分类: entertainment

  • New York Offices prepare to host Thanksgiving Service and Independence Gala to celebrate 45 Years of Nationhood

    New York Offices prepare to host Thanksgiving Service and Independence Gala to celebrate 45 Years of Nationhood

    As Antigua and Barbuda prepares to mark the 45th anniversary of its political independence, the country’s Consulate General in New York is launching its slate of official celebratory activities with a time-honored Service of Thanksgiving, scheduled for Sunday, October 25. The interfaith service will be hosted at Salem United Methodist Church, a historic community institution nestled at 2190 Adam Clayton Powell Jr. Boulevard on West 129th Street in the heart of Harlem, with proceedings set to begin promptly at 4 p.m.

    Leading the ceremonial service as head officiant is Rev. Dr. Ava Jolley, a prominent faith leader from the First Baptist Church of Crown Heights. Delivering the keynote sermon for the occasion will be Rev. F. Craig Henry, who serves congregations at both Little Rock Baptist Church and Shiloh Baptist Church. A diverse cohort of senior clergy members will also take part in the service, including Rev. Dr. Gordon Edwards, Rev. Dr. Cheryl White Lewis, Rev. Dr. David K. Allen, Rev. Elouise Hill Challenger, Evangelist Patricia Ralph, and Bishop Kevin Griffin. Together, this group of faith leaders will guide the gathered congregation in a series of special prayers dedicated to the nation, honoring its 45 years of self-governance and independence.

    The service will also feature rich musical performances that blend traditional hymnody with local Caribbean cultural traditions. The Antigua and Barbuda International Chorale, under the direction of conductor Dean Belgrave Pelle, will join forces with the City South Steel Orchestra to accompany the congregation in a curated selection of hymns and patriotic songs. Leading the service’s opening Praise and Worship segment will be Kyann and the vocal group The Chosen Generation. For community members unable to attend the service in person, the event will be broadcast via live stream through the church’s official website, accessible at salem-harlem.org/salem-worship-service-live-stream-2/.

  • Antigua and Barbuda takes the Spotlight at FAB Passion Fashion Week Northeast 2026

    Antigua and Barbuda takes the Spotlight at FAB Passion Fashion Week Northeast 2026

    Antigua and Barbuda is poised to break new ground in the global fashion industry this October, as veteran local designer Miranda Askie, founder of MirandaAskieDesigns, prepares to carry the nation’s flag at FabPassionFashionWeekNortheast2026. The landmark bi-annual showcase will run October 23–24 in Springfield, Massachusetts, bringing a distinctly Antiguan creative voice to an international audience.

    Now in its sixth iteration, the event is the brainchild of Fashion Gurr, Richie Richardson, and Trinidad and Tobago-based Fab Passion organization, with official endorsement from the City of Springfield. Curated specifically to center designers of African and Caribbean descent, the two-day gathering serves as a launching pad for underrepresented creators to share their unique craft, cultural narratives, and artistic vision with global industry leaders and fashion enthusiasts alike.

    The opportunity for Antigua and Barbuda’s participation grew from a collaborative outreach effort, when event organizers reached out to the New York Consulate General of Antigua and Barbuda to explore the nation’s involvement. Recognizing the transformative potential of placing local creative talent on a global stage, Dr. Dave Ray took the lead on identifying an established designer whose professional experience and creative identity aligned perfectly with the event’s mission. After a careful selection process, the choice fell on Miranda Askie, who has already traveled to Springfield alongside her chaperone, finalizing preparations to bring the country’s one-of-a-kind creative spirit to the event’s runway.

    A key pillar of this initiative came from local private sector support: POOLWORKS, a newly launched Antiguan company behind the construction of the nation’s first Olympic-standard swimming pool, stepped forward as the official sponsor. Owned by Gert Erick Oesenburg, the firm has generously covered all of Askie’s travel costs, seven days of on-site accommodation, and her full participation fee, removing financial barriers that often prevent emerging and independent regional creators from accessing international opportunities.

