分类: entertainment

  • BGIS urged to build on CBU Media Awards success

    BGIS urged to build on CBU Media Awards success

    Barbados has made history at the 37th annual Caribbean Broadcasting Union (CBU) Media Awards held in Guyana, turning in a dominant performance that secured the island nation 15 total awards and eight special mentions — with the Barbados Government Information Service (BGIS) leading the charge by claiming seven awards and one special honor. The landmark results marked a clear improvement from the BGIS’s 2023 showing, where the agency took home five awards and three special mentions, a progress highlighted by top government officials during a celebratory awards presentation this week.

    At the Wednesday ceremony honoring winning teams from BGIS, the National Transformation Initiative (NTI), and Barbados Community College (BCC), Minister of Information Gregory Nicholls pushed the BGIS to build on its recent momentum, setting an ambitious target for future competitions. “This time we converted the special mentions into actual awards along with one special mention,” Nicholls noted. “So I expect by next year we will double in this because you’ve done a little bit of an improvement this year, so next year I’m expecting us to work together. Notice I said for us to leave the gap between you and the competition so far behind that they don’t worry about these awards in 2028.”

    Nicholls emphasized that the cross-category wins — spanning digital content, public service announcements, television, radio, and cultural reporting — debunk any skepticism around the quality of state-run media, proving that public media institutions can not only meet but exceed the highest industry standards for creative excellence and factual accuracy. Beyond journalistic quality, the minister framed BGIS as a cornerstone of Barbados’s national identity, positioning the agency as a critical player in the country’s cultural defense against external misinformation and inauthentic storytelling.

    “GIS has aided in bridging the gap between the state and citizens,” Nicholls said. “We all grew up hearing a lot of the programmes of GIS almost naturally on the radio and on television, seeing them a lifetime. I’ve been emphasising that the GIS like a number of other institutions in Barbados, the National Cultural Foundation, the Caribbean Broadcasting Corporation, are all important institutions in our cultural defence as a people. While other institutions overseas and abroad may offer skill and size and resources that are able to do things more efficiently, they’re not going to tell the authentic Barbadian story. They’re not going to be able to secure any legacy and what we as Barbadian people have achieved. They’re not going to be able to tell us objectively what is fact and what is fiction, what is news and information from disinformation and misinformation.”

    CBU President Anthony Greene echoed Nicholls’ praise, noting that Barbados’s top-to-bottom victory is unprecedented in the modern history of the regional awards, and crediting both veteran media teams and first-time entrants for the island’s success. “This is not a statement to overlook,” Greene said. “This is testimony that government information services do good media work, that is to be applauded, that is to be recognised and acknowledged and of course, it, like I said, led the charge of Barbados for the first time in the modern era, the CBU Awards Barbados dominated the regional competition in a number of trophies and certificates won, and it was ably supported by first-time entrants as well.”

    Greene specifically highlighted the performance of BCC, a first-time participant that earned recognition in the CBU’s brand-new student reporting category, noting that academic-media partnerships are key to sustaining a strong, independent media sector across Caribbean democracies. “[It] gives me great pleasure to acknowledge the work of the Barbados Community College because academia and media plays a critical part to the continuity of a sector that is critical to our democracies,” he added.

    Stein Hansen, acting United Nations Resident Coordinator for Barbados and the Eastern Caribbean, also extended congratulations to all winning teams, noting that the range of recognized work reflects the consistently high quality of Barbadian media across beats. This year marked the launch of the UN’s new Sustainable Development Goals (SDG) Champion award, created to elevate Caribbean media coverage of pressing global and regional issues including climate action, gender equality, public health, and equitable economic opportunity.

    “This speaks to the quality of the work being produced in newsrooms and studios across the island,” Hansen said. “I’m especially proud that for the first time, the United Nations presented the [SDG] Champion award. We launched this award to recognise the stories being told across the Caribbean media on climate action, gender equality, health, and economic opportunity- essential work in service of our shared future.”

