Carib Scope

分类： entertainment

  • 9th Grenada Contemporary: Islands in Dialogue

    9th Grenada Contemporary: Islands in Dialogue

    Located in Calliste, Grenada, independent art hub Art House 473 has continued to anchor institutional-level Caribbean art programming following the conclusion of its 9th annual Grenada Contemporary exhibition series, themed ‘Islands in Dialogue’. Founded under the umbrella of the Susan Mains Gallery in 2014, Art House 473 has grown from a small exhibition space to a core platform connecting local and international contemporary artists. By the 2025 edition of the Grenada Contemporary, more than 106 creators from across the globe have showcased their work here, and the space maintains its longstanding commitment to allowing artists to explore creative concepts outside the constraints of Grenada’s small local art market.

    For the 2026 iteration of the event, organizers pivoted from the traditional open-call exhibition format to a five-day immersive professional development program led by two visiting artists from Trinidad: painter Edward Bowen and filmmaker Yao Ramesar. Bowen, who previously represented Grenada at the Grenada National Pavilion during the Venice Biennale, led a four-day foundational painting workshop that introduced emerging local creators to core studio practices. Throughout the sessions, Bowen wove together his decades of professional experience in the global art space with critical discussions on the unique identity and role of Caribbean art on the international stage. Joined by Art House 473 resident director Asher Mains, conversations dug into pressing questions for regional artists: how to build audiences, navigate market dynamics, root work in local context, and maintain relevance amid shifting global artistic trends.

    The program culminated on its final evening with a public screening of *Fortune for All*, award-winning filmmaker Ramesar’s acclaimed work, followed by a lively question-and-answer discussion. Like Bowen, Ramesar centered his talk on centering a Caribbean perspective in creative production, highlighting a simple yet impactful example: how regional filmmakers can leverage Grenada’s abundant natural local light for on-location shoots, rather than relying on the artificial, standardized lighting setups common to large international studio productions. This core idea of telling authentic local stories through locally rooted creative practices tied together all five days of programming.

    The ‘Islands in Dialogue’ theme itself was designed to highlight the interconnectedness of Caribbean artistic communities, creating a space for knowledge-sharing between Grenadian and Trinidadian creators that expands the ongoing regional conversation. Beyond facilitating exchange, Grenada has positioned itself as a key promoter of artistic talent from other Caribbean islands on global platforms, with almost every artist that has represented Grenada at the Venice Biennale having previously participated in the Grenada Contemporary program.

    One notable example is Barbadian artist Russell Watson, whose work is currently on display at the Venice Biennale as part of Grenada’s national pavilion, titled ‘The Poetics of Correspondence’. The pavilion’s title draws inspiration from the late curator Koyo Kouoh’s work *In Minor Keys*, and emphasizes the intangible but deeply impactful connections that bind regional artistic practices together when creators engage in open dialogue. Italian curator and art critic Valentina Minniti notes that Watson’s practice has long centered the intersection of the human body, Caribbean ecologies, and metaphorical transformation, creating works that sit between subtle sensory experience and clear representational imagery—a ‘in-betweenness’ that resists literal categorization, and captures the nuanced identity of Caribbean art.

    As a central hub for this regional conversation, Art House 473 also maintains an extensive archive of catalogs and exhibition materials from Grenada’s nine appearances at the Venice Biennale, alongside documentation from other international exhibitions. The space also hosts regular community programming including life drawing classes, small-scale workshops, and rotating exhibitions that nurture the growth of Grenada’s local art ecosystem. Uniquely, Art House 473 operates entirely independent of government or external institutional funding; all its programming is supported through art sales by Susan Mains and Asher Mains. The 2026 edition of the 9th Grenada Contemporary received additional support from Blue Horizons Garden Resort and the Susan Mains Gallery.

