分类: entertainment

  • A great night of British reggae

    A great night of British reggae

    The Pon Top Restaurant in Jamaica transformed into a vibrant hub of musical nostalgia on February 15th for its inaugural event, ‘Lovers Rock: A Night of British Reggae.’ The evening served as a heartfelt tribute to the distinctive lovers’ rock subgenre that blossomed within British sound systems during the late 1970s and early 1980s, reconnecting a generation of attendees with a pivotal era in Black British music history.

    Co-promoter Steve James, an established scholar of the genre, expressed profound satisfaction with the event’s successful debut. In an interview with the Jamaica Observer, James highlighted the enthusiastic turnout, noting that patrons traveled from across the island to participate. The overwhelming positive reception was immediately evident, with numerous attendees urging the organizers to establish the event as a recurring fixture, suggesting a monthly or quarterly schedule.

    The musical curation, handled primarily by James himself, was a carefully crafted journey through the genre’s foundational years. The playlist featured seminal works from pioneers who defined the smooth, soulful sound of lovers’ rock, including Sugar Minott, Janet Kay, Vivian Jones, Carroll Thompson, Louisa Mark, and producer Dennis Bovell.

    The event also attracted notable figures from the music industry, underscoring its cultural significance. Among the distinguished guests were producer Blacka Dread and renowned singers Tippa Irie and Vincent Nap.

    Fellow co-promoter Berty Grant, who moved from Kingston to the UK as a child in 1966, brought his own rich history to the event. Grant was a seminal figure on the British sound system scene throughout the mid-1970s before transitioning into a successful production career, working with iconic artists like Carroll Thompson and Winston Reedy. The evening stood as a powerful testament to the enduring legacy and cross-Atlantic appeal of this uniquely British-born reggae movement.

  • Ayetian promises fans a performance of passion at Soundcheck

    Ayetian promises fans a performance of passion at Soundcheck

    KINGSTON, Jamaica — Chart-topping dancehall sensation Ayetian is preparing to deliver an unforgettable intimate performance at this Thursday’s Soundcheck event at Dubwise Café on Lady Musgrave Road. The artist, who dominated airwaves last year with hits including “Weh Yo Deh Pon,” “Balance (One Gyal Everyday),” and the “Tip” remix, promises attendees a deeply personal showcase sponsored by Wray and Nephew White Rum.

    In an exclusive statement to Observer Online, Ayetian emphasized the significance of performing in his hometown: “Soundcheck in Kingston carries profound meaning for me as it represents home territory. Performing locally generates a distinctive energy and sense of responsibility. My passion for music made this opportunity an immediate acceptance. Supporters can anticipate genuine emotion, authenticity, and a performance that encapsulates my artistic evolution.”

    The artist revealed his unique approach to preparing for this special engagement, where he’ll be accompanied by the renowned Dub Squad Band. Ayetian described treating Soundcheck as more than a conventional concert: “I approach these performances with personal investment because they transcend merely playing hits—they create immersive experiences. My preparation strategy differs significantly this time, intentionally incorporating tracks I rarely perform alongside audience favorites to guide listeners through my musical development from inception to current standing.”

    Ayetian further explained how the event will showcase his artistic roots: “My creative journey began with poetry long before recording music. This platform provides the ideal space to reconnect with that raw, expressive dimension and establish deeper connections with my audience.”

    Preceding Ayetian’s headline performance, musical selectors Carlos A-Team and Reiizzer will warm up the audience with curated sets. Event organizer Carleen Samuels highlighted the significance of their partnership with Wray and Nephew White Rum, noting: “This collaboration represents natural cultural synergy. Soundcheck has consistently provided a platform for both emerging and established Jamaican talent in intimate live settings, while Wray & Nephew has historically supported musical and cultural experiences island-wide. Our joint efforts reinforce a mutual dedication to authentic Jamaican creativity.”

