分类: entertainment

  • Joseph Velvet bets on ‘Evermore’ as veteran singer continues comeback

    Joseph Velvet bets on ‘Evermore’ as veteran singer continues comeback

    For decades, reggae vocalist Joseph Velvet has embodied the principle of persistence that gives his debut album its name – it is not just a theme for his music, but the backbone of a decades-long career marked by triumph, hardship, and unshakable dedication to his craft. Now, the seasoned artist is breathing new life into *Evermore*, a fan-favorite track from the *Perseverance* LP, with a fresh reimagining that aims to introduce his timeless sound to younger audiences while reigniting the admiration of long-time followers who fell in love with his work decades ago.

    Originally crafted with heavy R&B influences, the new iteration of *Evermore* has been fully reworked into a classic reggae production, set for global release via Jones Production with worldwide distribution handled by CD Baby. Surprisingly, the idea for the remake did not come from industry executives or long-time collaborators – it originated from Joseph Velvet’s own son, JoJo Singa.

    “The push to redo this track as a full reggae version came from my son Joseph,” explains the singer, born Joseph Jordan Jones. “He believed that pairing the meaningful lyrics with the work of talented, well-known musicians would help the song get the attention it deserves, and grow streams, views, and downloads for the track.”

    The new recording benefits from the contributions of some of Jamaica’s most legendary and respected reggae musicians, a lineup that reads like a hall of fame of Jamaican talent. Iconic saxophonist Dean Fraser, keyboardists Boris France and Paul “Wrong Move” Crosdale, bassist Danny Basie, and a host of other seasoned players joined the project, adding layers of emotional depth and rhythmic complexity that elevate the reworked track.

    But for Joseph Velvet, the release of the new *Evermore* is far more than just another single drop. It marks the next chapter of a career defined by resilience, unforeseen setbacks, and an unwavering commitment to the power of reggae music.

    Even after more than three decades in the industry, the artist acknowledges that he has never quite received the mainstream recognition he believes his work has earned. Rather than lingering on past disappointments or missed opportunities, he has stayed focused on refining his craft and sharing the heartfelt message that runs through all of his music: “Go for what you want and believe in yourself. Just believe and persevere.”

    That life philosophy was forged through years of personal hardship. Born and raised in Kingston’s Cockburn Pen neighborhood, Joseph Velvet broke onto the Jamaican music scene in the late 1980s with *Wildflower*, a silky, soulful cover that became his breakout hit and earned international distribution via VP Records. The track catapulted his career, opening doors for him to share stages with some of reggae’s biggest icons, including Dennis Brown, Freddie McGregor, Gregory Isaacs, Beres Hammond, and Shaggy.

    Like many Jamaican artists of his era, he later relocated to the United States chasing broader performance and recording opportunities, touring consistently across club circuits and releasing new material steadily. While follow-up singles earned critical notice, none matched the commercial success of his breakout hit *Wildflower*.

    The biggest test of his resilience came in 2003. Just as Joseph Velvet was regaining industry momentum with tracks like *Arms Around Me* and *Love Face*, a series of traffic accidents left him with catastrophic spinal injuries. What followed were years of grueling rehabilitation, paired with crippling depression and agonizing uncertainty over whether he would ever step onto a stage or hold a microphone again. The tracks he had recorded ahead of the accident never saw a formal release.

    “There were times when I didn’t know if I would ever sing again,” he reflected.

    The turning point came once again through the encouragement of his son, JoJo Singa, whom Joseph Velvet calls his number one biggest fan. Spurred on by that support, he found the courage to return to the recording studio, eventually releasing his debut full-length album *Perseverance* – a title that perfectly encapsulates the struggles and small victories that shaped his journey. The project reaffirmed his lifelong commitment to music and proved that his determination could not be broken by circumstance.

    In recent years, his previous single *Do What I Got to Do* has generated promising early buzz among reggae fans, and *Evermore* offers another chance to reconnect with global audiences, carrying a message of love, endurance, and quiet hope.

