分类: entertainment

  • Tizzy Ignites Carnival 2026 With New Ep Featuring Road Anthems And A Powerful Message Of Unity

    Tizzy Ignites Carnival 2026 With New Ep Featuring Road Anthems And A Powerful Message Of Unity

    As carnival communities around the Caribbean and beyond gear up for the 2026 celebration season, breakout soca artist Tizzy has launched a highly anticipated new extended play (EP) built specifically to fuel the festivities. The seven-track collection centers on high-energy road anthems crafted to match the exhilaration of parades, street parties, and masquerade processions that define modern carnival culture.
    What sets this release apart from typical carnival projects is its intentional undercurrent of social cohesion. Across each track, Tizzy weaves lyrics that emphasize cross-community solidarity, bridging divides of class, nationality, and background that can sometimes fragment carnival spaces. In a post-pandemic era where many regional festival communities are still working to rebuild connectedness, the artist’s focus on unity strikes a particularly resonant chord with fans and industry observers alike.
    Early previews of the EP have already generated viral buzz across social media platforms dedicated to carnival culture, with listeners praising the blend of infectious, bass-heavy instrumentals and meaningful lyrical content. Festival organizers across Trinidad and Tobago, Jamaica, and several Caribbean diaspora communities in North America and Europe have already added multiple tracks from the EP to their official event playlists for the 2026 season. Industry analysts note that the release signals a growing shift in carnival music toward more purpose-driven content, without sacrificing the upbeat energy that keeps crowds moving through days of celebration.

  • Echoes of Waltham wins Best Video Production at CTO Media Awards

    Echoes of Waltham wins Best Video Production at CTO Media Awards

    A landmark community-led heritage documentary centered on the Grenadian village of Waltham has earned the region’s top tourism industry recognition, taking home the Best Video Production prize at the Caribbean Tourism Organisation (CTO) Media Awards.

    *Echoes of Waltham*, which captures the personal memories, intergenerational stories and distinct cultural landscape of Waltham in Grenada’s St Mark parish, emerged from the Island Echoes cross-cultural co-production initiative. The project is led by the Caribbean Institute for EcoLiberation (CIEL) in strategic partnership with Paxton House’s Caribbean Connections programme, an effort designed to unpack the little-known historical ties between the 18th-century Scottish Borders stately home and Caribbean communities shaped by the plantation economy.

    The transatlantic collaboration traces its origins to journalist Zoe Smith, who uncovered the hidden history of Waltham Estate while investigating the region’s plantation-era past. After discovering the estate was once owned by Ninian Home, a former colonial governor of Grenada who also owned Paxton House, Smith reached out to Home’s descendants to launch a community-focused heritage project that would center local voices rather than elite historical narratives. Over the course of the project, the partnership brought together a diverse coalition of Waltham residents, community organizers, academic researchers, creative artists, young participants and heritage institutions across Grenada, Scotland and England.

    For Smith, the project’s lead, the award is far more than an industry honor—it is a validation of the community trust that made the work possible. “This award is a beautiful recognition of Waltham’s story, but more than that, it is a recognition of the elders, residents and neighbours who trusted us with their memories,” Smith explained. “*Echoes of Waltham* was never simply about making a film. It was about honouring a village, preserving living memory, and creating a bridge between Grenada’s past, present and future. I’m especially proud that this work has connected Grenada, Paxton House and the wider Caribbean diaspora.”

    Unlike traditional historical documentaries that rely heavily on archival text and external expert narration, *Echoes of Waltham* centers the unrecorded voices of Waltham’s long-term residents and elders, preserving their oral histories that might otherwise have been lost to time. Through these personal stories, the film opens critical, accessible conversations about plantation history, the value of intergenerational storytelling, and the urgent need to safeguard Grenada’s vulnerable intangible cultural heritage. The production was shaped by collective input: historian and archivist Dr. Angus Martin provided deep contextual historical expertise, Scottish Paxton House curator Dr. Fiona Salvesen Murrell contributed guidance on transatlantic archival records, and Waltham residents Laslynn Andall and Anthony Patrick brought on-the-ground community perspective that anchored the entire project.