  • The atmosphere comes alive with the arrival of more visitors

    The atmosphere comes alive with the arrival of more visitors

    The 28th iteration of the Santo Domingo International Book Fair (FILSD) 2026 entered a bustling new phase of activity Wednesday morning, as rising visitor numbers and coordinated school group visits transformed the Juan Pablo Duarte Cultural Plaza venue into a lively hub of literary and cultural exchange.\n\nFrom the moment gates opened at dawn, the sprawling venue began filling with a diverse stream of guests: teenagers browsing graphic novel stands, older adults searching for nonfiction titles, and organized groups of K-12 students moving between pavilions as part of school-led educational activities. Organizers noted that school participation has been a key driver of the increased foot traffic, injecting far more energy into the fair grounds than the opening days saw.\n\nAs visitors wandered the rows of exhibitor stands exploring the thousands of titles on offer and signing up for scheduled talks, writing workshops, and author meet-and-greets, local reporters conducted casual interviews to gauge public opinion on this year’s edition. Most attendees praised the wide selection of books from both domestic and international publishers, and highlighted how events like the FILSD play a critical role in fostering a reading culture among younger generations.\n\nJunior Méndez, a 24-year-old attendee, told reporters he came to the fair specifically to uncover lesser-known historical narratives that rarely appear in mainstream bookstores. Echoing the views of many literary enthusiasts at the event, he emphasized that consistent reading is one of the most accessible tools for intellectual enrichment. “I think every person owes it to themselves to give reading a real chance,” Méndez explained. “You don’t have to force yourself through genres you hate—just find what sparks your curiosity and give that a shot.”\n\nRetired educator Ernesto Betancourt echoed that sentiment, sharing that he made regular trips to the book fair with his students throughout his decades-long teaching career, and still encourages young people to attend today regardless of their individual interests. “Even when I was working full-time in the classroom, I always prioritized bringing my classes here,” Betancourt recalled. “I pushed them to pick up books, explore new topics, and immerse themselves in all the culture this event has to offer.”\n\nFor all the positive feedback around the breadth of the 2026 fair’s publishing offerings, a number of attendees shared one common criticism: many book prices are higher than expected. Several visitors told reporters that elevated price points will likely prevent them from purchasing multiple titles during their visit, even when multiple books catch their eye. “I came in expecting more accessible pricing, since this is a public book fair meant to encourage reading,” said attendee Pablo Henríquez. “But honestly, a lot of these prices are higher than I see at regular commercial bookstores—it’s disappointing.”’

  • Jamaican-American wins first Dennery segment award

    Jamaican-American wins first Dennery segment award

    After three editions hosted thousands of miles away in New York, the Caribbean Music Awards reached a landmark milestone over the weekend when it held its fourth annual ceremony for the first time on Caribbean soil, in the twin-island nation of Trinidad & Tobago. This year’s event expanded its recognition of the region’s rich, diverse musical tapestry by adding several new categories – most notably, an award slate dedicated to Dennery Segment, the high-energy, Saint Lucian-born genre that has grown rapidly in popularity across the Caribbean and global diaspora in recent years.

    In a competitive field of standout nominees, Jamaican-American artist Klassik claimed the coveted trophy for Dennery Segment Song of the Year for his chart-topping hit *Dansa*. He beat out heavy local and regional competitors, including Blackboy’s *Clap*, Hollywood HP and Ricky T’s collaborative track *Freak Out*, and Dezral & Jardel’s *The Car*, to take the inaugural honor in the category. The night’s other major Dennery Segment award, Artiste of the Year, went to Umpa, who outperformed fellow nominees Blackboy, DJ ASAP, Mighty, Nerdy, and the duo Dezral & Jardel to secure the title.

    Beyond celebrating the rising genre, the 2026 awards ceremony shines a spotlight on the full spectrum of Caribbean sonic traditions, recognizing standout work across established beloved genres that form the backbone of the region’s cultural identity. These include soca in its multiple forms – from traditional soca to bouyon soca and chutney soca – as well as dancehall, reggae, konpa, Latin Caribbean fusion, and the up-and-coming genre zess.

