分类: entertainment

  • Stardom Calypso Tent opens tonight at the Factory

    Stardom Calypso Tent opens tonight at the Factory

    The Factory on Valley Road prepares to host the grand opening of Stardom Calypso Tent tonight at 8:30 p.m., marking the commencement of Dominica’s premier 2026 Carnival season. As one of the island’s most revered cultural institutions, this legendary venue offers general admission at $40 with VIP seating available for $50.

    Peter Letang, artistic director of Swing Stars Band and chief organizer, emphasized the tent’s extraordinary pedigree in his pre-event remarks. “This opening celebrates the largest tent in Dominica – home to nine of the previous eleven monarchs, including our current champion, and five of the last seven world titleholders,” Letang proclaimed. He invited audiences to immerse themselves in an evening of rhythmic excellence ahead of Saturday’s quarterfinal competitions.

    With a heritage spanning generations, Stardom has established itself as the foundational pillar of Mas Domnik celebrations. The tent serves as both a showcase for accomplished artists and a developmental platform for emerging calypso talents. Its reputation as the primary training ground for the national Calypso Monarch competition has made it an indispensable feature of Carnival’s cultural landscape.

    The venue’s historical significance is matched by its roster of legendary performers. Icons including Scrunter, Hunter, Observer, Daddy Chess, Checker, and Intruder have graced its stage, while simultaneously nurturing successive generations of musical innovators. This year’s relocation to The Factory marks a new chapter following previous residencies at Anchorage Hotel and The Strip in Lalay Coco.

    Audiences continue to flock to Stardom for its unique blend of poetic sophistication, social critique, and dynamic musicality. The tent has also served as an institution for honoring cultural contributors, such as longtime drummer Marcel Cruickshank and other musical architects.

    Letang confirms tonight’s inauguration will establish the artistic standard for the entire season, promising an unforgettable celebration of Dominica’s rich calypso tradition.

  • Darnley Guye honored as Mas Domnik 2026 Personality of the Year

    Darnley Guye honored as Mas Domnik 2026 Personality of the Year

    In a prestigious ceremony marking the opening of Mas Domnik 2026, veteran carnival artisan Darnley Guye has been formally recognized as Personality of the Year by Dominica’s Ministry of Tourism and Discover Dominica Authority (DDA). The celebration took place in Pottersville during the festival’s inaugural parade this past weekend.

    Mr. Guye received this distinguished accolade in acknowledgment of his extraordinary five-decade dedication to the preservation and evolution of Dominican carnival traditions. His multifaceted contributions span costume design, parade coordination, artistic craftsmanship, and community leadership.

    Expressing profound gratitude upon accepting the honor, Guye remarked, ‘This recognition demonstrates that people are observing our work. I am deeply thankful and remain committed to contributing my utmost to this cultural legacy.’

    The celebrated artisan issued a compelling appeal for sustained engagement in costume craftsmanship, emphasizing the necessity of long-term dedication. ‘Carnival arts demand perpetual commitment—not transient participation. One cannot merely engage temporarily and withdraw. My involvement has been continuous since inception,’ Guye articulated.

    He further reflected on the symbiotic relationship between artists and their audience, noting, ‘Public response energizes our creative spirit. Their appreciation generates profound gratitude within us. Ultimately, while we create the costumes, it is the public that validates their artistic merit and determines their cultural continuation.’

    Now serving as a mentor to emerging costume artists, Guye continues to nurture the next generation of Dominican cultural custodians, ensuring the transmission of traditional knowledge and techniques to enthusiastic newcomers in the field.

  • Mendes reaps benefits from songwriting, producing

    Mendes reaps benefits from songwriting, producing

    Dwayne Mendes, CEO of Blazin’ FM, is experiencing a remarkable creative and commercial resurgence in the music industry exactly one year after recommitting to his songwriting and production passions. His collaborative soca track “Cyah Behave,” performed by artist Voice, has emerged as a standout hit throughout Trinidad’s 2026 carnival circuit while earning the prestigious selection as Exodus Steel Orchestra’s competition piece for this year’s Panorama championships.

    The journey to this success began during Miami Carnival in October 2025, where Mendes rediscovered his connection to soca music after exploring various genres including R&B, dancehall and reggae. “During Miami Carnival, I was able to absorb the atmosphere and remind myself what people loved about soca,” Mendes reflects on the experience that reignited his creative spark.

