The Dominican Republic has officially launched the XII International Theater Festival 2025 (FITE RD 2025) in a grand ceremony held at the Palacio de Bellas Artes in Santo Domingo. The event, inaugurated by Culture Minister Roberto Ángel Salcedo, marks the start of a ten-day celebration of theater across the nation. This year’s festival, themed ‘El teatro somos todos’ (‘We Are All Theater’), runs from October 19 to 30 and spans multiple provinces, showcasing the government’s dedication to cultural accessibility and decentralization. Spain has been named the guest country, with the renowned Teatro Corsario serving as the festival’s guest of honor. The opening ceremony also paid homage to theater artists who passed away this year and honored cultural promoter Freddy Ginebra, founder of Casa de Teatro, for his significant contributions to the arts. Vice Minister Amaury Sánchez highlighted the festival’s role in fostering cultural equity and expanding access to the performing arts. FITE RD 2025 will feature 75 performances by 15 international companies from Latin America and Europe, 17 Dominican groups, and four state ensembles, alongside artists from the Dominican diaspora in the United States. Tickets, priced at RD$200, are available at the Teatro Nacional, reflecting efforts to make theater more inclusive. The festival commenced with Teatro Corsario’s rendition of ‘El alcalde de Zalamea,’ a masterpiece from Spain’s Golden Age.
分类： entertainment
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Creole rhythms and global dreams: Boo, Sly call for cultural sound revolution
The celebration of Creole Month in Saint Lucia is deeply intertwined with its vibrant music scene. The harmonious blend of melodious voices, rhythmic drums, and resonant stringed instruments creates an atmosphere that is distinctly Saint Lucian, unparalleled anywhere else in the world. However, the question arises: should these unique sounds be confined to just one day or month of celebration? Is there potential to expand the influence of Creole music beyond the annual Jounen Kwéyòl festivities? These were the central questions posed to two renowned music practitioners, Ronald ‘Boo’ Hinkson and Sly, during a recent interview with St. Lucia Times. Hinkson, a leading jazz musician in Saint Lucia, advocates for integrating Kwéyòl sounds into more sophisticated and globally appealing formats. He has personally embraced this approach by infusing Creole rhythms and melodies into his jazz compositions, resulting in a sound that is both unique and distinctly Saint Lucian. Hinkson emphasized the importance of maintaining this cultural identity, stating, ‘It’s not just important in today’s age, it’s always been important because it’s our identity. It is what makes us unique, is what is indigenous to us, it is what makes us who we are and for that reason, I believe we must never disconnect from it.’ He further highlighted the need for deliberate efforts to incorporate indigenous rhythms into contemporary music, suggesting that this could elevate Saint Lucian music to international acclaim, much like Reggae has for Jamaica or Bouyon for Dominica. Hinkson also pointed out that Saint Lucian rhythms are already influencing other cultures, citing the hit soca single ‘The Greatest Bend Over’ by Yung Bredda as an example. Sly, another prominent musician, underscored the profound impact of Creole musical instruments on Saint Lucian culture, particularly the tambo, which he described as ‘second to none.’ He called for greater creativity in integrating traditional instruments like the banjo into modern music, suggesting that this could bridge the gap between traditional and contemporary sounds. As Saint Lucia continues to export its culture on the global stage, music remains a dynamic and essential part of its national identity, transcending the island’s 238 square miles and resonating with audiences worldwide.
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Lucian Carnival turns heads, moves feet in Miami
The Saint Lucia Tourism Authority (SLTA) unveiled the Lucian Carnival 2026 on the global stage during Miami’s Carnival celebrations last week. Held in Miami, Florida, the event marked a strategic effort to elevate the Lucian Carnival brand by showcasing the vibrant Dennery Segment, a musical genre deeply rooted in Saint Lucian culture. The genre, characterized by its fusion of English and Kwéyòl lyrics, has become synonymous with the island’s Carnival energy and cultural identity.
Three renowned Dennery Segment artists—DJ Sir Lancealot, Umpa, Blackboy, and Mighty—delivered electrifying performances that captivated the audience. Lancealot, credited with coining the term Dennery Segment, alongside Umpa, Blackboy, and Mighty, brought the infectious rhythms of Saint Lucia to life. Their performances not only thrilled the crowd but also highlighted the genre’s growing influence on regional and international Carnival scenes.