    Dr. Salvesen Murrell emphasized that the documentary aligns with the core mission of Caribbean Connections, which seeks to re-examine Paxton House’s colonial ties through a community-centered lens rather than a traditional institutional framework. “We are delighted that *Echoes of Waltham* has received this recognition from the Caribbean Tourism Organisation,” she said. “This highly meaningful film forms part of Paxton House’s wider Caribbean Connections work, which seeks to explore our historic links with the Caribbean in a thoughtful, creative and resident-centred way. We are deeply grateful to the people of Waltham and to all the partners who helped bring this story to life.”

    The award-winning documentary is just one component of the broader Caribbean Connections programme, which also includes *Palimpsest*, a major exhibition by Grenadian-born artist Billy Gérard Frank. Frank’s work served as a central creative anchor for the partnership, illuminating the layered cultural, historical and emotional connections that bind Grenada, the wider Caribbean, and the Scottish Borders to this day. For Frank, the documentary’s award win highlights the transformative power of centering marginalized voices in shared heritage work. “This film demonstrates the power of storytelling to connect generations, preserve local histories, and deepen our understanding of the enduring ties between Grenada, Scotland, and England,” Frank said. “At its heart, *Echoes of Waltham* is a celebration of memory, place, and the voices that shape our shared heritage.”

    Beyond the recognition from the CTO, the project has already sparked new academic and community engagement. It has catalyzed expanded research into the historical links between St Mark parish and Scotland, with a team of researchers from the University of Edinburgh already conducting an on-site visit to Waltham to advance their work. The film has also been screened locally for staff, students and residents at St Mark’s Bonaire Government School, bringing the story of Waltham back to the community that inspired it.

    Looking ahead, the Island Echoes initiative is set to expand its work in Waltham, with new funding secured from the Grenada Office of Creative Affairs. The next phase of the project will deepen the team’s oral history documentation work with Waltham residents, capturing more untold personal stories, and launch an interactive digital mapping project that preserves the village’s stories, historic sites and cultural landmarks for future generations. The project’s model of cross-border, community-led heritage work has already emerged as a groundbreaking example of how to confront shared colonial history while centering the voices of those most affected by that past.

  • Eerste editie van Boeken, Bier en Meer succesvol van start

    Eerste editie van Boeken, Bier en Meer succesvol van start

    On a recent Saturday evening, the inaugural edition of the pop-up cultural event *Boeken, Bier en Meer* (translated as Books, Beer and More) launched in Souposo, marking the start of a new monthly gathering that blends literary discussion, live music, and casual community connection. The first event centered on the popular ongoing *Jazz Years* exhibition hosted by the Amsterdam City Archives, with researcher Mark Ponte leading a deep dive into the exhibition and its accompanying official book.

    Ponte’s talk shed new light on a little-recognized chapter of Dutch cultural history: the foundational contributions of Surinamese artists to Amsterdam’s mid-20th century jazz scene. He explained that the 1930s saw not only global jazz legends including Louis Armstrong, Josephine Baker and Coleman Hawkins drawing crowds to Amsterdam, but also a wave of Surinamese musicians rising to prominence in the local circuit.

    Among the pioneering artists Ponte highlighted was Lex van Spall (1903–1982), bandleader of the influential group the Chocolate Kiddies, who recorded several tracks alongside prominent African American jazz musicians Freddy Johnson and Rosie Poindexter. Ponte also noted that American saxophonist Coleman Hawkins, who resided in Amsterdam for several years, served as a key mentor to the growing cohort of Surinamese jazz artists joining the local scene. Many of these musicians adopted American stage names to boost their perceived credibility in the mainstream industry; the most successful among them included trumpeter Teddy Cotton (1912–1977) and renowned performer Kid Dynamite (1911–1964).

    Ponte’s presentation was complemented by a musical accompaniment from DJ Earl da Pearl, whose curated jazz selections enriched the discussion and set a warm, immersive tone for the entire evening. After the talk, attendees took part in an open question-and-answer session that invited guests to share their own knowledge, personal stories, and perspectives on the topic. A casual networking session followed, where visitors mingled over complimentary snacks and drinks, and had the opportunity to purchase the exhibition book – which sold out completely before the event ended.

    Reflecting on the debut, event project manager Shereen Carrot described the evening as an intimate, welcoming celebration that successfully wove together visual presentation, live music, and casual conversation. While Carrot noted that small adjustments, including technical refinements, better scheduling for event segments, and a revised opening introduction, will be implemented for future gatherings, she characterized the first edition as an overall rewarding success.