    Mendes attributes his refined craft to invaluable industry feedback that helped him develop a distinctive writing style and production formula. “I adjusted my approach based on what audiences truly respond to—the sing-alongs, the hooks, and other essential elements,” he explains, noting how he subsequently revisited and enhanced his earlier compositions.

    Adopting a business-minded strategy, Mendes now contracts professional brokers to pitch his songs, a system that enables rapid growth while maintaining creative freedom. “I’m currently negotiating about eight songs, which allows me to remain consistently creative,” he reveals.

    Commenting on contemporary soca trends, Mendes observes the effective blending of nostalgic elements with innovative approaches. “Music operates in cycles similar to fashion,” he notes. “What sounds nostalgic to some listeners represents something entirely fresh to the 18-25 demographic, creating a smart bridge between generations.”

    Looking toward Saint Lucia Carnival, Mendes is collaborating with Teddyson John on a reimagined classic and developing new material with former monarch Alpha. His perspective is informed by pioneering work with Studio 758 and SLU Records, which produced international breakthroughs including Ricky T’s “Pressure Boom” and historic appearances at International Soca Monarch and Madison Square Gardens with Machel.

    “The financial landscape has transformed dramatically since we built Saint Lucia’s soca scene from the ground up,” Mendes observes. “Today’s artists achieve genuine success, allowing me to focus exclusively on providing quality music rather than artist management.”

    Beyond soca, Mendes continues ghostwriting for prominent dancehall artists and awaits album placements with a Jamaican act signed to an international label. He expresses profound satisfaction witnessing Saint Lucia’s soca scene flourish, stating: “I’m happy to reap fruits from what we started over 15 years ago and participate in this industry from a renewed perspective.”

  • Posthumous album released for Antiguan soca artist Ricardo Drue

    Posthumous album released for Antiguan soca artist Ricardo Drue

    The Caribbean music community witnesses a significant cultural event with the release of Ricardo Drue’s posthumous album ‘MY YEAR!!’, arriving two years after the acclaimed soca artist’s passing. Born in Antigua, Drue established himself as a dominant force in the genre through electrifying performances and chart-topping hits that resonated throughout the region.

    This final musical project, conceived prior to his untimely death, represents a profound artistic statement from an artist at the pinnacle of his creative journey. Those intimately involved with the album’s development reveal it embodies Drue’s deeply held principles of artistic integrity, meticulous discipline, and commitment to creating enduring musical works rather than pursuing transient commercial success.

    The album serves as both a musical collection and a personal testament, particularly highlighting Drue’s devotion to his five children, whom he consistently identified as his primary inspiration and motivation throughout his professional career. Tracks including his celebrated hits ‘Vagabond’, ‘Professional’, and ‘Last Man Standing’ established his reputation for crafting infectious rhythms and captivating performances that defined contemporary soca music.

    Now available across all major digital streaming platforms, ‘MY YEAR!!’ ensures Drue’s musical legacy remains accessible to his established fanbase while introducing new audiences to his distinctive sound. This release not only preserves his artistic contributions but also reinforces his enduring influence on Caribbean musical culture and beyond.

  • Junavill making waves with Genesis 2026

    Junavill making waves with Genesis 2026

    JUNA-VILL Records, the innovative label founded by visionary producer Collin “Junavill” Clarke, has launched its latest musical project titled “Genesis 2026,” featuring an impressive roster of established Jamaican artists. Released on November 28, 2025, the rhythm showcases collaborative works from Sequence Di Boss, Delly Ranx, Utan Green, Sativa D Black 1, D’Angel, Gangoolie, Flourgan, Jigsy King, Little Hero, Emmanuel Stain, T-Drive, and several other talents associated with the JUNA-VILL movement.

    Clarke, who maintains residencies in Florida and Europe while retaining strong roots in Mandeville, Manchester, explained his careful artist selection process to the Jamaica Observer: “These artists were chosen for their conscious approach to music, authentic expression, and capacity to create timeless material. Each contributor brings distinctive vocal qualities and lyrical potency, yet all share a common dedication to meaningful, message-driven artistry. Their creative outputs perfectly align with JUNA-VILL Records’ fundamental purpose: constructing music that endures beyond temporary trends.”

    The record label, formally established in December 2024, underwent extensive development throughout early 2025 regarding its identity, branding, and operational framework. Clarke emphasized that the official registration merely formalized an entity already built upon intentionality, structure, and commitment to producing conscious music with lasting impact.