    The move from Brooklyn, New York, where all previous iterations of the awards were held, to the Caribbean itself marks more than a change of venue: it represents a pivotal step in centering the region’s own artists and cultural ecosystems on the global stage. For the 2026 edition, organizers adjusted eligibility to honor music released across 2024 and 2025, framing the in-region debut as a reset and a foundational moment for the awards’ future as the leading celebration of Caribbean musical talent worldwide.

  • Today and Saturday don’t miss your chance to see Fly on the Wall – a Caribbean play presented by La Cour Des Arts De La Dominique Inc.

    Today and Saturday don’t miss your chance to see Fly on the Wall – a Caribbean play presented by La Cour Des Arts De La Dominique Inc.

    Theater enthusiasts across Dominica and the broader Caribbean region are gearing up for a sharp, culturally rooted theatrical experience this weekend, as local non-profit arts collective La CourDes Arts De La Dominique brings Dorbrene O’Marde’s acclaimed satirical play *Fly On The Wall* to St. Gerard’s Hall. Scheduled for nightly 8pm performances on Friday, September 25 and Saturday, September 26, the production promises a thought-provoking look at the hidden mechanics of political power through a distinctly Caribbean lens. Penned by O’Marde, *Fly On The Wall* is the second of his five full-length dramatic works, crafted to pull back the curtain on the gap between politicians’ public rhetoric and their private, behind-closed-doors decision-making. The play’s core premise is a clever, engaging thought experiment: what would unfold if ordinary people could slip unseen into private negotiations and strategy sessions among political leaders, observing every interaction just like a quiet fly on the wall? When characters let their guard down, convinced no member of the public is watching, their true motives emerge—creating a stark, often humorous contrast between polished public speeches and unvarnished private conversations. O’Marde weaves biting satire, sharp witty dialogue, local Caribbean idioms, and region-specific cultural references throughout the script, grounding the narrative in the lived realities of Caribbean communities. Beyond entertainment, the work challenges audiences to interrogate the actions of their leaders and demand greater transparency and accountability from those in power. The production’s creator is far more than a celebrated playwright: Dorbrene Eversfield O’Marde is an Antiguan-born cultural icon, published author, and diplomat whose work spans arts advocacy and global reparatory justice. Currently serving as Chairman of the Antigua and Barbuda Reparations Support Commission and Vice-Chair of the CARICOM Reparations Commission, O’Marde has spent more than 20 years at the forefront of the global reparatory justice movement, and was appointed Ambassador Plenipotentiary for Antigua and Barbuda’s Reparatory Justice Programme in 2022. His contributions to Caribbean arts have earned him widespread recognition, including the International Sunshine Award as ‘Friend of the Arts’, the UWI Pelican Award for outstanding contribution to the arts, and most recently a Lifetime Achievement Award honoring decades of service to theater arts in Antigua and Barbuda. Bringing *Fly On The Wall* to the stage is La Cour des Arts De la Dominique Inc FwijéTeyát, a registered non-profit theater collective dedicated to elevating regional art and Caribbean culture. The group traces its origins back to 1997, when it launched as the Alliance Française Drama Group before earning official registration as an independent organization in 2003. In 2006, the collective launched its flagship outreach initiative, the Joint Secondary Schools Drama Group, built around the founding vision of nurturing ‘A Generation of Dramatists Through Opportunity’ to grow the next wave of Caribbean theater talent. Today, the group’s roster boasts members with between 10 and 50 years of professional experience across stage, film, and radio production. For decades, the collective has centered drama as a tool for public education, using performance to spread information on critical health, social, and environmental issues facing Caribbean communities, with support from a range of local and regional partner agencies. Many of the group’s members earned early recognition for their roles in the groundbreaking 1998 domestic violence awareness television series *Wake Up Call*, produced in partnership with the Women’s Bureau, which remains a landmark piece of Caribbean educational media. In recent years, the collective has continued its tradition of collaborative, community-focused theater, partnering with the Alwin Bully Foundation to stage Alwin Bully’s thriller *Nite Box* in 2023 and the dramatic production *STREAK!* in 2025.

