分类: entertainment

  • Strictly 2K parties to 10

    Strictly 2K parties to 10

    Jamaica’s iconic throwback music gathering, the Strictly 2K Throwback Music Festival, wrapped up its 10th anniversary edition Saturday night with a nonstop explosion of nostalgia, energy, and celebration that drew hundreds of dedicated partygoers to the National Stadium car park. The venue was quickly transformed into a vibrant tapestry of team spirit, as attendees packed the space in an array of sports jerseys representing iconic local and international football and basketball squads. From the signature blue of Chelsea, red of Arsenal, and sky blue of Manchester City to the iconic black and red of Manchester United, the purple and gold of the Los Angeles Lakers, and red of the Chicago Bulls, plus Jamaica’s national football kit, the fashion-forward crowd set a lively tone that matched the festival’s celebratory mission from the first note.

    Organized by local promoter 433 Entertainment, the 10th anniversary event was built around a core concept: bringing fans back to the golden era of early 2000s and 2010s music, with a lineup packed full of the dancehall, hip hop, and reggae anthems that defined the period. Top selectors including ZJ Chrome, DJ Vinchi, Coppershot Sound, and ZJ Johnny Kool kept the energy peaked from sundown well into the early morning, spinning nonstop nostalgic hits that had the crowd reciting every lyric and dancing without pause. Longtime sponsor Wray & Nephew kept momentum high all night, with a steady flow of its signature rum mixes to keep the party going.

    The night’s highly anticipated headline performance came just after 2 a.m., when dancehall star Tommy Lee Sparta stepped onto the stage to deafening cheers from hundreds of waiting fans. He delivered a high-octane 30-minute set featuring many of his biggest career hits, including *Psycho*, *Some Bwoy*, *Mechanic*, and *Under Vibes*. His performance was elevated by choreographed backup dancers from Boom Energy Drink, whose dynamic stage presence added an extra layer of visual flair to the headline set.

    Beyond the music and celebration, the 10th anniversary event included a special honors segment to recognize longstanding contributions to Jamaica’s dancehall culture. Industry veterans Chimney Records co-founders Jordan and David, legendary dancer and choreographer John Hype, and selector ZJ Chrome were all awarded custom plaques in recognition of their decades of impact on dancehall music and Jamaican entertainment.

    In an interview with the Jamaica Observer, Strictly 2K Co-Director Ibrahim Konteh reflected on the brand’s 10-year milestone, noting that what began as a small creative concept has grown into a staple of Jamaica’s annual entertainment calendar. “What started as a concept has become a staple on Jamaica’s entertainment calendar and that doesn’t happen without consistency, vision, and an audience that believes in what you’re building,” Konteh said when asked about the festival’s biggest achievement over the past decade.

    Konteh expressed full satisfaction with the 10th anniversary staging, which debuted a reconfigured new venue layout that offered upgraded amenities for attendees. “Extremely pleased. We raised the bar across the board — new venue, seamless parking, elevated aesthetics, better merchandise, dedicated photo experiences. No complaints. This is the version of Strictly 2K we’ve been working toward,” he added.

    Explaining the decision to tap Tommy Lee Sparta as the anniversary headline act, Konteh noted the artist’s deep catalog of hits made him the obvious fit for a celebration of 2000s and 2010s party culture. “Tommy Lee is a hit machine. His catalogue defined a generation. If you were in a party in the 2010s his music was in the mix. For a 10th anniversary celebration of that era, he was the perfect fit,” he explained.

    Closing out his reflections on the milestone, Konteh credited the event’s decade-long success to the loyalty and feedback of its fanbase. “You can plan all you want, but that energy from the crowd tells you everything you need to know… Simply, thank you for your support, your loyalty, and your feedback, whether it was tough or kind. That feedback told us you cared, and we listened. Here we are at 10 years because of you, and we’re just getting started on the next 10,” he said.

  • Organisers expect strong Carnival turnout despite no state backing

    Organisers expect strong Carnival turnout despite no state backing

    As the Bahamas gears up for its 2025 Carnival celebration, scheduled for June 3 to 7 on New Providence, event organizers are stepping into an ambitious new chapter: this year’s gathering will proceed without any government financial backing, a deliberate choice meant to prove the cultural festival can thrive as an independent, self-sustaining Bahamian treasure.

