分类: entertainment

  • SPBS all white Annual Boat Ride

    SPBS all white Annual Boat Ride

    Every summer, communities of Caribbean and St. Kitts and Nevis expats across New York and the broader United States mark their calendars for one of the most anticipated social gatherings of the season: the Sandy Point Benevolent Society (SPBS) Inc.’s iconic Annual All-White Boat Ride. For 2026, the beloved community event will return to Flushing, Queens, opening its doors to attendees from all backgrounds to celebrate connection, culture, and shared heritage.

    Hosted by members and friends of the New York-based SPBS, the gathering is more than just a social outing—it is a key fundraising event organized by a network of alumni with deep roots in St. Kitts and Nevis. SPBS is an official 501(c) non-profit organization founded by former students of Sandy Point High School, which has since been renamed the Charles E. Mills Secondary School. The group’s membership draws alumni from communities across St. Kitts and Nevis, including Halfway Tree, Sandy Point, Fig Tree, Newton Ground, St Paul’s, and Dieppe Bay, united by their shared school history and commitment to supporting their community.

    This year’s all-white themed boat ride will set sail from World’s Fair Marina, located at 1 Marina Road, Flushing, Queens, NY 11368, on Saturday, June 27, 2026. General admission is priced at $65 per person, with all proceeds going toward the non-profit’s community programming and initiatives.

    Attendees can expect a full evening of entertainment: pre-boarding tailgate activities will kick off at 5:00 PM, followed by boarding beginning at 6:30 PM. The boat will cruise from 7:00 PM to 11:00 PM, with plenty of space for dancing to a curated soundtrack from popular DJs Trauma and Renee. A wide selection of food will be available throughout the evening, alongside a fully stocked cash bar for beverage purchases.

    Tickets are available for purchase through the Eventbrite platform, or directly from any SPBS member. For direct inquiries and ticket arrangements, attendees can contact any of the following representatives: Mervyn Richardson at 914-374-3381, Desmond Warner at 917-903-6185, Trevor Duggins at 917-560-1262, Collette Joseph at 917-497-5272, Tony Warner at 917-328-6875, Paulette Smithen at 347-755-2218, Junie Benjamin at 646-671-9451, and Trevor Hanley at 917-923-7185.

    This announcement is a press release shared in full with SKNVibes.com, which notes that it does not edit for spelling or grammatical errors in contributed press materials, and the views shared do not necessarily reflect those of SKNVibes.com, its sponsors, or its advertising partners.

  • ‘Fire Kay’ and ‘Zizi’ capture secondary schools soca and calypso crowns

    ‘Fire Kay’ and ‘Zizi’ capture secondary schools soca and calypso crowns

    On Friday, Saint Lucia’s annual National Secondary Schools Calypso and Soca Monarch Competition wrapped up to widespread acclaim, with a new generation of young Caribbean performers exceeding every expectation and wowing crowds with talent that many attendees argued could hold its own against professional senior competitors.

    Split across a full day of dynamic programming, the event opened with the hotly contested Calypso segment in the morning, before shifting to high-octane Soca performances in the afternoon. When the final judges’ scores were counted, two schools claimed top honors: Sir Ira Simmons Secondary School took home the national Calypso title, while Corinth Secondary School secured the Soca crown.

    In the individual Calypso competition, Zalaya “Zizi” Fannis of Sir Ira Simmons Secondary claimed the top spot with her original track “Zizi & I”, which earned her a total of 357 points from the panel of judges. Alex “Lexxii” Pinel of Castries Comprehensive Secondary School finished a close three points behind with his socially conscious performance “S.O.S – Save Our Society”, securing first runner-up.

    Rounding out the top four Calypso finalists were Raygena “Queen Gena” Victor of Patricia D. James Secondary School, whose emotional performance of “Dear Daddy” earned 347 points and second runner-up, and Kenyan “Ti Keno” Osman of Vieux Fort Comprehensive Secondary School, who took third runner-up with 343 points for his track “Teacher”. The additional special award for Best Stage Presence went to Anthony “Mighty Swift” Theophilus of the Saint Lucia Sports Academy, whose dynamic command of the stage captured the attention of judges and attendees alike.

    As the afternoon rolled around, the energy in the venue shifted dramatically for the Soca segment. Backed by raucous groups of school supporters who filled the stands with chants, school colors and homemade signs, every competitor brought infectious energy and commanding stage presence that kept the crowd on its feet throughout the segment.