  • Love Link Caribbean Inter-Regional Reality Show to debut September 30

    Love Link Caribbean Inter-Regional Reality Show to debut September 30

    The Caribbean entertainment landscape is set to welcome a groundbreaking new original production next week, as the region’s first cross-territory reality dating show, *Love Link Caribbean*, prepares to premiere on September 30. A collaborative project between local production outfit Love Link TV and the Antigua and Barbuda Tourism Authority (ABTA), the series marks a milestone for Caribbean-led media, putting local stories, culture and identities front and center for regional and diaspora audiences.

    Filmed entirely on location across Antigua and Barbuda, the 10-episode season brings together 10 single participants from seven Caribbean jurisdictions: Anguilla, The Bahamas, Dominica, Jamaica, Trinidad and Tobago, the U.S. Virgin Islands, and host nation Antigua and Barbuda. Each contestant brings their own unique take on romance, regional dialects, and personal expectations to the experience, with the islands of Antigua and Barbuda woven into every arc of the show. Viewers will follow contestants as they explore iconic local spots ranging from the shores of Ffryes Beach to the natural landscapes of Laviscount Island and the historic grounds of Dow’s Hill, experiencing the destination’s signature cuisine, warm community culture and vibrant rhythm alongside the search for connection.

    What sets *Love Link Caribbean* apart from international dating formats is its commitment to authentic Caribbean representation at every level of production. Producers confirm that nearly 99% of the production crew hail from across the Caribbean region. On screen, the series leans into familiar local humor, regional food traditions, cultural references and dialects that will resonate with viewers from Nassau to Port of Spain and across the global Caribbean diaspora. For a region that has rarely seen its own modern love stories depicted in this popular television format, the series is poised to become a shared weekly cultural talking point connecting communities across the Caribbean.

    “Love Link started right here in Antigua and Barbuda. Seeing it grow into something that connects people across the whole Caribbean is a dream realised,” said Jamila Watkins, Founder and Executive Producer of Love Link TV. “This show is about more than finding love. It lets Caribbean audiences see our personalities and our cultures on screen in a way that feels unmistakably ours.”

    For ABTA, which takes on an executive producer role for the series, the project represents an innovative approach to destination marketing that integrates the islands’ identity into the fabric of the content rather than treating it as an afterthought. “Antigua and Barbuda has long been a place where love stories begin, and Love Link Caribbean lets our neighbours across the region watch that happen week by week through voices that sound like theirs,” said Shermain Jeremy, Director of Tourism for Caribbean and Latin America at ABTA. “Backing Caribbean-created entertainment is smart destination marketing. Viewers don’t just see Antigua and Barbuda in the background. They experience it as part of the story, and we hope many of them will want to come and write their own love stories here.”

    Audiences can access the series for free via Love Link TV’s official YouTube channel, where the official trailer is available to watch now. The debut episode will drop at 8:00 p.m. Atlantic Standard Time on Wednesday, September 30 (7:00 p.m. Jamaica Time), with new episodes releasing weekly on the same schedule. To extend the conversation around the series, a weekly after-show will stream live on TikTok via the @LoveLinkTV.official account every Friday at 8:00 p.m. AST, hosted by Alphonsina Olmos and Yorie Taylor. Viewers are encouraged to join the discussion using the official hashtag #lovelinkcaribbean. In the coming weeks, the series will also expand to linear regional television networks, with full details of broadcast partners set to be announced at a later date.

  • Newani Martinez Carries Garifuna Music Forward

    Newani Martinez Carries Garifuna Music Forward

    At just 20 years old, rising Belizean artist Newani Martinez is standing at the intersection of legacy and innovation, breathing new life into traditional Garifuna musical styles paranda and punta while building a distinct artistic identity of his own. Born into a family deeply rooted in Garifuna culture, Newani is the son of the late legendary Honduran Garifuna musician Aurelio Martínez, who passed away in a tragic plane crash one year ago.