    Beyond his own work, Joseph Velvet remains deeply passionate about the future of reggae as a genre, though he argues that modern reggae has strayed from the core values that once defined the sound. “The current state of reggae music, the standard has fallen and the music differs from the original form in terms of structure and content,” he notes. “The lyrical content in dancehall is toxic and poisonous, and when it comes to reggae, they are not addressing conscious topics like police brutality and poverty and educating the masses.”

    No matter where listeners stand on that assessment, Joseph Velvet’s own discography has always reflected the principles he has lived by throughout his career: positivity, persistence, and purpose. As *Evermore* launches on global streaming platforms, the veteran artist hopes its message resonates as deeply as the story behind it – a lifelong story of talent, hardship, and an enduring refusal to give up on the music he loves.

  • Poetry Echoes of Expression event returns Sep 26 at VP Records HQ

    Poetry Echoes of Expression event returns Sep 26 at VP Records HQ

    Acclaimed Jamaican spoken word artist Richie Innocent is gearing up to launch the third installment of his beloved Poetry Echoes of Expression event, set to take place September 26 at VP Records’ New York headquarters in Queens. Building on the momentum of two prior successful gatherings, the event centers on a core mission that has guided the series from its start: elevating underrepresented spoken word creators and giving them a vital platform to share their work with new audiences.

    In an interview with Observer Online, Innocent emphasized the transformative power of poetic and narrative art to lift up communities. “Recognizing that people need to be lifted up through poetry, stories, songs, books and plays is absolutely essential,” he explained. The iconic space hosted by VP Records, he noted, provides the ideal foundation to build that impact, creating a ripple effect that supports personal growth and development for every attendee who engages with the work.

    Innocent will headline the upcoming show, and he will be joined by a curated lineup of fellow artists that includes Marcia Jackson, a returning performer who appeared in the first two iterations of the series, alongside emerging and established voices Blaq Ice, Yabez, Ras Igus, Killa Boo and Burnett Coburn. Attendees can expect a dynamic, accessible program that blends playful comedic bits with family-friendly musical selections, designed to deliver wholesome entertainment, foster connection, and bring community members together around a shared love of the spoken word.

    The Poetry Echoes of Expression series holds personal milestone meaning for Innocent: it was at the very first event, held earlier this year in 2024, that he launched *Perseverance*, his debut collection of poetry. For the artist, the event is an extension of the creative journey that began decades ago, shaped by his Jamaican roots. Though born in Kingston and raised partially in the Kingston neighborhood of Jones Town, Innocent spent most of his childhood in St. Elizabeth, the rural Jamaican parish he credits with nurturing his lifelong passion for conscious, message-driven music. His professional career as a performer spans an impressive 30 years, during which he has built a reputation for thoughtful, impactful work.

    That work earned major industry recognition just months ago: on May 21, Innocent took home the Mutabaruka Award for Best Poet/Spoken Word Entertainer at the 2024 International Reggae And World Music Awards (IRAWMA), held in Lauderhill, South Florida. The accolade comes on the heels of another upcoming release for the artist: the official music video for his single *The Passover* is set to premiere this Sunday. Innocent co-produced the track with director Marlon Wright, who also helmed the new video.

  • Miss Universe Belize Bought by El Salvador-Based Organization

    Miss Universe Belize Bought by El Salvador-Based Organization

    In a sudden shift for Belize’s national pageant landscape, the coveted Miss Universe Belize franchise has changed ownership for the second time in less than three years, with the rights awarded to an El Salvador-based organization earlier this year. The transfer of ownership was formally announced in a press release from the former holding body, the Miss Universe Belize Foundation, on June 19, 2026.

    Under the leadership of former national director and ex-pageant titleholder Destinee Arnold, Belize reestablished a strong, consistent presence on the Miss Universe global stage, sending two consecutive contestants to the international competition after years of inconsistent participation. Arnold, who built the program from the ground up as a passion project, shared her deep disappointment over the unexpected transfer in an exclusive interview with News Five’s Britney Gordon.

    Arnold explained that her team had voluntarily informed the global Miss Universe organization that they planned to step back temporarily after the 2025 competition, with the explicit intention of regaining the franchise in 2027. They requested only that the Miss Universe organization notify them if any third party submitted a bid for the franchise during their planned hiatus. That notification never came, she says, and the global organization instead awarded the full franchise rights to the El Salvador-based group without any advance warning.