    In recognition of his instrumental work advancing this partnership, Dr. Dave Ray has been appointed to the event organizing body’s Board of Directors as Diaspora Fashion Ambassador (DFA). His strategic input and guidance to the planning committee have been cited as invaluable to advancing the event’s core goals and strengthening connections with the Caribbean diaspora across North America. The appointment is expected to create long-term pathways for deeper collaboration between Antiguan creative talent, the broader Caribbean diaspora community, and global platforms dedicated to elevating African and Caribbean fashion.

    Looking ahead to future editions of the showcase, organizers have announced plans to host a local selection process in Antigua and Barbuda in spring 2025 to identify additional participants for the 2027 event. This ongoing initiative will open new doors for more Antiguan designers to gain critical international exposure, build industry-shaping professional networks, and contribute to the growing global recognition of Caribbean fashion as a leading creative force.

    This milestone underscores the critical importance of identifying, nurturing, and promoting local creative talent while building cross-sector partnerships that enable Antiguan creators to compete and collaborate on the global stage. As Askie puts the final touches on her collection ahead of the showcase, the nation is celebrating not only her exceptional talent but also the cross-sector collaboration that made her participation possible.

    With backing from POOLWORKS, facilitated by Dr. Dave Ray, and supported by the platform of Fab Passion Fashion Week Northeast, Antigua and Barbuda’s creative industry takes another major step toward expanded international visibility. The nation extends its full support and best wishes to Miranda Askie as she represents Antigua and Barbuda on the global runway, with hopes that her participation will open new opportunities for future creators, inspire emerging local designers, and showcase to the world the unmatched creativity, elegant aesthetic, and rich cultural heritage of Antiguan fashion.

  • Leisure : Did you know ? #69

    Leisure : Did you know ? #69

    Local Haitian digital platform HaitiLibre has released the 69th edition of its popular twice-weekly knowledge quiz series “Did You Know?”, this week shining a spotlight on one of Haiti’s most recognizable historic landmarks: Port-au-Prince’s downtown Iron Market, also commonly referred to as the Hyppolite Market.

    Inaugurated in the late 1800s during the presidential administration of Florvil Hyppolite, the Iron Market stands out for its striking signature bright red cast iron framework and distinctive Moorish-style minarets. Few visitors know the unexpected origin of the market’s core structures: the metal frames were originally manufactured to build a new railway station in Cairo, Egypt, before being purchased and shipped across the Atlantic to Port-au-Prince to be repurposed into a bustling central public market, resulting in a one-of-a-kind commercial and architectural space unlike any other in the Caribbean.
    Beyond its daily role as a gathering place where vendors sell handicrafts, traditional Haitian goods, local food products, and ceremonial items for Haitian Vodou traditions, the Iron Market is far more than just a market. It is a powerful symbol of the cultural resilience of the Haitian people. The site has been rebuilt twice in modern history: first after a devastating fire destroyed the original structure in 2008, then again following the catastrophic 2010 earthquake that leveled much of Port-au-Prince’s city center. Today, it remains the beating heart of downtown Port-au-Prince’s commercial activity and a touchstone of the capital’s collective national memory.

    This fun educational fact is pulled from the answer fact sheets that accompany HaitiLibre’s growing library of online general knowledge quizzes, which cover topics from Haitian history and culture to global current events and general trivia. The platform continues to expand its quiz offerings on a regular cadence: as part of its monthly content update on October 1, 2026, 30 brand new quizzes were added to the platform, bringing the total number of available quizzes to 270. Each quiz includes 10 individual questions, and the platform is on track to hit 300 total quizzes in the near future.
    All of HaitiLibre’s exclusive quiz content is 100% free to access and requires no account registration to play, making it accessible to curious learners of all backgrounds. Quizzes are offered in three difficulty tiers—easy, intermediate, and expert—to suit different knowledge levels, and are fully available in both French and English. Users are invited to visit the platform at https://quiz.haitilibre.com/en to explore the full library, share the site with friends and family, and submit feedback through a form provided at the end of every completed quiz to help improve the service. For knowledge enthusiasts, even unknown answers are framed as a fun opportunity to learn something new and surprise loved ones with fresh, little-known facts.