Geraine Georges, SLTA’s public relations manager, emphasized the strategic shift in promoting Lucian Carnival through its authentic music. “We recognize how the music has grown and how it excites regional and international carnivals,” Georges told St. Lucia Times. “What better way to showcase Lucian Carnival, which has grown tremendously, than through music that is authentically Saint Lucian?”
The event, attended by travel partners, media, and influencers, also featured Saint Lucian dancers demonstrating signature moves to the pulsating beats. The celebration continued at No Borders, an event showcasing Caribbean Soca artists, further amplifying the island’s cultural presence.
The culmination of Saint Lucia’s Miami Carnival participation was the Parade of Bands and mega concert on October 12 at the Miami-Dade County Fairgrounds. Umpa, Mighty, and Blackboy, backed by Lancealot and supported by Barry Hype, set the stage ablaze, with Saint Lucians in the crowd cheering passionately. Saint Lucia’s 2024 Groovy Monarch Nerdy and Arthur Allain, both veterans of past Lucian Carnival launches, also performed, adding to the event’s grandeur.
Brand Saint Lucia and Lucian Carnival were prominently featured on Revel Nation’s truck during the parade, further solidifying the island’s presence. The SLTA team, including Consul General Darrel Montrope and Director of Global Marketing Dexter Percil, fielded numerous inquiries about Saint Lucia and its Carnival, which were met with widespread recognition and enthusiasm.
Carnival enthusiasts from around the world expressed their admiration for Lucian Carnival, with many pledging to attend or return in the future. The event not only celebrated Saint Lucian culture but also positioned Lucian Carnival as a must-experience global phenomenon.
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Julien Alfred’s legacy shines on in new jewellery line
A new jewellery collection honoring Olympic gold medallist Julien Alfred has been unveiled, with proceeds set to support her charitable foundation. The Julien Alfred Legacy Collection, created by Eleanor Prospere, founder of Fearless Jewellery, was officially launched on October 11 during a fundraising event at BodyHoliday’s Firefly Villa. The collection, inspired by Alfred’s historic 100m victory at the Paris 2024 Olympics, features unisex macramé bracelets, earrings, and gold-plated necklaces and bracelets. Each piece incorporates elements of Saint Lucian identity, including the national flag, the map outline, and the marguerite flower. Prospere, a French-Saint Lucian designer, emphasized the collection’s dual purpose: celebrating Alfred’s achievements and promoting national pride. The project began after Prospere’s father tracked down Alfred and her manager, Henry Rolle, to secure their approval. Following a three-year collaboration agreement, Prospere meticulously designed and financed the collection, which includes 400 pieces. The designer also plans to expand the collection with Cuban link necklaces for men and matching pieces for women. Prospere, who shares a Saint Lucian heritage with Alfred, expressed her lifelong passion for jewellery design, which she has pursued for over 14 years.
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PNP mourns passing of theatre pioneer Yvonne Brewster
The Jamaican cultural landscape is in mourning following the passing of Yvonne Brewster, a trailblazing actress, director, and cultural visionary. The Opposition People’s National Party (PNP) joined the artistic community in honoring her legacy, which has profoundly shaped Jamaican and Caribbean theatre. Brewster’s contributions, the PNP noted, have been instrumental in defining the trajectory of the region’s performing arts.
Born in Jamaica, Brewster studied and taught drama before returning to her homeland in the mid-1960s. Alongside playwright Trevor Rhone, she co-founded The Barn Theatre in Kingston, Jamaica’s first professional theatre company. This institution became a crucible for nurturing local talent and a stage for authentic Jamaican narratives. Shadow Minister of Creative Industries, Culture, and Information, Nekeisha Burchell, emphasized that Brewster’s work provided a platform for stories told in the unique voice of the Caribbean.
