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  • UNICEF and Dominican authorities address growing risks of online sexual violence

    UNICEF and Dominican authorities address growing risks of online sexual violence

    In the wake of troubling new research showing less than 40 percent of Dominican teenagers feel secure navigating digital spaces, the country’s top justice official has called for urgent, systemic upgrades to how the nation prevents, investigates and prosecutes online sexual violence against children and adolescents.

    Justice Minister Antoliano Peralta outlined the government’s priority during a landmark national consultation hosted by UNICEF, in partnership with global child protection bodies ECPAT International, Interpol, Safe Online and the Dominican Ministry of Justice. The cross-sector gathering brought together key stakeholders from across the Dominican government, including the National Council for Children and Adolescents (CONANI), the Attorney General’s Office, the national judiciary, the Ministry of Interior and Police, the Dominican Institute of Telecommunications (INDOTEL), and the Government Office of Information and Communication Technologies, to assess the growing harm of online violence and sexual abuse against minors.

    Peralta emphasized that the Dominican state bears a fundamental legal and ethical obligation to both prevent and penalize all forms of digital sexual violence targeting young people. To meet this obligation, he said authorities are advancing three core priorities: improving inter-agency coordination to eliminate response gaps, strengthening support and protection frameworks for survivors of abuse, and updating national legal frameworks to keep pace with rapidly evolving digital threats.

    New data presented at the consultation laid bare the stark disparities in online safety facing different groups of young Dominicans. While just 37 percent of all teenagers report feeling safe online, the share drops sharply for adolescent girls, with only one in four saying they feel secure in digital environments.

    Two major studies — the Kids Online survey and Adolescents and Internet Use report — were presented during the event, highlighting deep structural inequalities that exacerbate risk for vulnerable youth. The research found that internet access for Dominican teenagers remains shaped by gaps in connectivity, device access and digital literacy, with half of all adolescents relying solely on mobile phones to go online. This overreliance on mobile-only access is most pronounced in low-income households, putting already marginalized young people at greater risk of exploitation.

    Even for adolescents who have grown up immersed in digital culture, the research revealed a widespread lack of skills to identify and avoid online risks, leaving many exposed to grooming, abuse and exploitation.

    Carlos Carrera, a participating child protection leader, warned that online sexual violence is a fast-growing threat that demands unified action from both public sector institutions and specialized global and local agencies. Attendees also raised particular alarm about emerging technologies, specifically generative artificial intelligence, noting that new tools lower barriers for bad actors to create non-consensual explicit content and facilitate the online exploitation of minors.

    Despite the pressing challenges highlighted, the consultation also noted ongoing progress on both national and international fronts. The Dominican Republic is an active participant in the global Disrupting Harm initiative, a multinational effort designed to crack down on online child sexual exploitation. UNICEF also reported that it is working alongside the Dominican Ministry of Education to roll out targeted safety resources, including the E-mentors and E-pana platforms, to help adolescents and their families build skills for safer, more responsible internet use.

  • Dominican Republic surpasses 1.1 million Canadian tourists

    Dominican Republic surpasses 1.1 million Canadian tourists

    The Caribbean nation of the Dominican Republic has cemented its standing as one of the most sought-after getaways for Canadian travelers, officially crossing the milestone of 1.1 million annual visitors from Canada, new government data confirms. The figures were unveiled by the Dominican Ministry of Tourism during a high-profile tourism promotional roadshow hosted recently in Montreal, Canada.

    Speaking at the industry gathering, Dominican Tourism Minister David Collado outlined the outsized importance of the Canadian market to the country’s $10-billion-plus tourism economy, noting that just two Canadian provinces – Ontario and Quebec – account for the vast majority of northern American travelers, generating nearly 1 million combined visits in the latest reporting period. Breakdown data shows Ontario led with more than 544,000 tourist arrivals, while Quebec contributed over 446,000 travelers to the Caribbean destination.

    Collado emphasized that Quebec alone makes up 39% of all Canadian tourist arrivals to the Dominican Republic, ranking it among the country’s most valuable and consistent international tourism source markets. Beyond strong visitor demand, the minister highlighted the robust air connectivity that underpins the growing travel relationship between the two nations. He revealed that by 2025, more than 6,700 flights will operate between Canada and the Dominican Republic across 29 non-stop routes, with flights maintaining an impressive average occupancy rate of 83% – a figure that signals strong, sustained consumer demand for travel between the two regions.

