International mezzo-soprano Raehann Bryce-Davis delivered a transcendent performance at Kingston’s Vera Moody Concert Hall on February 1st, marking both Reggae Month celebrations and a triumphant homecoming to Jamaican stages. The event, presented by Music Unites Jamaica Foundation under the leadership of Rosina Moder and Janine “Jkuhl” Coombs, showcased an unprecedented fusion of operatic excellence and Caribbean musical heritage.
Bryce-Davis commenced with classical staples from her repertoire, including Verdi’s “O Don Fatale” and Bizet’s “Carmen” excerpts, accompanied by Dr. Roger N. Williams on piano. Her performance then evolved into a cultural dialogue through selections from her album “Evolution,” featuring Jamaican-Canadian composer Maria Thompson Corley’s “The Beauty In My Blackness” and Tim Amukele’s a cappella arrangement “Stand the Storm.”
The concert’s first half culminated in a heartfelt collaboration with her mother, Hortensia Bryce, who performed traditional Jamaican folk songs “Run Mongoose” and “Liza” a cappella, followed by a duet rendition of Peter Ashbourne’s “Nobody’s Business.”
Post-intermission, the production expanded into a multidisciplinary spectacle featuring the BEAM Dancers and live band. The program progressed through art songs like “We Wear the Mask” and Andrew Marshall’s Jamaican Patois composition “This Is My Word,” concluding with Rodgers and Hammerstein’s “You’ll Never Walk Alone.”
The finale assembled a chamber orchestra for “Black Riders Freedom Song,” followed by an innovative dancehall-opera fusion performance of “End of Days” with Timmoya Lowe, incorporating Afrobeats and house music elements. The event was patronized by Ambassador Audrey Marks and expertly narrated by storyteller Amina Blackwood Meeks, attracting distinguished attendees including musicologist Marjorie Whylie.