In the early 1970s, Brewster relocated to the United Kingdom, where her career flourished across stage, screen, radio, and television. She directed and acted in iconic productions such as *The Harder They Come*, *Smile Orange*, and *The Marijuana Affair*. Her directorial prowess was also showcased in BBC Television projects like *Maybury*, *The Fight Against Slavery*, and *My Father Sun Sun Johnson*. These works cemented her international reputation as a creative force dedicated to portraying Caribbean life with authenticity and dignity.
Brewster later co-founded the Talawa Theatre Company, now recognized as one of the UK’s most esteemed black theatre institutions. From 2000 to 2001, she reached broader audiences as Ruth Harding in the BBC drama *Doctors*, further amplifying Jamaican talent on the global stage.
The PNP paid tribute to Brewster for her courage and enduring contributions to Jamaica’s national identity. Burchell remarked, ‘Yvonne Brewster was one of the architects of modern Jamaican theatre and a bridge between our island and the wider world. She demonstrated that Jamaican stories, told in our language and from our perspective, deserve a place on every stage. Her legacy reminds us that culture is not only who we are but also how we evolve.’
Brewster’s vision continues to inspire efforts to bolster Jamaica’s creative industries and uphold the integrity of local storytelling as a driver of development. The PNP extended its condolences to her family, colleagues, and the global theatre community she influenced. ‘Jamaica has lost a remarkable cultural pioneer, but her example will continue to inspire generations of artists and cultural workers. May her soul rest in peace,’ Burchell concluded.
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Aaron Jewan Singh: Imparting the light of musical wisdom
For Aaron Jewan Singh, a 51-year-old music instructor and guru, Divali represents the enlightenment of the spirit through knowledge. Born in Marabella, Trinidad and Tobago, Singh has dedicated over four decades to mastering and teaching Indian classical music. Today, he is celebrated as one of the nation’s most revered musicians, sharing his passion and expertise with students across Trinidad, Canada, and the United States. This Divali, Singh’s mission is to ensure that the light of cultural knowledge continues to shine brightly, preserving the rich heritage of Indian classical and chutney music. To mark the occasion, he has released a new song titled *Happy Divali*. Singh believes that Divali symbolizes the triumph of light over darkness, equating that light with wisdom. Through his teachings and compositions, he sees himself as lighting a metaphorical *deya* (oil lamp) in the world, spreading hope and inspiration. Singh’s journey began in a musically rich household. His parents, both accomplished musicians, immersed him in rhythm and melody from a young age. By the age of five, he was already performing publicly, accompanying renowned vocalists on the *dholak*, a traditional hand drum. His talent quickly earned him recognition, and by his teens, he was a sought-after accompanist for top performers across the Caribbean and North America. Despite facing cultural and financial challenges after migrating to the U.S. in 1997, Singh remained steadfast in his commitment to music. In 2019, he co-founded the Trinidad Classical Music Foundation (TCM) with Priya Paray, a young singer dedicated to mastering Trinidad’s classical traditions. Through TCM, Singh mentors a new generation of musicians, ensuring that the rhythms of Trinidad continue to resonate globally. His dream is to leave a lasting legacy, keeping the music and culture alive for future generations. This Divali, Singh sends a message of hope and unity, urging everyone to celebrate the festival as a symbol of renewal and strength.
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Art and tradition illuminate the Divali night of dance
On the evening of October 18, the National Council of Indian Culture (NCIC) in Chaguanas transformed into a vibrant hub of spirituality and cultural expression during the ‘Night of Dance’ at Divali Nagar. The event, illuminated by the glow of diyas and the rhythmic movements of dancers, celebrated the rich traditions of Indian culture and the unifying power of art. Thousands of attendees gathered under a gentle drizzle to witness a mesmerizing array of performances that blended traditional and modern choreography, accompanied by dazzling lights and the palpable energy of the audience. The stage came alive with acts from renowned dance groups such as the Matilda Mandir Dance Group, Zina’s Creative Dance Academy, and the Krishna Kala Dance Academy, each showcasing discipline, grace, and devotion. Chaguanas West MP Dr. Colin Neil Gosine, the evening’s special guest, emphasized the significance of Divali Nagar as a symbol of national identity and unity. ‘Divali Nagar is more than an event; it is a celebration of who we are,’ he remarked, highlighting the festival’s role in preserving heritage and fostering community spirit. The central theme, ‘Loka Samgraha’ (the welfare of the world), resonated deeply with the teachings of Divali, reminding attendees of the importance of shared prosperity and the triumph of light over darkness. The night concluded with a standing ovation and the echoing beats of drums, leaving a lasting impression of cultural pride and spiritual inspiration.