  • National Performing Arts Centre to officially open Friday in St. John’s

    National Performing Arts Centre to officially open Friday in St. John’s

    Antigua and Barbuda is set to mark a major milestone in its cultural development this coming October, with the official opening of its long-awaited National Performing Arts Centre scheduled for Friday, October 23, 2026. Located at the intersection of High and Cross Streets in the capital city of St. John’s, the new facility will bring a much-needed permanent, dedicated venue to the country’s growing performing arts community, representing a significant upgrade to Antigua and Barbuda’s national cultural infrastructure.

    According to official invitations circulated by the government, the opening ceremony will kick off at 10:00 a.m., with guests requested to take their seats no later than 9:30 a.m. to ensure the event runs smoothly. Anyone interested in attending has been asked to confirm their attendance by RSVP to Adiva Richards, the government point of contact for the opening event.

    The new arts centre was not built from the ground up; instead, it represents a thoughtful adaptive reuse project that transformed the historic former Deluxe Cinema into a modern, versatile performance space. Renovations have resulted in a venue that can comfortably hold approximately 850 attendees, making it suitable for everything from large-scale theatrical productions and national concerts to community cultural showcases and other performing arts gatherings.

    In the weeks leading up to the official opening, government updates confirmed that project teams are already putting the finishing touches on the facility. Earlier this month, the Cabinet of Antigua and Barbuda announced that technicians had begun testing the centre’s state-of-the-art multimedia systems, while on-site crews completed deep cleaning of all interior spaces and carried out final minor finishing works to prepare the venue for its first guests.

    Beyond providing a permanent home for local artistic expression, the National Performing Arts Centre will also play a key role in an upcoming major international event hosted by Antigua and Barbuda. In November, immediately following the venue’s opening, the centre is scheduled to host the opening ceremony of the Commonwealth Heads of Government Meeting (CHOGM), welcoming heads of state and official delegates from across the Commonwealth bloc to Antigua and Barbuda.

    Government officials frame the opening of the National Performing Arts Centre as another critical step forward in the country’s ongoing efforts to strengthen its cultural and creative sectors. By investing in purpose-built infrastructure for the arts, Antigua and Barbuda is laying the groundwork for expanded artistic opportunities, greater cultural engagement among residents, and increased international visibility for its local creative community.

  • Garifuna Music Mourns Chichiman Sosa

    Garifuna Music Mourns Chichiman Sosa

    The global Garifuna music community is united in grief this week following the passing of one of its most transformative and beloved figures, Rolando “Chichiman” Sosa Martinez, who died at the age of 65. A self-trained musical prodigy whose talents spanned multiple instruments, composition, arrangement and vocal performance, Chichiman leaves behind an unmatched legacy that redefined the contemporary sound of traditional Garifuna Paranda music. His creative contributions appear on some of the genre’s most iconic recordings, including the critically celebrated projects *Watina* and *Garifuna Soul*, among other landmark releases.

    Chichiman’s extraordinary skill behind instruments and in front of microphones took him on tours across every inhabited continent, opening doors to collaborate and perform alongside the most legendary names in Garifuna music, including Andy Palacio, Paul Nabor, and Aurelio Martinez. Longtime friend and producer Ivan Duran, head of Stonetree Records, shared personal reflections on the late artist in a memorial interview, recalling their first meeting more than two decades ago.

    Duran first met Chichiman roughly 22 to 23 years ago, when the musician visited Stonetree Records’ studio in Benque. “He walked in and introduced himself: ‘My name is Chichiman, and I play more than twenty instruments,’” Duran recalled. “At first, I laughed a little — I couldn’t believe one person could master that many instruments. But it didn’t take long for me to realize how wrong I was. We quickly became close friends, and we jumped into recording work almost immediately.”