    The shift to full self-funding comes after years of declining government support. In 2017, the government cut the annual carnival subsidy in half, and eliminated all public funding entirely the following year. That financial withdrawal left many performing and presentation bands scrambling to maintain their momentum, even as industry stakeholders have long highlighted the event’s outsized positive impact on the national economy through tourism and local spending.

    Despite the funding gap, event leaders are projecting strong growth in attendance for 2025. Paul Farquharson III, co-founder of the prominent carnival group Mas Khaos, explained that the decision to forgo additional government sponsorship this year was rooted in a desire to claim full ownership of the festival. “We wanted to make something that’s ours rather than rely on government support,” he said. “This is a distinctly Bahamian product that shapes local culture, even as it draws international visitors who boost the local economy when they travel here. We aren’t opposed to future collaboration with the government, but we wanted to build a proven, unified cultural product that everyone can see delivers clear benefits to The Bahamas.”

    Farquharson projects that Mas Khaos’ participant numbers will jump this year, climbing from 80 to 100 attendees in previous editions to between 120 and 150 for 2025. International participation is also set to rise, growing from roughly 35 overseas participants in 2024 to between 47 and 50 this year. Even with this optimistic outlook, Farquharson acknowledged that reconnecting with wider local community engagement remains one of the festival’s core ongoing challenges. Many stakeholders have pinned post-pandemic declines in local attendance on the global health crisis, even as they praise the consistent strong support the event has received from international carnival fans.

    That global backing is reflected in local sales data, according to A’Shad Bowe, operations representative for Bahamas Masqueraders. Bowe told reporters that roughly 80 percent of the group’s online ticket and package sales come from customers outside the Bahamas. “We’re excited for our product, and we have a lot of international people coming in from places all across the world: the UK, Texas, Florida, New York, Canada, even the Virgin Islands,” he said. “It’s incredibly exciting to see our cultural reach extend so far beyond our shoreline to bring people here to play carnival with us.”

    Bowe pushed back on popular narratives that the festival lacks local support, pointing to consistent turnout for year-round carnival-related events. “Bahamas Masqueraders runs events from February straight through June, and all of them draw solid crowds,” he explained. “Our biggest event alone brought out 1,500 attendees. It’s not that carnival isn’t supported locally. The issue is economic: many local residents simply can’t afford the cost of costume packages. That doesn’t mean there’s a lack of interest or community backing.”

    Not all organizer groups are ruling out public support for the future, however. Dillion Bethel, a representative for JunkaBrations, shared that his organization hopes to secure government financial assistance for the 2026 carnival. Bethel also voiced disappointment over the discontinuation of Music Masters, a popular annual competition for Bahamian soca artists that had long been a core part of the broader carnival experience. When asked if the competition’s cancellation affected the local carnival community, Bethel confirmed: “Yes it will, and people are still asking about it – both locals and international visitors.”

    With carnival week just around the corner, organizers across groups are unified in their optimism that the 2025 event will cement the festival’s reputation as a must-attend cultural celebration that delivers widespread economic and social benefits to The Bahamas.

  • Shenseea scores 5th entry on Billboard’s Rhythmic Airplay chart with Daddy Yankee collaboration

    Shenseea scores 5th entry on Billboard’s Rhythmic Airplay chart with Daddy Yankee collaboration

    Jamaican dancehall and pop artist Shenseea has added another career milestone to her growing list of industry achievements, securing her fifth appearance on Billboard’s competitive Rhythmic Airplay chart. The new chart entry comes from her high-profile collaborative single *Echo (FIFA World Cup 2026)*, recorded alongside Puerto Rican reggaeton legend Daddy Yankee.

    For the tracking week ending May 30, the track made its first appearance on the chart at the 36th position, marking a solid opening for the globally focused release. Dropped on all major streaming and digital platforms on April 28, *Echo (FIFA World Cup 2026)* holds the distinction of being the third single pulled from the official compilation album for the 2026 FIFA World Cup, a collection that showcases a diverse lineup of international music artists from across multiple genres.

    Shenseea’s history on the Rhythmic Airplay chart stretches back to 2022, when she landed her first spot on the ranking with the track *R U That*, a collaboration with Atlanta rap star 21 Savage. That debut track climbed as high as the 28th position during its chart run. Two years after her first entry, the artist notched her third chart appearance with *Work Me Out*, which featured Afrobeats icon Wizkid and peaked at the 33rd spot.