    Samuels confirmed the partnership’s longevity: “Wray and Nephew has supported Soundcheck since its 2024 inception, continuing through our current 2026 events. Their early involvement helped shape the platform’s foundation, and this collaborative relationship will continue evolving alongside Soundcheck’s growth.”

    The announcement follows Ayetian’s recent collaborative success with Billboard-charting artist Moliy and rapper Tyga on the track “What I Like,” produced by Rvssian. The official music video, released one month prior, has already surpassed four million YouTube views.

  • Gatekeeping is real!

    Gatekeeping is real!

    Esteemed reggae artist Bushman has publicly attributed his limited visibility on Jamaican stages to systematic gatekeeping within the island’s entertainment industry rather than mere coincidence. In a revealing dialogue, the roots reggae practitioner articulated how his principled stance and uncompromising nature have frequently positioned him at odds with industry powers influenced by political maneuvering and image politics.

    “The reality of gatekeeping is undeniable,” Bushman stated. “My rebellious nature and refusal to tolerate nonsense have essentially marked me with a scarlet letter. They allege I’m difficult to collaborate with, but this simply stems from my unwavering commitment to my beliefs and rightful value.”

    The vocalist maintains that his assertive demeanor has unfairly shaped his professional reputation, yet he expresses zero regret for maintaining his principles. “Self-confidence and understanding your worth are essential in this existence; otherwise, you’re defeated from the outset,” he declared, emphasizing his refusal to be muted by industry pressures.

    Despite these professional challenges, Bushman confirmed his ongoing creative endeavors. He revealed an upcoming collaborative single with fellow reggae star Etana, addressing societal issues propagated through social media platforms. Describing the track as “apostolic” and characteristically forthright, Bushman anticipates it will further unsettle industry gatekeepers while resonating with his audience.

    Beyond immediate projects, the artist is increasingly concentrating on his enduring musical legacy. He articulated profound concern about departing this life without having properly established his cultural contribution. This focus has intensified with his son, Jaba Khalid, pursuing formal music education in England—a development that brings Bushman immense satisfaction and hope for continuity.

    Reflecting on reggae’s foundations, Bushman honored pioneers including Bob Marley, Jacob Miller, Bunny Wailer, and Toots Hibbert for establishing the artistic pathway contemporary artists navigate. He emphasized the current generation’s responsibility to maintain the genre’s integrity and expressive freedom, ensuring the preservation of reggae’s cultural significance for future interpreters.

  • Reggae Fusion promises ‘moving’ line-up

    Reggae Fusion promises ‘moving’ line-up

    Preparations are underway for what organizers promise will be an unforgettable celebration of reggae music and culture. Reggae Fusion 2026, scheduled for February 28th at Reggae Jamaica Village in Bog Walk, St. Catherine, has received official endorsement from both Reggae Month celebrations and the Jamaica Reggae Industry Association (JaRIA).

    Event promoter Collisha Frame emphasizes that the carefully curated lineup represents more than mere entertainment. “Reggae embodies message, resistance, healing, and identity,” Frame explained. “We have intentionally selected artists who embrace this profound responsibility. Headliners Capleton and Sizzla Kalonji transcend performance—they stand as cultural pillars whose stage presence delivers spiritual and transformative experiences.”

    The musical roster extends beyond the headliners to include influential voices such as Bugle, Richie Spice, Lutan Fyah, Turbulence, and T’Jean. According to Frame, the selection criteria focused on artists capable of moving audiences emotionally, mentally, and spiritually while preserving reggae’s cultural significance.

    The evening will commence at 8:00 PM with DJ Amber hosting the showcase. The venue offers comprehensive amenities including secure parking and overnight accommodations for patrons. Beyond the musical performances, the event will support Hurricane Melissa relief initiatives and foster community solidarity.

    Frame vividly describes the anticipated atmosphere: “Attendees will step into an environment of unity that brings together families, youth, elders, and international visitors—all connected through shared rhythm. The combination of live reggae beneath open skies, crowds singing lyrics in unison, authentic cuisine, and premium VIP amenities creates truly magical moments.”

