s long-term viability relies entirely on partnerships with mission-aligned corporate donors and community supporters. Beyond directly improving the training experience for current orchestra members, the new equipment will allow the organization to dramatically expand its community outreach work across both Antigua and its sister island Barbuda. With the additional percussion gear in hand, ABYSO will deepen its in-school programming, delivering introductory instrumental classes to students at Pigotts Primary, Potters Primary, and Holy Trinity School in Barbuda. The outreach initiative also creates a clear talent pipeline, giving promising beginning student musicians a clear pathway to advance into ABYSO’s junior and full youth orchestral programs. A dedicated teacher training component is also included in the partnership, designed to build the instructional capacity of local music educators and ensure orchestral music education can grow steadily and sustainably across both islands. Combined, these efforts are expected to widen access to structured music learning while cultivating a steady pipeline of skilled young Caribbean musicians for years to come.

    For McKuelan Morris, ABYSO’s percussion coordinator, the donation could not have come at a better time. “The percussion instruments we received were not only timely but tremendously welcome additions to our section,” Morris explained. “As we work with our young musicians to develop their skills, the repertoire we tackle grows more complex. Having these high-quality instruments available now lets us add much-needed depth to our collective orchestral sound, while giving our percussionists the opportunity to learn multiple percussion instruments at the same time. We are incredibly grateful for this support.”

    This contribution is just one part of the Sandals Foundation’s decades-long regional investment in youth music education across the Caribbean. In The Bahamas, the foundation has supported community initiatives including the Exuma Community Youth Band and the LN Coakley Music Programme, expanding access to structured learning for young musicians in Exuma. In Jamaica, the organization has backed the Skyliner Marching Band, partnered with Sam Sharpe Teachers’ College to deliver specialized brass education workshops, and invested in the island’s legendary Alpha School of Music. Across all these initiatives, the foundation’s core goal remains consistent: to nurture the next generation of Caribbean musical talent and preserve the region’s rich, diverse musical heritage for future audiences.

  • Jamaica’s NDTC conquers Duke and Cayman Islands

    Jamaica’s NDTC conquers Duke and Cayman Islands

    KINGSTON, Jamaica — Jamaica’s iconic National Dance Theatre Company (NDTC) has capped off a landmark international tour across the United States and the Cayman Islands, earning rave reviews and standing ovations that reaffirm the global power and artistry of Jamaican cultural expression. What has long made NDTC a beloved cultural institution at home has once again captured international audiences, proving that the rhythmic soul of Jamaica translates into a universal, unforgettable performance art.

    The tour’s first major stop took place on February 21, 2026, at Duke University’s Reynolds Industries Theater in Durham, North Carolina, where the company performed to a completely sold-out house. NDTC accepted a special invitation from Duke Arts to join the program of the 7th Bi-Annual Collegium for African Diaspora Dance (CADD) Conference, a leading biennial gathering that brings together dance scholars, practicing artists, and movement professionals from across the United States and the global African diaspora. The conference’s core mission centers on elevating African diaspora dance as both a vital academic resource and a distinct methodological approach to cultural studies, making NDTC’s appearance a highlight of the event.

    Witnesses and official statements from the company describe a transformative performance that transcended a typical stage appearance. In an official media release following the show, NDTC shared: “The company did not merely perform. They claimed the stage. When the curtain fell, the audience rose. The standing ovation was not perfunctory — it was sustained, the kind that signals a room collectively unwilling to let an experience end.” The evening’s performance closed with one of the company’s most enduring works: Rex Nettleford’s legendary *Kumina*, a piece first choreographed in 1971 that remains a cornerstone of NDTC’s repertoire. For minutes after the final curtain dropped, the sold-out crowd remained on their feet, unwilling to end the moving cultural experience.

    Following their triumphant stop at Duke University, the company traveled south and east to the Cayman Islands, where they took the stage at the Harquail Theatre under the patronage of the Cayman National Cultural Foundation (CNCF). The Cayman engagement was designed as a multi-faceted outreach and performance event, starting with an educational matinee show for local children in the morning, followed by two full gala performances in the evenings — and every segment of the visit exceeded expectations. For dozens of young Caymanian students, the morning children’s workshop marked their first ever introduction to NDTC’s distinctive blend of traditional and contemporary Jamaican dance.

