分类: entertainment

  • Defending monarchs close Spicemas Finals

    Defending monarchs close Spicemas Finals

    A striking coincidence has set the stage for Grenada’s highly anticipated Spicemas 2026 festival, after all three defending titleholders in the event’s flagship vocal competitions landed the 12th and final performance slot in their respective upcoming finals.

    The quirky outcome affects the reigning champions of three core Spicemas competitive categories: Power Soca Monarch, Groovy Soca Monarch, and Calypso Monarch. For the two Soca divisions, the performance order was decided through a public random draw organized in partnership with the National Lotteries Authority (NLA). Both defending Groovy Monarch Mr Gold’n and defending Power Monarch Muddy pulled the number 12 position, a result festival officials have stressed is entirely accidental. Positions were drawn randomly on behalf of the competing artists, with no manual intervention or bias in the selection process, representatives confirmed.

    The outcome for the Calypso division followed a different process but resulted in the exact same slot for the defending champion. Reigning Calypso Monarch Scholar had previously announced he would step back from competing in this year’s festival, so he did not take part in the public random draw. However, official Spicemas competition rules require that the defending monarch retains his right to enter the competition at a later date if he changes his mind. Per this protocol, Scholar was automatically assigned the 12th position to keep his final spot reserved, matching the coincidental outcome in the two Soca categories. All three champions will thus close out their respective final shows when the competitions get underway.

    This year’s finals feature a number of cross-category contenders testing their versatility across multiple competitive divisions. Muddy, one of the defending monarchs, is joined by Terra D Governor and duo Luni Spark & Electrify in advancing to both the Groovy and Power Soca Monarch finals. Other artists have advanced to select finals after competing across multiple categories: Happysecure earned a spot in the Power Soca final, while vocalists Valene and Randy secured their places in the Calypso Monarch final. Lil Jelo will compete for both the Power Soca and Calypso crowns, while Killa B, who missed out on advancing to the Power Soca final, remains in the running for the Calypso title.

    The unusual draw result has already generated buzz among Spicemas fans ahead of the festival, with many taking the rare coincidence as a fun pre-competition talking point for the 2026 event.

  • Arajet and Centro León extend alliance to showcase Dominican art internationally

    Arajet and Centro León extend alliance to showcase Dominican art internationally

    In Santo Domingo, three leading Dominican institutions have announced the renewal of a groundbreaking collaborative agreement aimed at amplifying the global profile of Dominican art and culture, while expanding access to visual arts education across the region. The Eduardo León Jimenes Foundation, Centro León, and low-cost Caribbean airline Arajet have extended their original partnership, first launched in August 2024, to deepen their shared work of showcasing Dominican and Caribbean creative talent to international audiences.

    Over the course of their initial collaboration, the three organizations have already made significant inroads in bringing Dominican cultural work to global stages. Their joint projects have reached seven countries across the Americas: Ecuador, Guatemala, Brazil, Puerto Rico, Colombia, and the United States. Key initiatives supported by the partnership include the Curando Caribe cultural program, which centers Caribbean artistic narratives, and the prestigious Eduardo León Jimenes Art Competition, a long-running platform that elevates emerging creative voices from the region.

    Under the terms of the renewed agreement, the partnership will expand its focus to develop new cross-cultural exchanges, large-scale international exhibitions, accredited academic programs, and targeted global outreach campaigns. A new consumer-facing component will also bring Dominican culture directly to air travelers: Arajet passengers will gain access to exclusive curated cultural experiences, allowing them to engage with local art and heritage both in-flight and through destination-based activations. Arajet will continue its core support for Centro León’s rotating gallery exhibitions, community cultural events, and international artist exchange programs.

    The official signing ceremony brought together the leadership of all three partner institutions. Signatories included Víctor Pacheco Méndez, CEO and founder of Arajet; María Amalia León, president of the Eduardo León Jimenes Foundation; and María Luisa Asilis, executive director of Centro León, marking a formal commitment to the next phase of their cultural collaboration.

  • Potters Primary, Dynamics Kids Among Winners at 2026 Junior Carnival Awards

    Potters Primary, Dynamics Kids Among Winners at 2026 Junior Carnival Awards

    The 2026 Smalta Junior Carnival Awards and Presentation Ceremony marked a celebratory milestone recently, bringing the curtain down on this year’s festival by officially recognizing the standout achievements of competitors across every division. The event gathered a lively crowd of young participants, their family members, school educators, and diehard carnival supporters to honor the hard work, creativity, and passion that turned the 2026 Junior Carnival season into a widely celebrated success.