    When scores were finalized, Kaylee “Fire Kay” Simmons of Corinth Secondary emerged as the new Soca Monarch with her performance of “A Mad Party”, which outscored all competitors. The Soca crown was far from a landslide victory, however: just five points separated Simmons from first runner-up Rickel “Baby T” Joseph of Patricia D. James Secondary, who earned 375 points for his performance of “Ah Bon Ti TayTay La”. Though Joseph narrowly missed taking the top title, his set was widely named one of the most memorable moments of the entire day, drawing some of the loudest cheers and applause from the packed audience.

    Completing the Soca top four were Khloe “Baby K” Joseph of Entrepot Secondary School, who took second runner-up with 341 points for “Put It Up”, and Akayla “Ti Pima” Lewis of Castries Comprehensive Secondary School, who earned 335 points for “Pressure” to claim third runner-up.

    Event organizers have hailed the 2026 iteration of the competition as a resounding success, noting both the exceptional quality of student performances and the event’s critical role in nurturing emerging artistic talent across the island. “This is where we get the next generation of cultural ambassadors, artistes and performers,” said Tamara Gibson, Chairperson of the Carnival Planning and Management Committee, emphasizing the long-term cultural value of investing in youth participation in calypso and soca, two foundational genres of Caribbean culture.

  • Hopeton Lindo, Hawkeye join Favorite

    Hopeton Lindo, Hawkeye join Favorite

    Two iconic 1990s-born reggae talents, Hopeton Lindo and Hawkeye, have officially unveiled their much-anticipated collaborative single *Favorite*, which dropped globally on all major streaming platforms May 29 via independent music distributor Zojak Worldwide.

    Produced by Lindo under his own Irie Pen Records label, *Favorite* falls into the beloved lovers’ rock reggae subgenre, crafted atop the eponymous Favorite rhythm. Lyrically, the track finds each artist opening up about their deep admiration and affectionate attachment to their romantic partners, breaking down the unique qualities that make each woman one-of-a-kind in their eyes.

    Decades after both broke into the mainstream reggae landscape in the 1990s, the pair brings an unmistakable classic reggae warmth to the new release. Lindo’s velvety, polished vocal delivery pairs flawlessly with Hawkeye’s signature deejay styling, resulting in a seamless cross-style blend that underscores the enduring, cross-generational appeal of vintage Jamaican reggae.

    The collaboration came to fruition after the two veteran entertainers reconnected in Kingston, Jamaica this past March. Though they had been casual acquaintances for decades, their professional and personal bond deepened while working extensively alongside the legendary Jamaican production duo Sly and Robbie at the pair’s iconic Kingston recording studio.

    Hawkeye shared genuine excitement about the project, saying he holds immense respect for Lindo’s decades-long career. “Working with Hopeton Lindo is legendary, I would say. You’re talking about a legend with hit songs and exceptional lyrical delivery joining forces with Hawkeye…” he shared in a statement.

    Lindo, who first made a name for himself as a solo artist with fan-favorite tracks including *Territory*, *Silent Consent*, and *Lonely Night*, has built an equally impressive reputation beyond his own recording career as a go-to hit songwriter. Over decades in the industry, he has penned or co-penned some of reggae’s most enduring classics, from Maxi Priest’s *Temptress* to Gregory Isaacs’ *Red Rose for Gregory*, J C Lodge’s *Telephone Love*, Brian & Tony Gold’s *Can You*, and Buju Banton’s *Wanna Be Loved*.

    The new single is not an isolated project: it acts as a standout addition to the larger *Favorite* rhythm compilation, which also features vocal contributions from a slate of top reggae talent including Sanchez, Anthony Malvo, Peter G, Novel T, Inique, and Lindo on a separate solo cut. The full compilation also includes a special juggling mix from King Waggy T, a foundational pioneer in the South Florida sound system scene.

    Critics and early listeners have already highlighted *Favorite* for its raw, authentic reggae energy and standout performances from two of the genre’s most respected long-time artists. The single firmly cements itself as a memorable new chapter in the broader cross-artist *Favorite* rhythm project.

  • Prod.LoudSpeakr plans 1876 Riddim compilation drop for June 26

    Prod.LoudSpeakr plans 1876 Riddim compilation drop for June 26

    Jamaica-based music producer Prod.LoudSpeakr is gearing up to drop his much-awaited 1876 Riddim compilation, a collaborative project designed to lift up rising musical creators from Jamaica and across the globe, when it launches globally on June 26.