    At the Montreal promotional event, held May 13 at the city’s Four Seasons Hotel, senior Dominican tourism officials showcased the country’s diverse portfolio of top travel destinations, from the iconic palm-fringed shores of Punta Cana and the lush whale-watching hubs of Samaná to the emerging surf and eco-tourism destination of Miches, the historic capital city of Santo Domingo, the golden coastlines of Puerto Plata, and the golf and resort hub of La Romana. Officials also highlighted a pipeline of new hotel development projects designed to expand accommodation options and attract a broader range of Canadian travelers, from budget-friendly family groups to high-end luxury seekers.

    One of the most striking insights shared at the roadshow came from visitor satisfaction data: 92% of Canadian tourists surveyed after their trips said they intend to return to the Dominican Republic for future vacations, while more than half confirmed they would actively recommend the country to friends and family as a top vacation spot. When asked what draws them to the Caribbean nation, Canadian travelers consistently cited its world-class white-sand beaches, year-round warm tropical climate, widely popular all-inclusive resort model, and convenient non-stop flight access from Canadian cities as core factors driving their travel decisions.

    The invitation-only roadshow brought together key stakeholders from across North America’s travel ecosystem, including senior leaders from Canadian travel agencies, major commercial airlines, international tour operators, and tourism industry associations. The core goals of the event were to strengthen existing commercial partnerships, align on collaborative marketing strategies, and lay the groundwork for continued sustainable growth in two-way travel between Canada and the Dominican Republic.

    Looking ahead, industry analysts expect the Dominican Republic to retain its position as one of the top Caribbean destinations for Canadian travelers for the foreseeable future, driven by consistent investments in new hotel infrastructure, industry-leading air connectivity, and growing consumer demand for sun-and-sea beach vacations and luxury all-inclusive resort experiences.

  • Six people sentenced to life in prison for gun-related charges in first quarter of 2026

    Six people sentenced to life in prison for gun-related charges in first quarter of 2026

    KINGSTON, Jamaica — Jamaica’s national law enforcement body, the Jamaica Constabulary Force (JCF), has published a comprehensive breakdown of its crackdown on illegal firearms activity across the island for the first quarter of 2026, revealing stiff penalties for dozens of offenders and large-scale seizures of unregistered weapons.

    Between January 1 and March 31 of this year, the agency recovered a total of 175 illegal firearms distributed across a range of enforcement operations. Thirty-two of these weapons were intercepted at Jamaican ports by the specialized Firearms and Narcotics Investigation Division (FNID), stopping untracked weapons from entering the country before they could reach communities. Another 99 firearms were seized during 93 separate active incidents that involved 140 identified suspects, while the remaining 44 weapons were recovered in circumstances that did not result in any criminal charges being filed.

    In total, authorities brought 595 formal charges against suspects under Jamaica’s Firearms (Prohibition, Restriction and Regulation) Act over the three-month period. Charges covered a broad spectrum of firearm-related violations, including stockpiling banned weapons, unauthorised possession of ammunition, and the use of prohibited weapons to commit serious felonies. A total of 80 individuals faced criminal prosecution for firearm possession offences: the defendant pool was overwhelmingly male, with 63 men between the ages of 17 and 75 charged, compared to 17 women aged 19 to 58.

    Geographically, St Andrew South logged the highest volume of firearm-related arrests and charges, with 60 open cases recorded in the district. It was followed by St James with 54 cases and Hanover with 45 cases, marking the three regions with the most intense illegal weapons activity in the first quarter.

    Six of the most high-risk offenders received life sentences for their violations, with several other defendants receiving decades-long prison terms. Among the key convictions highlighted by JCF was that of 23-year-old Romani Lugg, who was arrested in Spanish Town, St Catherine, in January 2025 while carrying an unregistered firearm. Convicted of stockpiling prohibited weapons, Lugg was sentenced to life imprisonment and will not be eligible for parole until he has served 21 years of his sentence.

    A second defendant from St Catherine North, 27-year-old Ronaldo Forbes, also received a life sentence for unauthorised ammunition possession, alongside a concurrent 13-year-11-month term for possession of a prohibited weapon, after police found an unregistered gun during a community operation in March 2025. Fifty-four-year-old Nigel Bailey received a life sentence for stockpiling prohibited weapons with parole eligibility after 20 years, plus an additional 15 years of hard labour for a separate weapons possession charge.