    A full breakdown of BGIS’s awards saw Paula Harper-Grant and Rommel Cumberbatch take home Best Public Service Advertisement – Digital for *Bees in Agriculture* and Best Public Service Advertisement – Television for *Christmas Praedial Larceny*, while Harper-Grant and Andre Olton won Best Public Service Advertisement – Radio for *Encouraging Good Hand Hygiene*. A team of eight journalists including Mikul Elcock, Aisha Reid, and Andre Olton claimed Financial Literacy Journalism – Television for *Money Matters: Navigating Your Financial Future*. Sheena Forde-Craigg and Tyson Henry won Excellence in Media Coverage of Caribbean Arts and Culture – Print for *Beyond Buns and Flying Fish*, and also earned a special mention for Best News Story – Print for *Tourism, Airlift, Accolades and Arrivals*. Elcock additionally won Best Director – Television, and Olton took home Best Sound Engineer – Radio.

    Outside of BGIS, the NTI received a special mention in the SDG Champion category for its digital feature *Interview with STARR Bajan – Janelle Skinner*, and BCC student Victoria Boyce earned a special mention in the new Best Student Item – Digital category for her reporting project *Female Students Stepping Into Male Spaces*. The landmark wins have set a new bar for regional media competition, with leaders across government and the CBU already looking ahead to next year’s event.

  • WAA to host free movie night featuring Venezuelan and Dominican artists

    WAA to host free movie night featuring Venezuelan and Dominican artists

    Cross-border artistic collaboration is taking center stage in the Caribbean this month, as the Waitukubuli Artist Association (WAA) prepares to open a unique international animation showcase to the public of Dominica. The event forms a key public outreach component of the Cayapa / Koudmen Art Residency, a bilateral creative exchange uniting visual artists from Dominica and Venezuela, made possible through funding from the Caribbean Cultural Fund and institutional partnership with Le Centre d’Art.

    Helmed by acclaimed Venezuelan artist Sandra Vivas, the multi-week residency centers on the co-creation of an original stop-motion animation project. Beyond the final work, the program’s core mission is to build creative connections between practitioners from two neighboring Caribbean nations: artists from both countries are sharing specialized skills, exchanging perspectives on their distinct cultural artistic traditions, and working to embed their collaborative process within local communities across Dominica.

    To extend this exchange beyond the residency studio walls, WAA has organized a public animation Movie Night, scheduled to take place on Sunday, August 30, 2026, at 7:00 PM at the Trafalgar Community Center. Admission to the event is completely free, and organizers welcome all members of the public aged 12 and older, from long-time art enthusiasts to curious first-time attendees.

    The screening program showcases a curated collection of animated short films that highlight a diverse range of artistic styles, production techniques, and creative storytelling approaches. A number of the featured works come directly from Vivas and the visiting Venezuelan artists participating in the residency, who currently hold roles as director and art director for the joint stop-motion project.

    In its official announcement, WAA emphasized that the event is designed to do more than just screen entertaining films. Attendees will get the chance to engage directly with participating artists from both Dominica and Venezuela, gain a firsthand look at the step-by-step creative process that drives the ongoing residency project, and develop a deeper appreciation for animation as a dynamic, accessible fine art form. The association has extended an open invitation to local residents and visitors alike to attend, enjoy the curated program, and add their support to this landmark bilateral cultural collaboration between the two Caribbean nations.

  • Dominica-Born vocalist Marie-Claire Giraud unveils genre-defying new album

    Dominica-Born vocalist Marie-Claire Giraud unveils genre-defying new album

    After years of building an acclaimed international performance career, Dominica-born, New York-raised vocalist and composer Marie-Claire Giraud has finally unveiled her much-awaited full-length album, *MY BIG BOLD & BEAUTIFUL TECHNICOLOR FANTASY* — an ambitious, genre-blending work that weaves together jazz, opera, pop, and global traditional music into a singular sonic tapestry.