    “It was a heartbroken feeling. Everyone who has worked with me through the foundation knows this was never just a job—it was a passion project,” Arnold shared in the phone interview. “I took this on purely to build national pride for Belize, to showcase our local creatives and small businesses on the world’s most watched pageant stage. To have it taken away, even temporarily, is incredibly disheartening. But I haven’t given up hope. I’m still ready to fight, and my goal is to win back the franchise when it is next available in 2027. That’s exactly what I’m going to do.”

    To win back the franchise rights, Arnold says she will need broad backing from across Belize: from local artists, business owners, and past sponsors who supported her work over the last three years. She argues that a locally run franchise is irreplaceable, because only Belizean organizers understand the nation’s culture and what the country wants to project to a global audience. “When it’s home, it comes with more passion, more drive, and more love for what we’re doing,” she said.

    While Arnold acknowledges that it is not uncommon for international pageant organizations to hold multiple franchise rights across different countries, she stresses that the work her team did has left a lasting impact on Belize’s entire pageant community. Her team developed a new national pageant infrastructure that has already been adopted by other local pageant systems, including the popular Queen of the Bay program. She also pioneered an annual advocacy month centered on community service for local titleholders—a model that has already been copied by other international pageants hosted in Belize this year.

    “That’s the great part of what we built: community service is now the center of what all of our local queens do, and that change isn’t going anywhere,” Arnold noted.

    The new owners from El Salvador are scheduled to arrive in Belize later this week to begin preparations for upcoming national pageant competitions. The full interview was broadcast as part of News Five’s evening television newscast on Thursday.

  • Pan in the City to Showcase Nine Steel Orchestras Ahead of Panorama

    Pan in the City to Showcase Nine Steel Orchestras Ahead of Panorama

    This weekend, downtown St. John’s will pulse with the distinctive, rhythmic sounds of Caribbean steelpan music, as the Antigua and Barbuda Festivals Commission hosts Pan in the City – a pre-Panorama preview event celebrating the nation’s most iconic cultural art form. Slated to begin at 3 p.m. on Saturday, the open-to-public gathering will take place outside the State Insurance Company Ltd. building along Redcliffe Street, staged in partnership with the local insurance firm as part of the lead-up to Antigua and Barbuda’s 2026 Carnival celebrations.

    One of the event’s most meaningful moments will be a formal cheque presentation, where the Antigua and Barbuda Festivals Commission will hand over a new sponsorship grant to the Antigua and Barbuda Pan Association. According to event organizers, the contribution is far more than a one-time donation: it represents the commission’s ongoing commitment to nurturing steelpan music growth and strengthening the country’s entire creative cultural sector.

    Attendees will also hear opening remarks from Dwayne George, the government minister overseeing Carnival and the nation’s creative industries, before the day’s main performances get underway. Nine of the country’s top steel orchestras are lined up to take the stage, giving audience members an exclusive early look at the acts that will compete in this year’s official Panorama competition. The full roster of participating bands includes Hell’s Gate Steel Orchestra, Halcyon Steel Orchestra, Westside Symphony, Original Steel Orchestra, Ebonites Steel Orchestra, Pandemonium Steel Orchestra, Panche Steel Orchestra, Harmonites Steel Orchestra and Gemonites Steel Orchestra.

    A host of distinguished special guests will also be in attendance, including board and leadership members of the Antigua and Barbuda Festivals Commission, the reigning Antigua and Barbuda Carnival Queen, contestants vying for the 2026 Carnival Queen title, and competitors in the ECAB Mr. and Miss Teenage Pageant.

    Organizers note that the event was developed with two core goals in mind: first, to build early hype and public excitement ahead of the official Panorama competition, and second, to bring the beloved traditional sound of steelpan directly into the central commercial and cultural heart of the nation’s capital. As Antigua and Barbuda continues final preparations for its iconic annual summer Carnival, Pan in the City is projected to draw crowds of passionate steelband fans, committed Carnival followers, and casual visitors to St. John’s alike.