    Andre Jennings of St Andrew South was handed a life sentence for prohibited weapon possession with 20 years before parole eligibility, plus an extra 22 years and 11 months for unauthorised ammunition possession. In Manchester, 48-year-old Matthew Smith was sentenced to a cumulative 40 years in prison after pleading guilty to a string of violent offences including illegal firearm possession, burglary, aggravated robbery, and rape, all committed across a 21-day period in 2023. Ricardo Downer and Timoy Bingham each received life sentences for unauthorised ammunition possession, with additional 14-year terms for prohibited weapon possession. Three other convicted offenders, Nickrane Mighty, Ricardo Kerr and Jamoy Chusney, received fixed sentences ranging from 14 to 15 years for their respective firearm-related convictions.

    JCF officials confirmed that the aggressive enforcement against illegal firearms has continued into the second quarter of 2026, with two additional high-profile convictions secured in April alone. Prosecuted by St Catherine South police, Jerome Wilson received a life sentence for prohibited weapon possession plus 16 years for unauthorised ammunition possession, while co-defendant Marvin Bailey was sentenced to more than 30 years for wounding with intent and over 25 years for illegal firearm possession. Overall, the 17 sentenced offenders from the first quarter received a combined total of more than 250 years in prison, marking one of the toughest three-month periods for weapons-related convictions in recent Jamaican history.

  • Fans to be allowed to create AI music remixes following Spotify, Universal deal

    Fans to be allowed to create AI music remixes following Spotify, Universal deal

    Global music streaming leader Spotify has announced a groundbreaking collaboration with major record label Universal Music Group (UMG) that will open the door to legal, AI-generated song covers and remixes for users, in a move that reshapes the intersection of artificial intelligence and the music industry. Unveiled during the platform’s investor day on Thursday, the new tool will require an additional fee on top of Spotify’s standard subscription pricing, marking a new revenue stream for both the company and participating rights holders.

    Unlike unregulated AI music tools that have sparked industry-wide controversy over intellectual property rights, this new initiative will only operate with the explicit consent of featured artists. Any revenue generated from the feature will be split between the original performing artists and songwriters, ensuring that all creators benefit from user-generated AI content. Spotify Global Head of Music Charlie Hellman emphasized the historic nature of the launch, noting that it marks the first time fans have been able to legally create derivative works from authorized artist catalogues, with all original creators sharing in the new value created.

    Prior to this partnership, Spotify enforced a ban on AI-generated music that draws directly from a specific artist’s work without formal approval, even as the platform continues to allow the upload of general AI-created music, including tracks linked to AI-generated artist identities. The new deal places Spotify in direct competition with two of the fastest-growing players in the consumer AI music space: Suno and Udio, which have collectively amassed millions of active users in the past year.

    Interestingly, the two startups have followed a similar trajectory to Spotify’s new offering: after launching with little to no formal agreements with major labels or artists, both have pivoted to strike licensing deals with major industry players in recent months. Udio has already secured partnerships with both UMG and Warner Music Group, while Warner has also reached a separate agreement with Suno. Even so, UMG and Sony Music Entertainment remain locked in federal litigation against Suno over copyright infringement, with the case currently pending before a U.S. District Court in Massachusetts.

    For creators, the new AI feature is framed as an opportunity to expand their income beyond traditional streaming royalties. Hellman emphasized that the tool will deliver “a brand new source of income on top of what they already earn on Spotify.” UMG CEO Lucian Grainge echoed that positive framing, noting that the partnership prioritizes creator interests while adhering to responsible AI development principles. “This initiative is firmly artist-centric, rooted in responsible AI,” Grainge said, adding that it will “drive growth for the entire music ecosystem.”

    Alongside the AI collaboration, Spotify used its investor day to announce a second major update for paying subscribers: early access to concert tickets through a new program called Reserved. Launching in the United States this summer before rolling out to international markets, the program will allow eligible subscribers to buy tickets for shows from their favorite artists roughly 24 hours before tickets go on sale to the general public.

    Eligibility for the early access program will be determined by Spotify user listening data. The platform will prioritize fans who stream an artist’s music frequently, listen to a wide range of tracks from the artist’s catalogue, and have saved the artist’s work to their personal libraries. Eligible users will be able to purchase up to two tickets per show through Spotify’s integrated partner ticketing platform. The company says the program is designed to combat the longstanding problem of scalper bots, which buy up large blocks of concert tickets immediately after they go on sale to resell at inflated prices, a practice that has frustrated both fans and artists for decades. By restricting early access to verified, highly engaged fans, Spotify aims to ensure more tickets end up in the hands of genuine concertgoers rather than resellers.