    Giraud draws from a rich tapestry of personal and cultural influences to shape the album’s vivid, playful identity. Caribbean cultural heritage, the iconic glitz of performer Carmen Miranda, and the bright, whimsical aesthetic of mid-century Hollywood musicals from the 1940s and 1950s all leave their mark on the project. More than just a collection of songs, the album serves as an intimate, imaginative reflection on the artistic forces that have defined Giraud’s creative journey over the course of her career.

    The 12-track project features a stacked lineup of high-profile collaborations that highlight its cross-genre vision. Grammy Award-winning guitarist Vernon Reid joins Giraud on the retro-soul cut “Honey Honey Baby”, while leading opera soprano Sondra Radvanovsky lends her voice to a jazz-infused reimagining of Offenbach’s classic “Barcarolle”. Vocalist Lisa Marie Simmons appears on the uplifting track “BLU X”, which centers on themes of personal resilience and life transformation. The album also includes “It Had To Be You”, an upbeat original composition that pulses with the rhythmic energy of Brazilian Carnival.

    One of the album’s most distinctive features is Giraud’s signature “HipHopera” style, a groundbreaking fusion that pairs hard-hitting hip-hop percussion with soaring operatic vocal technique, showcasing the artist’s extraordinary range and willingness to push creative boundaries. Additional songwriting collaborations with Grammy-nominated songwriter Jeff Franzel and Pulitzer Prize-winning classical composer John Harbison add layers of musical and lyrical depth to the project.

    Prior to releasing this album, Giraud had already cemented her reputation as a formidable international performer, taking the stage at some of the world’s most iconic venues and festivals. Her resume includes stops at the United Nations, Brooklyn’s Barclays Center, Central Park SummerStage, Jazz at Lincoln Center’s Dizzy’s Club, and London’s legendary Ronnie Scott’s Jazz Club. She has also headlined festivals across the Caribbean, and performed at celebrated institutions including New Orleans’ Preservation Hall, Washington D.C.’s Blues Alley, and New York City’s Smalls Jazz Club and Joe’s Pub.

    With her debut full-length album, the multitalented artist continues her mission of using music as a bridge between disparate cultures and genres. The result is a vivid, cinematic body of work that celebrates unapologetic creativity, boundless imagination, and fearless self-expression.

  • National Awards Honor Belize’s Cultural Champions

    National Awards Honor Belize’s Cultural Champions

    In a landmark move to celebrate the country’s centuries-old diverse cultural legacy, Belize’s National Celebrations Commission has unveiled the first three recipients of the newly established Creative and Cultural Excellence Awards, recognizing decades of extraordinary contributions to national literature, cultural heritage protection, and indigenous knowledge preservation. Scheduled to roll out additional honorees in the weeks ahead, the inaugural awards shine a well-deserved spotlight on three icons who have dedicated their lives to elevating and sustaining Belize’s unique cultural identity.

    The first award, the Zee Edgell Award for Literary Arts, goes to beloved poet and author Margaret Reynolds, a literary trailblazer whose work has centered empathetic storytelling and nurtured a new generation of Belizean writers. Reynolds shared that her journey with the written word began at just nine years old, when she first started experimenting with poetic form. “My writing should increase your view about how others feel. It is basically leaning towards teaching you to be empathetic,” she explained, reflecting on her decades-long creative mission.

    A founding member of Belize’s iconic 501 Poet Society, Reynolds helped launch the collective’s first public showcase in June 2013, an event that drew an enthusiastic crowd and sparked connections with emerging young poets that solidified her commitment to growing the national literary scene. Speaking to the honor of receiving an award named for celebrated Belizean author Zee Edgell, Reynolds noted Edgell’s extraordinary ability to immerse readers in her narratives: “Zee Edgell, she’s a painter with words. Her writing, it brings you in. So when I heard about the award, I felt really good.”

    The second honoree, Master Drummer and long-serving cultural ambassador Emmeth Young, takes home the Leela Vernon Award for his tireless work safeguarding and amplifying Belize’s traditional cultural practices. Young, who got his start as lead drummer for the late Leela Vernon’s renowned Ebolites Dance Company, says his work is rooted in a core belief: “Culture is very special and unique and culture is what drives a community. If you don’t know your culture, then you are totally lost.”

