分类: entertainment

  • Kalinago Week 2026 to celebrate Dominica’s indigenous heritage

    Kalinago Week 2026 to celebrate Dominica’s indigenous heritage

    The Caribbean island of Dominica is preparing to shine a spotlight on its unique Indigenous identity this September, as government bodies and local community leaders join forces to host Kalinago Week 2026. Scheduled to run from September 11 to 19, the nine-day celebration of Kalinago culture is a collaborative effort between the Ministry of Environment, Rural Modernisation, Kalinago Upliftment and Constituency Empowerment and the Kalinago Council.

    According to an official press statement released by the Discover Dominica Authority (DDA), the annual observance is designed to showcase the deep-rooted traditions, living culture and daily life of the Kalinago people, the only Indigenous group continuously inhabiting the Caribbean island. The entire event will kick off with an official media launch at 10 a.m. on September 11, hosted at Kalinago Barana Aute, the community’s open-air cultural village that draws visitors from across the globe each year.

    Key stakeholders set to speak and participate in the launch include Cozier Frederick, head of the Ministry of Environment, Rural Modernisation, Kalinago Upliftment and Constituency Empowerment, Anette Sanford, the elected Kalinago Chief, and Alice Charles, the Kalinago Development Officer. Additional attendees will include senior representatives from the Ministry of Tourism, the DDA, and other partner organizations that support Indigenous cultural preservation and tourism development on the island.

    Nestled along Dominica’s dramatic, untamed northeastern coast, the Kalinago community is an integral pillar of both the island’s national identity and its fast-growing sustainable tourism sector. For decades, the community has welcomed both local residents and international travelers to experience its heritage firsthand, from learning the traditional Kalinago language and centuries of history to sampling authentic native cuisine and purchasing handcrafted traditional goods made by local artisans.

    To expand the reach of this year’s celebration, the Ministry of Tourism and DDA will leverage their popular Discover Dominica digital and social platforms to promote the full schedule of events, and share exclusive content that highlights the depth and diversity of Kalinago culture and heritage. Organizers have extended an open invitation to all local residents and visiting tourists to participate in the week’s activities, and immerse themselves in one of the most important cultural components of the Dominican nation.

    The annual Kalinago Week initiative not only honors the enduring legacy of the island’s first inhabitants but also supports community-led cultural preservation and economic development, reinforcing Dominica’s position as a leading destination for authentic, community-centered cultural travel.

  • Calypso, soca and Dennery artistes to set up new body

    Calypso, soca and Dennery artistes to set up new body

    On September 5, a landmark gathering of music industry stakeholders from three of Saint Lucia’s most iconic musical traditions — calypso, soca and Dennery segment music — convened at Castries City Hall to advance a long-discussed goal: creating a single, legally recognized organization to unify and advocate for artists and industry professionals across all three genres.

    The meeting drew a diverse cross-section of the island’s music community, including veteran calypso and soca performers, sitting and former genre administrators, and working artists from across the country. Discussion centered on longstanding gaps in collective representation for the three interconnected genres, with attendees expressing overwhelming support for a unified body that would centralize advocacy, protect artist interests, and advance the growth of Saint Lucia’s homegrown music industry.

    The initiative has already earned high-level backing from key cultural and industry leaders. Ernest Hilaire, Saint Lucia’s Minister for Creative Industries, publicly endorsed the effort, alongside Martin James, chairman of the Eastern Caribbean Collective Organisation for Music Rights (ECCO), and Thaddeus Antoine, a noted copyright attorney and chairman of the Saint Lucia Tourism Authority. Veteran industry figure Caron Tobiere, a founder of the island’s previous calypso association, was selected to lead the new steering committee tasked with moving the project forward, while local music leader Linda Chocolate chaired the September 5 convening.

    Attendees reached consensus on several core founding decisions during the meeting. First, members formally committed to establishing a democratically selected, legally registered representative body. For the interim, the group will retain the name SLCA2009, with a plan to adopt a new official title that explicitly reflects the inclusion of all three genres — calypso, soca and Dennery segment music — in the near future.

    A five-member constitutional review committee was appointed to revise and update the organization’s governing framework. Once the committee completes its initial draft, the document will be open to feedback from all participating stakeholders before a revised version is presented at the next general members’ meeting scheduled for September 10. At that upcoming gathering, members will also formalize procedures and timelines for the final election of the new organization’s full leadership board.