    Not long after their first meeting, Chichiman struck up an immediate, deep friendship with Andy Palacio, and it was Palacio who introduced him to iconic Garifuna artist Paul Nabor for the first time. That introduction turned into an instant connection, Duran said, describing the bond between the three musicians as “love at first sight.”

    Duran went on to praise Chichiman’s rare, innate artistic gift. “Chichi had not just an incredible voice, he had extraordinary musicality that you can’t teach,” he explained. “There was no better collaborator to have on a stage. He could pick up any melody or rhythm in the moment, and lift the entire performance to a higher level. He was one of those very rare musicians who feels music as something that goes far beyond the physical — it was part of his soul.”

    This report is adapted from a transcript of a televised evening news broadcast, with all Kriol-language commentary transcribed using a standardized spelling system for publication online.

  • Strengthening Francophone ties: New Reo collab tops 100k views in a week

    Strengthening Francophone ties: New Reo collab tops 100k views in a week

    A new cross-border Bouyon collaboration between Dominican artist Reo (Dario Sebastien) and Martinican vocalist Maurane Voyer has taken the Caribbean music scene by storm, racking up more than 100,000 views on YouTube in just seven days since its release. For both artists, the viral success of their track “Jolie BB” is more than just a personal win — it is a promising first step toward building deeper musical connections between French-speaking Caribbean islands and elevating original Dominican Bouyon across the region.

    The partnership traces back to a chance meeting last July at a shared festival performance in St. Barts, where Voyer first approached Reo with the idea of working together. A press statement from Reo’s team details that the pair quickly moved the project forward when both found themselves in Guadeloupe shortly after the festival. Recording got underway at HMC Studio, where Reo developed the core of the track, Voyer laid down her vocals, and local producer YSN led the production process. The final mix was completed back in Dominica by engineer Dernz (Dernel Green).

    Staying true to the Dominican roots of Bouyon, Reo made the deliberate creative choice to include live drums on the track — a decision that holds particular significance for the cross-cultural collaboration. Voyer explained that for years, most Bouyon that reached Martinican audiences originated from Guadeloupe’s popular wave of the genre, and only in recent years has the Martinican public grown increasingly curious about the original Dominican form of the music. “In Martinique, the first Bouyon that we know is from Guadeloupe. And it’s maybe since three years that we are more and more interested in the real Bouyon, the Bouyon from Dominica,” Voyer shared.

    Voyer, a self-described long-time fan of Bouyon and Reo’s work, says the track and its accompanying visuals have already earned glowing feedback from her fanbase back home. “I get a lot of messages from different kinds of people, women, men, of all kinds of ages. And I’m happy to see that they like the song, the radios too,” she said. The collaboration also gave both artists a chance to explore the shared threads and unique distinctions between their respective island cultures. “It was very interesting to see what differences we have and also what brings us together. I really enjoyed it,” Voyer added.

    Looking ahead, the duo aims to expand this initial collaboration into a broader movement of regional musical exchange, connecting not just artists from across Caribbean islands, but also radio presenters, DJs, club promoters, and wider audiences. For Dominican musicians, these connections could open new revenue streams and bring long-overdue global recognition to Bouyon’s country of origin. The momentum will continue later this year, when Voyer joins Reo at Dominica’s annual World Creole Music Festival, where Reo is scheduled to perform — an opportunity Voyer calls “exciting.”

    “Jolie BB” comes on the heels of Reo’s successful La Vie Dou tour, which included stops in New York City and London, and has already helped the artist accumulate more than 10 million combined views on his YouTube catalog. Reo says his core goal now is to turn the early success of “Jolie BB” into lasting change for regional Caribbean music. He emphasized that the collaboration is a key step toward “lasting connections between the music communities of Dominica, Martinique and the wider Caribbean,” a vision that both artists share as they work to grow Bouyon’s footprint across the Caribbean.