    The promoter enthusiastically encourages broad participation in this family-friendly event, predicting Reggae Fusion 2026 will become legendary—the type of memorable night where collective energy becomes physically palpable and artists pour their souls into every performance.

  • Independence in ink: 10 Saint Lucian authors on why they write

    Independence in ink: 10 Saint Lucian authors on why they write

    A vibrant literary movement is flourishing in Saint Lucia as a diverse cohort of writers emerges, carrying forward the legacy of Nobel laureate Derek Walcott while forging distinctly contemporary paths. This cultural awakening, documented during last month’s Writers in the Spotlight event at the Nobel Laureate Festival, showcases how technology and post-colonial evolution have empowered local voices to share their stories with global audiences.

    The current generation of Saint Lucian authors demonstrates remarkable thematic diversity while maintaining deep connections to their cultural roots. Valyn Eugene, an environmental officer and published poet, explores self-discovery and spiritual connection through her collections ‘I Almost Loved You to Hate’ and ‘Sacred Waters.’ Her work embodies the introspective journey that characterizes much of the island’s contemporary literature.

    Performance poet Angella O’Brien, recognized with the 2024 National Youth Award for Literary Arts, has leveraged international opportunities including UNESCO’s Poetry Market in Paris to amplify Saint Lucian narratives. Meanwhile, 14-year-old Tevin Isaac represents the youngest generation of storytellers, already publishing children’s literature that encourages peer engagement with creative writing.

    The literary landscape reveals profound personal dimensions through writers like Shawill Flavius, who transformed personal trauma into a poetic trilogy exploring love’s complex manifestations. Caribbean executive Jonathan Johannes contributes leadership philosophy in ‘The Exception Code,’ while educator Albert Fevrier brings four decades of pedagogical experience to advocate for educational reform in his technical publication.

    Notably, technological accessibility has democratized publishing, enabling writers like Nadege Valcent to establish independent publishing ventures after years of seeking traditional pathways. This shift has empowered diverse voices including business student Cura Fedee, motivational writer Samson Wilson, and children’s author Sherma Thomas, whose work continues despite physical challenges.

    The collective output of these ten authors demonstrates how Saint Lucian literature has evolved beyond Walcott’s foundational explorations to encompass psychological thrillers, children’s fiction, educational theory, and inspirational guides—all while maintaining the cultural specificity that makes Caribbean literature unique.

  • Mighty Mic has the Formula

    Mighty Mic has the Formula

    Emerging gospel dancehall artist Mighty Mic, at 23 years old, is speaking out about the significant challenges confronting young Christians in contemporary society. In a recent Friday interview with the Jamaica Observer, the musician identified profound emotional wounds and intense societal pressures as primary issues affecting his generation’s faithful.

    The Spanish Town-based performer, baptized just five years ago, proposed that faith-based youth initiatives, targeted outreach programs, and strategic mentorship partnerships between elders and young believers could serve as vital solutions. Mighty Mic described his personal spiritual journey as both challenging and exhilarating, noting that connecting with supportive individuals has significantly enriched his Christian experience.

    His musical career ignited following his religious commitment in 2020, though he had long possessed artistic capabilities. His latest single, ‘Formula,’ released on February 16th through a collaborative production between Daleybeatz and Crosslinks Production, emerged from a period of personal doubt about his place as a believer. The track aims to reignite recognition of spiritual strength in Christ while encouraging listeners toward faith through its intentional lyrical architecture.

    Mighty Mic promises to bring authenticity, energetic versatility, and a unique flow to gospel dancehall music. The Tarrant Baptist Church worshipper also announced plans to release his debut EP, ‘The God Life,’ within the coming months, indicating 2024 will bring substantial new content from the rising artist.