    In addition to laying the groundwork for the unified representative body, the committee will also support the planning of a major cultural milestone: Saint Lucia’s first-ever Calypso Exhibition, scheduled to open September 28, 2026, at Castries City Hall, marking a key step in preserving and celebrating the island’s rich calypso heritage for future generations.

  • Leisure : Did you know ? #57

    Leisure : Did you know ? #57

    In the latest installment of HaitiLibre’s popular twice-weekly general knowledge series “Did You Know?”, published September 9, 2026, readers are invited to uncover a little-remembered chapter of Haiti’s colonial history: the story of the former capital of Saint-Domingue that once earned the nickname “Paris of the Antilles.”

    By the 18th century, the coastal city of Cap-Français—today known as Cap-Haïtien—had emerged as the beating economic, cultural and social heart of the French colony of Saint-Domingue. Tucked along Haiti’s northern shore, the bustling port served as the primary exit point for cargo ships loaded with the colony’s valuable export goods bound for European markets. Its carefully planned street grid, striking elegant architecture, opulent stone-built mansions, vibrant theatrical scene, and nonstop social calendar quickly earned it a reputation as one of the most glamorous settlements in the Caribbean, leading to its enduring “Paris of the Antilles” moniker.

    Wealthy colonial planters and elite merchant families flaunted extravagant lifestyles in the city, their levels of luxury matching and even rivaling those of the most prominent upper classes in major European capitals. Though Port-au-Prince was officially designated the colony’s administrative capital in 1749, Cap-Français never lost its standing as the most iconic symbol of the material and cultural wealth generated by Saint-Domingue’s colonial economy. Today, this historical detail remains a fascinating window into Haiti’s pre-independence past.

    This historical trivia is sourced from the answer fact sheets included with HaitiLibre’s Quiz-HaitiLibre series, a free interactive knowledge platform designed to help users explore topics spanning Haitian history, global current events and more. The platform recently expanded its offerings as part of its monthly September 2026 update: 30 new quiz games were added on September 1, pushing the total number of available quizzes to 240, with new content added every month going forward.

    Unlike many online quiz platforms, all Quiz-HaitiLibre content is 100% free to access and requires no user registration to play. Quizzes are built to suit all experience levels, with three adjustable difficulty tiers—easy, intermediate, and expert—and all content is offered in both French and English. Users looking for more challenging content can access specialized topics through the platform’s “Expert” menu. The site also invites players to share the platform with friends and family, and submit feedback and suggestions via a form included at the end of every quiz. For creators, the platform frames unanswered questions not as failures, but as opportunities to learn new facts and expand one’s general knowledge.

  • 14th Annual Dr. Stewart O. Williams Gala a Resounding Success, Celebrating Service, Legacy, and Giving Back.

    14th Annual Dr. Stewart O. Williams Gala a Resounding Success, Celebrating Service, Legacy, and Giving Back.

    NEW YORK, NY – September 9, 2026 – Four years after its inaugural launch, the annual Dr. Stewart O. Williams Gala has become a beloved tradition that unites community leaders, public figures, and supporters from across the globe. Held September 5 at a New York venue, the 14th iteration of the event closed as an overwhelming success, drawing hundreds of attendees who gathered to honor the enduring legacy of the late Dr. Williams and uplift the core values of community service, generous leadership, and collective giving back.

    This year’s gathering brought together a diverse cross-section of guests, from family and longtime friends of Dr. Williams to high-ranking diplomatic representatives from Saint Kitts and Nevis. Among the most notable attendees were Her Excellency Jacinth Henry-Martin, Saint Kitts and Nevis’ Ambassador to the United States, and Her Excellency Dr. Mutryce Williams, the nation’s Permanent Representative to the United Nations. Their presence highlighted the deep, enduring connection between Dr. Williams’ work and his home region, alongside other prominent guests including Lewellyn Caines, owner of Nevis’ iconic Sunshine Bar – home to the world-famous Killer Bee cocktail – and Omari Banks, the event’s featured guest artist. Together, the attendance of these regional figures reinforced the strong, cross-community spirit that defined the entire evening.

    Aligned with the 2026 gala theme, “Rooted in Service, Grounded in Giving Back,” every segment of the night reinforced the core mission of carrying forward Dr. Williams’ life’s work through intentional, ongoing service to others. Organizers extended special recognition to the gala’s lead patrons: Dr. Irvin Sweeney and Mrs. Vernice “Debbie” Williams, Dr. Stewart O. Williams’ widow, whose years of consistent commitment and personal support have been foundational to preserving and expanding the legacy Dr. Williams built. Additional gratitude went to Dr. Maurice Duggins, Chief Medical Officer of a leading Kansas hospital, whose keynote reflections on the meaning of service and community generosity resonated deeply with attendees, echoing the core values that have anchored the gala since its founding.