  • Remembering ‘Ernie’

    Remembering ‘Ernie’

    Even torrential downpours and a nationwide power failure could not dampen the spirits of attendees who gathered June 5 to celebrate the enduring legacy of beloved Jamaican singer-songwriter Glenroy Anthony “Ernie” Smith at the Ranny Williams Entertainment Centre in St Andrew. Just over 100 guests, including Smith’s family and fellow music industry peers, turned out to pay their respects to the iconic artist, who passed away April 16 in Miami at the age of 80.

    Personal remembrances painted a multifaceted portrait of Smith, highlighting both his extraordinary artistic talent and his deeply held personal values. Paul Smith, the musician’s younger brother by two years, shared intimate memories of their shared childhood rooted in a love for Jamaica’s rural landscapes, particularly the parish of St Ann where Smith spent his formative years. “To the world, he was Ernie, to the family he was Glen. To me, he was my big brother… He was my guide and protector, especially in the formative years,” Paul explained.

    Claudette Bailey Smith, Smith’s widow, reflected on the quiet joy the pair shared over five years of marriage, noting that behind the laid-back vibe of fan favorites such as *Pitta Patta* and *Duppy Gunman* lay a man with a sharp, uncompromising social conscience. “He was deep, he was socially-conscious, he was poetic. He could quote poems that he learned from age 12,” she said of her late husband. Attendees also heard tributes from Jamaica’s Minister of Entertainment and Culture Olivia “Babsy” Grange, representatives from York Castle High School—Smith’s alma mater—Old Students Association, close friend Dave Turano, and vocalist A J Brown, who delivered his remarks via pre-recorded video.

    The event featured a full lineup of moving musical tributes performed by a roster of Jamaican music talent including Charmaine Limonius, Smith’s son Ojay Smith, Boris Gardiner, Grub Cooper, Roy Rayon, Abijah, Carlene Davis, the Glen Myers-led harmony trio, Bongo Herman, and the Tivoli Dance Troupe.

    A towering figure in Jamaican music, Smith rose to prominence as a leading creative force at Federal Records during the 1970s, where he cut many of his most iconic tracks including *Life is Just For Living*, *Duppy Gunman*, and *All For Jesus*, alongside a well-received cover of Kris Kristofferson’s *Sunday Morning Coming Down*. After decades living abroad in Canada and South Florida through the 1980s, Smith returned to his home country of Jamaica in the early 1990s, resuming his contribution to the local music scene. Looking ahead, a new tribute album honoring Smith’s decades-long career, produced by Ed Robinson, is slated to launch to the public in July.

  • All in train for ‘A Taste of Sumfest’

    All in train for ‘A Taste of Sumfest’

    Months ahead of the highly anticipated “A Taste of Sumfest” one-night showcase set for July 18 at St Ann’s Plantation Cove, event director Cordel “Skatta” Burrell has opened up about the event’s core concept, its iconic inspiration, and the behind-the-scenes choices that led to this historic gathering of dancehall’s most legendary rivals. For the first time in 18 years, divided camps of dancehall fans — self-identified “Gully” supporters of Mavado and “Gaza” followers of Vybz Kartel, hailing from every corner of the globe — will get to watch the two superstars share a single stage, a moment that has been nearly 2 decades in the making.

    Burrell emphasized that the event’s clash format draws directly from the legacy of Sting, one of Jamaica’s most famous stage show brands, and pushed back against early speculation that the new event is intended to compete with or overshadow the long-running Boxing Day Sting showcase. “Without Sting, we wouldn’t even be dreaming about this,” Burrell shared during an official launch event Thursday at New Kingston’s Janga’s Soundbar & Grill, in an interview with the Jamaica Observer. “Sting left an indelible mark on both of these artistes’ careers and on the hearts of their fans. Both men left that 2008 venue as winners in the eyes of their supporters, and to this day, fans still debate who came out on top. I was lucky enough to be there in person, and living that kind of energy once just isn’t enough. We needed a part two, and that’s exactly what we’re bringing now. What other brand is worthy of inspiring Reggae Sumfest than Sting?”