    Aurelio Martínez was far more than a celebrated singer-songwriter. As a global ambassador for the Garifuna people, he dedicated his career to elevating and preserving endangered Garifuna cultural traditions, most notably paranda, a genre that record producer Ivan Duran says Aurelio helped pull back from the brink of extinction. Duran, who collaborated closely with Aurelio for nearly three decades after their first meeting in 1998, recalls that the musician spotted Newani’s innate talent from infancy. “He would send me videos when [Newani] was, like, two years old, knocking around on a drum,” Duran remembered. “He was such a proud dad, and he told me one day you’re gonna have to record him. Newani is a natural talent; even Aurelio was impressed by how naturally the gift came to him.”

    For Newani, a career-changing milestone came earlier this year when he got the opportunity to share the stage with iconic soca superstar Machel Montano – a collaboration he had dreamed of for years. “That moment to me was the greatest moment of my life,” Newani shared. “I’ve always told my manager, ‘If anyone in the world, I want to do a collab with Machel Montano.’ She thought it was a big leap, but it happened anyway. That moment basically kick-started a new path in my career.” The performance doubled as a moving tribute to his late father, who gave Newani his first drum as a child that he still keeps to this day. “He gave me that little drum, but we never got to make music together or share a stage, so sharing the stage with Machel, that next best thing, was my way of honoring him,” Newani explained.

    While he carries deep pride in his father’s legacy, Newani is determined to carve out his own space in the global music industry. “I create my own music, build my own identity alongside what people know from my dad,” he explained. “Of course that legacy will always be there – people will always first connect me to him – but I want the younger generation to know me for my own work. It’s all about finding that right balance.”

    Newani’s love of performance began early, starting with school dances, skits and childhood drumming lessons before he expanded into singing and playing guitar during high school. He founded his own group, The B with the Boys, and has already built an international fanbase, performing across North and Central America to growing crowds. Up next, he is preparing to drop his first collection of original music, a project that will showcase his unique blend of traditional Garifuna rhythms and modern creative sensibilities.

    Leaders of Garifuna cultural organizations say Newani’s work carries profound importance for the future of the community. Alex Nolberto, president of the National Garifuna Council, applauded the young artist for stepping into the role of cultural steward. “This underscores the truth that young people are our future,” Nolberto said. “We remain hopeful that we have young people who can take up the mantle and carry on with the work of preserving our culture.”

    Beyond his performance schedule, Newani is also balancing his music career with higher education at the University of Belize, where he is studying business. He acknowledges that stepping into the public spotlight so early in his career comes with challenges, but he is grateful for the widespread support he has received from fans at home and abroad. “It’s not that easy just being put into the limelight when you’re this new,” he said. “I’m just learning and growing as I go, and I appreciate that people understand there’s a lot more to this journey than what they see on the surface.”

    While he does not claim to know exactly what the future holds, one thing remains certain: music will be a constant through every chapter of his life. As he prepares to introduce his original work to global audiences, Newani Martinez stands as both a guardian of endangered cultural tradition and an exciting new voice reshaping Garifuna music for the 21st century.

  • Belize’s Carnival Spirit Captivates Ambassador Bauer

    Belize’s Carnival Spirit Captivates Ambassador Bauer

    In a vivid early encounter with Belizean national culture ahead of the country’s 45th independence anniversary, U.S. Ambassador to Belize Andre Bauer found himself unexpectedly swept up in the festive energy of Orange Walk’s annual Independence Day Carnival on September 24, 2026.

    What was initially scheduled as a brief, half-day stop on Bauer’s official itinerary turned into a full afternoon of celebration, as the infectious joy, rhythmic music, and warm community welcome of the event convinced the ambassador to extend his stay well into the evening. By the time he wrapped up his time at the carnival, darkness had already fallen over the district.

    During the celebration, Bauer had the opportunity to connect with hundreds of attendees from a wide array of cultural and social backgrounds across Belize, shaking hands and exchanging greetings with scores of locals. Drawing on his experience traveling across nearly 50 countries during his decades of public and diplomatic service, the ambassador shared striking reflections on what made the Belizean celebration stand out.