    From the opening moments of warm fellowship to the closing speeches reaffirming collective commitment to service, the 2026 gala delivered a meaningful, heartfelt tribute to Dr. Williams’ impact. Early feedback from attendees has been uniformly positive, with guests praising the event’s sense of togetherness, its thoughtful celebration of Dr. Williams’ life, and the chance to reaffirm shared dedication to the principles he championed.

    Organizers emphasize that the night’s success would not have been possible without the contributions of every attendee, sponsor, volunteer, and supporter who gave their time, resources, and energy to the event. “To every person who played a part: Thank you,” the organizing committee shared in a statement. “Your presence and support made the evening both a celebration of the past and a renewed commitment to the work and service ahead.”

    As the event wraps up, organizers are already looking ahead to next year’s gathering, noting that Dr. Williams’ legacy continues to thrive through the community of people who live out the values he championed. The 2026 gala also included a popular charity raffle, with results announced as follows: first prize, a seven-day Caribbean cruise, went to Kenny Warner (ticket number 0270); second prize, a weekend stay at a four-star St. Kitts resort, was awarded to Corgena Robertson (ticket 0101); and third prize, a $100 Amazon gift card, went to Jean Thomas-Henry (ticket 1137).

    Rooted in Service. Grounded in Giving Back. The journey continues…

    Disclaimer: This press release was distributed in its original form by SPBS and published via SKNVibes.com. SKNVibes.com does not edit for spelling or grammatical errors in submitted press materials, and the views expressed within do not necessarily reflect those of SKNVibes.com, its sponsors, or its advertisers.

  • KQ-Empire’s Michelle Devonish Announces 2027 Comeback After Serious Antigua Crash

    KQ-Empire’s Michelle Devonish Announces 2027 Comeback After Serious Antigua Crash

    Michelle Devonish, an award-winning British creative entrepreneur of Antiguan descent and founder of the acclaimed luxury lifestyle brand KQ-Empire, has officially confirmed that the brand’s highly anticipated 13th magazine issue and its accompanying star-studded red-carpet soirée will be rescheduled for 2027. The decision comes after Devonish sustained life-altering injuries in a severe road traffic collision on the island earlier this year.

    Devonish first traveled to Antigua in April 2026, carrying an ambitious strategic plan to expand KQ-Empire into new creative markets across Antigua and the wider Caribbean region. Her core objectives for the visit included growing the brand’s regional footprint, forging deeper ties with Antigua’s local fashion and lifestyle ecosystem, and elevating emerging designers and creative talent from across the Caribbean community. At the center of this expansion push were the 13th magazine issue and the curated soirée, titled *Haute Cuisine: The Intersection Between Art, High Fashion and Culture*, which was designed to serve as a groundbreaking cross-industry gathering connecting local and international chefs, fashion innovators, leading creatives, and senior representatives from global luxury fashion houses.

    Tragedy struck on April 29, 2026, while Devonish was conducting site visits for the upcoming event. She was involved in the serious car crash that left her with significant physical injuries, including damage to her cervical spine, alongside lasting psychological trauma from the collision. Faced with her extended recovery timeline, Devonish and her KQ-Empire team had no other option but to announce a full postponement of both the 13th issue and the 2026 soirée, and all international guests already planning travel to Antigua were promptly notified of the change.

    Beyond the disruption to her business plans, the accident and subsequent recovery process has given Devonish firsthand insight into gaps in post-accident rehabilitation care in Antigua that she described as previously unseen and deeply concerning. As she continues to work through treatment, physical recovery, and the numerous practical barriers that have complicated her rehabilitation journey, Devonish says she hopes her experience will ultimately spark a broader public conversation about improving post-accident care and support systems across the island.

    The delay hits KQ-Empire at a pivotal moment of growth for the independent luxury publisher. Commonly known to its global readership as KQ, the brand has built a reputation as a distinctive voice in luxury media, and has expanded far beyond its original print roots to add successful podcasting and a line of luxury soft home furnishings to its portfolio. Over its years of operation, KQ has secured high-profile collaborations with globally recognized luxury brands including Tiffany & Co. and Mercedes-Benz, while cultivating a unique creative identity that spans fashion, fine art, design, travel and global culture.