    *Boeken, Bier en Meer* is a monthly pop-up initiative organized by the Stichting Skrifi foundation, designed to bring literary conversation to accessible, informal settings. Each month, the event centers on a discussion of a selected book, alongside in-depth interviews with authors and literary experts that explore key trends and shifts in contemporary literature. Attendees can enjoy beer or wine in a relaxed, social setting, making cultural engagement feel approachable rather than intimidating.

    Beyond deepening readers’ understanding of literary topics, the event also functions as a community hub for anyone with a passion for storytelling and books. It creates space for attendees to connect with one another, discover new titles, and engage with fresh perspectives from across the literary world. The first edition has been widely described as a resounding success, seamlessly blending literature, jazz music, a cozy café atmosphere, and food and drink into a natural, enjoyable experience for all attendees. Organizers have already begun preparations for the second edition, scheduled to take place in July.

  • Nintendo to remake classic ‘Zelda’ game ‘Ocarina of Time’

    Nintendo to remake classic ‘Zelda’ game ‘Ocarina of Time’

    In a major announcement from its Paris presentation Tuesday, Japanese gaming powerhouse Nintendo has confirmed that a brand-new remake of its genre-defining 1998 action-adventure masterpiece *The Legend of Zelda: Ocarina of Time* is in development for the company’s upcoming Switch 2 console. The reveal came during a pre-recorded livestream showcasing Nintendo’s pipeline of upcoming releases, though company representatives shared only limited details about the highly anticipated project, confirming only that the title will launch sometime this year to coincide with the 40th anniversary of the entire *Legend of Zelda* franchise. When the original version of Ocarina of Time launched for the Nintendo 64 console in 1998, it revolutionized the global gaming industry. It introduced players to an unprecedentedly immersive, intricately detailed open 3D world and a groundbreaking combat mechanic that let players lock on to individual enemies— a feature that is now a universal standard across nearly all 3D action and adventure games today. The game follows its iconic green-tunic-clad hero Link on a sprawling adventure that bends time itself, splitting his journey between childhood and adulthood, as he battles the dark tyrant Ganondorf to rescue Princess Zelda and save the kingdom of Hyrule from destruction. For decades, *Ocarina of Time* has retained its reputation as one of the greatest video games ever created, consistently topping “best games of all time” lists from leading gaming publications and holding a nearly perfect 99% aggregate critic score on the review platform Metacritic. This is not the first time Nintendo has revisited the classic title: back in 2011, the company released an updated remake for its Nintendo 3DS handheld console, which reworked the original’s low-polygon graphics to leverage the device’s stereoscopic 3D display technology. The entire *Legend of Zelda* franchise has grown into one of Nintendo’s most successful and enduring intellectual properties, with global sales of all series entries topping 140 million units to date. The most recent mainline installment, 2023’s *The Legend of Zelda: Tears of the Kingdom*, became the fastest-selling game in franchise history, cementing the series’ ongoing popularity decades after its debut. Beyond the new game remake, Nintendo is expanding the Zelda franchise beyond interactive entertainment: a big-budget live-action *Legend of Zelda* feature film is currently in production and scheduled to hit theaters worldwide in April 2027.

  • Elegance Ballroom Experience to fuse fashion, music

    Elegance Ballroom Experience to fuse fashion, music

    A groundbreaking new sophisticated social event is gearing up to debut this summer in Jamaica, blending high-fashion aesthetics, curated entertainment, and charitable giving for an unforgettable experience for attendees across all age groups.

    Organized by veteran stageshow producer Isaiah Laing — the mastermind behind Jamaica’s iconic Sting stage show — ‘Elegance: The Ballroom Experience’ is scheduled to take place July 19 at the Jamaica Pegasus hotel’s grand ballroom, running from 5:00 pm to 11:00 pm. The event is planned as the first installment of an ongoing series focused on refined, accessible entertainment for fashion and music lovers.

    In comments to Jamaica Observer Online, Laing highlighted that the event was designed to fill a gap in the local events landscape: many patrons from diverse age groups are eager for a polished night out, but often avoid informal or unsecure party venues. To address this concern, Laing prioritized securing a safe, upscale location at the Jamaica Pegasus, giving guests the rare opportunity to show off high-end formal wear that often sits unworn in closets between major events.