    The 2008 Sting clash between Vybz Kartel and Mavado remains one of the most iconic moments in modern dancehall history. The high-stakes lyrical battle cut short unexpectedly before a winner could be named, with tension boiling over as both artistes exited the stage amid intense sparring. That inconclusive ending has kept the debate raging among fans for 18 years, building the hype for a long-awaited rematch that has finally come to fruition for 2026.

    In addition to the headline clash, the one-night event will feature supporting performances from a stacked lineup of Jamaican talent, including Ayetian, Jamal, Queen Ifrica and Marcy Chin, among other rising and established acts.

    This year’s Reggae Sumfest marks a major departure from its decades-long home in Montego Bay, St James. For 32 years, the festival drew fans from across the world to St James for a full week of pre-festival parties, culminating in the iconic Festival Night One and Two at Catherine Hall. But after Hurricane Melissa devastated the parish in October 2025, organizers were forced to secure a temporary new venue for the 2026 event. Burrell addressed widespread fan backlash over the move away from Montego Bay, noting that the shift is intended to support the city’s long-term recovery.

    “There’s been a lot of noise about Sumfest leaving Montego Bay this year, but we don’t pay attention to that noise,” Burrell explained. “Montego Bay is the epicenter of Jamaican entertainment, and it needs space and focus to recover right now. After Hurricane Melissa, things aren’t back to normal — the city needs to be rebuilt bigger and better than before, so we stepped back to let the relevant teams do the work that needs to be done. As Joe Bogdanovich, CEO of DownSound Entertainment, has already confirmed, after this year’s festival, we will be making a major financial contribution to Montego Bay’s recovery efforts.”

    When pressed for details about the massive investment required to bring the two headline superstars to the same stage, Burrell declined to share specific figures, saying that the priority is delivering an unforgettable experience for fans rather than highlighting the financial side of the event. “I was distracted for a long time with the Freedom Street negotiations, and when you’re building a creative experience, you have to step away from that kind of talk,” he said. “Once the deal was finalized, our creative team focused entirely on what kind of energy we want to bring to fans, what we want to deliver for the people who love dancehall. We left the numbers and legal details to the accounting and legal teams. My job is just to make sure Vybz gets to the venue ready to put on an incredible show, and that’s exactly what will happen — same with Mavado. Mavado might be laid back and reclusive these days, but there’s no denying his power. His voice will shake this venue to its core.”

  • Belize Loses Miss Universe Franchise

    Belize Loses Miss Universe Franchise

    In a development that has disappointed pageant communities across Belize, the Miss Universe Belize Foundation has confirmed it will no longer hold the national franchise for the iconic Miss Universe competition, with the licensing rights transferred to an El Salvador-based organization. This transition brings a sudden end to the Foundation’s tenure overseeing the Belizean national pageant, at least for the immediate future.

    According to an official statement from the Foundation, the organization had already notified the global Miss Universe leadership of its plan to step back temporarily after the 2025 pageant cycle. The Foundation intended to use the pause to restructure its internal operations and community outreach programs, with a clear goal of reclaiming the franchise and returning to host the national competition in 2027.

    Despite this arranged temporary exit, Miss Universe’s central governing body made the final call to reassign the Belize franchise to the Salvadoran organization, derailing the Foundation’s planned comeback timeline.

    The Belizean foundation expressed deep disappointment over the outcome, but took time to highlight the meaningful work it has advanced during its years of stewardship. Over its tenure, the organization prioritized empowering the young women who competed as delegates and titleholders, fostering personal growth that has transformed many of its past queens into prominent community leaders, respected role models, and public ambassadors for Belize on global stages.

    Beyond empowering contestants, the Foundation also embedded support for local economic growth into its pageant operations. It intentionally built pathways for Belizean creatives, independent entrepreneurs, and small local businesses to showcase their products and skills to national audiences, allowing these local stakeholders to contribute directly to the pageant’s success while gaining valuable exposure.

    In closing, the Foundation confirmed that the current titleholder, Miss Universe Belize 2025 Isabella Zabaneh, will continue to fulfill her scheduled duties. She remains available for public appearances, speaking engagements, brand partnerships, local community events, and marketing opportunities throughout her remaining tenure.