    Competitors were divided into seven distinct categories, spanning school groups, independent performance troupes, and individual musical acts, with prizes awarded to the top three finishers in most divisions. In the Preschool Section, the young performers from Learning Ladder Preschool delivered a winning routine that earned them first place honors. Beehive Learning Center followed closely behind to claim the second spot, while Willikies Child Development Center rounded out the top three with their engaging performance.

    Moving to the Primary School Section, Potters Primary School claimed the coveted division title, outperforming dozens of competing school groups. Pares Primary School secured the first runner-up position, and Villa Primary took home second runner-up recognition. In the fiercely contested Private Band category, Dynamics Kids delivered two standout wins: the group took home the division’s first place prize, and one of its members also earned the prestigious Queen of the Band title. Royal Legacy finished the section as first runner-up.

    The Marching Band and Cheerleading division saw Sparkles Cheerleaders claim the top spot on the podium, with Let’s Dance Cheerleaders finishing in second place and Xplosion Cheerleaders taking third. For the Spirit of Carnival award, which honors the group that best embodies the joyful, communal essence of the festival, Seaview Farm Primary School took home the top honor. Villa Primary earned first runner-up, and FreeTown Primary claimed second runner-up.

    In the solo and small-group Junior Road March competition, Soca J’s original track *Paper Fight* claimed the winning title. Zsura’s *Small Package* finished as first runner-up, and Jamario’s *Mash Up* secured the third position on the podium. Organizers noted that every participant brought unique energy and creativity to this year’s festival, and the ceremony served as both a recognition of top performers and a celebration of young artistic talent across the region.

  • Entertainment Community Unites for Kendoyll Simpson

    Entertainment Community Unites for Kendoyll Simpson

    Over the course of more than 20 years, Kendoyll Simpson — known professionally as KSBEATS — cemented his status as one of the most foundational figures in modern Belizean music. Far beyond his work crafting chart-topping tracks for local artists, his legacy is defined by the decades he spent nurturing emerging talent, opening doors for new creators that would otherwise have never gotten their start in the industry. His influence stretched well past the walls of recording studios, weaving into the very fabric of Belize’s national music culture.

    After a two-year, hard-fought battle with cancer, Simpson passed away, leaving the entire Belizean entertainment community in mourning. In the weeks following his death, tributes from fans, collaborators, and proteges have flooded in from across the nation. Now, as his loved ones finalize plans for his memorial service in Belize, members of the local music industry have come together to organize a special benefit event at the iconic Bliss Center: the goal is to raise the funds needed to transport Simpson’s body home for burial and honor his decades-long contributions to Belizean music.

    Speaking on behalf of the Simpson family, Kendoyll’s sister Tiffany Simpson shared her gratitude for the outpouring of support from the community. “The turnout has been absolutely incredible. Every artist here today is someone Kendoyll helped launch their careers, and they’ve all shown up to stand with our family,” she explained. Simpson also outlined the event’s fundraising structure, noting that attendees who make a $50 donation at the concert will receive entry into a commemorative raffle. For those unable to attend the main benefit, a second memorial event featuring additional artists who could not fit on the first show’s lineup is already in the works. The family aims to complete Simpson’s burial no later than August 12, and Simpson issued a public appeal for further donations, noting multiple channels are available for people to contribute.

    Wilson Grinage, host of the Kendoyll Simpson Legacy Concert, echoed those sentiments, highlighting the extraordinary range of artists that turned out to honor Simpson. “Even I was shocked by how expansive the lineup is – we have legendary pioneers from the early days of Belizean popular music like Instruments of Love, veteran hitmaker Melonie Gillett who stepped in to support production, rising contemporary stars including Six Frass, J Money and Young Dan, and seasoned fan favorites like Ernestine, who will take the stage later in the evening,” Grinage shared. He also highlighted the performance of Center Stage, a beloved Belizean band that Grinage described as Simpson’s “brainchild,” forged under his mentorship and guidance. For Grinage, the event is far more than a fundraiser: “This is a truly historic, momentous occasion. We’re not just here to raise funds to lay Kendoyll to rest – we’re here to celebrate the incredible life he built, and the impact he had on every generation of Belizean artists, from the earliest pioneers to the up-and-coming creators breaking into the industry today. This event just proves how far his influence reaches, and how many lives he changed through his work.”