    The 9-track collection brings together a diverse roster of fresh talent spanning multiple regions, with each artist bringing their unique creative vision to the shared rhythmic foundation. Featured tracks include Vybrid’s *Grip*, Di Versatile One’s *Real Good*, DejaMck’s *Love Yuh Body*, J Mari’s *My Love*, Trogad’s *Bubble Fi Me*, Sleepy Landell’s *Life*, Briggy Benz’s *Brawling*, Jayidudu’s *Pressure*, and the project’s namesake original 1876 Riddim instrumental, crafted by Prod.LoudSpeakr himself.

    For the producer, the project grew out of a lifelong passion for rhythm-driven compilation projects, which he says offer a one-of-a-kind space for new artists to showcase their craft alongside their peers. “As a lifelong fan of this style of music, I’ve always had a deep appreciation for well-crafted rhythms,” Prod.LoudSpeakr shared in an interview ahead of the release. “But as a producer, I also know just how much work goes into pulling together a full rhythm compilation from start to finish.”

    The project traces its inspiration back to the hit WFYL rhythm from DJ Mac and CrashDummy, whose work motivated Prod.LoudSpeakr to build his own version of the collaborative format. He added that the compilation also grew out of his own goal to expand his production portfolio and connect with emerging creators he had never collaborated with before.

    To build the project’s diverse lineup, Prod.LoudSpeakr launched the 1876 Riddim Challenge, an open call that invited aspiring artists to showcase their skills for a spot on the compilation and a chance to win a grand prize. The challenge was promoted across major social platforms including TikTok, Instagram, and YouTube, which helped the producer attract talent from a wide range of musical and geographic backgrounds. Nigerian artist Jayidudu, for example, secured his place on the lineup through the open challenge.

    Prod.LoudSpeakr also partnered with Di Versatile One, a member of the Future Squad Music collective who hosts the popular TikTok series *High Voltage Wednesdays*—a program dedicated to highlighting underrated emerging artists. Di Versatile One leveraged his extensive industry network to connect the producer with a cohort of Jamaican talents, including Briggy Benz, Sleepy Landell, DejaMck, Trogad, and J Mari, all of whom wound up featured on the final tracklist. An additional introduction through industry connection Toya Famous brought Vybrid of 1neMission onto the project.

    Every track on the compilation was mixed and mastered by CheekyDon Music, whose work helped pull the diverse collection of songs into a cohesive, polished final project. All in all, the entire process from initial concept to final master took roughly four months to complete, and Prod.LoudSpeakr says the June 26 launch date lines up perfectly with the project’s energetic, warm sound. “This felt like the perfect time to drop it, because the whole compilation has such a strong summer vibe,” he explained. “It’s a well-rounded project with a track that every listener can connect with.”

    Musically, Prod.LoudSpeakr describes the core 1876 Riddim as energetic, melodic, and versatile, clocking in at 95 BPM and composed in the key of E.

    DejaMck, a Jamaican artist originally from Savanna-la-Mar, Westmoreland who has pursued music professionally since 2020, called the 1876 Riddim an exciting opportunity for all the artists involved. He was introduced to the project through Di Versatile One, and immediately jumped at the chance to contribute his track *Love Yuh Body*, which adds a distinct new layer to the compilation. “When I heard the rhythm, I knew it was fire right away,” DejaMck said. “My track fit perfectly, and the engineer did such an amazing job with the mastering. The whole project is really promising, full of quality content. The biggest strength of this whole thing is just how much team work went into it.” As release day approaches, DejaMck says he’s optimistic the project will get the recognition it deserves from listeners and industry alike.

    Even as he wraps up work on the 1876 Riddim, Prod.LoudSpeakr is already looking ahead to upcoming projects, including a full EP for featured artist Vybrid expected to drop later in 2024. For now, though, his core goal for the compilation is simple: to create lasting, meaningful opportunities for every artist involved.

    “Our ultimate hope is that the 1876 Riddim becomes a launchpad that lifts up every artist on the project, and introduces their work to whole new audiences,” he explained. “Beyond streams and chart numbers, we want this project to create new opportunities, spark genuine connections between creators and fans, and show what collaboration can do. If listeners walk away finding a new favorite artist, feeling inspired by the music, or gaining a deeper appreciation for Caribbean culture, then this project has accomplished everything we set out to do.”