  • PM hails Sir Emile Straker as a ‘national loss’

    PM hails Sir Emile Straker as a ‘national loss’

    Barbados is this week mourning the passing of one of its most influential cultural figures, Sir Charles Emile Straker, the pioneering musician whose six-decade career helped cement the island nation’s global cultural identity. In an official statement released Friday, Prime Minister Mia Amor Mottley labeled Straker’s death an irreplaceable “national loss”, offering a heartfelt tribute to the artist who shaped generations of Barbadian cultural expression. As co-founder, lead vocalist, and creative driving force of the internationally celebrated band The Merrymen, Straker leaves behind a legacy that stretches far beyond the Caribbean, tying the island’s story to audiences across the globe.

    Straker’s career spanned more than 60 years, during which he built a catalog of beloved tracks that remain inseparable from Barbadian daily life and national memory. Among his most iconic works are fan-favorites including *Beautiful Barbados*, *Nut Seller*, *You Sweeten Me*, *Sam Lord*, *Big Bamboo*, *Ring-Ting-Ting* and *Gary Sobers* — each a snapshot of Barbadian life, history, humor and landscape that has been passed down through generations. Mottley emphasized that Straker did more than create popular music: he built a living cultural archive that preserves the Barbadian experience for future generations.

    “His voice, songwriting, musicianship, and generosity of spirit helped tell Barbados’ story to the world,” Mottley wrote in the full tribute. As the lead singer, guitarist and co-founder of The Merrymen, Straker helped craft a sound that was unapologetically authentic to Barbados and the broader Caribbean: warm, playful, elegant, and rooted deeply in the rhythms and everyday experiences of the island’s people. Through his lyrics and melodies, he captured the unique cadence of Barbadian speech, the beauty of the island’s landscapes, the nation’s core history, and the quiet confidence of its people, Mottley noted. Rather than only providing entertainment, Straker gave his homeland a collective cultural memory, leaving a permanent record of what it means to be Barbadian.

    Beyond his cultural impact at home, Straker also served as one of Barbados’ earliest and most effective tourism ambassadors. Decades before the rise of modern destination marketing and social media promotion, Straker and The Merrymen brought Barbadian culture to audiences across the Caribbean, North America, Europe and beyond. The band performed in hotel venues, concert halls, and major international festivals, welcoming first-time visitors to the island, comforting diaspora communities living abroad, and inspiring countless international guests to fall in love with Barbados and return for future visits.

    Mottley highlighted that Straker’s life and work affirm a long-held truth: much of the Caribbean’s socio-cultural history is preserved in the lyrics of its native music, and Straker’s body of work stands as one of the most complete and beloved records of Barbadian life ever created. Over his career, Straker earned widespread recognition for his contributions to music, culture, and tourism. His many honors include the Barbados Service Star, the Pride of Barbados Award, the Barbados Centennial Honour, and a Commander of the Order of the British Empire for his services to the nation’s tourism and music industries. In 2019, he received one of Barbados’ highest national honors, being named a Knight of St. Andrew, in recognition of his role founding and developing The Merrymen and their distinct musical style. Mottley called the knighthood a fitting honor for a man whose work always carried the dignity, warmth, and unique character of Barbados.

    On behalf of the Government of Barbados and the island’s population, Mottley extended sincere condolences to Straker’s children Dean, Ray and Stacey-Jane, his grandchildren, extended family, friends, fellow musicians, former bandmates, and cultural collaborators, as well as the countless Barbadians and international admirers mourning his passing. She also remembered Straker’s late wife, Joyce Lady Straker, who shared his life’s journey and was herself part of Barbados’ national story.

    “May Sir Emile Straker rest in peace and rise in glory. His voice may be stilled, but his melodies will continue to play wherever Barbadians gather, wherever visitors remember Barbados, and wherever *Beautiful Barbados* is sung,” Mottley wrote in closing.

  • FLASH Sunrise Airways : Win 2 round-trip plane tickets

    FLASH Sunrise Airways : Win 2 round-trip plane tickets

    Ahead of the 2026 World Music Day celebrations, Haiti-based carrier Sunrise Airways has announced an exciting collaborative campaign with independent Caribbean music platform Encuentro, blending regional cultural celebration with a once-in-a-lifetime travel giveaway that runs from June 21 through June 25. The extended five-day event is built around the shared “One Caribbean” vision of both organizations, which seeks to connect the diverse islands, cultures and creative communities that make up the Caribbean region through the universal language of music.