    In total, more than 30 Belizean artists and bands are performing at the one-day legacy benefit concert. Any members of the public who wish to contribute to the fundraising effort can contact Tiffany Simpson directly to make a donation.

  • Inspiration Behind Breakout KTV Performances

    Inspiration Behind Breakout KTV Performances

    As one of Belize’s most anticipated annual talent competitions enters its fourth week of competition, the hit showcase *KTV The Remix* has narrowed its field of aspiring performers down to just six remaining contestants vying for the top title. For this week’s themed challenge, competitors are tasked with delivering soulful, captivating performances centered on the R&B genre, a style rooted in emotional storytelling and raw personal expression.

    To uncover the personal experiences and creative motivations shaping the contestants’ upcoming sets, local News Five reporter Shane Williams went behind the scenes of the production to sit down with each finalist and explore the inspiration driving their soulful R&B interpretations.

    This online feature is a direct transcript of the evening television broadcast set to air on local Belizean networks. For any passages where contestants or interview subjects speak in Kriol, the outlet’s production team has transcribed the dialogue using a standardized, widely accepted Kriol spelling system to preserve the authenticity of the conversations. Readers can access the full original broadcast via the link included in the original publication.

  • Junior Carnival Parade Underway Following Weather Delay

    Junior Carnival Parade Underway Following Weather Delay

    After an early-week postponement driven by severe inclement weather, the 2026 Junior Carnival parade finally kicked off on Wednesday afternoon, drawing hundreds of excited young participants to the streets of St. John’s, Antigua.

    Originally scheduled to take place on Sunday, July 26, the annual youth-focused celebration was called off by the Antigua and Barbuda Festivals Commission just days earlier. The governing body cited unrelenting rainfall and active thunderstorms that had rendered the planned parade route unsafe for everyone involved, from young marchers to gathered onlookers.

    When announcing the delay, the Commission emphasized that safety remained its central guiding principle. The decision to reschedule came after a full review of both existing weather conditions and updated forecasts, with the well-being of children, participating families, spectators and the general public flagged as the organization’s top non-negotiable priority.

    The rescheduled event launched at 1 p.m. local time on Wednesday, bringing together young masqueraders, school groups and dedicated children’s performance troupes. Participants wound through the capital city’s streets, dazzling onlookers with their vibrant, intricately designed costumes and lively choreographed performances that capture the joyful spirit of Caribbean carnival culture.

    In the wake of the last-minute schedule change, festival leadership extended public gratitude to parents, masquerade groups, event organizers and all other stakeholders for their flexibility and patience during the disruption. Organizers also shared that they were eager to welcome all participants to the rescheduled event, with plans in place to deliver a fun, safe and memorable celebration for every attendee.

  • Patrice Roberts Confirms Breakfast Fete Appearance Following Dynamic Carnival Return

    Patrice Roberts Confirms Breakfast Fete Appearance Following Dynamic Carnival Return

    Fresh off a triumphant and high-energy return to Antigua’s Carnival stage this Tuesday, celebrated soca superstar Patrice Roberts has locked in another major performance in the country, set to take place this weekend. The award-winning performer made the exciting announcement to cheering fans at the conclusion of her packed Tuesday set, confirming she will share the stage with a stacked roster of top soca talent at the 268 Breakfast Fete’s flagship “Carnival Deh a Morocco” event on Sunday, August 2. Roberts’ addition to the bill brings two of the genre’s biggest household names to an already star-studded lineup that blends established regional acts with rising local performers.

    The one-of-a-kind event boasts an impressive roster of additional talent, including fan-favorite collective Menace and Friends, dynamic acts Island Prince and Villain, fellow soca stalwart Shurwayne Winchester, breakout performer Young Bredda, iconic Trinidadian entertainer Benjai, and vocalist Duane Ta’Zyah, who performs under the stage name Young Baron. In a special treat for long-time Carnival fans, two of Antigua’s most legendary calypso pioneers, King Short Shirt and King Onyan, are also scheduled to share the stage for a collaborative performance that has been highly anticipated by local audiences.

    Roberts’ upcoming festival appearance comes on the heels of widespread critical and fan acclaim for her Tuesday night performance, which marked her full return to Antigua’s annual Carnival celebrations after a period away from the country’s biggest cultural event. “Carnival Deh a Morocco” is a core installment of the long-running 268 Breakfast Fete event series, a staple of Antigua’s Carnival calendar that first launched back in 1991. As of press time, tickets for the sold-status event are still available for purchase to the general public.