  • Ginjah spreads faith and encouragement with ‘God Is Good’

    Ginjah spreads faith and encouragement with ‘God Is Good’

    KINGSTON, Jamaica — Veteran Jamaican reggae performer Ginjah is bringing a powerful, soul-stirring message of faith, resilience, and quiet hope to global audiences through his newest release, *God Is Good*. The track is a featured offering on the *Kiss Of Judas Riddim* compilation, a production helmed by celebrated reggae producer Kemar “Flava” McGregor.

    Far more than a standard musical release, the inspiring composition finds Ginjah reflecting on the inevitable challenges and obstacles that shape human life, while gently urging listeners to hold fast to their spiritual beliefs even when circumstances feel overwhelming. In a conversation about the track, the singer emphasized that its core message extends well beyond its name.

    “It’s more than just a song title, it’s a reminder that even through struggle, pain and uncertainty, there’s still hope, purpose and a higher calling,” Ginjah shared. “I wanted listeners to feel encouraged and spiritually uplifted.”

    While the original lyrics for the track were written by producer McGregor, Ginjah infused the final recording with his distinct artistic flair and deeply personal emotional weight. He added original creative elements to shape the song into what fans hear today: “This song was written by Kemar McGregor, I only added some spice to it, like the intro and the last verse. I think it’s a beautiful and inspiring song, reminding people that God is everywhere and he’s truly amazing.”

    The path to recording the track was not immediate, Ginjah revealed. After McGregor first sent him the riddim in late 2023, the track slipped Ginjah’s mind for months, until a chance moment brought its lyrics back into his life in an unexpectedly impactful way. “In March, while clearing messages from my phone, I stumbled upon the words of the song and kept reading them because they were speaking directly to my life,” he recalled. “That’s when I decided to voice the song.”

    The collaboration on *God Is Good* marks just the latest chapter in a creative partnership that spans more than 20 years, tying Ginjah and McGregor together through a shared commitment to thoughtful, well-crafted reggae. The singer noted that their long-running connection has fostered a natural creative rhythm: “Me and Flava have been working together for over 20 years now, so from time to time he links me to voice on his projects. He has a strong vision when it comes to quality music and meaningful productions.”

    As the full *Kiss Of Judas Riddim* project grows in popularity across international reggae circuits, Ginjah says the widespread connection fans feel to the work stems from its raw authenticity and unflinching emotional honesty. The project explores universal themes that resonate with listeners across borders and backgrounds: “The music is real, emotional and relatable. The themes on the project — loyalty, betrayal, faith, struggle and perseverance — are things people everywhere can understand,” he explained.

    For Ginjah, the growing global success of the project carries a larger meaning for the future of reggae music. It proves that conscious, roots-focused reggae still holds massive appeal for global audiences, even amid shifting trends in popular music. “It reminds artistes and producers that staying true to the roots and delivering genuine messages can still reach people worldwide,” he said.

    Most importantly, the singer says the greatest reward for releasing the track has come from the countless fans who have reached out to share that *God Is Good* has supported them through their own personal hard times. That kind of connection, he notes, is the greatest outcome of creating music rooted in purpose.

  • ProDominicana highlights growth of tobacco and rum exports as symbols of national identity

    ProDominicana highlights growth of tobacco and rum exports as symbols of national identity

    In the capital city of Santo Domingo, ProDominicana, the Dominican Republic’s trade promotion agency, marked a major milestone with the fifth iteration of its signature “Tobacco and Rum Night” — a high-profile networking and showcase event designed to lift up two of the Caribbean nation’s most culturally iconic and economically vital export goods. Against a backdrop of growing global demand for artisanal Dominican goods, the gathering assembled a cross-section of key stakeholders: top business executives, leading export operators, foreign diplomatic representatives, and core industry partners from around the world. Attendees gathered not only to celebrate the legacy of these two sectors but also to underscore their outsized role in shaping the Dominican Republic’s national identity and global brand recognition.

    Opening the event, Biviana Riveiro, Executive Director of ProDominicana, delivered opening remarks reaffirming the agency’s ongoing commitment to traditional high-value export sectors. Riveiro stressed that sustained investment and targeted promotion of tobacco and rum remain core priorities for the nation, as these industries help solidify the Dominican Republic’s competitive standing in crowded global consumer markets.