    Every passenger traveling with Sunrise Airways during the campaign period will receive their boarding pass inside a custom branded envelope that doubles as an entry point for the giveaway. Inside each envelope, a scannable QR code directs users to a dedicated campaign landing page. On this page, visitors can stream a hand-curated playlist of regional music assembled by Encuentro, which blends iconic rhythms from across the Caribbean to showcase the area’s rich cultural diversity. Passengers can also enter the prize draw using their existing booking number for a chance to win the top prize: two round-trip tickets to any of the airline’s direct destinations.

    Philippe Bayard, president of Sunrise Airways and a self-described passionate music enthusiast, highlighted the deeper purpose behind the partnership. “For World Music Day, we wanted to offer our passengers a unique experience, at the crossroads of travel and Caribbean sounds,” Bayard explained. “This collaboration with Encuentro concretely illustrates our One Caribbean vision, the one that connects the islands and cultures of the region.”

    Encuentro, the Miami-based independent cultural and artistic platform leading the music curation for the campaign, works to amplify underrepresented Caribbean musical talent. Currently, the label brings together musicians and sonic traditions from Cuba, Haiti and the Dominican Republic, with long-term plans to expand its roster to include artists from across the entire Caribbean. Drawing inspiration from the long-held cultural traditions and vibrant, diverse colors of the region, Encuentro’s core mission is to share Caribbean music with global audiences beyond the geographic boundaries of the Caribbean itself. The project has received ongoing support from Sunrise Airways, which already operates regular air connections between the home countries of many of the label’s featured artists, making cross-regional collaboration and cultural exchange easier than ever.

    Listeners can access the full Encuentro Caribbean playlist via the platform’s official website at https://encuentromusic.com, and travelers can explore all available destinations from Sunrise Airways to plan their potential prize trip at https://sunriseairways.net.

  • Award-winning Cuban musician to perform in Italy

    Award-winning Cuban musician to perform in Italy

    Celebrated Cuban experimental composer Ernesto Oliva is set to take the stage at two of Italy’s most prestigious contemporary music events this coming season, having secured invitations to perform at the Piano City Pordenone Festival and Rome’s iconic Rive Gauche Jazz Festival. The announcement, confirmed by Cuba’s official Cuban Music Institute (ICM), frames the upcoming performances as the latest validation of Oliva’s standing as “one of the most compelling voices in modern Cuban music.”

    A graduate in musical composition from Havana’s esteemed Higher Institute of the Arts (ISA), Oliva first rose to prominence as the founding mind behind the innovative Ernesto Oliva y La Aldea creative project. Throughout his career, his work has been defined by a relentless pursuit of unexplored sonic languages, shaped by a singular perspective on contemporary creation that weaves together experimentation, commitment to Cuban cultural identity, and profound expressive sensitivity.

    Oliva’s genre-defying sound draws from multiple interconnected influences: rooted in the traditional folk music of his native Guantanamo province, it also incorporates structural elements of contemporary classical composition, improvisational energy from jazz, and rhythmic traditions pulled from Afro-Cuban cultural heritage. This unique blend has allowed his work to resonate with diverse audiences across four continents, earning a loyal following across Cuba, Latin America, Europe, and the United States. The ICM emphasizes that Oliva’s greatest artistic strength lies in his ability to deliver an original, viscerally communicative experience to listeners, merging disparate stylistic threads into a cohesive, immersive whole that defies easy categorization.

    Most recently, Oliva’s artistic contributions have been recognized with three 2026 Cubadisco Awards, one of Cuba’s highest honors for recorded music. His critically acclaimed album *De regreso a la aldea* (Returning to the Village) took home top prizes in three competitive categories: Chamber Music, Musicological Notes, and Feature-Length Concert, cementing his reputation as one of Cuba’s most talented and forward-thinking contemporary musicians ahead of his Italian festival debut.