    CNCF’s education officer called the youth outreach program both deeply meaningful and exceptionally engaging for young attendees, noting that many participants left with a new appreciation for Caribbean dance traditions. The Cayman visit also marked a memorable career milestone for emerging artist Amaya Gomes, who made her NDTC debut in the company’s *Tribute to Cliff* alongside veteran performer Shavaughn Byndloss. The pair drew widespread praise for their electric on-stage chemistry, with observers highlighting the promising future the performance signals for both young and emerging talent within the company.

    The evening gala performances drew a high-profile audience that included Jane Owens, Governor of the Cayman Islands, who made a point to visit the company backstage following the first gala to offer her personal congratulations. Also in attendance was Isaac Rankine, Jamaica’s Minister for Youth, Sports, Culture and Heritage, who has a personal connection to the Harquail Theatre having previously worked there as a lighting director earlier in his career.

    In the wake of the company’s departure, the Cayman National Cultural Foundation has already made clear its strong desire to host NDTC for a return engagement in the future. That early request for a follow-up tour stop stands as a powerful testament to the lasting, positive impression the Jamaican dance company left on Caymanian audiences and cultural institutions alike. For NDTC, this successful international run adds another chapter to the company’s decades-long history of sharing Jamaica’s rich cultural heritage with audiences across the globe.

  • Marcue reintroduces collabs with Vybz Kartel, Buju Banton, Kent Jones

    Marcue reintroduces collabs with Vybz Kartel, Buju Banton, Kent Jones

    Jamaican emerging recording artist Marcue, who hails from the iconic Duhaney Park community in St Andrew, has carved an early reputation for assembling once-in-a-generation collaborations with some of the biggest names in global music, spanning both local and international industries. Early in his career, the up-and-coming talent earned the opportunity to work alongside legendary reggae pioneer Buju Banton, commercially dominant dancehall figure Vybz Kartel, and Florida-based American rapper Kent Jones, a credential few rising artists can claim.

    The artist’s standout cut *My Favorite Song* first launched with a feature from Buju Banton back in 2015, produced by longtime Jamaican beatmaker Mark “Stone Cold” Hudson. Seven years later, the track got a high-profile refresh, with new verses added from both Vybz Kartel and Kent Jones to the official remix, also helmed by Hudson. However, the full potential of the high-profile project was never realized, after unforeseen personal and professional events pulled Marcue away from the music industry abruptly, forcing a years-long pause on his career and pushing the collab into obscurity.

    Now, after stepping away from the spotlight to navigate unforeseen challenges, Marcue is making his official return to the Jamaican music scene, led by renewed fan demand for the star-studded project he was never able to fully promote. In a recent interview reflecting on his comeback, the artist framed the collaboration as a career-defining milestone that was too special to remain locked away.

    “It was an absolute honour to share a recording with some of the most legendary artists Jamaica has ever given the world,” Marcue explained. “Kent Jones is also such a massive talent – he signed to DJ Khaled’s label and notched a massive breakout hit early in his career, so getting to work with him was a dream come true.”

    While the re-release of *My Favorite Song* and its star-studded remix is Marcue’s current focus for fans, the artist noted that his brand new solo single *Just Can’t Let Go* remains his primary creative priority moving forward. Even so, he argued that revisiting the older collab project feels like the right step as he rebuilds his presence in the industry.

    Reflecting on the multi-year delay that kept the track from reaching its full audience, Marcue emphasized that quality music never loses its resonance. “Good music is timeless, and you don’t get the chance to collaborate with an icon like Buju Banton every single day,” he said. “Bringing this track back to share with the world again is something really special for me, and I hope fans feel the same way.”

  • Bolt statue captivates tourists in Falmouth

    Bolt statue captivates tourists in Falmouth

    FALMOUTH, Trelawny – What began as an unfinished construction project altered by an extreme hurricane has quickly become one of Jamaica’s most beloved new tourist destinations. The 10-foot bronze statue of sprinting legend Usain Bolt, mounted on a newly redesigned fountain at Falmouth’s historic Water Square, has drawn a continuous stream of international visitors eager to snap photos with the monument honoring the world’s fastest man.