  • Gin N Juice kicks off summer on June 20

    Gin N Juice kicks off summer on June 20

    Summer party season in Jamaica is about to get a heavy dose of nostalgia, as one of the island’s most beloved retro social gatherings, Gin N Juice, is preparing to make its highly anticipated comeback on June 20. This year’s edition will be hosted at the stunning, scenic Cherry Garden Great House in St Andrew, a venue that organizers say sets the perfect stage for a night of throwback fun and warm connection that harkens back to the golden era of Caribbean nightlife.

    At its core, Gin N Juice is built around celebrating the unmistakeable vibrant energy of three decades that shaped modern social culture: the 1980s, 1990s, and early 2000s. These eras were defined by spontaneous, in-person gatherings that brought whole communities together, where memories were forged over infectious music, energetic dance floors, and shared moments that strengthened lifelong bonds. In an age of increasing digital connection, the event aims to recreate that authentic, face-to-face magic that made retro social events so special.

    Gregg Smith, co-promoter of Gin N Juice, shared that the event’s core mission goes far beyond just throwing a party: it’s about creating space for people to reconnect. “We’ve always called Gin N Juice the party of friends,” Smith explained in an interview with the Jamaica Observer. “So many of us have friendships that get stretched thin by distance, busy schedules, and life changes. This event gives people a reason to carve out time to meet face to face, something we only get to do a few times a year for many groups. It’s a platform to reignite old friendships that may have faded and build on the bonds that already exist, cutting through the barriers of time and distance to create real, meaningful interactions.”

    No retro party would be complete without a standout lineup of skilled selectors, and this year’s Gin N Juice is no exception. Headlining the musical offerings will be three well-regarded Jamaican DJs: Bambino, Gabby, and Narity, who will take turns spinning the iconic hits that defined the 80s, 90s, and early 2000s, keeping the dance floor packed from start to finish.

    Smith noted that music is the backbone of the entire Gin N Juice experience, so the team only brings in DJs with a proven track record of keeping crowds moving. “We’ve worked with Bambino and Narity many times over the years, so we know exactly the high-energy, crowd-pleasing sets they’re going to deliver,” Smith said. “This year, we’re really excited to have Gabby joining the lineup – she’s the wild card that I think is going to steal the entire show. She’s more than proven she can hold her own alongside any established selector, and this event is going to be her big moment where everyone sees what we already know: a new superstar is emerging. Don’t miss it.”

    To make the event even more accessible and enjoyable for groups of friends coming together to celebrate, organizers are rolling out a brand new ticketing option this year: the crew deal. Designed specifically for long-time friend groups looking for a hassle-free, value-packed experience, the new package caters to the current economic climate where guests are looking to maximize their spending without sacrificing fun.

    “The new crew deal is built for groups who want to enjoy the night together, with everything taken care of up front,” Smith explained. “For one price, you get five entry tickets, a choice of liquor that can be upgraded to a 750ml bottle, a dedicated bistro table for your group, and VIP parking. It’s the best value for money on the market right now, at a time when every dollar counts for people. We wanted to make it easier than ever for friend groups to come together and have a great night without breaking the bank.”

  • National Gallery, Scotia collaborate on new exhibition

    National Gallery, Scotia collaborate on new exhibition

    KINGSTON, Jamaica — A one-of-a-kind collaborative art experience is set to launch in downtown Kingston next week, as the National Gallery of Jamaica (NGJ) and Scotiabank Jamaica join forces to unveil a brand-new exhibition titled *Of Wood and Water: The Scotiabank Collection*. The opening event is scheduled for Sunday, June 14, starting at 1:30 p.m. at the gallery’s downtown location at 12 Ocean Boulevard, with free entry open to all members of the public.

    The exhibition draws its evocative name from Jamaica’s ancestral Taino root, which is widely translated to the “land of wood and water” — a nod to the island’s deep indigenous history that serves as the thematic backbone of the entire showcase. Curators have pulled together more than 40 striking pieces from Scotiabank’s extensive corporate art collection, and paired these works with complementary pieces selected from the National Gallery of Jamaica’s own permanent holdings to create a layered, holistic narrative.

    Organized around core geological concepts that mirror the island’s physical and cultural evolution, the exhibition is divided into three distinct thematic sections: superposition, metamorphism, and rupture. Through this structured curation, the collection invites guests to explore how Jamaica’s landscape has been shaped over centuries by shifting, restless natural forces, and to examine the interconnected relationship between the island’s dynamic terrain and the communities that call it home. Attendees will have the opportunity to engage with works that reflect both the geographic and the social evolution of Jamaica, rooted in the indigenous identity that has defined the island for millennia.