    Young credits Vernon with instilling in him a deep understanding of personal and cultural identity, saying her mentorship shaped his lifelong mission to pass traditional knowledge to younger generations. “She gave me a lot of knowledge about myself, about culture, and the importance of culture. I love to share the cultural knowledge, whether it’s drumming, cooking, farming, fishing. Those are our traditions of the village that need to live on. And by teaching the youths, this is the only way that it’s going to live on, so that’s what I do,” he shared.

    Completing the trio of inaugural honorees is Felicita Cantun, a Yucatec Maya leader and educator who receives the Don Elijio Panti Award for her decades of work protecting and advancing indigenous knowledge and keeping ancient Maya cultural traditions alive for future generations.

    Created to uplift Belizeans whose ongoing work shapes, preserves, and passes down the nation’s distinct cultural identity, the Creative and Cultural Excellence Awards fill a longstanding gap in national recognition for cultural stewards across the country. The National Celebrations Commission has confirmed that additional award recipients will be announced publicly in the coming days. This report is adapted from a transcript of a televised evening newscast, with Kriol language content transcribed using a standardized spelling system for accessibility.

  • KTV Remix Crowns Its Season Eight Champion

    KTV Remix Crowns Its Season Eight Champion

    On the night of August 26, 2026, a nationwide power outage swept across Belize, casting entire communities into sudden darkness. But for hundreds of loyal KTV The Remix fans gathered at Belize City’s iconic Bliss Centre for the Performing Arts, the unexpected blackout was far from enough to dim the excitement of the talent competition’s season eight finale. Packed shoulder to shoulder inside the venue, the crowd kept the energy high as the final three contestants waited to hear who would walk away with the grand title and $10,000 top prize.

    After weeks of grueling auditions, weekly live performances, and public voting that had whittled an initial field of hundreds down to just 12, and eventually three finalists – country artist Trevet Campos, soulful performer Tiana Sterling, and missionary Judson Baker – host Williams Neal finally opened the envelope to announce the winner. “Finishing in first place which means the grand champion of KTV The Remix Season Eight is Trevet Campos,” he declared to raucous cheers from Campos’ supporters.

    For Campos, a Belizean country artist with a background in cattle ranching, the victory almost never happened. A last-minute accident on the day of his initial audition nearly forced him to miss the cut. Speaking after his win, Campos recalled the chaotic morning that almost derailed his competition journey: “The day I’m late for my picture. I da like, ‘Man, I hope they people ya noh dash me out of this competition,’ you know? But, you know, I had a accident and you know I called and made arrangements to but ah de ya now.”

    Despite the early setback, organizers made an exception for Campos, and he went on to win over both judges and voters week after week to earn his spot in the finale. The rising star credited his family – particularly his mother, who he affectionately calls his “momager” – for pushing him to join the competition. “They’re everything. If it wasn’t because of my mom, my family, my aunt and you know my dad, and you know, my sponsors. It never mi wa be possible. And especially my mom, you know, she’s the one that pushed me,” he said, adding that he still feels overwhelmed by the victory. “It’s a overwhelming feeling. I don’t know how to feel right now.”

    Campos plans to put his $10,000 prize to work first by expanding his cattle operation, before investing further in his music career. “Well I gwen buy some cow. Then after that I’ll, you know, try pursue the music career. So I just ask for the same support that my fans gave me on the show,” he said.

    While the top prize went to Campos, the other two finalists said they left the competition with no regrets. First runner-up Tiana Sterling said she focused on enjoying the experience rather than fixating on winning. “I had fun while doing it, and I never make it like beat me up to the point as to whereby I feel defeated. I just feel energetic, and I feel happy with the result, and I just glad for the season,” she said.