    In 2024, Shenseea earned her biggest success on the chart to date, scoring a number one hit with the remix of *Shake it to the Max (Fly)*, a collaborative project with fellow Caribbean artists Moliy, Skillibeng, and producer Silent Addy. Just a few months after that chart-topping win, she picked up her fourth Rhythmic Airplay entry with *Sugar Sweet*, a star-studded collaboration with pop icon Mariah Carey and R&B artist Kehlani that reached a peak position of 31st.

  • E-Dee returns to hardcore dancehall with ‘Come Link Me’ and ‘Heartbreak’

    E-Dee returns to hardcore dancehall with ‘Come Link Me’ and ‘Heartbreak’

    It has been 20 years since Jamaican dancehall artist E-Dee first landed a spot on the Billboard music charts alongside collaborator Ms Triniti. Now, the Los Angeles-based performer is circling back to his signature hardcore dancehall sound with two brand new singles: *Come Link Me* and *Heartbreak*, both produced independently under his own label, Clarendon Records.

    E-Dee is no stranger to chart success, and he is openly targeting a repeat of the milestone he achieved in 2004 with his collaborative cut *Bounce Along* alongside Ms Triniti. That track eventually climbed to number 16 on the Billboard Hot R&B/Hip-Hop Singles Sales Chart, marking his first major breakthrough in the mainstream music industry. In an interview with Observer Online, E-Dee reflected on the impact of that early hit, noting: “Yes, definitely, that was my first major breakthrough. That song became a big hit in Jamaica and solidified my place in the hardcore dancehall space.”

    The two new tracks extend a consistent slate of output from Clarendon Records, which E-Dee founded just last year. The label was named as a tribute to the artist’s home parish in Jamaica, and follows up three previous releases: *She’s Loyal* and *Pretty Girl*, which dropped earlier this year, and *We A Rebuild*, which launched last December.

    As a longstanding core figure in Los Angeles’ expanding dancehall community, E-Dee has built a multi-faceted career beyond just recording music. He has released multiple full-length albums and dozens of singles over his career, and has already racked up several acting credits, including a starring role in the autobiographical feature film *Out The Gate*.

    Now, E-Dee is set to take on his biggest acting role yet: he will lead the cast of the upcoming drama *SoundBwoy*, which is currently in post-production. The film is directed by American DJ JFX, a prominent influencer in Los Angeles’ hip-hop and dancehall scenes, and centers on the iconic sound clash phenomenon that lies at the heart of Jamaican sound system culture. E-Dee will share the screen with fellow well-known dancehall artist Mr Vegas, who is also attached to the project.

  • Jahriffe encourages strength, spiritual awareness with inspiring new single ‘Shine Bright’

    Jahriffe encourages strength, spiritual awareness with inspiring new single ‘Shine Bright’

    KINGSTON, Jamaica — For roots reggae artist Jahriffe, music is far more than a form of entertainment: it is a vessel for spiritual awakening, cultural connection, and genuine encouragement for people navigating life’s hurdles. The U.S.-based singer has channeled this philosophy into his powerful new single, “Shine Bright,” an uplifting roots reggae track centered on themes of resilience, unshakable self-belief, and intentional purpose.

    The track grew from a deeply personal place. Jahriffe crafted the anthem after turning to music for his own motivation during challenging periods, with the explicit goal of extending that same push of encouragement to audiences worldwide. “Shine Bright was inspired by my need for motivation, with the intention of motivating others through music,” Jahriffe shared in an interview. “My desire is for listeners to develop an unstoppable mindset.”

    Built on warm, organic live instrumentation and thoughtful, conscious lyricism, the track weaves together real-life personal experience and a celebration of the inner strength required to chase dreams with clarity and confidence. What began as a simple guitar concept written by Jahriffe evolved into the finished anthem under the production guidance of David Goldfin, who is also known professionally as Jah D. Staying true to the track’s intimate origins, Jahriffe recorded his vocals in his own home studio, infusing the final cut with an unfiltered, authentic energy that resonates with listeners.