  • Brooky Danger spreads positivity with new single ‘Joy Within My Soul’

    Brooky Danger spreads positivity with new single ‘Joy Within My Soul’

    KINGSTON, Jamaica — A Jamaica-born, New York-based reggae performer Brooky Danger is spreading a message of resilience and hope through his latest uplifting release, the single *Joy Within My Soul*. The track was crafted to push listeners to hold onto motivation and optimism even amid the chaos and hardship that defines much of modern daily life. In a recent interview, the conscious entertainer opened up about the personal and global inspirations behind the project, revealing that the idea for the song took root after watching widespread struggles unfolding across international communities. He noticed that many people were feeling burnt out and adrift, and recognized a growing need for audiences to learn how to draw strength from their own inner resilience.

    “The daily events unfolding all over the world are what pushed me to create this track,” Brooky Danger explained. With this new release, he aims to encourage fans to adopt a positive perspective even when confronting unexpected barriers and long-term challenges. “My biggest goal with this song is to give people the motivation to keep moving forward through their everyday lives,” he said.

    For the artist, the message at the core of *Joy Within My Soul* is far more than a marketing hook — it is a deeply personal belief that shapes how he lives his own life. While he does not dismiss the very real difficulties that people face every day, he remains firm in his conviction that intentional optimism is one of the most powerful tools people can hold. “This message is very personal to me. As someone who sees himself as a leader, I have always chosen to stay optimistic,” he shared. When asked about his own greatest source of joy, Brooky Danger pointed to the simple gift of life and good health. “Just the fact that I am alive and well — that is what brings me the most joy,” he stressed.

    Having grown up in Jamaica before relocating to New York to build his career, Brooky credits his life in the United States with expanding his world view and giving him a richer pool of experiences to draw from when writing new music. “Living here has broadened my knowledge base dramatically. I get to see more of the world, which means I always have more stories and ideas to write about,” he explained.

    Though *Joy Within My Soul* centers heavily on themes of hope and encouragement, Brooky Danger is quick to note that this positive tone is no departure from his usual artistic style. “This isn’t something new for me — I have always been a positive person,” he said. He also shared that choosing to release an intentionally uplifting, message-driven track at this moment in history was a fully deliberate choice. “Given everything that the world has been going through recently, releasing this song now was always the plan,” he noted.

    So far, the response to the single from fans in Jamaica and across the global Jamaican diaspora has far outpaced Brooky Danger’s initial expectations. “The response has been absolutely overwhelming, and that has kept me very busy putting new projects and next steps together,” he said.

    Beyond his own music, Brooky Danger advocates for greater support and visibility for culturally rooted, positive reggae music within the broader industry. “I believe this incredible, culture-driven music that we create deserves far more promotion and platform space than it currently gets,” he said. At the same time, he openly acknowledges one of the biggest struggles that message-driven, conscious artists face in today’s streaming era. “It’s sad to say, but right now more audiences are drawn to negative content than positive,” he stated.

    Brooky Danger repeatedly emphasized the critical role that New York’s diverse music scene has played in shaping his growth as an artist. He counts two of Jamaica’s most iconic reggae and dancehall acts — dancehall legend Bounty Killer and reggae superstar Buju Banton — as his biggest artistic influences.

    Describing himself as a highly versatile reggae artist, Brooky Danger says the recording process for *Joy Within My Soul* was an entirely enjoyable experience, and he confirmed that multiple new releases are already in the works and will be dropping in the near future. Looking ahead, he aims to grow his global audience while continuing to use his music as a force for good in people’s lives. “My long-term goals are to tour all over the world and use my platform to help as many people as I can,” he said. For fans and anyone else navigating tough circumstances, he leaves a simple but profound reminder: to cherish life and hold close to what matters most.

  • Dexta Daps climbs to #6 on iTunes Reggae chart

    Dexta Daps climbs to #6 on iTunes Reggae chart

    Fresh off earning silver certification in the United Kingdom for his breakout 2015 hit *Shabba Madda Pot*, popular Jamaican dancehall recording artist Dexta Daps is marking another major career milestone, with a new chart win that cements his growing international footprint.

    On Monday, Daps’ latest studio single *Shine* climbed four spots up the USA iTunes Reggae Chart, jumping from the 9th position to land at number 6, a new career high for the track in one of the world’s largest and most competitive music markets.