  • Miss Dominica Dainisha Eusebe set for regional pageant debut in Nevis

    Miss Dominica Dainisha Eusebe set for regional pageant debut in Nevis

    As the calendar counts down to August 3, 2026, Dainisha Eusebe, the newly crowned Miss Dominica 2026, is putting the final touches on her preparations for one of the Caribbean’s most anticipated cultural pageants: the Bank of Nevis International Miss Caribbean Culture Queen Pageant, set to take place on the soil of St. Kitts and Nevis.

    This year’s competition is not a standalone event; it is a centerpiece attraction of the 52nd Nevis Culturama Festival, a beloved annual regional celebration that ran from July 23 to August 4, 2026. Per an official statement from the Discover Dominica Authority, the Miss Caribbean Culture Queen Pageant has long served a unique purpose beyond traditional beauty competition: it gathers competing delegates from every corner of the Caribbean, creating a platform where contestants can highlight their home nations through displays of cultural heritage, performance talent, critical intelligence, and national pride, all while advancing cross-border regional unity and cultural exchange across the Caribbean bloc.

    Since taking the Miss Dominica 2026 title earlier this year, Eusebe has balanced fulfilling representative duties at multiple official island events with an intensive pre-pageant training regimen. Her preparation has covered everything from stage performance technique to media interview coaching, and refinement of her cultural presentation that will showcase Dominica’s identity to regional audiences.

    In an interview ahead of the competition, the 24-year-old Grand Bay native shared what the opportunity means to her. “Representing Dominica on the regional stage in the Miss Caribbean Culture Queen Pageant is both an honor and a responsibility,” she said. “As the Nature Isle of the Caribbean, we have a very rich culture and a unique identity and I’m so proud to share that with the wider region. This opportunity is not just about winning a crown. It is about serving as an ambassador for my country and building meaningful connections with my Caribbean sisters. I hope to make Dominica proud and continue that legacy.”

    Eusebe holds an Associate’s Degree in Geography from Dominica State College and most recently worked as a Land Use Officer in the country’s Physical Planning Division, bringing a diverse professional background to her role as a cultural representative. Beyond the pageant stage, she has a clear goal for her participation: to boost regional interest in visiting her home island. “When I step onto that stage, I want people from across the region to see me as someone who represented Dominica with confidence and pride. I hope they see a young woman who embraces her culture and inspires other young women to do the same. If, when I leave that stage, people are inspired to learn more about Dominica and even visit our shores, then that’s when I know that I have represented my country well,” she explained.

    Marva Williams, Chief Executive Officer of the Discover Dominica Authority, publicly praised Eusebe’s dedication to her role and preparation for the pageant. “Dainisha has embraced every aspect of her role as Miss Dominica with dedication and professionalism,” Williams said. “She has prepared diligently for this opportunity and we are confident she will represent Dominica with pride and distinction. Her participation provides another opportunity to showcase our country’s culture and inspire greater interest in Destination Dominica among audiences across the Caribbean.”

    Eusebe also extended gratitude to all Dominicans, both on-island and across the global diaspora, who have supported her journey so far. “To every Dominican who will be cheering me on from home and across the diaspora, thank you for your love, your prayers and your encouragement. It means more than words can ever express. With every step that I take on that stage, I will carry Dominica in my heart. I hope to make you proud by representing our culture and the warmth of our people with grace, confidence and authenticity. No matter the outcome, I will give my very best because I know that I am carrying the pride of my nation,” she said.

    Dominica’s Ministry of Tourism and the Discover Dominica Authority have joined in calling on all local and diaspora Dominicans to rally behind Eusebe as she makes her first regional pageant appearance in Nevis.

  • Antigua and Barbuda–Jersey Art Exchange Culminates in Official Unveiling of Collaborative Mural

    Antigua and Barbuda–Jersey Art Exchange Culminates in Official Unveiling of Collaborative Mural

    On July 24, 2026, a landmark cross-island cultural initiative reached a joyful milestone at Jersey’s Elizabeth Marina, where a one-of-a-kind collaborative public mural was officially unveiled to mark the end of the first phase of the historic Antigua and Barbuda–Jersey Art Exchange. The project, which has united emerging young artists from both island nations to celebrate shared cultural ties, creativity, and cross-border friendship through visual art, represents a deepening of the growing partnership between the two regions.