    Jahriffe’s artistic perspective is shaped by the reggae icons who paved the way for conscious roots music. He counts legends including Bob Marley, Peter Tosh, Bunny Wailer, Dennis Brown, and Burning Spear as core influences on both his sound and his musical philosophy, and cites the late Vaughn Benjamin as a particularly profound spiritual influence. Performing alongside his long-time band, the JAH-N-I Roots Movement, Jahriffe insists that live instrumentation is non-negotiable for preserving reggae’s core authenticity. “This is the true foundation of all riddims, and if we do not continue this tradition of live instrumentation, it would be like cutting out the veins that carry blood through the body,” he explained.

    For the singer, reggae is first and foremost a spiritual and cultural force, designed to lift up audiences and awaken them to their own potential. “The purpose of writing, producing, and performing reggae music, particularly roots reggae music, is to transmit positive awareness of one’s greatness through the music,” he said. “We use reggae to sustain our natural connection to the divine essence of life.”

    Since its official release, “Shine Bright” has already struck a chord with listeners around the world, with many adopting the track as a go-to daily source of motivation and hope. Looking ahead, Jahriffe and his team are deep in work on a new full-length album, which will expand on the musical and spiritual journey he launched on his 2021 project *Reflection*. While the album’s title has not yet been finalized, Jahriffe has confirmed that the record will deliver more of the authentic, positivity-centered, spiritually rooted conscious reggae his audience has come to expect.

    For the artist, the work goes beyond creating charting tracks: he aims to build a lasting legacy defined by meaningful music and aligned with consistent positive action. “My goal is to create a legacy of good music matched with positive actions in daily life, so that what I write and sing about can be manifested and remembered by others,” he said.

  • Matthew Perry assistant imprisoned over fatal drug injections

    Matthew Perry assistant imprisoned over fatal drug injections

    LOS ANGELES – More than a year after the unexpected death of beloved *Friends* star Matthew Perry, another perpetrator has been held legally accountable for his fatal overdose. On Wednesday, 61-year-old Kenneth Iwamasa, the personal assistant who repeatedly administered ketamine injections to Perry in the days leading up to his death, received a federal prison sentence of three years and five months. He is the fifth person sentenced to date in connection with the actor’s passing, after pleading guilty to a charge of conspiracy to distribute ketamine resulting in death.

    Court documents lay out a grim timeline of reckless drug use in Perry’s final days. Prosecutors confirm that between late October 2023 and the day of his death, Iwamasa – who resided at Perry’s upscale Los Angeles residence – gave the actor more than 25 ketamine injections, including at least three separate doses on the day he died. On his last day alive, Perry himself asked Iwamasa for a large injection, according to official court filings.

    In a heartbreaking statement submitted to U.S. District Judge Sherilyn Peace Garnett, Perry’s mother Suzanne Morrison laid bare the family’s betrayal. The Morrison family had trusted Iwamasa implicitly, she explained, saying his core role was to act as a companion and guardian for her son as he fought a long, public battle with addiction. “We trusted a man without a conscience, and my son paid the price,” Morrison wrote.

    Defense attorneys for Iwamasa have attempted to frame their client as a powerless hired hand, arguing he was unable to push back against the demands of his wealthy, famous employer. In a pre-sentencing court filing, the defense claimed Iwamasa was uniquely vulnerable to the unequal power dynamic of his relationship with Perry, noting simply: “In short, he could not ‘simply say no.’ That inability had tragic consequences.”

    Iwamasa’s conviction closes another chapter in the investigation into Perry’s death, which has already seen four other people sentenced for their roles in facilitating the actor’s addiction. The first convictions handed down tied to the case include two medical professionals who profited heavily from Perry’s dependency. Salvador Plasencia, one of the two doctors, was sentenced to two and a half years in prison. Prosecutors found Plasencia was the person who taught the untrained Iwamasa how to administer ketamine injections, despite knowing Iwamasa held no medical license and had no training treating patients with controlled substances. Plasencia and his co-conspirator, doctor Mark Chavez, sourced the ketamine for Perry at massively inflated prices, with Plasencia once joking in a message, “I wonder how much this moron will pay.” Chavez received a sentence of house arrest rather than prison time.

    Earlier this month, Erik Fleming, a certified drug counselor who acted as a middleman to supply Perry with controlled substances, was ordered to serve two years behind bars. Last month, Jasveen Sangha, a British-American drug dealer nicknamed “The Ketamine Queen” who marketed herself as a supplier to A-list celebrities, received a 15-year prison sentence, the harshest penalty handed down in the case to date.