  • Pavilion Days at Biennale di Venezia

    Pavilion Days at Biennale di Venezia

    As the only Global South nation selected to participate in this edition of the Venice Biennale, Grenada has emerged as a distinctive voice in one of the world’s most prestigious contemporary art events, hosted under the curatorial direction of the National Pavilion Commissioners. Curated around the layered exhibition concept *The Poetics of Correspondence*, the pavilion aligns with Koyo Kouoh’s overarching Biennale theme *In Minor Keys*, which centers intimate, understated acts of creative dialogue between artists, works and geographies.

    Led by commissioner Susan Mains, the pavilion’s specialized guided tours have drawn deeply engaged groups of art world specialists and curious attendees alike. Asher Mains, who contributed to the pavilion’s conceptual framework, expanded on the core meaning of ‘correspondence’ — explaining it is not merely a one-way message, but an active co-response, a back-and-forth exchange that binds creative practices together. This dynamic plays out across every work in the exhibition, where pieces converse visually and thematically: Russell Watson’s meditative underwater breath video flows seamlessly into Arthur Daniel’s striking photograph of mangrove roots, highlighting shared themes of natural rhythm and deep connection. The quiet dialogue extends into Edward Bowen’s large-scale expressive paintings, and is framed by the bold, textured mark-making of textile artists Lilo Nido and Chris Mast. The exhibition closes with a vibrant documentary short capturing Grenadian artist Jeverson Ramirez performing iconic Italian melodies on a steelpan, while gliding through Venice’s canals in a traditional sandalo rowing boat — a poetic celebration of the enduring cultural connection between Grenada and Venice.

    Beyond Grenada’s own creative voices, the pavilion welcomes international collaborators, many of whom have spent time living and working on the island. Those immersive on-island experiences shaped every choice of composition, color palette and formal structure in their works, resulting in a cohesive, mature body of work that feels fitting for a respected national pavilion presentation. Through digital technology, the pavilion also hosted a remote artist talk from Billy Gerard Frank, a veteran of Grenada’s 2019 and 2022 Biennale pavilions. Frank shared updates on his growing career, including the recent acquisition of his film *Second Eulogy* by New York’s Brooklyn Museum, and his upcoming slate of solo museum exhibitions.

    Audience engagement has been broad and diverse, drawing a group of art students from a leading Dutch art institution alongside casual Venice visitors who found themselves captivated by the pavilion’s thoughtful conceptual framing and moving works. This edition marks Grenada’s ninth participation in the Venice Biennale, and over the years the national pavilion has evolved into a transformative career platform for Grenadian and Caribbean artists, with dozens of alumni going on to earn international recognition. Recent milestones from past pavilion participants include Jason deCaires Taylor (2017 and 2024) opening a new underwater sculpture park on Grenada’s Carriacou island; Suelin Low Chew Tung (2024) mounting a critically acclaimed solo show at the Grenada National Museum centered on a historic doll-making artist; Asher Mains (2015, 2022) completing a competitive international artist residency in Bolivia; Frederika Adam (2024) earning a curatorial spot in the 2025 Venice Architecture Biennale at the Arsenal for her innovative garden project; and Shervone Neckles (2019) becoming the first Grenadian artist to have work added to the permanent collection of the Organization of American States Museum in Washington, D.C. — a groundbreaking milestone for the island’s creative community.

    With one full month still remaining in the Biennale’s seven-month run, the pavilion stands as a quiet but powerful creative outpost for Grenada in the heart of Venice. It also comes amid a packed year of cultural celebration for the island nation, which has already hosted the Chelsea Flower Show participation, a diaspora homecoming week, its annual Carnival celebration and the Carriacou Regatta, with the inaugural Grenada Garden and Flower Festival set to open in November. Throughout all of this, the Grenada Pavilion has remained a beacon in Venice, shining a light on the unique, peaceful, deeply creative spirit of the Grenadian people.