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TikToker Mello Vibes hosts Artists World Tour TikTok Live series on October 24
Renowned TikTok personality Mellovibes, known for his bold and ambitious endeavors, is set to host a groundbreaking virtual music festival titled the Artists World Tour TikTok Live series. The event, scheduled to run from October 24 to 26, 2025, will showcase dancehall and reggae artists from around the globe in a non-stop 72-hour performance marathon on the platform.
Mellovibes, whose real name is Melvin Grey, emphasized the event’s mission to bring the vibrant energy of live dancehall-reggae performances directly to audiences worldwide. ‘This is a new era of entertainment where emerging artists can connect, collaborate, and share their talents. The event is free because my goal is to unite people, bridge cultural barriers, and create a global community,’ he stated.
The festival will provide artists with a unique opportunity to promote their music to an estimated three million followers over the three-day period. ‘This platform allows fans and artists to celebrate the power of TikTok’s music discovery, which will unfold across different time zones and locations,’ Mellovibes added.
Performers include Jah Mason (Jamaica), Ginjah (USA), Hawkeye (Jamaica), DJ Chiqui Dub (Panama), Lenn Hammond (Canada), Yaa Shondem (Ghana), Ras Charmer (Ghana), DJ Shenkez 254 (Kenya), Style X (Canada), Don Juvi (Costa Rica), Ras Frazer Jr (USA), Sunshine Velvet (Jamaica), Queen Kamala (USA), Nastic RastaFari (Jamaica), Mr Lexx (USA), and Nesbeth (Jamaica).
Mellovibes, who recently surpassed one million TikTok followers, is celebrated for his animated reaction videos to dancehall and reggae music, delivered in an authentic Jamaican style. The event is organized in collaboration with BrandFluenzer Agency, promising an immersive experience for attendees. ‘This is just the beginning, and we can’t wait for everyone to experience what we have planned,’ Mellovibes concluded.
In addition to live performances, fans will have the opportunity to engage with artists through live chats during the broadcast, fostering a dynamic and interactive experience.
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Keith & Tex in the consideration for reggae Grammy
Nearly six decades after their debut, reggae legends Keith & Tex are in the running for a Grammy Award. Their latest album, *Gun Fire*, has been shortlisted among 73 contenders for Best Reggae Album at the 2026 Grammy Awards. Produced by Spain’s Roberto Sanchez and released in March by Liquidator Music, the album showcases their enduring talent and dedication to the genre. The duo, known for timeless hits like *Stop That Train* and *Tonight*, expressed their gratitude for the recognition, emphasizing their 57-year journey and their role as one of the few surviving acts from the 1960s still actively creating music. Keith Rowe, based in Tampa, Florida, and Phillip Texas Dixon, residing in Toronto, Canada, have collaborated with European musicians to craft *Gun Fire*, featuring original tracks such as *Country Living*, *Simple Man*, and *On The Streets*. The Recording Academy unveiled the provisional list on October 3, with official nominees set to be announced on November 7. The awards ceremony will take place on February 1, 2026, at the Crypto.com Arena in Los Angeles. Keith & Tex began their careers in the early 1960s as part of a five-member group, later transitioning to a duo under Derrick Harriott’s Crystal label, where they produced iconic hits like *Tonight* and *Stop That Train*. After migrating to North America in the 1970s, they returned to music in 1997 with *Back Together Again*, cementing their legacy in reggae history.
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Merritone celebrates 75th anniversary
Merritone Music, affectionately known as ‘The Last Sound Standing’ since the 1950s, is marking its monumental 75th anniversary with a series of global celebrations. This year’s festivities, held from October 24–27 at the picturesque SeaGarden Beach Resort in Montego Bay, St James, promise four days of uninterrupted music curated by Merritone DJs. A special vinyl feature will cater to diehard music enthusiasts, while new additions like the Wellness Expo and Craft Village aim to enrich the experience for attendees.