    Perry, 54, who became a global icon for his portrayal of sarcastic, beloved everyman Chandler Bing on the hit 1990s and 2000s sitcom *Friends*, had opened up about his decades-long struggle with substance addiction publicly. At the time of his 2023 death, he had appeared to many close colleagues to be gaining control over his disease. The actor had originally begun using ketamine as part of a supervised medical therapy program to treat his depression, but prosecutors say that by late 2023, he had developed a full addiction to the drug – an anesthetic with psychedelic properties that is also commonly misused as a club drug. Perry was found dead in his hot tub in October 2023 from an accidental overdose.

    His death triggered an outpouring of global grief from multiple generations of *Friends* fans, who still adore Perry for his iconic role on the sitcom, which followed six friends navigating adulthood, romance and work in New York City. The show turned its entire main cast, all relative unknowns before the show premiered, into global A-list celebrities and earned Perry enormous wealth – but behind the fame, he continued fighting a hidden battle with alcohol and painkiller addiction that spanned decades. In 2018, he suffered a life-threatening ruptured colon caused by drug use and required multiple emergency surgeries. In his 2022 memoir, *Friends, Lovers and the Big Terrible Thing*, Perry documented his decades-long battle, writing that he had completed detoxification more than 60 times, and noted: “I have mostly been sober since 2001, save for about sixty or seventy little mishaps.”

  • Firgo Diamond talks greed, betrayal in new single ‘Big Shark’

    Firgo Diamond talks greed, betrayal in new single ‘Big Shark’

    In Kingston, Jamaica, an emerging voice in reggae and dancehall music is turning heads with a raw, unflinching new release that blends personal reflection with urgent calls out for societal change. Fast-rising artist Firgo Diamond has unveiled his latest single “Big Shark”, a purpose-driven track that cuts through the noise of mainstream music to confront pressing issues ranging from unbridled greed and personal betrayal to systemic poverty and the daily hardships that shape working-class communities across the island.

    The track is backed by an iconic industry figure: legendary reggae producer Computer Paul handled the production, with Mark “Feedo” Baines stepping in as executive producer. The final product weaves thoughtful spiritual rumination with sharp, unapologetic social critique, delivering a message rooted in raw truth, collective survival, and greater public awareness of the gaps that divide Jamaican society.

    In a recent conversation about the track’s origins, Firgo Diamond shared that the core idea for “Big Shark” grew out of observations he has made about shifting loyalties in his own life. “The song was inspired by the changes I always notice in people around me,” he explained. “The moment some people get a better opportunity, they forget where they’re coming from.”

    While the track draws heavily from Firgo Diamond’s personal experiences, it also expands to tackle systemic inequality that continues to hold back marginalized inner-city communities. He pulls no punches when calling out institutional failure, noting that even elected leaders often disregard the needs of low-income Jamaicans. “Even politicians sometimes have no regard for poor people. At times I feel like we still live on a plantation,” he said.

    Driven by ethereal, haunting melodies and lyrics that pulse with raw emotion, “Big Shark” carries a distinct spiritual undercurrent that the artist says comes from a mix of divine guidance and his own lived struggles. “It’s music people can meditate to. It can help youths stay connected to the Almighty despite the difficulties they face,” he shared.

    Interestingly, the track was not part of the original plan for that fateful studio session. Firgo Diamond says the concept emerged out of nowhere during a session booked to record an entirely different song. “We went there to record another song, but suddenly ‘Big Shark’ came to me,” Firgo recalled. “Paul laid the track and created one of the sweetest bridges I’ve ever heard. He looked at me and said, ‘Firgo, this song will shine for a lifetime.’”

    After hearing the rough early draft of the track, Firgo Diamond’s manager Margaret Pickersgill also pushed the artist to expand on the concept and fully develop the song, giving him the encouragement he needed to bring the final version to audiences.

    Much of Firgo Diamond’s discography is shaped by the personal adversity he has navigated over the years, including significant hardship and past legal struggles during his time living in the United States. Those experiences, he says, continue to fuel his songwriting and shape his unique perspective on the world around him. “I’ve been through a lot and my story still has to be told,” he said. “Sometimes people misunderstand conscious music, but I’ll always speak my truth.”

    Today, the artist balances his growing music career with a full-time regular job, but he notes that his passion for creating conscious, authentic reggae has never wavered. “The music is what I crave for,” he declared.