  • ‘Touter’ — more than 50 years of talent

    ‘Touter’ — more than 50 years of talent

    In 1976, at just 21 years old, keyboard virtuoso Bernard “Touter” Harvey cemented his legacy by contributing to three landmark albums that would define reggae’s golden era. The young session musician from Whitfield Town, Kingston, left his indelible mark on Bob Marley and The Wailers’ ‘Rastaman Vibration,’ Bunny Wailer’s ‘Blackheart Man,’ and Burning Spear’s ‘Man In The Hills.’

    Harvey’s collaboration with these icons began even earlier, having played on Marley’s seminal ‘Natty Dread’ in 1974 and performed with The Black Disciples band on Burning Spear’s majestic ‘Marcus Garvey’ the previous year.

    In an exclusive retrospective with the Jamaica Observer, Harvey revealed the distinct creative approaches behind each project five decades later. “We operated within an incredibly creative period, though artistic boundaries were often set by the performers or producers,” Harvey recalled. “Bob Marley personally discouraged synthesizer use, yet producer Lee Perry introduced his Elka piano/string machine that became integral to ‘Rastaman Vibration.’”

    Contrasting these experiences, Harvey noted: “Jack Ruby, producing Burning Spear, granted us complete creative freedom. Conversely, Bunny Wailer arrived meticulously prepared with demo cassettes but remained open to collaborative compromise.”

    All three albums were distributed by Chris Blackwell’s Island Records, the London-based label founded in Kingston years earlier. Among them, Marley’s ‘Rastaman Vibration’ achieved greatest commercial success with radio-friendly anthems like ‘Roots, Rock, Reggae’ and ‘Who The Cap Fit.’

    Since 1974, Harvey has been integral to Grammy-winning group Inner Circle, contributing to global hits like ‘Bad Boys’ and ‘Sweat.’ Reflecting on his early accomplishments, the musician expressed pride: “Occasionally revisiting these recordings, I’m surprised by my performances. While I’ve grown musically, why alter what fans have cherished? Hearing musicians replicate my work brings profound accomplishment.”

  • Iconic Reggae Weekend features Johnny Clarke honours

    Iconic Reggae Weekend features Johnny Clarke honours

    Jamaican music icon Johnny Clarke, whose energetic performances defined the roots-reggae era of the 1970s, is being celebrated during the Iconic Reggae Weekend from February 20-22. The celebration marks a special tribute to Clarke’s influential career and his seminal partnership with legendary producer Bunny Lee.

    The commemorative events, organized by Bunny Lee’s family, honor a musical partnership that produced an extraordinary catalog of hit singles fifty years ago. On February 20th, Clarke became the inaugural recipient of the Bunny Lee Lifetime Achievement Award during a ceremony at the Bunny Lee Museum in Duhaney Park, St. Andrew.

    Bunny Lee Jr. emphasized the appropriateness of Clarke being the first honoree of an award named for his father, who passed away in October 2020 at age 79. ‘Johnny Clarke stood among the pivotal artists who collaborated with Bunny Lee to elevate reggae into a globally powerful musical force,’ Lee Jr. told the Jamaica Observer. ‘Their 1970s partnership yielded some of Jamaican music’s most enduring compositions, including the classics None Shall Escape The Judgement and Rock With Me Baby, which garnered international acclaim.’

    Clarke’s remarkable journey saw him transition from working at Grace Kennedy in 1974 to reggae stardom with his breakthrough interpretation of Earl Sixteen’s None Shall Escape The Judgement. The unassuming artist, who was also Lee’s brother-in-law, further solidified his legacy with definitive tracks like Move Outa Babylon and African Roots under Lee’s Striker label.

    The weekend celebration extended beyond the award ceremony with significant events including the relaunch of Augustus Pablo’s historic Rockers International record store on Orange Street and an gathering at Randy’s Museum in downtown Kingston, the former home of Randy’s Records and studio.