  • Black Harmony onderscheiden voor behoud Afro-Surinaams erfgoed

    Black Harmony onderscheiden voor behoud Afro-Surinaams erfgoed

    On October 20, the Amsterdam-based Consulate General of Suriname presented a prestigious honor to Black Harmony, a beloved musical group that has spent two decades championing the preservation and intergenerational transmission of Afro-Surinamese cultural legacy. The award, in the form of an official certificate of appreciation, was handed over by Suriname’s Consul General Roseline Daan to recognize the collective’s decades-long work in keeping traditional Surinamese music, dance and ritual practices alive within the diaspora community.

    Founded 20 years ago, Black Harmony has centered its mission on protecting, documenting and passing on cultural traditions deeply rooted in Suriname’s complex social and ethnic history. Through regular public performances, community workshops and cultural outreach initiatives, the group has worked to prevent these time-honored practices from fading into obscurity. Beyond preserving the past, their work creates intentional spaces for younger generations of Surinamese diaspora to engage with their ancestral roots and build personal connections to their cultural heritage.

    The recognition for Black Harmony was initiated following a nomination by Gilly Koorndijk, who also goes by the artistic name Karoe Adely. Koorndijk serves as the collective’s sound engineer and is widely recognized as a leading expert on traditional Surinamese kaseko music. Orlando Ceder, the founding leader of Black Harmony, accepted the certificate on behalf of the entire group. In his acceptance remarks, Ceder expressed sincere gratitude to the Suriname Consulate General for the honor, and reaffirmed the collective’s long-term commitment to continuing its cultural stewardship work for years to come.

    During the award ceremony, Consul General Daan emphasized the critical value of cultural diversity and intentional intergenerational transmission of traditional practices. She framed the honor not only as a tribute to Black Harmony’s 20 years of consistent dedication, but also as a reminder of the collective responsibility shared by communities and institutions to safeguard endangered cultural heritage. By nurturing living traditions of music, dance, ritual and custom, Daan noted, communities keep their shared history accessible and relevant, rather than reducing it to a static artifact of the past. She closed by noting that the award is a fully deserved recognition not just for Black Harmony’s members, but for every individual who devotes time and effort to keeping Suriname’s rich cultural heritage alive for future generations.

  • Garifuna Music Mourns Rolando “Chichiman” Sosa Martínez

    Garifuna Music Mourns Rolando “Chichiman” Sosa Martínez

    The global Garifuna music community is in mourning this week following the passing of Rolando “Chichiman” Sosa Martínez, a foundational figure who redefined the sound of traditional Garifuna Paranda for modern audiences worldwide.

    His death was announced via a heartfelt Facebook post from The Garifuna Collective, the acclaimed intergenerational musical collective that Sosa was a core member of, alongside Stonetree Records, the label behind many of the genre’s most influential modern releases. In their statement, the organization remembered Sosa as a beloved friend, cherished collaborator, and irreplaceable force in Garifuna music, extending sincere condolences to his family and loved ones.

    Sosa’s decades-long career shaped the global spread of Garifuna Paranda starting in 1999, when he began collaborating with some of the genre’s most iconic names, including Andy Palacio, Aurelio Martínez, and The Garifuna Collective itself. Through these partnerships, Paranda’s distinctive rhythmic and vocal traditions reached new audiences across every continent, transforming a regional cultural tradition into a globally celebrated musical genre.

    Throughout his decades on stage, Sosa performed alongside Garifuna legends such as Paul Nabor, Andy Palacio, and Aurelio Martínez, consistently bringing a contagious, extraordinary musical energy that defined the collective’s live performances. Beyond the stage, Sosa earned a reputation as an indispensable multi-instrumentalist in the recording studio, contributing his skills to many of the most influential Garifuna albums of the last 25 years. Notable records that feature his work include *Garifuna Soul*, *Watina*, *Umalali*, *Ayó*, and *Lándini* — all landmark releases that cemented Garifuna music’s place on the global world music stage.