    Crafted by production team Aljero Shevon Barnett, Billy Summers, and Daniel Fuller Grossman, with writing credits split between Dexta Daps himself and songwriter Sheldon Taylor, *Shine* generated massive public interest almost immediately after its launch. The track’s resonant message and catchy production helped it climb global reggae charts at an impressive pace, winning over fans old and new in the process.

    The single’s accompanying music video, a collaborative directorial project between visual creator Lagikz and Daps, was filmed entirely on location in Seaview Gardens, the Kingston community that the artist calls home. Shot among the neighborhood’s residents and infused with the area’s signature vibrant energy, the visual leans into raw authenticity and deeply personal storytelling. It captures the intergenerational spirit of the community, weaving a narrative of homecoming that strikes an emotional chord with viewers even outside of Jamaica.

    In an official statement shared with *Observer Online*, Dexta Daps spoke to the meaning of the latest chart achievement, saying, “To have my own music and message hit the top 10 on iTunes means everything. This is for the people who have always held me down and for everyone who dares to step into their own light.”

    As of this report, *Shine* is available for both streaming and digital download across all major global music platforms.

  • Marcia Griffiths teams with Code Red, producer Sean Lewis Folkes for ‘When You Love Me’

    Marcia Griffiths teams with Code Red, producer Sean Lewis Folkes for ‘When You Love Me’

    Marcia Griffiths, one of the most enduring figures in global reggae music, has continued her decades-long streak of staying culturally relevant with a brand-new release. Titled *When You Love Me*, the track marks a new collaborative partnership between the iconic vocalist, acclaimed producer Sean Lewis Folkes, and prominent South Florida backing ensemble Code Red Band. The single officially dropped June 5 via Folkes’ own LF Label imprint.

    Folkes, a producer with an established track record of working with revered reggae acts including Ed Robinson, Luciano, and Pressure Busspipe, shared glowing feedback about his experience collaborating with Griffiths, describing the project as remarkably seamless from start to finish. In an interview with Observer Online, he emphasized that the partnership was rooted in shared professional respect and deep reverence for reggae’s core traditions. “Marcia comes to every project fully prepared, yet remains open to intuitive creative shifts, constantly refining melodies to center the song’s core message,” Folkes explained. “Her calm, focused energy in the studio guarantees every track retains its authenticity, grounding each work in cultural integrity and intentional artistry.”

    Griffiths’ seven-decade career in music is a testament to her unique ability to adapt and remain beloved by new generations of listeners. She launched her professional career in the early 1960s, breaking into the industry as a rocksteady artist at Jamaica’s iconic Studio One, where her career quickly gained momentum by the end of the decade. Unlike many of her peers from the early reggae and rocksteady eras who faded from mainstream attention, Griffiths has consistently maintained her relevance by partnering with forward-thinking producers who understand current musical currents.

    Her career evolution has seen her find success across multiple eras of Jamaican popular music. In the 1970s, she earned global acclaim as a member of The I Three, Bob Marley’s iconic harmony trio, touring across the world with the reggae legend. That same decade, she recorded a string of classic hit singles including *Dreamland* and *Stepping outa Babylon* for pioneering producer Sonia Pottinger. In 1982, she released her best-selling track, *Electric Boogie*, written by the legendary Bunny Wailer.

    The 1990s brought a new wave of popularity for Griffiths when she found a fanbase among dancehall audiences, recording a run of hits including *I Shall Sing*, *Land of Love*, and *Fire Burning* for Donovan Germain’s influential Penthouse Records. At the start of her career at Studio One, she was mentored by celebrated singer-songwriter Bob Andy, with whom she recorded collaborative hits including *Really Together*; her solo breakthrough hits from that era also include fan-favorites *Feel Like Jumping* and *Mark my Word*.

    Now, with her latest release, the 70-plus-year career veteran shows no signs of slowing down, continuing to add new chapters to her legacy as one of reggae’s most iconic voices.

  • Country reggae singer Wesrok finds faith, purpose with ‘God Knows Me Better’

    Country reggae singer Wesrok finds faith, purpose with ‘God Knows Me Better’

    For genre-blending singer Wesrok, country music has always been a medium for raw, authentic storytelling. But with his latest release, *God Knows Me Better*, the country-reggae crooner opens up about his most intimate narrative yet: a gradual, deeply personal journey of growing Christian faith, self-reflection, and the quiet conviction that life’s deepest answers come from a relationship with God.