    Third-place finisher Judson Baker, a missionary who moved to Belize from abroad, said the competition gave him an unexpected gift: widespread recognition across the country. “I feel like I’ve gone from being, like, you know, ‘Who’s this, who’s this white guy in Public? Is this a tourist or what?’ Now people recognize me. People know my face. People know my name so I’m honored by that. You know, I never – when I came to Belize I never would’ve expected that,” he shared.

    Even with the unplanned national blackout creating chaos across the country, Belize’s longest-running premier televised talent competition once again delivered a memorable finale full of joy, inspiring personal journeys, and breakout new stars. Great Belize Media, the broadcaster behind the series, has already teased future local entertainment productions for audiences across the country. Reporting from the Bliss Centre, Shane Williams for News Five.

  • Babonneau Lawòz returns after decades

    Babonneau Lawòz returns after decades

    After lying dormant for more than 40 years, a beloved cornerstone of Saint Lucian cultural and Catholic heritage has returned to the community of Babonneau. On Sunday, August 23, the long-absent Lawòz tradition was rekindled at Babonneau Church, where community members gathered to crown George Louis and Brenda Aimable as the new Lawòz King and Queen.

    This historic ceremony marked the first official Lawòz coronation held in Babonneau since the 1980s, drawing participants from both the Babonneau and Monchy Lawòz community groups. The coronation kicks off the lead-up to the annual Feast of Lawòz, which this year will be hosted by the neighboring community of Monchy on August 30. Rooted deeply in both local Saint Lucian identity and Catholic religious practice, the annual gathering serves as a unifying event for residents across communities to honor their shared heritage.

    For Father Albert Aaron, parish priest of Babonneau, the revival of the Lawòz group extends far beyond simply resuscitating an old folk custom. He detailed the tradition’s complex origins, tracing it back to the era of plantation slavery in the Caribbean. Enslaved people were barred from holding formal positions of social status in colonial society, so they created Lawòz as a space to imitate and claim those roles for themselves, building a community tradition that outlasted the systems that birthed it.

    Passed down through generations of Saint Lucians, the tradition has retained its deep ties to the Catholic faith, a connection that made this year’s coronation date particularly symbolic. August 23 is the official feast day of Saint Rose of Lima, a revered Peruvian Catholic saint whose life of service aligns closely with the core values of the Lawòz celebration.

    “Lawòz is a way of bringing people together and being able to appreciate each other as who they are, the things we do, how and why we do them…and bringing people to care more and more for each other,” Father Aaron explained, noting that Saint Rose of Lima’s lifelong devotion to serving others embodies the spirit the celebration seeks to nurture.

    For new King George Louis, the revival of Lawòz in Babonneau is a deeply personal milestone: the tradition has been a thread running through his life since childhood. “I understand it’s part of our culture, and so I have continued whenever I get the opportunity,” Louis said, adding that the coronation holds profound meaning as a public marker of the tradition’s return to his home community.

    New Queen Brenda Aimable shares that commitment to preserving the custom, particularly through engaging younger generations to ensure the tradition does not fade away. As a young girl growing up in Babonneau, Aimable missed her early chance to participate in Lawòz, a regret that left her acutely aware that the local culture was at risk of dying out without active effort to sustain it.

    When she heard that organizers were rebuilding the Lawòz group in Babonneau, Aimable did not hesitate to sign up, determined not to repeat her earlier mistake. “I have always been interested in being the queen, and I stated my interest and there you have it. God bless me. I am the queen,” she shared.

    For Aimable, the role of Queen is about more than the coronation ceremony itself. She hopes her tenure will inspire young people across the region to explore their Saint Lucian heritage and join the Lawòz tradition. “So during our reign, I pray that God helps us to get that done,” she said.

  • Trevet Campos Takes KTV Remix Season 8 Crown

    Trevet Campos Takes KTV Remix Season 8 Crown

    On the night of August 25, 2026, a nationwide power outage across Belize failed to extinguish the electric atmosphere at the Bliss Centre for the Performing Arts, where 23-year-old Trevet Campos etched his name into local entertainment history as the champion of KTV the Remix Season 8.