    Official trade data released at the celebration revealed strong, consistent growth across both sectors in recent months. For the tobacco industry, total exports of tobacco and related products hit approximately $1.36 billion USD in 2025, with top international markets including the United States, Germany, China, Puerto Rico, and Spain. That positive momentum carried into the new year: between January and March 2026, tobacco exports topped $364 million USD, marking a robust 19% year-over-year increase compared to the first quarter of 2025.

    The Dominican rum sector posted even stronger growth figures, continuing its steady expansion into new and existing international markets. In 2025, total rum exports crossed the $116 million USD threshold, with primary buyers concentrated in Spain, the United States, Cyprus, Haiti, the Netherlands, and Germany. In the opening months of 2026, the sector extended that upward trajectory: exports reached more than $29 million USD, representing a 26% year-over-year growth rate when compared to the same period in 2025.

  • Fans create AI-generated team songs ahead of World Cup

    Fans create AI-generated team songs ahead of World Cup

    As the 2026 FIFA World Cup, co-hosted across the United States, Canada and Mexico, draws near in June and July, a new digital trend has taken social media by storm: football fans are leveraging artificial intelligence to mass-produce viral team support anthems that rack up millions of streams across YouTube, TikTok and Instagram. What began as a novel creative experiment has now ignited urgent industry-wide conversations around intellectual property, artist compensation, and the inherent value of human creativity in the age of generative AI.

    Oddly enough, many soccer supporters have openly expressed a preference for these homemade AI tracks over official releases commissioned by FIFA. The governing body tapped popular musicians Jelly Roll and Carin Leon for its official anthem, and global superstar Shakira also dropped a highly anticipated World Cup track last week. Still, the grassroots AI anthem movement continues to build massive engagement and excitement across social platforms.

    The trend traces its origins to February, when French creator Crystalo – who bills himself as France’s “premier AI musical creator” on Spotify – released *Imbattables*, a rousing tribute to the French men’s national team. The track’s format, which opens with a call-and-response segment listing star players including Kylian Mbappé, quickly caught on. It was soon followed by a Brazilian take that adopted the same name-chanting structure paired with a trending phonk melody. Guilherme Maia, the Brazilian producer behind the track who creates under the artist name M4IA, explained that he built the song by layering original components, with AI acting only as a creative assistant for specific elements.

    In the months that followed, AI-generated anthems for other top contending nations – including Portugal, Argentina, and Germany – flooded major streaming and social platforms, earning widespread praise from fans. While the Brazilian track loosely followed the French prototype, most subsequent releases copied Maia’s formula almost verbatim: they reuse the signature phonk beat, list each squad’s key players, and close with a shoutout to the team’s “king” – Cristiano Ronaldo for Portugal, and Lionel Messi for Argentina, naturally.

    Maia, for his part, frames the wave of emulation as nothing new. “What I see happening now is more about people following a trend or trying to recreate a feeling,” he told AFP, noting that artistic imitation has long been a core part of music culture. He remains enthusiastic about the creative doors AI opens for independent producers, but he also acknowledges the technology introduces uncharted legal and ethical questions around authorship and copyright. “In music, there are clear rules. You can’t just copy someone else’s work or use samples without permission, even if AI is involved,” he emphasized.

    Unlike many AI creators who generate full tracks from a single text prompt on tools like Suno, Maia stresses he built his Brazilian anthem from the ground up, only using AI to assist with select production elements. But industry experts point to broader systemic gaps in credit and compensation that run far deeper than individual creator choices. Jason Palamara, assistant professor of music technology at Indiana University, explains that current generative AI models operate with profound opacity when it comes to training data: it is almost impossible to track if copyrighted work from human artists was used to train the models, leaving those creators uncompensated and uncredited. “It had to come from somewhere,” Palamara noted.

    AI-generated music also carries common quirks and limitations that mirror the inconsistencies often seen in AI-generated visual art. For example, one fan-made AI anthem for Portugal was delivered with an accidental Brazilian accent, and another AI track for Colombia mispronounced star James Rodríguez’s first name with an English inflection instead of the correct Spanish pronunciation. Palamara added that most current AI-generated music also tends to lack the textural complexity of work created entirely by human teams, noting that AI outputs are often streamlined single products rather than layered works built from multiple overlapping creative contributions.