    The Bunny Lee Museum, which opened officially one year ago in Lee’s former recording studio, houses an extensive collection of memorabilia including the producer’s flamboyant stage outfits, portraits of iconic producers Clement Dodd, Prince Buster, and Duke Reid, and instruments used by the pioneering musicians who developed the distinctive Greenwich Farm sound.

  • Chillin on the Farm celebrates 15 years

    Chillin on the Farm celebrates 15 years

    TOLLGATE, Clarendon—The acclaimed Jamaican cultural event, Appleton Estate Chillin’ on the Farm, prepares to commemorate its 15th anniversary with a landmark celebration on Sunday, March 1. Hosted at Murray’s Farm in Clarendon, this year’s edition introduces an ambitious new theme: ‘Gone Legendary’.

    Organized through a partnership between Wright Image Entertainment and Murray’s Fish and Jerk Hut, the event has evolved from a local gathering into a significant fixture on Jamaica’s cultural calendar. Reflecting on the journey, founder and producer PJ Wright expressed profound appreciation for the event’s organic growth. ‘Our initial vision was simply to craft an authentic, genuinely Jamaican experience,’ Wright noted. ‘Witnessing its evolution and the cherished memories forged here over 15 years underscores the power of consistency, quality, and deep community engagement.’

    A premier addition for the 2026 staging is the debut of the Legend Food Court, presented by Wisynco Group Limited’s Legend Beer. The brand, conceived to honor everyday Jamaican experiences, finds a natural synergy with the event’s milestone anniversary. This dedicated culinary zone will showcase expertly curated beer pairings alongside an extensive selection of traditional, farm-style Jamaican cuisine.

    Remaining central to the event’s allure is Murray’s world-famous Curry Goat, a culinary masterpiece that consistently attracts a diverse audience from across the island and international visitors. Further solidifying the event’s unique appeal is the return of its spectacular whole roast cow tradition. This immersive display, featuring slow roasting over an open fire throughout the day, offers a rare gastronomic spectacle that distinguishes Chillin’ on the Farm within Jamaica’s premium event landscape.

  • Jamaican and Japanese acts excite at Japan, Jamaica Link Up

    Jamaican and Japanese acts excite at Japan, Jamaica Link Up

    KINGSTON, Jamaica—A groundbreaking cultural exchange event has successfully merged Jamaican and Japanese musical traditions, celebrating six decades of diplomatic relations between the two nations. The inaugural Japan x Jamaica Link Up, held February 19 at Dubwise Café on Lady Musgrave Road, represented a significant milestone in cross-cultural collaboration.

    Mai ‘Okamai Okamoto, a Japanese cultural ambassador with 16 years of residency between both countries, partnered with the Japanese Embassy in Jamaica to orchestrate the event. As an established author and reggae enthusiast, Okamoto has dedicated years to promoting Jamaican culture in Japan while facilitating artist tours and cultural exchanges.

    The celebration featured an impressive lineup of performers from both nations. Japanese artists Ray, Chehon, and 775 delivered captivating sets, while Japanese sound system Jah Works, represented by selector Oga—recent winner of the Jamrock Cruise Sound Clash 2023—demonstrated exceptional musical craftsmanship. Jamaican music royalty including Grammy nominee Jesse Royal, the legendary Pinchers, and veteran singer Junior Reid delivered powerful performances that enthralled the audience.

    Okamoto explained the event’s significance: ‘The music industries of Jamaica and Japan share a uniquely strong connection that generates substantial economic impact globally. With 2024 marking the 60th anniversary of diplomatic relations between our nations, we sought to reinvigorate cultural exchanges through reggae music after travel restrictions during the pandemic.’

    The event, officially endorsed under Jamaica’s Reggae Month banner, successfully blended musical performances with cultural diplomacy. Okamoto revealed that based on overwhelming public response and support, the Japan x Jamaica Link Up will become an annual celebration, further strengthening the musical bond between these geographically distant but culturally connected nations.