    After weeks of grueling competition that began with 12 aspiring vocalists, Campos outperformed finalists Tiana Sterling and Judson Baker to claim the prestigious crown and the $10,000 grand prize. For the young winner, the spotlight of the national singing competition was far from unfamiliar. Campos first discovered his passion for singing as a child, performing in his local church congregation with the unwavering support of his mother, who not only nurtured his talent from a young age but also encouraged him to sign up for this year’s tournament.

    In an interview with local morning program *Open Your Eyes* the day after his win, Campos reflected on the months of hard work that led him to that championship performance. “It was a lot of work, getting my team and band aligned and prepared every step of the way, but the whole experience was absolutely beautiful,” he shared. “I know people invest their time and their votes in me, so it’s my job to deliver a performance they’ll remember. For the finale, it was all about giving the crowd a night they’d enjoy, and that was my only focus going in.”

    Campos entered the final round of the competition with remarkable self-assurance, saying he was 99.999 percent certain he would walk away with the top prize. That confidence stemmed from an aggressive last-minute campaigning strategy that saw the singer connect directly with voters across the country. “All of last week, from Wednesday evening straight through Friday, I was popping up at karaoke venues all over the country, performing for anyone who would listen,” Campos explained. “Even if people had never watched the show or heard my name before, after hearing me sing, they’d immediately say they’d vote for me. It’s all about putting yourself out there, and I wasn’t afraid to put in the work.”

    Much of that late-stage campaign strategy was borrowed from the previous season’s champion, Darlon Usher, who took Campos under his wing and shared insider tips to win over voters. Usher advised him on everything from stage presence to connecting with audiences, even suggesting he reach out to large local businesses for broader support. “Darlon told me to loosen up a little on stage, connect with the energy of the crowd, and channel that excitement into every performance, that’s the tip that stuck with me the most,” Campos said.

    Now, fresh off his win, the 23-year-old singer has clear plans for his prize money and his future in music. He intends to invest his $10,000 winnings to eventually open his own recording studio in Belize, and he aims to follow in the footsteps of his biggest inspiration, American country star Morgan Wallen, to grow the country music scene in his home country. Campos points to Wallen’s journey as a major motivation: after being rejected on *The Voice*, Wallen has become a mainstay on the Billboard Top 10 Country Music charts year after year, a rags-to-riches story that resonated deeply with the young Belizean artist.

    Looking ahead, Campos says he hopes his journey on KTV the Remix will inspire the next generation of emerging Belizean singers to put themselves out there and chase their dreams. “No matter what, it all comes down to putting in the work and not being afraid to show people what you can do,” he added.

  • Tim Curry, star of ‘Rocky Horror Picture Show’ and ‘Clue,’ dead at 80

    Tim Curry, star of ‘Rocky Horror Picture Show’ and ‘Clue,’ dead at 80

    Beloved British character actor Tim Curry, whose decades-long career on stage and screen cemented his status as one of the most enduring cult figures in entertainment, has died at the age of 80. He passed away peacefully on Tuesday at his Toluca Lake, Los Angeles home, according to a public statement released on behalf of his longtime manager and close friend Marcia Hurwitz.

    In the statement, those close to Curry honored his legacy far beyond his iconic performances: “Though widely known for his inimitable, flamboyant characters and colorful stage performances, his greatest legacies to those who knew him were his curious, expansive mind and generous, gentle heart, both of which remained open and filled with anticipation until his final breath.”

    Los Angeles law enforcement and emergency services confirmed they responded to reports of a death of an 80-year-old male at the address Tuesday evening. An immediate cause of death has not been released publicly. Curry suffered a major stroke in 2012 and had lived with ongoing health complications in the decade following the event.