    Antigua has always been a core part of KQ’s brand identity. Through iconic editorial features ranging from profiles of trailblazing local women to explorations of dual-country fashion culture for expats, Devonish and her team have consistently centered Antigua, its people, and its vibrant creative energy in the magazine’s signature visual storytelling.

    Today, while Devonish notes that her full physical and psychological recovery remains her top immediate priority, the outpouring of support from collaborators, readers, and brand sponsors has only strengthened her commitment to bringing the postponed project to life in 2027. “Every single day, we receive messages from people who were preparing to take part in Issue 13 and the 2026 soirée,” Devonish shared in a statement. “We fully recognize how disappointing this setback has been for everyone who was looking forward to this event, and we are deeply grateful for every message of support we have received from communities across Antigua and around the world.”

    She added: “We can promise that when we make our comeback in 2027, we will deliver the same level of brilliance, creativity, and innovation that KQ has always stood for.”

    Devonish also extended a personal, heartfelt thank you to several local individuals and businesses that stood by her during her recovery: the owners of CocoRose Guest House, Rose Brooks, Joshua’s Taxi service, and a group of special community members in South Antigua, who she described as an unwavering pillar of support through the most challenging days after her accident.

  • Drastic Secures Five Nominations at So Arise Music Awards

    Drastic Secures Five Nominations at So Arise Music Awards

    Caribbean singer-songwriter Drastic, born Art Philip, has broken exciting news for fans and followers across the region: the Antigua and Barbuda-based performer has secured five distinct nominations across multiple genre and craft categories at the upcoming So Arise Music Awards.

    The multi-talented artist earned nods in five competitive spaces: Best Dancehall Act, Best Reggae Act, Best Groovy Soca Performer, Best Music Video, and the prestigious Songwriter of the Year honor, a rare recognition that highlights his versatility across multiple areas of music creation.

    In a public call to action shared with his audience, Drastic urged fans to show their support by casting votes across all five of his nominated categories. “I need your support! Each category has a separate ballot, so please use the link below and cast your vote in all five categories,” he shared with followers. Voting for the awards is structured with separate open ballots for each category, and the polling period is set to officially close on September 25, giving fans just weeks to cast their support for the Antiguan star.

    A veteran of the regional Caribbean music scene, Drastic has built a reputation for collaborative work, having partnered with a wide range of regional and international recording artists over the course of his career. His discography includes fan-favorite tracks that have gained traction across the Caribbean and beyond, most notably the widely popular hit “Sweet Antigua.”

    Beyond the So Arise Music Awards, So Arise Music International has larger plans for the region’s music industry: the organization is currently preparing for its 2026 Antigua Barbuda Global Music & Media Awards, scheduled to take place this coming November. The slate of events will also include the Island Groove Awards, a dedicated honor designed to celebrate and elevate emerging and established local musical talent from Antigua and Barbuda.

    Fans can cast their votes for Drastic across all five of his nominated categories via the official link: https://vote-drastic.fullydrastic.chatgpt.site

  • Saint Lucia’s Miss Universe delegate ready to defy the odds

    Saint Lucia’s Miss Universe delegate ready to defy the odds

    For decades, the Miss Universe pageant enforced strict eligibility criteria that locked countless women out of the opportunity to compete on the global stage, shutting the door on lifelong dreams for those who did not fit narrow, outdated molds. For Bernella Velinor, a native of the coastal Saint Lucian community of Dennery, that dream appeared to have slipped away forever — until sweeping rule reforms opened it back up.

    Velinor will now take her place as Saint Lucia’s official representative at the 75th Miss Universe competition, scheduled for November 24 in Puerto Rico, and she has approached this once-in-a-lifetime chance with unwavering determination to challenge long-held stereotypes.

    Speaking in an interview with St Lucia Times, Velinor recalled how the global COVID-19 pandemic derailed her plans at the moment she felt ready to compete. When pandemic restrictions lifted, she discovered she was no longer eligible under the pageant’s old rules, having crossed the previous upper age limit of 28. Before 2023, contestants were required to be between 18 and 28 years old, unmarried, and without children — barriers that excluded large groups of adult women from participating. In a historic shift toward inclusivity, pageant organizers first relaxed these restrictions in 2023, opening competition to married, divorced, pregnant women and mothers. Then, in 2024, organizers scrapped the upper age limit entirely, making any adult woman aged 18 or older eligible to compete.