    At the time of his passing, Sosa was actively contributing to The Garifuna Collective’s upcoming new album, which is still scheduled for release in 2027. In their tribute, the collective reflected on Sosa’s enduring impact, writing: “His music, his spirit, and his extraordinary legacy will live on. Rest in peace, dear Chichiman. You have now joined the ancestors.”

    Canadian musician Danny Michel, who collaborated with Sosa on the critically acclaimed album *Black Birds Are Dancing Over Me*, also shared his grief in a separate Facebook post. Michel noted that working with Sosa on that project was a profound blessing, and that the record remains the work he is most proud of in his entire career. “Heartbroken to hear the news that the great Rolando ‘Chichiman’ Sosa Martínez has passed,” Michel wrote. “This is another immense loss for the Garifuna community and the musical world.”

  • Tweede editie Boeken, Bier en Meer smaakt naar meer

    Tweede editie Boeken, Bier en Meer smaakt naar meer

    Literature does not have to be confined to the quiet pages of a book or formal lectures from authors. This relaxed, inclusive approach to literary culture took center stage at the second edition of “Books, Beer and More”, held in the Suriname town of Souposo, where established authors Chris Polanen and Elena Beelaerts van Blokland invited attendees to step inside their creative literary worlds. Blending thoughtful conversations about personal and collective history, curated musical interludes, and open space for organic connection between guests, the entire evening carried a laid-back, energetic vibe that defied stuffy stereotypes of literary events.

    Public interest in the new format far exceeded expectations: every table at the venue was filled for the night, which centered on weaving together three core elements: literature, music, and casual social connection. “The intimate atmosphere and deeply engaged audience made this an incredible experience as a speaker,” Polanen shared in a post-event reflection. Beelaerts van Blokland also expressed high satisfaction with how the night unfolded, noting: “It was relaxed, had a wonderful atmosphere, and even after the official program we got to have rich, intense conversations. There was cold fresh beer and even a chance to dance. It was exactly right. It felt like a normal night out, but with thoughtful, attentive listeners.”

    Both authors used the event to share their unique literary perspectives on engaging with history. Historical events play a central role in their published works, where fictional narrative and real-world events often blur into one cohesive story. During their talks, they broke down how they weave documented history into their creative plots, and walked attendees through the key creative choices they make during the writing process to balance historical accuracy and storytelling.

    The authors’ presentations were interspersed with carefully selected music from DJ Earl da Pearl, who curated his vinyl set to complement the themes of the authors’ works. After the formal talks, guests were given the opportunity to ask their own questions, alongside prompts pulled from a special question box, that let the authors dive deeper into the context of their books and their individual writing processes.

    Even after the official scheduled program wrapped up, most attendees chose to stay behind to continue conversations over drinks, and dance to DJ Earl da Pearl’s extended set. The featured brew of the night was Combe Wit from local brewery Brouwerij Wan Bon Biri.

    The event’s inaugural edition, held this past June, hosted historian Mark Ponte to present his illustrated book *Jazz Years*, which explores how jazz grew into a vibrant cultural movement in 1930s Amsterdam. The book details how the genre was shaped by migration, cross-cultural connection, and self-expression, with jazz musicians from the United States, the Caribbean, Eastern Europe, and Suriname all leaving their unique mark on the city’s scene.

    “Books, Beer and More” is a literary initiative run by the Stichting Skrifi foundation, which has a core mission of making literature accessible to broader, more diverse audiences. By pairing author conversations with casual drinks and live music, organizers aim to connect a wider range of community members with books and the writers who create them, moving literature out of exclusive academic and bookstore spaces.

    For now, the series is operating as a pop-up event with occasional installments. Stichting Skrifi has long-term plans to launch monthly editions of “Books, Beer and More” starting in 2027, with the goal of growing it into a permanent, staple cultural activity across Suriname. With the success of its second edition, the initiative has already proven its core thesis: a literary gathering can easily double as a relaxed night out, where books act as a jumping-off point for conversation, connection, and shared joy around music.