    Already, “Big Shark” has gained early traction, earning regular airplay on two prominent Jamaican radio outlets: Full Force Radio and SunCity Radio. Firgo Diamond shows no signs of slowing down, as he works to bring his message of truth and awareness to broader global audiences through authentic storytelling and purpose-driven reggae. Ultimately, the artist says his career goal is simple: to leave a lasting, positive legacy through his work, following in the footsteps of reggae’s most iconic figure. “I just want to leave some great music in this world, even a little fraction of what the great Bob Marley left behind,” Firgo Diamond said. “I want to leave inspiration for generations to come.”

  • THE KWAK: Red pill men demand women be women again and men be women too

    THE KWAK: Red pill men demand women be women again and men be women too

    Amid ongoing cultural conversations about gender roles and extremist online ideologies, a satirical take on the manosphere has generated viral attention through a fictional, absurd movement that upends the typical talking points of the Red Pill community.

    A joke splinter faction of the controversial Red Pill movement, self-named “Bros Are Better In Every Situation” (shortened to BABIES), has put forward a chaotic, contradictory set of gender demands that turn conventional misogynistic ideology on its head. Unlike mainstream Red Pill groups that typically enforce rigid patriarchal gender hierarchies, this satirical faction claims that while its members hold contempt for women, they also acknowledge women hold a better position in society — and argue that all men should transition to become women, while cisgender women should return to traditional domestic roles solely to bear children for the movement, with a requirement that all offspring be female.

    The group’s supposed spokesperson, who identified themselves as Shi Hym and reported being unemployed, delivered a performance rife with contradiction that further leans into the satire. After first agreeing to provide a comment, then backing out, then changing their mind again — all while reading from a pre-written statement — the spokesperson blamed the unfair pressure of media questions for their own inconsistency. When pressed to clarify the movement’s nonsensical platform, they claimed to be channeling their inner two-spirit feminine identity, shouted solidarity with all “sisters”, identified as a “high value man”, and ended by thumping his chest aggressively in an imitation of King Kong, framing the outburst as a demonstration of “superior male logic”.

    This absurd bit of satire comes from Mesyé Kwik, a publication known for its humorous, pointed takes on current cultural and social issues. The outlet explicitly labels the piece as a work of satire, noting that the entire scenario is intentionally silly: it is designed to poke fun at the contradictory talking points common in misogynistic manosphere circles, inject lighthearted humor into ongoing cultural conversations, and highlight the underlying absurdity of rigid gender ideology. The outlet adds a tongue-in-cheek disclaimer that anyone who takes the fictional piece seriously will be cursed with all of their children being less intelligent than the collective drama surrounding bouyon music feuds.

  • Antigua And Barbuda Festivals Commission Launches Free 5-Day Music Development Masterclass

    Antigua And Barbuda Festivals Commission Launches Free 5-Day Music Development Masterclass

    Antigua and Barbuda is set to boost its growing creative economy with a groundbreaking new initiative from the national Festivals Commission: a fully complimentary Music Development Masterclass, designed to elevate local music talent and prepare industry professionals for long-term, global success in the entertainment sector.

    Scheduled to run from June 8 to 12, 2026, the 5-day immersive program will host daily sessions from 4:00 PM to 8:00 PM at the Eustace Hill Campus (formerly the Antigua and Barbuda International Institute of Technology) located in Coolidge. The training program is open to a broad range of creative and music-focused professionals, including recording artists, songwriters, producers, DJs, artist managers, dancers, visual creatives, content creators, writers, and other industry stakeholders who are committed to advancing their craft and building sustainable careers.

    The masterclass is structured around three core focus areas that address the most pressing gaps for emerging and established regional talent: hands-on training in songwriting, audio mixing and mastering, strategic music distribution, and critical education on copyright and intellectual property rights—foundational knowledge for building durable careers in the modern music industry.

    All sessions will be led by a roster of seasoned regional and international industry experts, each bringing decades of hands-on experience across global entertainment markets. Darryl Gervais, a multi-hyphenate songwriter, manager and producer with credits spanning multiple music genres, television and film, will lead sessions on intentional songcraft, music placement, and building cross-border hit songs that resonate with global audiences. His sessions will equip participants with practical frameworks to create music with long-term commercial and cultural potential that extends far beyond Antigua and Barbuda’s borders.