    The event’s musical lineup has been carefully selected to match its sophisticated vibe, with no overly loud or rowdy tracks planned. Top selectors including Master Rogj, Krazy Kris, Welton Irie, and DJ VJ Snow will bring decades of expertise to the turntables, spinning a curated mix of classic soul, disco, R&B, and lovers rock. Laing noted that DJ VJ Snow was added specifically to enhance the immersive experience, as he pairs his sets with synchronized visual projections displayed on a large screen for attendees.

    Beyond music and fashion, the evening will include complimentary hors d’oeuvres and wine for all guests. Two major prizes will be awarded: $1,000 USD each to the best-dressed couple and the best dancer of the night. A portion of all proceeds from the event will be donated to the JCF Convalescence Home in Black River, St. Elizabeth, extending the event’s impact beyond entertainment to support local community care.

    Laing shared that planning for the debut event has progressed smoothly overall, though he acknowledged the logistical complexity of pulling off the sophisticated experience that attendees expect, even compared to his large-scale work on Sting. “This is a bit easier, but it’s been very technical, too, because of the location and the expectation of what it will be,” he explained.

    For guests looking to secure their spots, tickets are available for purchase online via touchstonelink.com, as well as at multiple physical outlets across Jamaica. Outlets in Spanish Town include the Don P Complex and Sharmz Curry Pot, while Kingston-based buyers can purchase tickets at Fontana Pharmacy Waterloo, DLux Restaurant and Lounge, and Wok Express Restaurant.

    Event publicist Ramona Samuels shared that organizers are confident the event will deliver a one-of-a-kind memorable experience for attendees. “The ballroom ambiance in summer is what makes this event unique,” she said, noting that the elegant dress code, curated throwback music selection, and focus on sophisticated fun set it apart from other local events. “We’re encouraging party lovers and lovers of souls, R&B, disco, and fans of luxury, elegance, and fashion to enjoy an evening of sophisticated enjoyment,” she added.

  • Dancehall artiste Munga Honorable’s murder trial gets underway

    Dancehall artiste Munga Honorable’s murder trial gets underway

    After years of repeated postponements and procedural disruptions caused by witness relocation, the long-awaited murder trial involving prominent Jamaican dancehall performer Munga Honorable and his co-defendant Sheridan Gordon finally commenced at Kingston’s Home Circuit Court on Monday.

    The 48-year-old artist, legally named Damian Rhoden, and Gordon stand accused of the 2017 fatal shooting of Cleveland Smith, a 39-year-old resident of the Ackee Walk neighborhood in St Andrew. Court documents confirm Smith is the cousin of fellow dancehall entertainer Mr Vegas, a detail that has drawn widespread public attention to the case since it was first filed.

    On the opening day of proceedings, the prosecution’s first eyewitness took the stand to give her account of the 2017 incident. Under oath, she told the court that she clearly observed both Rhoden and Gordon open fire on Smith as he rode his bicycle through the neighborhood. She testified that after the barrage of bullets stopped, Smith remained motionless on the ground beside his vehicle, leaving no doubt of the severity of his injuries.

    Ahead of the midday adjournment for lunch, the judge revoked bail that had been granted to both defendants shortly after their initial arrest in 2017. Court observers from the Jamaica Observer witnessed the two men being led out of the courtroom in shared handcuffs, escorted by two armed officers of the Jamaica Constabulary Force. The artist was documented moving at a slow pace as he exited the building, with both men remaining in cuffs when they returned to the court for afternoon proceedings.

    When the session drew to a close for the day, lead defense attorney Christopher Townsend formally petitioned the judge to reverse the bail revocation, noting that the pair had complied with all bail conditions for nearly seven years without incident. The judge granted the defense’s request, extending bail for both defendants until the trial resumes this Thursday.

    The official police account of the 2017 incident states that Smith was confronted by a group of armed men while he attended a local community entertainment event. Authorities allege that a confrontation broke out between Smith and the group, during which he was struck by multiple gunshots. He was immediately transported to Kingston Public Hospital by emergency responders, but was pronounced dead shortly after arriving at the facility. The case has remained a high-profile topic in Jamaica’s entertainment community for nearly a decade, with the trial’s opening marking a major milestone in the legal process.