    The site, located just steps from Falmouth’s historic cruise port, has become a must-see stop for thousands of passengers who disembark from large cruise ships each week. During a recent visit to the popular attraction, Jamaica Observer spoke with tourists and local guides about the statue’s unexpected rise to fame, and got the latest update on plans for its official dedication.

    Andy, an excited visitor from New York, called the stop a highlight of his Jamaican trip. “It is great! Fantastic! I just found out that the statue is here. My tour guide brought me here and I just had to take pictures with it,” he said.

    Local tour guide Dillion Wilmot explained that Bolt’s global fame makes the statue a draw for nearly every cruise group that comes to Falmouth. “A lot of people come off the boat and they do love to come and take pictures at the statue of Usain Bolt because everyone has heard about him. Most haven’t seen the statue yet, and many have never visited Water Square before. When they come off the ship, they love to see these historical sites and learn about the country’s great people,” Wilmot said, adding that visitors also enjoy learning the deep history of the square itself.

    Water Square holds major historical significance: it was home to one of the earliest piped water systems in the Western Hemisphere, constructed all the way back in 1798. The original fountain on the site dates to 1805, and has been updated and redesigned multiple times in the centuries since.

    Elliot, a tourist from Idaho who was visiting with a group of American travelers, said the statue lets visitors connect with the national pride Jamaicans have for their most iconic athlete. “I like it because we saw Bolt on television and the way his people greeted him when he came home, it was a big excitement for his country. He’s special,” Elliot said.

    The path to the statue’s current popularity was an unplanned one. The Jamaica Defence Force and Trelawny Municipal Corporation partnered to build the new fountain and install Bolt’s statue, but the site remained closed to the public ahead of its planned official unveiling. That changed last October, when Category 5 Hurricane Melissa hit Jamaica with maximum sustained winds of 185 miles per hour. The storm ripped away the protective covering that hid the statue from public view, unexpectedly revealing it to the world months ahead of schedule.

    Since that accidental unveiling, visitors have flocked to the site nonstop, turning it into one of the parish’s top tourist attractions. Officials now say an official dedication ceremony will be held in the near future, after months of delays. The event was originally planned for last Christmas, but had to be pushed back due to supply chain issues that slowed work on the redesigned fountain.

    Olivia “Babsy” Grange, Jamaica’s Minister of Culture, Gender, Entertainment, and Sports, confirmed that the fountain and statue are now fully complete, and officials are just finalizing a new date for the dedication. “I have to speak with the mayor of Falmouth. We had planned to do it at Christmas but we didn’t do it at Christmas. So now we have to select an appropriate date. But it’s ready,” Grange said, noting that the supply delay stemmed from the time it took to source custom parts for the redesigned fountain.

    Falmouth Mayor C Junior Gager, who also chairs the Trelawny Municipal Corporation, said the public will be notified of the dedication date as soon as it is finalized with Grange’s team. Once fully operational, the fountain will feature eight water jets that spray into the air above the base of the statue. Two new storyboards will also be installed at the site: one detailing the life and career of Bolt, who was born in Trelawny’s Sherwood Content community, and another highlighting the long history of Water Square itself.

    The redesigned fountain will also include programmable colored lighting that will be used to mark national and cultural holidays, including Emancipation Day and Christmas Day. Grange confirmed that all infrastructure for the lighting feature is already in place. “They haven’t turned on the lights full time yet but the fountain is all wired and everything. When we turn the water on it’s going to be lit. It’s complete, it’s ready,” she said.

    Bolt, a retired sprinter widely regarded as the greatest sprinter in sports history, still holds the world records in the men’s 100-meter and 200-meter sprints, as well as the 4×100-meter relay. Over his legendary career, he won eight Olympic gold medals and 11 World Championships gold medals, cementing his status as a global sporting icon and a source of immense national pride for Jamaica.