    JUNA-VILL’s growing catalog includes previous productions such as the “Gyal Teef” and “Fire Rocket” rhythms, along with involvement in the re-edition of the “Two Time” rhythm. Although the label formally emerged between 2025-2026, Clarke’s engagement with artists began significantly earlier through booking arrangements, management services, and creative partnerships.

    The producer distinguishes his approach within a competitive industry by maintaining unwavering authenticity and focused vision. “I differentiate myself through mindset and methodology—I don’t compete with other producers but remain concentrated on my own lane and vision. My objective isn’t to pursue temporary trends or hype; it’s to build substantial catalogs. I’m deliberate with artist selection and project development, ensuring alignment with purpose, message, and longevity,” Clarke stated.

    Having achieved personal stability outside music, Clarke approaches his craft with artistic purity rather than financial pressure. This position enables creation from clarity rather than desperation, focusing on legacy construction rather than external validation.

    Clarke’s ambitions extend beyond immediate success toward enduring international influence. “My ultimate aspiration involves establishing a lasting legacy of conscious, timeless music with global reach. I intend to develop a catalog that grows stronger annually—productions carrying meaningful substance, structural integrity, and cultural significance. I strive to elevate artists committed to positive expression while providing platforms for their voices to resonate worldwide. Music represents purpose for me, and my mission utilizes that purpose to uplift, empower, and contribute valuable artistry to Jamaican music and global culture,” he concluded.

  • Chutney Soca Monarch semi-finals head to Port of Spain for the first time

    Chutney Soca Monarch semi-finals head to Port of Spain for the first time

    The Chutney Soca Monarch competition enters a new era as organizers announce the semi-final round will be held at Queen’s Park Savannah in Port of Spain for the first time in its history. This landmark change for Carnival 2026 marks a significant departure from previous editions, bringing the preliminary competition to the nation’s capital on January 30th.

    Three-time champion KI Persad makes a highly anticipated return after a decade-long absence, seeking an unprecedented fourth title in the competition. The veteran performer joins 32 other qualified artists who will compete for a spot in the February 8th finals at Skinner Park in San Fernando.

    Defending champion Machel Montano, who captured the 2025 crown with his collaborative hit ‘Pepper Vine’ featuring chutney legend Drupatee Ramgoonai and Lady Lava, will return to protect his title. However, 2025 CSM Queen Reshma Ramlal (Warrior Princess) has announced she will not defend her crown, expressing gratitude for her previous victory alongside Montano.

    Organizers Southex implemented a revamped selection process this year, conducting live in-person screenings at GM Labs with documented proceedings that will feature in a 30-minute finals preview. The competition roster includes notable qualifiers such as 2023 winner Ricardo ‘Daddy Chinee’ Melville, top female artists Rasika Dindial and Lady Lava, and a reserved wildcard entry that brings the total semi-final competitors to 34 artists.

    The event enjoys substantial sponsorship support from the National Carnival Commission, Guardian Media Network, and multiple beverage brands, with free admission offered to the public for the semi-final round at Flava Food Village.

  • Chronix Law detained by ICE

    Chronix Law detained by ICE

    KINGSTON, Jamaica — United States Immigration and Customs Enforcement (ICE) has taken into custody prominent Jamaican dancehall performer Chronix Law, legally known as Ackeem Campbell. The detention occurred under circumstances that remain officially unexplained, creating uncertainty around the artist’s legal status in the United States.

    The development has sparked concern within the international music community and among his fan base. Attempts to establish communication with Campbell’s management representative, Alexandre Jones (professionally recognized as Bashy Law), have consistently proven unsuccessful. The absence of official commentary from either ICE officials or the artist’s representation has left the entertainment industry speculating about potential immigration complications or legal challenges.

    Chronix Law has established himself as a significant figure within the Caribbean music scene, with his work gaining traction across international platforms. This incident highlights the complex intersection of celebrity status and immigration enforcement, particularly for foreign artists frequently traveling for performances. The music community awaits further clarification regarding the grounds for this enforcement action and its potential implications for the artist’s career trajectory.

  • Trapped remake

    Trapped remake

    Reggae artist Richie Stephens has transformed his poignant live tribute into a permanent studio recording, releasing an official cover of Jimmy Cliff’s iconic anthem “Trapped.” The recording, which dropped January 9, 2026, through Stephens’ independent label Pot Of Gold Production, serves as both a personal homage and a professional milestone for the vocalist.