    International Stephen, a celebrated soca ambassador, international DJ, A&R executive, producer, festival curator and event promoter with nearly 25 years of experience working in the Caribbean music and global Carnival ecosystems, will share insights on building sustainable careers in entertainment, breaking into new international markets, crafting hit records, and navigating the global music business from a veteran’s perspective. Completing the faculty is Titan VCD of NXUS Collective Agency, who will lead training on creating stand-out branded content in an oversaturated digital marketplace, and building consistent, intentional identity across all audience touchpoints.

    Together, the faculty will guide participants to turn raw creative talent into tangible professional opportunities and build scalable, sustainable creative businesses. Hon. Dwayne George, Minister of Sports and Creative Industries, highlighted the government’s ongoing commitment to investing in local creative talent, noting that the free masterclass marks another key milestone in the administration’s mission to professionalize and empower the domestic creative community. “By bringing experienced industry leaders to share practical, real-world knowledge—free of cost—we are investing directly in our artistes, producers, writers and music entrepreneurs,” George explained. “Our goal is not only to create great music for Carnival, but also to build careers and businesses that can thrive year-round and compete on the global stage. I strongly encourage every serious music professional to seize this free opportunity.”

    Ambassador Elizabeth Makhoul, Chairperson of the Antigua and Barbuda Festivals Commission, echoed this sentiment, framing the program as a continuation of the commission’s longstanding commitment to direct investment in local music and creative professionals. “By providing access to world-class knowledge and training, we are equipping our engineers, producers, writers, artistes, and creatives with the tools to expand their work beyond Carnival and ensure that Antigua and Barbuda’s Creative Industry is heard, seen, and felt on the global stage,” Makhoul said.

    Registration for the program is now open, with interested participants able to collect physical registration forms at the National Festivals Office, located on the 1st Floor of the Cecil George-John Building at the intersection of Corn Alley and Redcliffe Street in St. John’s. Digital registration is also available via WhatsApp at (268) 727-9201, where applicants can send their full name and specify their professional area of focus related to the workshop. Organizers have warned that spots in the program are limited, and placements will be allocated on a strict first-come, first-served basis. Inquiries can also be directed to the commission’s phone line at 462-0194.

    The Antigua and Barbuda Festivals Commission is urging all eligible entertainment professionals—from artists and producers to videographers and songwriters—to take advantage of this opportunity to sharpen their skills, expand their professional networks, and secure stronger, more sustainable futures in the global music industry. The initiative closes with the commission’s rallying cry: Build the music. Build the brand. Build the future. Register today.

  • Actress Aisha Hinds Arrives in Antigua for Culinary Month Celebrations

    Actress Aisha Hinds Arrives in Antigua for Culinary Month Celebrations

    Acclaimed television and film actress Aisha Hinds has landed in Antigua and Barbuda, kicking off her participation in the country’s highly anticipated annual Culinary Month celebrations. Her arrival adds another high-profile name to the growing roster of prominent international guests who have traveled to the twin-island Caribbean nation this season, drawn by its vibrant local cuisine, rich cultural heritage, and world-class tourism experiences.

    Hinds, who is celebrated for her standout performances in hit series including *9-1-1*, *Underground*, and *True Blood*, has never shied away from embracing her Caribbean roots. Born to Grenadian heritage, she has long spoken publicly about her deep personal connection to the region and her abiding passion for Caribbean food and cultural traditions. In a statement shared by local tourism officials, they noted that Hinds’ visit serves as a powerful reminder of the deep cultural bonds that tie all Caribbean communities together—bonds forged through shared flavors, interwoven ancestral heritage, collective storytelling, and time-honored traditions that bring people together around dining tables across the region.

    As officials from Antigua and Barbuda’s tourism sector explained, Hinds’ participation is fully integrated into the official programming of Culinary Month, a weeks-long initiative designed to shine a spotlight on the nation’s top local culinary talent, beloved independent restaurants, immersive one-of-a-kind food experiences, and diverse cultural events held across both islands of the nation.

    For the Antigua and Barbuda Tourism Authority, Hinds’ visit represents a valuable new opportunity to position the country as one of the Caribbean’s leading destinations for cultural and culinary tourism. By welcoming a public figure who genuinely connects to the region’s identity, officials aim to showcase the unique hospitality and food culture that sets Antigua and Barbuda apart for travelers from across the globe.