  • Cocktail Hour @ D’ New Nostalgia Restaurant Day Club

    Cocktail Hour @ D’ New Nostalgia Restaurant Day Club

    Montego Bay, Jamaica’s dynamic coastal hub known for its vibrant social and culinary landscape, has added a rising standout to its lifestyle lineup: D’ New Nostalgia Restaurant Day Club, a one-year-old venue that blends indulgent dining, relaxed luxury, and immersive design to create a one-of-a-kind experience for visitors. Now under new local management that took over operations in March, the venue is refining its concept to welcome both Jamaican locals and international tourists while carving out a unique niche in the region’s hospitality space.

    Designed to be both a chic private escape and a lively social gathering spot, the venue’s aesthetic draws inspiration from the bohemian glamour of Tulum’s iconic Taboo, balanced with soft, warm accents evocative of the Mediterranean coastline. The entire space flows around a palette of muted warm neutrals paired with carefully curated decorative elements, complemented by purpose-built luxury amenities including shaded private cabanas, plush oversize day beds, and an elevated sky deck that accommodates everything from quiet afternoons of relaxation to energetic evening celebrations.

    The transition to new ownership began unexpectedly, according to venue manager Cadia Clarke-Simpson. “My sister and I got a call last month that this business was up for sale, she said. She suggested we come and look at it out of curiosity. I came inside and I was sold immediately. We decided then and there that we would take up the offer, and closed the transition to take over operations in March from the previous owner.” Under the new leadership, the team is rolling out small but meaningful tweaks to the venue’s programming, including adding fan-favorite themed events like Taco Tuesdays and Jamaica Day, with more original events in development.

    Central to the new ownership’s vision is a commitment to building a community-focused venue that works for all visitors. “We want this business to be a win-win for the community, to make both tourists and locals feel equally welcomed,” Clarke-Simpson explained. To deliver on that goal, the team is expanding its culinary lineup to add more beloved authentic Jamaican dishes, including classic stew peas with pig’s tail and a reintroduction of traditional Boston-style jerk chicken. At the same time, they are broadening their international offerings with new handcrafted pizza options to cater to varying tastes.

    The venue’s full-service kitchen and fully stocked bar anchor the guest experience, supported by seamless, attentive, well-paced service paired with curated background music that keeps the energy consistent without disrupting conversation or relaxation. The menu itself is a thoughtful fusion of bold Caribbean heritage and global culinary influences, anchored by iconic Jamaican staples that satisfy local cravings and deliver authentic experiences for visitors. Slow-braised oxtail and aromatic curry goat sit at the core of the menu, while fresh seafood options including curried shrimp, whole lobster, and locally caught fresh fish cater to seafood lovers. Global touches like handcrafted tacos and artisanal pastas round out the offerings, appealing to both adventurous diners seeking new flavors and guests who prefer comforting familiar dishes.

    Head Chef Nicolet Johnson, who developed the current fusion menu, shared insight into the culinary philosophy behind the offerings. “The menu is a fusion of Jamaican and international cuisines, including Asian, Italian and Mexican,” Johnson said. “We focus on using the best possible local ingredients, natural and fresh, as we seek to make it a great experience for every patron. My love of fusing cuisines comes out in the menu, and that also makes it possible for diners of all preferences to find something they love in the options.”

    Complementing the award-worthy food is a craft cocktail program that has quickly earned its own acclaim among guests. Created by an in-house skilled mixologist, each drink is as visually stunning as it is flavor-balanced: refreshing, inventive, and perfectly suited for sun-soaked afternoons by the pool or leisurely evening gatherings.

    For the leadership team, the venue’s name encapsulates its core mission. “We want our patrons to have a feeling of comfort, have the best time and keep coming back because of the memories they’re making here,” explained Dwayne Clarke, the venue’s director. “They’ll have the best experience as we strive to maintain excellent customer service, great food and top-tier entertainment. The nostalgia name says it all for us.”

    Located at 14 Queens Drive in Montego Bay, St James, D’ New Nostalgia Restaurant Day Club can be reached for reservations at 876-634-7193 or 876-838-5236. Operating hours are 12:00 PM to 9:00 PM from Monday through Thursday, and 12:00 PM to 12:00 AM on Fridays and Saturdays.