    “Golly, if you hadn’t been, you need to get there,” Bauer told reporters following the event. “I got invited to come down and my staff had planned for me to do half of it. But that was not happening. We stayed until the end. I got to shake so many hands, meet so many incredible people from such diverse backgrounds. But I will tell you this: I don’t know any other place in the world, and I have been close to fifty countries, where people hold so much pride in their country. Forty-five strong is impressive, but how much people love this country, how much they take real pride in their independence, that is what really impressed me. I am glad I get to be a part of it, and Orange Walk was a great way to experience authentic Belizean culture.”

    This carnival marked one of Bauer’s first in-person deep dives into Belize’s grassroots cultural traditions since taking up his diplomatic post in the country. This report is adapted from a transcript of a televised evening newscast, with all local Kriol language segments standardized to conventional spelling for publication.

  • Rudy Ru$h releases new single ahead of Dominica Creole Festival performanc

    Rudy Ru$h releases new single ahead of Dominica Creole Festival performanc

    Caribbean music fans have a fresh offering from rising Dominican Bouyon performer Rudy Ru$h, who just dropped his collaborative new single “Here for You” featuring vocalist Chioneso. The release comes as the artist refines his distinctive cross-genre sound and gears up for a highly anticipated homecoming to Dominica this coming October.

    Per an official statement from Ru$h’s team, the new track pushes creative boundaries by merging pulsing techno production elements with the rhythmic core of traditional Bouyon, the roots genre that has defined Ru$h’s artistic journey from the start. Lyrically, the song centers on a tender romantic narrative: it follows a man as he offers unwavering commitment and comfort to his partner, balancing an upbeat, dance-ready instrumental with a heartfelt message of devotion and security.

    “Here for You” marks Ru$h’s second major release of the era, following his 2024 single “Anywhere We Go”. That previous track earned widespread industry traction, earning a spot on prominent curated iTunes playlists and opening new doors for Ru$h, introducing his unique take on Caribbean music to listeners far beyond the regional Caribbean audience that first supported him.

    Looking ahead, the artist has already locked in plans for a full-length Bouyon-focused project, slated to drop in the first quarter of 2027. The upcoming album is set to highlight the evolving creative direction of Ru$h’s work, which draws increasingly from a wide range of musical influences across the Caribbean. A key contributor to this evolution is Ru$h’s ongoing close collaboration with DJ Nuffy, a veteran Jamaican dancehall selector, hype man and entertainment host who has been a staple of the Jamaican entertainment industry since launching his career in 1995. Nuffy’s deep dancehall roots have brought new textured influences to Ru$h’s sound, aligning perfectly with the artist’s core creative goal: weaving together distinct Caribbean musical traditions to create something entirely new.

    Ru$h’s homecoming to Dominica this October will see him take the stage at the annual Dominica Creole Festival, where he will share the lineup with many other prominent Bouyon artists. For the artist, the performance is more than just a show—it is a deliberate continuation of his ties to the local Dominican music community and the genre that formed his artistic identity.

    Between the launch of his latest single, the upcoming full-length project, and his scheduled festival performance, Ru$h is balancing artistic growth and innovation with a steady commitment to his roots. As he continues to collaborate across regional Caribbean music scenes and expand his global reach, he remains firmly connected to the island and the wider Caribbean creative community that shaped him.

  • Santo Domingo Book Fair inaugurates Panama, José Mármol and Comics pavilions

    Santo Domingo Book Fair inaugurates Panama, José Mármol and Comics pavilions

    The XXVIII Santo Domingo International Book Fair (FILSD 2026), one of the Caribbean’s most anticipated annual cultural gatherings, marked a key milestone in its 2026 iteration this Thursday with the official inauguration of three distinct pavilions, each bringing unique cultural and literary value to the 11-day event. Leading the opening ceremonies was Roberto Ángel Salcedo, the Dominican Republic’s Minister of Culture, who highlighted the fair’s ongoing mission to celebrate regional literary heritage and foster cross-cultural exchange among neighboring nations.