    Born Timothy James Curry in 1946 in Grappenhall, England, Curry’s early life was shaped by loss and movement. The son of a Royal Navy chaplain, he grew up moving across multiple international cities before his family settled in Plymouth after his father suffered a stroke. When Curry was 12, his father passed away, an experience he later described as a “huge turning point” that forced him to grow up far faster than his peers. After the family relocated to London, Curry pursued acting, earning a theater degree in 1968 and landing his first professional role in a production of *Hair*.

    After several years of struggling to land breakout roles, working small parts in a tiny 60-seat London theater while scraping by, Curry was cast in Richard O’Brien’s subversive 1973 stage production *The Rocky Horror Show*. Originally planning to play the lead role of mad scientist Dr. Frank-N-Furter with a German accent, Curry reimagined the character mid-preproduction, basing the character’s playful upper-class drawl on his own mother and Queen Elizabeth, and repurposing a corset from a previous stage role for the iconic costume.

    The stage production found massive success in London and Los Angeles before flopping on Broadway, but the 1975 film adaptation *The Rocky Horror Picture Show* would go on to redefine cult cinema. After a slow start outside of Los Angeles, the film was revived as a midnight movie at New York’s Waverly Theater, sparking a global phenomenon that endures to this day. Fans packed sold-out late-night screenings in full costume, yelling call-and-response lines at the screen and even throwing toast during iconic scenes. Weekly midnight screenings still run in cities across the world, and a new Broadway revival of the musical is currently running.

    Curry’s gender-bending, bold portrayal of Frank-N-Furter made him an overnight star, but he long maintained a gentle detachment from the role that made him famous. He declined to participate in the 1981 follow-up *Shock Treatment*, and rarely discussed the film for more than two decades after its release. He once told NPR that the outrageous role was so far from his own quiet personality that he intentionally kept a low profile early on to make clear the character was not a reflection of himself, remembering the role with what he called “bemused tolerance.”

    Even as he distanced himself from *Rocky Horror*, the role left an indelible mark on generations of performers. Current Broadway Frank-N-Furter Luke Evans, who earned a Tony nomination for the role this year, shared a prewritten letter he sent to Curry ahead of his exit from the production, praising Curry’s “fearless performance” that inspired generations of creators. “There will only be one Tim Curry,” Evans wrote. “All the rest of us will just have to do our best to emulate some of the magic of that role that I’ve just spent 7 months playing.” Even Princess Diana was a self-proclaimed fan, once telling Curry the film “quite completed my education.”

    Beyond *Rocky Horror*, Curry built a prolific, versatile career across stage, film, television, and voice acting. He became famous for his mastery of complex, menacing villains — a role type he embraced openly, once noting that “the bad guys are always much better-written than the good guys, and they’re kind of irresistible to play, because they’re so much more fun.” He was widely celebrated for his 1990 portrayal of Pennywise the demonic clown in the *It* miniseries, still considered one of the best Stephen King adaptations ever made, his role as the charismatic Lord of Darkness in Ridley Scott’s 1985 fantasy *Legend*, and his turn as Wadsworth the butler in the 1985 cult comedy *Clue*.

    Curry also found major success returning to the stage, starring in productions of Tom Stoppard’s *Travesties*, *My Favorite Year*, and *A Christmas Carol*, and landed a career-defining role as King Arthur in the 2005 hit Broadway musical *Monty Python’s Spamalot*, which earned 14 Tony nominations and won the award for Best Musical, with Curry himself earning a Tony nomination for Best Actor in a Musical. He also earned a Grammy nomination for his audiobook narration of Lemony Snicket’s *A Series of Unfortunate Events*, and voiced iconic villain Darth Sidious in *Star Wars: The Clone Wars*.

    Fellow performers have long celebrated Curry’s singular talent. Carol Burnett, who starred alongside him in the 1982 *Annie* film adaptation, called him a dear friend and noted, “Nobody could play lovable villains better than he could.”