    Still, not everyone sees these limitations as a downside. Morgan Hayduk, co-CEO of music rights technology firm Beatdapp, points out that many fans engaging with these AI anthems are not looking for high art in the first place. “There seems to be a cohort of people who actually don’t care,” Hayduk observed. “They like the music, and they like the back story that it came from a large language model and not a songwriter or a group.”

    For the current stage of generative AI development, Hayduk noted that quick, customizable tracks built for fan chants or promotional content are a perfectly logical and popular use case – even as the industry grapples with how to regulate and adapt to the new technology. “Knowing what goes into a generative output, like a World Cup fan song, is the thorny Rubicon that the music industry has to cross now,” he said.

  • Jamaica draw Italy, Ivory Coast in U17 World Cup

    Jamaica draw Italy, Ivory Coast in U17 World Cup

    KINGSTON, Jamaica — The 2025 FIFA Boys Under-17 World Cup, set to kick off later this year in Qatar, has locked in its first-round groupings, and Jamaica’s Young Reggae Boyz have landed a challenging spot in Group E alongside global and regional heavyweights Italy, Ivory Coast, and Uzbekistan, the Jamaican Football Federation confirmed Thursday.

    This tournament will mark Jamaica’s third appearance at the FIFA Boys Under-17 World Cup, a milestone earned after a dominant run at the Concacaf qualifying tournament held in Alajuela, Costa Rica this past February. Entering the final round of regional qualifying, Jamaica’s young squad delivered an undefeated performance, topping their group to secure automatic passage to the Qatar main event. That standout result placed the Caribbean nation in the fourth and final pot for the official draw, setting up their matchup with three higher-ranked opponents in the first round.

    A total of 48 national teams will compete in the 2025 edition of the youth football tournament, a expanded field split into 12 four-team groups for the opening round. The competition format sets a clear path to the knockout stage: the top two finishing teams from each group will advance, alongside eight highest-ranked third-placed teams across all groups, to form the 32-team field for the first knockout round.

    Jamaica’s road to Qatar was nothing short of perfect. In the regional Concacaf qualifying group stage, the young side picked up maximum nine points from three matches, with wins over Aruba, the Cayman Islands, and Concacaf powerhouse Canada to seal their spot at the main event. The team will now enter months of preparation to face their new Group E opponents when they travel to Qatar later this year, aiming to replicate their qualifying success and progress past the first round of the global tournament.

    Reporting by Paul A Reid

  • US expects ‘below normal’ Atlantic hurricane season

    US expects ‘below normal’ Atlantic hurricane season

    US weather researchers have delivered an early forecast for the 2026 Atlantic hurricane season that offers cautious optimism, but with a clear warning for coastal communities: even a mild season can bring catastrophic destruction. In an official briefing Thursday, National Oceanic and Atmospheric Administration (NOAA) leadership announced that forecasters project a below-normal year for storm activity in the Atlantic, driven largely by an expected El Niño climate pattern. Meanwhile, the eastern and central Pacific basin is facing a 70% probability of above-normal storm activity this coming season, according to NOAA data.

    Neil Jacobs, NOAA administrator, explained that El Niño, a natural cyclic climate phase, shapes this forecast through its well-documented global weather impacts. The phenomenon generates strong vertical wind shear across the Atlantic, a disruptive force that can tilt or tear apart developing tropical systems before they have the chance to strengthen into large hurricanes. This dynamic typically suppresses overall storm counts in the Atlantic. For the Pacific, however, El Niño has the opposite effect, creating more favorable conditions for tropical storm development that puts at-risk regions including Hawaii and Mexico at higher likelihood of storm impacts.

    Even with the projected below-normal season, NOAA officials stressed that preparation remains non-negotiable. Jacobs noted that a mild Atlantic season would still bring between 8 and 14 named storms, with 1 to 3 of those expected to strengthen into major hurricanes—storms packing sustained wind speeds of more than 111 miles per hour (178 kilometers per hour). Unlike many storm systems that form out at sea, Atlantic hurricanes disproportionately threaten populated coastal areas, putting more lives and infrastructure at risk of severe damage. “Don’t let words like below average… change the way you’re prepared,” urged Ken Graham, director of the National Weather Service. Officials also added that the early forecast does not include predictions on whether any storms will make landfall, emphasizing that all at-risk communities should maintain standard preparedness protocols ahead of the June-to-November Atlantic season. The Pacific hurricane season, by comparison, begins in mid-May and also runs through November. This early forecast marks the first time NOAA has released a similar pre-season projection since 2015.