    Stephens revealed that the song held profound personal significance throughout his career, frequently serving as a cornerstone of his early performances and a continuous source of creative motivation. His decision to produce a studio version was a natural progression following his widely praised live rendition at the official state funeral for the late reggae legend.

    The new recording showcases Stephens’ powerful vocal delivery, masterfully encapsulating the song’s core themes of resilience and entrapment while faithfully honoring the emotional depth of Cliff’s original composition. Critics note the studio version retains the raw intensity that made his funeral performance at the National Indoor Sport Centre a memorable event, while achieving a new level of polished artistry.

    The release also recontextualizes the track’s storied history. Originally penned and recorded by Jimmy Cliff, “Trapped” achieved global recognition through Bruce Springsteen’s renowned 1985 cover, which introduced the song to international rock audiences. Stephens’ interpretation now adds a new chapter to this legacy, bridging reggae’s roots with contemporary execution.

    The tribute single is now available for streaming and purchase across all major digital platforms, including iTunes, Spotify, Amazon Music, and Tidal.

  • Former Refugee Camp rapper John Forté dies at 50

    Former Refugee Camp rapper John Forté dies at 50

    The music industry mourns the unexpected passing of acclaimed rapper and producer John Forté, who died at his Martha’s Vineyard residence on Monday at age 50. The Grammy-nominated artist, recognized for his pivotal role in the Refugee Camp All-Stars collective and his production contributions to the Fugees’ landmark album “The Score,” leaves behind a complex legacy spanning musical innovation and personal redemption.

    Forté’s career trajectory embodied both extraordinary artistic achievement and profound personal challenges. His production work on the Fugees’ multi-platinum 1996 album earned him a Grammy nomination and established his reputation as a formidable creative force within the hip-hop community. The album, celebrated for blending soulful melodies with socially conscious lyrics, remains a touchstone of 1990s musical innovation.

    The artist’s journey took a dramatic turn in the early 2000s when he faced federal narcotics charges resulting in a 14-year prison sentence. After serving eight years, Forté received executive clemency from President George W. Bush in 2008, an act that highlighted the intersection of art, justice, and political intervention within the entertainment industry.

    Tributes from contemporaries have poured in since news of his passing. Wyclef Jean, founding member of the Fugees, memorialized Forté on social media, writing: ‘This one hurts my brother John Forté has joined the Angels. Legends never Die… R I P my Refugee brother.’ These sentiments reflect the deep connections Forté forged within the music community and the enduring impact of his artistic contributions despite his personal struggles.

  • Tight race for Couva Calypso Monarch titles

    Tight race for Couva Calypso Monarch titles

    The Couva Carnival Committee (CCC) anticipates fiercely competitive finals in both senior and junior divisions of its upcoming 2026 Calypso Monarch competitions. This projection comes after successful auditions held at Balmain Community Centre on January 11th, where calypsonians demonstrated exceptional early-season form.

    Ezekiel Clarke, CCC Public Relations Officer and competition coordinator, expressed confidence in the quality of performers. ‘The committee expects a truly high-octane final in both categories based on the outstanding offerings from our calypsonians during auditions,’ Clarke stated. He further assured patrons that ‘every artist performed at their peak capacity, promising an thrilling experience at the grand finals.’

    Defending champions will return to defend their titles without requiring qualification. Reigning Senior Monarch Joanne Gibson, performing as Queen Voice, and Junior Monarch Katelin Sultan automatically secure their positions in the February 13th championship event.

    The senior competition features sixteen accomplished qualifiers including Nicholas Lucas (‘The Tree Does Never Forget’), Kerine Williams Figaro (‘You Never Know’), Judith Edwards (‘Plus Size Woman’), and Omarie Asson (‘A Spituation’). Other notable entrants include Shinnelle Cottoy Davis (‘Omirnira’), the duo Ruhanie Ramdass & Marcus Seepersad (‘Calypso Chutney Love’), and Anastasia Richardson (‘Power In De Blood’).

    The junior division showcases eight promising young talents such as Janaya Clarke (‘Role Models’), Nyla Hamilton (‘What Ah Waiting For’), and Alexia Adams Alexis (‘Doh Go Down Dey’). Rehearsal schedules will be announced imminently as the community prepares for this celebrated cultural event that highlights Trinidad’s rich musical heritage.