    Even after his 2012 stroke left him reliant on a wheelchair and affected his speech, Curry retained his signature sharp, dry wit and connection to fans. In 2015, he accepted a lifetime achievement award from the Actors Fund, and made a viral surprise appearance at the 50th anniversary screening of *The Rocky Horror Picture Show* at Los Angeles’ Hollywood Forever Cemetery in 2024, where he received multiple standing ovations from a multigenerational crowd of fans. He opened his appearance by joking, “I’d like to tell you that I haven’t been legless before tonight, but it wouldn’t be true. I’m, unfortunately, currently sitting in a wheelchair, so get over it!” He also teased his longtime co-star Barry Bostwick, who introduced him, joking that the “OG” title Bostwick received must stand for “old geezer.”

    Bostwick remembered Curry’s warmth from the earliest days of *Rocky Horror*, telling the crowd: “When we got off the plane, you hugged us and you said, ‘Welcome, welcome, welcome to your world’ – and we’ve been there for 50 years. Thank you, Tim. We love you.”

    CNN contributors David Mack, Zoe Sottile and Dan Heching contributed reporting to this piece.

  • Caribbean Music Awards heads home, moves from New York to Trinidad & Tobago

    Caribbean Music Awards heads home, moves from New York to Trinidad & Tobago

    After three successful years hosted at Brooklyn’s iconic Kings Theatre in New York City, the annual Caribbean Music Awards (CMA) is making a landmark move: the fourth iteration of the celebration will take place September 19, 2026, at Port of Spain’s National Academy for the Performing Arts (NAPA) in Trinidad and Tobago, marking the start of a new long-term vision for the event.

  • Leisure : Did you know ? #53

    Leisure : Did you know ? #53

    As part of its commitment to making general knowledge accessible and engaging for audiences of all ages, Haitian digital media outlet HaitiLibre has just announced a major expansion of its popular twice-weekly interactive quiz feature, “Did You Know?”. In its 53rd installment of the series, the platform challenged readers with a new geography-focused question asking them to identify the country home to the legendary Krakatoa volcano, and paired the prompt with a detailed, eye-opening breakdown of the volcano’s devastating 1883 eruption that still stands as one of the most impactful natural disasters in modern recorded history.

    Located in Indonesia’s Sunda Strait, Krakatoa’s cataclysmic August 1883 eruption was so powerful that it nearly destroyed the entire volcanic island where it formed. The blast generated powerful atmospheric shock waves that circled the entire globe multiple times, and the thunderous roar of the main explosion carried more than 4,000 kilometers across the Indian Ocean, audible to communities thousands of miles from the eruption site. When the volcano’s caldera collapsed following the eruption, it triggered massive tsunamis that crashed into nearby coastal communities. The waves wiped out hundreds of coastal villages and claimed the lives of more than 36,000 people, leaving a lasting mark on regional history.
    Beyond its immediate human and geographic impact, the eruption also altered global climate patterns. The explosion spewed massive volumes of volcanic ash and sulfur compounds high into the stratosphere, creating a planet-wide veil of dust that blocked incoming solar radiation. The following year, global average temperatures dropped by roughly 1 degree Celsius, a tangible demonstration of how large volcanic events can reshape Earth’s climate in the short term.

    This informative fact check is pulled from the answer key of HaitiLibre’s World Quiz: Natural Disasters 2.1, one of hundreds of free, no-registration games hosted on the platform’s dedicated quiz portal at https://quiz.haitilibre.com/en. As of August 1, 2026, the platform completed its scheduled monthly content update, adding 30 brand-new quizzes that pushed the total number of available games to 210. HaitiLibre adds new content to the quiz section every month, ensuring returning visitors always have fresh challenges to explore.

    Designed to suit a wide range of ages and skill levels, every quiz on the platform offers three distinct difficulty tiers: easy, intermediate, and hard. All content is fully available in both French and English to serve a diverse audience. The platform encourages visitors to explore topics ranging from Haitian local history and culture to global current events and natural science, inviting users to test existing knowledge, learn new facts, and share their experience with friends and family. After completing each quiz, users can leave comments and feedback to help the platform refine its offerings, with the outlet encouraging consistent engagement to help users grow their general knowledge over time.