    The forecast comes with an added layer of uncertainty rooted in human-caused climate change, experts note. Rising global temperatures driven by fossil fuel emissions have pushed Atlantic sea surface temperatures to consistently higher levels, which could offset some of El Niño’s suppressing effect on storm development. Graham highlighted this uncertainty in a post-briefing statement, noting that “there is still uncertainty in how each season will unfold.”

    The projection also follows on the heels of a devastating 2025 Atlantic season, which brought four major hurricanes including Category 5 Hurricane Melissa. The storm made landfall in Jamaica as one of the most powerful tropical systems ever recorded in the region. Fueled by abnormally warm Caribbean sea surface temperatures, Melissa rapidly intensified to Category 5 strength and moved across the island at a slow, walking pace, extending the exposure to deadly rain, storm surge and wind that left a trail of catastrophic damage. A study from Imperial College London later confirmed that human-caused climate change made Melissa four times more likely to form. Climate scientists have repeatedly documented that rising global temperatures are increasing the frequency of both rapid storm intensification and slow-moving stalled storms, two traits that drastically increase the destructive potential of Atlantic hurricanes.

  • Implementation phase of using donated funds to provide houses to Jamaicans underway, says Fitz-Henley

    Implementation phase of using donated funds to provide houses to Jamaicans underway, says Fitz-Henley

    KINGSTON, Jamaica — Months after Hurricane Melissa tore through western Jamaica, the island’s government has entered the active implementation phase of a critical housing initiative that will put donated disaster relief funds toward permanent shelter for hundreds of displaced families, a senior government official has confirmed. State Minister Abka Fitz-Henley, speaking to reporters this week following an official event at Jamaica House, confirmed the rollout of prefabricated modular housing units is now well underway, fulfilling a pledge Prime Minister Andrew Holness made to disaster survivors last December. Category Hurricane Melissa made landfall in October 2025, leaving widespread wreckage across Jamaica’s western parishes, destroying or rendering uninhabitable hundreds of private homes and leaving many families homeless. For months following the storm, international and local donors contributed millions in relief funding through the official Support Jamaica donation portal, with the prime minister committing early in the recovery process that these contributed funds would be dedicated exclusively to addressing the urgent housing needs left in the storm’s wake. Minister Fitz-Henley, who serves in the Office of the Prime Minister, acknowledged that pre-implementation steps, including the competitive selection of appropriate modular housing designs, completion of public procurement protocols, and international shipping of the prefabricated structures, extended the project’s timeline longer than many survivors hoped. But he stressed that the process is now moving forward at an accelerated pace, with groundwork already beginning across affected communities. To speed up construction, the government is issuing direct grants to recipients to cover the cost of building permanent foundations for their new modular homes, Fitz-Henley explained. All foundation designs must receive formal approval from local municipal corporations before construction can be finalized, to ensure compliance with local building and safety standards. “When we made the promise after Hurricane Melissa that every dollar of donated funds would be used to meaningfully improve the lives of families impacted by the storm, that commitment stands unshaken — and we are delivering on it now,” Fitz-Henley told reporters. “There is no more meaningful use of these donations than putting a safe roof over the heads of families who were left homeless by the storm’s devastating destruction.” The Jamaica-based Office of Disaster Preparedness and Emergency Management (ODPEM), which is leading the recovery effort, has allocated JMD 600 million of the total donated relief funds specifically for foundation construction, to speed up the process of getting displaced families into permanent new housing. Responding to questions from the parliamentary opposition in recent weeks, Fitz-Henley confirmed that 924 completed modular housing units have already arrived in Jamaica and are being held in government storage. An additional 700 units are currently en route to the island, with a third shipment of 700 more units scheduled to follow in the coming months. Just two days ahead of Fitz-Henley’s announcement, Robert Montague, the minister responsible for Land Titling and Settlements, conducted an on-site inspection of the ODPEM storage facility in Twickenham Park, St Catherine, where the first wave of units is currently stored. Following his tour, Montague emphasized that the government is prioritizing long-term safety over speed, noting that all new housing developments will only be sited in areas verified to be geologically stable, climate-resilient, and environmentally secure to protect new residents from future natural hazard risks. Local disaster recovery advocates have welcomed the start of implementation, though many continue to push for faster deployment to get families out of temporary emergency shelters and into permanent housing as quickly as possible.