  • 20-y-o med student is MUJ KSA

    20-y-o med student is MUJ KSA

    In a glittering ceremony held last Saturday night at Wolmer’s Boys’ High School’s Douglas Orane Auditorium, history was made as Hannah Collings-Myers, representing Digita Properties Limited, claimed the title of the first-ever Miss Universe Jamaica Kingston & St Andrew. The 20-year-old medical sciences student from The University of the West Indies was just as shocked as the gathered audience when her name was announced as the inaugural winner, marking the culmination of months of rigorous preparation and personal growth.

    Collings-Myers’ pageant journey began two years earlier, when Jermane Blair, franchise manager for the Miss Universe Jamaica Kingston & St Andrew competition, first spotted her at a local fashion show and encouraged her to enter. Speaking to Jamaica Observer shortly after the midnight coronation, the new queen shared her surprise and gratitude for the experience. “Surprise, yes, I am. This journey has been terrifying; I have been so scared to do everything, but I’ve put my best foot forward, and I don’t know why I’m so surprised to see that it came with good results. But I guess that it just wasn’t what I expected, but I’m extremely happy with the results,” she said.

    Looking back on the intensive training and preparation that led her to the crown, Collings-Myers emphasized that the competition offered far more than a title—it was a life-changing opportunity for self-discovery. “The training was definitely hard, lots of long days, but it was worth it. I have taken away a new sense of self. I was so unsure about coming into this competition, and the fact that I came here, put my best out and could win, it shows me that I am much more than I think I am,” she explained. She added that while Blair sparked her initial interest, she chose to see the competition through because it offered a chance to step out of her comfort zone and grow as a person—an outcome she says she has fully achieved.

    Blair, who first recognized Collings-Myers’ unique potential two years prior, shared his pride in the new queen’s achievement. “I met Hannah at a fashion show two years ago and I thought that she was so beautiful. Her way of communicating was just so mature, and her responses were so intellectual. I reached out to her and encouraged her to enter, but she decided to enter this year, and she did the work, and look at her now — she is the new queen tonight,” he said enthusiastically.

    Originally from Manchester, Jamaica, Collings-Myers previously resided in Montego Bay before relocating to Kingston to complete sixth form at Immaculate Conception High School in St Andrew, putting her in the region eligible for the new competition.

    The historic event kicked off just after 8 p.m. with a high-energy opening number that captivated the sold-out audience. Twenty-one competing contestants first introduced themselves to the judges and crowd, before the field was narrowed down to a top 14 semi-finalists: Leighann Dacres-Jones (Miss Mt Sinai Dental and Implant Centre), Shanika Scott (Miss Island Gully Falls Ltd), Rachel Newman (Miss Carefree), Collings-Myers, Shaniece Douglas (Miss Janga’s Soundbar and Grill), Daenya Anderson (Miss Covenant Insurance Brokers Ltd), Shanya Francis (Miss Caribbean Glass Company), Claire Schwapp (Miss STL Solar), Ottavia Bradshaw (Miss Jarrett Auto Parts), Tiyana Mowatt (Miss Saxby), Ruesheen Ricketts (Miss Advance Integrated Systems), Akanke Scott (Miss VM Group), Calethia Campbell (Miss Orion Loss Adjusters), and Tenneil Sewell (Miss Legend Beer).

    Next came the fan-favorite swimwear segment, where competitors showcased designs from Jamaican brand Kaydian Nicely Exclusive, dazzling the crowd before judges cut the field once more to a top 11. Advancing contestants included Dacres-Jones, Akanke Scott, Shanika Scott, Sewell, Schwapp, Ricketts, Mowatt, Douglas, Francis, Newman, and Collings-Myers.

    Between competitive segments, the audience enjoyed standout performances from the Laud Dance Ministry and recording artist Alicia Taylor, before the semi-finalists took the stage in elegant evening wear from designer Atelier Dermoth Williams. Another elimination followed the evening wear round, narrowing the competition down to just three finalists who advanced to the grueling final interview round: Collings-Myers, Mowatt, and Douglas.

    Before the final winner was announced, the competition awarded a series of sectional prizes to recognize standout contestants: Abigail Barnes (Miss Bailey’s Food and Beverage) took home the Most Congenial title; Calethia Campbell won the Altruism Award; Leighann Dacres-Jones claimed both the People’s Choice Award and Best in Swimwear; Shanika Scott won Best in Evening Gown; Shaniece Douglas was named Most Photogenic; and Tiyana Mowatt received the Essence of Style Award.