    As the 2026 edition’s guest of honor country, Panama unveiled a thoughtfully curated pavilion designed to immerse visitors in the nation’s rich cultural identity. The space showcases authentic Panama folklore, traditional handicrafts, and centuries-old cultural traditions that define Panamanian life, offering fair attendees a vivid glimpse into the country’s history and modern cultural landscape. The opening of the Panama pavilion drew senior diplomatic representatives from both nations, including Yira Ramonet, Panama’s Ambassador to the Dominican Republic, and Roberto Salcedo, the Dominican Ambassador to Panama, alongside a host of cultural affairs officials from both sides, underscoring the strong bilateral cultural ties the event seeks to strengthen.

    Alongside the national guest pavilion, FILSD 2026 also debuted a dedicated pavilion honoring José Mármol, this year’s selected honored author. Mármol, a towering figure in contemporary Dominican literary circles, has built a 40-plus-year career as a celebrated poet and essayist, whose work has shaped decades of Dominican literary discourse and earned him recognition as one of the most vital voices in modern Caribbean literature. The pavilion serves as a retrospective of his career, featuring original manuscripts, personal items, and discussions of his most influential works.

    The third newly inaugurated space, the fair’s popular Comic Pavilion, caters to lovers of sequential art, illustration, and contemporary visual culture. As part of its 2026 programming, the pavilion opened with a moving posthumous tribute to Harold Priego, a beloved Dominican cartoonist whose work left an indelible mark on the nation’s comic and visual arts scene. The tribute will run throughout the fair, showcasing a collection of Priego’s most iconic works and celebrating his contributions to the development of Dominican comic culture.

    Scheduled to run from September 24 through October 4 at the centrally located Juan Pablo Duarte Cultural Plaza in Santo Domingo, FILSD 2026 is designed to engage audiences across all age groups, bringing together a diverse program of literary discussions, art exhibitions, workshops, and public cultural events that make literature and the arts accessible to the entire community.

  • Leisure : Did you know ? #62

    Leisure : Did you know ? #62

    Haiti-based digital media outlet HaitiLibre has rolled out the 62nd installment of its popular twice-weekly general knowledge series, “Did You Know?”, published on September 24, 2026. This week’s quiz segment centers on a question highlighting a prominent Haitian-American creator: Which Paris-trained, New York-based fashion designer founded the luxury Epice clothing brand?

    The official answer reveals Dayanne Danier, a designer who has built a dynamic creative and professional bridge between Haiti’s capital Port-au-Prince and the global fashion hub New York. Trained in the rigorous, time-honored techniques of haute couture, Danier has cultivated an instantly recognizable design signature that pairs sleek, modern silhouettes with the intricate, vibrant artisanal details rooted in Haitian cultural heritage.

    Beyond building her own successful fashion label, Danier has long prioritized inclusive economic growth in her country of origin. She founded the non-profit organization Fleur de Vie, which works to expand educational access and professional skills training for Haitians, with a specific focus on the local textile and garment industry. By teaching advanced sewing and craft techniques to local artisans, Danier is actively supporting the structural development and professionalization of Haiti’s burgeoning creative economy. Her seasonal collections, which are regularly featured at high-profile industry events and charity fashion shows, embody a new model of conscious fashion: sophisticated, contemporary, and deeply rooted in Caribbean cultural identity.

    This feature is part of HaitiLibre’s broader interactive quiz platform, Quiz.HaitiLibre, which hosts a growing catalog of general knowledge content covering topics ranging from local Haitian culture to global current affairs. As part of the platform’s scheduled monthly content update, 30 new quiz games were added to the platform on September 1, 2026, bringing the total number of available interactive games to 240, with new content added every calendar month going forward.

    All quiz content on the platform is exclusive, free to access, and does not require user registration. Designed to appeal to all age groups, each game offers three adjustable difficulty levels: easy, intermediate, and hard, and all content is available in both French and English. Users are invited to explore the full catalog of quizzes at https://quiz.haitilibre.com/en, share the platform with friends and family, and leave feedback via a comment form available at the end of every quiz.