    Three emerging student artists from Antigua and Barbuda — Joyce Murray-Watkins, Trinity Hughes, and Tse Pigott, all enrolled at the Antigua and Barbuda College of Advanced Studies (ABCAS) — traveled to Jersey to collaborate alongside local Jersey artists. The cross-cultural team worked under the creative guidance of Mark Brown, head of ABCAS’ Department of Fine Arts and Creative Studies, to bring the shared vision to life.

    Centered on the evocative theme “Safe Haven Across the Sea,” the finished mural weaves together imagery that honors the parallel histories, distinct identities, and interconnected cultures of both island communities. Iconic local landmarks, native plant species, long-held cultural traditions, and the ocean that links the two territories all feature prominently in the large-scale public work.

    This art exchange is just one component of the expanding bilateral partnership between Antigua and Barbuda and Jersey, which has grown in recent years to include collaborative work across education, leadership development, hospitality, sports, music, and creative industries. The collaboration will enter its second phase later this year, ahead of the 2026 Commonwealth Heads of Government Meeting (CHOGM) set to be hosted in Antigua and Barbuda. For the next phase, three Jersey creatives — painter Max Corbett, artist and illustrator Aimée Cast, and filmmaker Toby Norman, who will document the entire creative process — will travel to Antigua and Barbuda to create a second public mural. They will partner with local Antiguan and Barbudan artists, with project coordination led by curator and facilitator Jacqueline Rutter and Mark Brown, who co-developed the creative framework for the full exchange.

    Her Excellency Karen-Mae Hill, Antigua and Barbuda’s High Commissioner to the United Kingdom, praised the successful completion of the first phase of the initiative. “The unveiling of this mural is a wonderful celebration of what can be achieved when young people are brought together through creativity and cultural exchange,” she said. “Beyond the artwork itself, this project has fostered lasting friendships, encouraged deep mutual understanding, and further strengthened the longstanding relationship between our two nations. I join the Chair of the CHOGM 2026 Task Force the Honourable E.P. Chet Greene, Education, Science and Technology Minister the Honourable Daryll Matthew, ABCAS President Dr. E. Jonah Greene, all our project donors, in expressing how immensely proud we are of Joyce, Trinity and Tse for representing our nation with such extraordinary talent, professionalism, and enthusiasm.”

    Reflecting on the transformative impact of the exchange for his students, Mark Brown shared that the opportunity had reshaped how the young Antiguan and Barbudan creators view cross-cultural connection through art. “This exchange has been a truly transformative experience for our students, providing them with the opportunity to immerse themselves in another culture, collaborate with fellow artists and see firsthand how art can build bridges between divided or distant communities,” Brown explained. “Every element of the mural was carefully chosen to celebrate the resilience, creativity and unique character of each place while highlighting our shared humanity as people connected by the sea.”

    For participating young artist Tse Pigott, the experience expanded both her artistic practice and personal worldview. “This exchange has given me an opportunity to see a new part of the world and experience different styles of art and culture,” Pigott said. “Being exposed to the island of Jersey, and especially the people who call it home, enabled me to broaden my own perspective. The biggest inspiration for this project came from our fellow artists’ stories and their collaborative effort to learn all about Antigua and Barbuda.”

    Fellow participant Trinity Hughes echoed that sentiment, noting that the collaboration reinforced her appreciation for both cross-cultural teamwork and her own cultural heritage. “Being part of the team of artists who painted this mural was an incredible experience,” Hughes said. “It gave us the opportunity to exchange cultures and learn about Jersey’s history and iconic landmarks, such as the cows, the castle and the lighthouse, which we incorporated into the mural. Working alongside artists with different styles taught me the value of collaboration, and the experience also made me appreciate my own culture even more.”

    Joyce Murray-Watkins, the third participating Antiguan and Barbudan artist, described the experience as both deeply inspiring and professionally rewarding. “The trip was an amazing experience and opportunity that I was delighted to be a part of,” Murray-Watkins said. “The Jersey community was very welcoming and hospitable. As an artist, this trip allowed me to grow and create away from home, and I am incredibly grateful for the opportunity.”

    The groundbreaking art exchange would not have been possible without the generous financial and logistical support of a wide coalition of partners, including ArtHouse Jersey, the Government of Jersey, the Government of Antigua and Barbuda, the Antigua and Barbuda Tourism Authority, the Antigua and Barbuda College of Advanced Studies, the Antigua and Barbuda High Commission in London, Ambassador Sami Al-Mufleh, Ann Chapman-Daniel and Shiri Daniel of the Galleon Foundation, Alison Morgan and the JCG Foundation, participating host families, and all additional contributing partners and sponsors.