    When the final results were announced, Collings-Myers claimed the inaugural crown, with Tiyana Mowatt, a practicing medical doctor, securing second place as first runner-up, and Shaniece Douglas finishing in third place. In a major announcement at the close of the event, organizers confirmed that Collings-Myers and both of her runners-up will receive an automatic spot in the national finals of the Miss Universe Jamaica competition, where they will go on to compete for the chance to represent Jamaica at the global Miss Universe pageant.

  • Nevis Mango Fest 2026 set to showcase island’s rich culinary heritage from July 2-5 – WIC News

    Nevis Mango Fest 2026 set to showcase island’s rich culinary heritage from July 2-5 – WIC News

    Set against the backdrop of Nevis’ sun-drenched Caribbean shores, the 12th edition of the world’s most celebrated single-fruit festival – the Nevis Mango Festival – will welcome visitors from across the globe for four days of culinary celebration, community connection, and agricultural tribute from July 2 to 5, 2026.

    Widely recognized as one of the Caribbean’s most unique and beloved culinary events, this year’s festival marks a major milestone, expanding from its traditional three-day schedule to a full four-day lineup packed with immersive experiences for food lovers, families, and international travelers. The event centers on Nevis’ world-famous “sweet Nevis mango,” a local treasure that has earned the island the official title of “Mango Capital of the Caribbean.” Home to more than 44 distinct mango varieties, many of which are unique to the island’s terroir and cannot be exported for global consumption, Nevis offers festival-goers an exclusive chance to taste flavors found nowhere else on Earth.

    Far more than a gathering for food enthusiasts, the Nevis Mango Festival functions as a vital economic engine for the island, linking local smallholder mango farmers, culinary artisans, small business owners, residents, and international visitors to generate shared, community-wide economic benefits. By weaving together agricultural tradition, culinary innovation, and cultural storytelling, the festival has steadily strengthened Nevis’ two core economic sectors: tourism and local agriculture.

    This year’s expanded schedule kicks off on Thursday, July 2, with an official opening ceremony hosted at the Malcolm Guishard Recreational Park. Immediately following the launch, the festival’s brand-new signature initiative, “Nevis Goes Mango,” will run from noon through the end of the day. The island-wide event invites attendees to travel across Nevis, stopping at participating local businesses to sample hundreds of handcrafted mango-inspired dishes and drinks. The concept is intentionally designed to spread the festival’s economic impact evenly across all island communities, ensuring small businesses off the main tourist corridors also benefit from the influx of visitors. The opening day will conclude with the always popular Celebrity Chef Supper Club at the Four Seasons Resort’s Mango Restaurant, where top culinary talents will serve a carefully curated, multi-course mango-centric tasting menu.

    Day two, Friday, July 3, offers a mix of hands-on learning and family-friendly fun. The morning kicks off with an intimate culinary masterclass hosted at Chaska Restaurant, where visiting celebrity chefs will guide small groups of attendees through step-by-step preparation of signature mango-infused dishes, giving home cooks and food lovers a chance to bring a taste of Nevis back home with them. In the afternoon, the family-focused Mango Mania event opens its gates, featuring a full slate of activities including guided mango tastings, the iconic mango tug-of-war, and the centuries-old traditional mango-stoning contest. Before the day wraps up, local and international bartenders will compete in a lively mango mixology competition, showcasing creative new takes on mango-infused cocktails. Evening brings the festival’s popular Pinney’s Beach Bar Crawl, where attendees can join an organized group tour or explore independent bar stops at their own pace with friends and family, sampling unique mango drinks from coastal venues across the island.

    Saturday, July 4, is dedicated to discovering the authentic, off-the-beaten-path flavors of Nevis through the festival’s fan-favorite Passport Food Tour. Running from 11 a.m. to 6 p.m., the tour transports attendees across the island via open-air party bus or safari vehicle, with stops at family-owned, independent restaurants and street food stalls that few regular tourists get to experience. The tour not only introduces visitors to Nevis’ hidden culinary gems but also directs critical tourism spending directly to small, locally owned food businesses.

    The festival will draw to a close on Sunday, July 5, with its iconic grand finale event, “For the Love of Mangos,” returning to Malcolm Guishard Recreational Park. The closing day features the festival’s world-famous open cooking competition, public culinary showcases from top chefs, and the highly anticipated under-the-stars Mango Festival Concert. Organizers expect attendees to travel from across the Caribbean – including neighboring St. Kitts, Anguilla, and St. Martin – as well as large numbers of international visitors from the United States and Canada, underscoring the event’s growing global reputation as a must-visit culinary destination.

  • Claudette “CP” Peters to Headline Montserrat Festival Event in London

    Claudette “CP” Peters to Headline Montserrat Festival Event in London

    One of the Caribbean’s most decorated soca performers, Claudette “CP” Peters from Antigua, has secured a headline spot at the highly anticipated 26th edition of Montserrat Festival UK (MFUK), themed “Rising from the Ashes,” set to take place in London on July 18. Event organizers have confirmed that the 10-time Soca Monarch Queen will anchor a lineup dedicated to honoring Montserrat’s rich cultural heritage, vibrant musical traditions, and tight-knit global community.

    Peters, a trailblazer in Caribbean carnival music, made history as the first woman to claim Antigua and Barbuda’s coveted Road March title, launching a career that has thrived across the region for more than 20 years. Over her decades-long career, she has built a loyal global fanbase through a catalog of beloved hits, including fan favorites *Something Got A Hold On Me*, *All I Know*, *Go Claudette Go*, and *Diva*.

    Beyond her chart-topping discography, Peters has earned widespread acclaim for her lasting impact on Caribbean entertainment. Event organizers highlighted her dual legacy as a pioneer of modern soca and a dedicated mentor to up-and-coming musical talent across the Caribbean, cementing her reputation as one of the region’s most accomplished entertainers.

    The July celebration is projected to draw hundreds of attendees, primarily members of the Montserratian diaspora based in the UK and music lovers from across London’s wider Caribbean community. Organizers note that Peters’ headline appearance will amplify the event’s core themes of heritage preservation, collective resilience, and cross-community unity, making the performance one of the most anticipated highlights of this year’s UK Montserratian cultural calendar.

  • Antigua And Barbuda Festivals Commission Sworn In For A New Two-Year Term

    Antigua And Barbuda Festivals Commission Sworn In For A New Two-Year Term

    A new chapter of cultural event development has begun in Antigua and Barbuda, as the newly formalized Antigua and Barbuda Festivals Commission has officially taken office for a fresh two-year mandate. The inauguration marks a landmark shift for the country’s creative and cultural sectors, built on recently passed national legislation designed to reinforce governance of the island nation’s growing festival and events ecosystem.

    At the head of the restructured commission is Ambassador Elizabeth Makhoul, a leader with three years of prior experience chairing the former Antigua and Barbuda Festivals Board. Her elevation to the top role of the new commission reflects widespread confidence in her proven leadership, deep institutional expertise, and longstanding dedication to elevating Antigua and Barbuda’s profile as a destination for world-class cultural events. Supporting Makhoul are a carefully assembled team of industry professionals and community representatives: Ryan Johnson serves as Deputy Chairperson, Larissa Barnes takes on the position of Recording Secretary, and additional commission members include Annette Aflak, Khan Cordice, Yvonne Benjamin, Dwayne Mussington, Anika Davis, Okera Lee, Terrance Dyett, Devon Perry, and Calbert Francis.

    In remarks following the swearing-in ceremony, Dwayne George, Minister of Sports and the Creative Industries, extended official congratulations to the newly appointed body and emphasized the transformative impact of the new legislative foundation. George framed the inauguration as far more than a routine leadership change, noting that it opens a completely new era for festival growth across Antigua and Barbuda. “The new legislation provides a stronger foundation for governance, accountability, and strategic growth, ensuring that our festivals continue to deliver cultural, social, and economic benefits for our people,” he explained, adding that the government looks forward to collaborating with the commission to elevate iconic events including Antigua Carnival alongside all national cultural festivals to new levels of global recognition.

    For her part, Makhoul expressed sincere gratitude for the trust placed in her and the full commission, and laid out the body’s core priorities for the coming term. Building on the progress achieved in recent years, the commission will center its work on strengthening existing festival offerings, expanding support for local creative workers, and delivering immersive, unforgettable experiences for both domestic audiences and international visitors. “With the support of our stakeholders, sponsors, volunteers, and the people of Antigua and Barbuda, we will continue to build a sustainable and internationally competitive festival product,” Makhoul stated, affirming the team’s shared commitment to advancing the nation’s cultural and creative industries as a core driver of national prosperity.