  • Trinidad and Tobago to Host Caribbean Music Awards’ First-Ever Elite Weekend

    Trinidad and Tobago to Host Caribbean Music Awards’ First-Ever Elite Weekend

    After three years of sold-out ceremonies in New York, the Caribbean Music Awards (CMA) is set to mark a historic turning point this September, with organizers officially naming Trinidad and Tobago as the first Caribbean host of the awards’ brand-new Elite Weekend Experience. Scheduled to run from September 18 to 20, 2026, the expanded four-year-old event will center its 2026 iteration on the theme “Sounds of the Caribbean,” a tribute to the region’s iconic rhythms, ancestral voices, and living cultural traditions that have reshaped global music for decades.

    Founded in 2023 by the Caribbean Elite Group, the CMA was created to honor outstanding achievement across the Caribbean’s entertainment and creative sectors, spanning recorded music, festival culture, and a wide range of indigenous cultural art forms. For its first three editions, the awards found a welcoming home at Brooklyn’s landmark Kings Theatre, where organizers built a loyal international audience and established the event as one of the Caribbean’s most high-profile entertainment showcases. With that foundational success in hand, organizers are now expanding the celebration beyond U.S. borders to bring the awards home to the region it celebrates.

    The crown jewel of the inaugural Elite Weekend will be the Fourth Annual Caribbean Music Awards ceremony, taking place on September 19 at Port of Spain’s National Academy for the Performing Arts (NAPA) in the heart of the capital. Unlike the previous single-night ceremonies, the new Elite Weekend format stretches across three full days, uniting a diverse cross-section of stakeholders: working artists, music fans, international media, industry executives, independent creators, and cultural leaders from across the Caribbean and its global diaspora.

    The packed schedule of activities extends far beyond the main awards show. Attendees can look forward to an official opening welcome reception, industry-focused pre-show networking events, the main awards gala, a star-studded official after-party, a one-of-a-kind steelpan concert produced by local collective Stars and Steel, and multiple curated events highlighting Trinidad and Tobago’s unrivaled cultural heritage. Organizers have confirmed that additional announcements featuring surprise performers, celebrity presenters, and new programming will be rolled out in the coming weeks as the event approaches.

    Organizers were quick to emphasize that the move to the Caribbean does not erase New York’s central role in the awards’ growth. “Brooklyn gave us the perfect launchpad to introduce the CMA to the world,” a senior organizing spokesperson noted, explaining that the New York base allowed the event to grow its international footprint while centering Caribbean talent on a global stage. Now that the awards have a solid global following, the CMA is entering a new era of regional partnership, working closely with local tourism boards and host destinations across the Caribbean. The long-term strategic vision calls for rotating the annual event between different Caribbean nations, a model designed to drive inbound tourism, stimulate local economic activity, and strengthen the region’s creative economy as a whole.

    This year’s ceremony will be co-hosted by two fan-favorite Caribbean creative icons: internationally celebrated soca star Nailah Blackman, a Trinidad native, and beloved comedian Majah Hype, who returns for his fourth consecutive year as CMA host. For Hype, the journey from the Brooklyn stage to Port of Spain has been a deeply meaningful one. “Watching this awards grow from its small beginnings in New York to now coming home to the Caribbean has been an absolute blessing,” he said, calling the move “another huge step forward for putting Caribbean culture front and center on the world stage.”

    For Blackman, hosting the ceremony in her home country carries extra personal weight. Blackman is no stranger to the CMA: she has attended as a fan, performed as a guest artist, earned multiple nominations, and taken home an award in previous years. “I’ve experienced every side of this celebration – as a fan, as a performer, as a nominee and as a winner,” she shared. “Stepping into the role of host is truly an honor, and getting to do it here in my home country makes this the most special moment of my career with the CMA so far.”

    Since its launch, the CMA has prioritized inclusivity, recognizing excellence across more than 40 categories that cover every corner of Caribbean music: from global staples like Dancehall, Reggae, and Soca, to regional favorites including Konpa, Chutney Soca, Zess, Dennery, and Gospel, while also dedicating categories to spotlight emerging young talent across the region. After organizers unveiled a list of more than 250 nominees across all categories earlier this year, anticipation has continued to build among fans and industry insiders, with many expecting the 2026 Trinidad and Tobago edition to be the largest and most high-profile CMA celebration in the event’s young history.