    Velinor celebrated the elimination of these restrictive criteria, noting that the changes align with a global shift toward women’s empowerment that challenges outdated social norms. “Age does not limit one’s ability, and I am happy that these restrictions were lifted, as it speaks to empowering women and the shift the world is witnessing as to the capabilities of individuals which now defies some of the norms we were accustomed to. So hey, I am ready to defy the odds,” she said.

    Velinor earned her spot at the global competition on June 27, after outperforming 11 other contestants across multiple stages of Saint Lucia’s national selection process. This win marks the realization of a decades-long ambition: she has competed in local and regional pageants for years, taking home the title of Miss Easterval in Union Island, St Vincent and the Grenadines back in 2017. A seasoned hospitality professional, Velinor currently works as a concierge supervisor at Secrets Resorts, and identifies deeply with her Caribbean island roots. She says she is incredibly proud of her Saint Lucian heritage and eager to showcase her home country to a global audience.

    Beyond the glamour of the competition, Velinor says the Miss Universe platform allows her to combine all her greatest passions: modeling, fashion, professional networking, and advocacy work for vulnerable communities. Her core advocacy initiative centers on raising public awareness of domestic violence and sexual abuse, issues that she emphasizes impact people of all genders. “Grooming young men to live in harmony with women is what we want,” she explained.

    As she makes final preparations to travel to Puerto Rico in early November, Velinor remains firmly focused on her mission, aware that she will be carrying the hopes and identity of her entire island nation, not just her own personal ambition.

    Joycie Mederick, a representative of Cinnamon Productions — the local franchise holder that organizes Saint Lucia’s Miss Universe selection process — noted that 2024 marks the company’s 10th year overseeing the national competition. “I think it is fair to say that we have been one of the more consistent franchise holders for the Miss Universe pageant in the region, and every year we make it our duty despite the challenges and limited resources to give these ladies what can be a life changing opportunity,” Mederick told St Lucia Times.

    Mederick explained that the national selection process kicks off every January, when the organization puts out a public call for candidates interested in representing Saint Lucia at the global competition. “It is from there that we begin to groom and coach the young women who apply or show interest and we culminate with the final selection which was in June this year,” she said. For Cinnamon Productions, the pageant is more than a beauty competition: it is a chance to share Saint Lucia’s unique cultural and social identity with the world. The organization has recently expanded its leadership team, and with greater community and private sector support, it believes a Saint Lucian contestant can earn a top spot on the Miss Universe global stage.

  • The Road to 50 — Vincy Mas

    The Road to 50 — Vincy Mas

    As a self-proclaimed devout cultural enthusiast who has faced criticism from church peers who label me a hypocrite for my devotion, I make no apologies for my passion. My love runs deep for every core element of St. Vincent and the Grenadines’ Vincy Mas: the vibrant steelpan rhythms, the elaborate mas costumes, the boundless creative energy, and the infectious music. While I draw the line at explicit content, the raw, unmatched creativity of this festival cannot be denied.

    Looking back, when former Carnival Development Committee (CDC) leader Rodney took the helm of the organization, he brought a level of energy and purpose that had been missing for years. He leveraged modern technology to streamline operations, but his greatest achievement was something none of his predecessors managed to pull off: he built a clear strategic plan, put in consistent on-the-ground work, maintained open lines of communication, and kept the general public updated on every major development. Even for those who did not agree with every decision he made, one thing was clear: progress was being made.

    Now, as the nation prepares to mark the 50th anniversary of Vincy Mas, I am watching closely with a mixture of anxiety and hope to see what the new leadership at the CDC and its governing boards will deliver. I have never hidden my skepticism about Ricky’s ability to lead the festival effectively. Simply being a participating member of the carnival community does not automatically equip someone with the skills to run an entire major festival, much less grow it.

    I have also seen Colin Graham positioning himself as a leading expert on mas and local culture. While his years of participation have earned him respect and veteran status in the community, that experience does not inherently translate to the strategic vision, industry know-how, or leadership capacity needed to transform the carnival sector for the future. To be clear, I am not saying these leaders are incapable of succeeding. I am simply saying that the public is watching their every move, and we will hold them accountable for the decisions they make.

    What stands out most to me is how disconnected current Culture Minister Mr. Cupid appears to be from the deep history and core identity of local carnival culture. He comes across as a relative newcomer to the space, and to date, I have not seen him effectively champion or sell the unique cultural product that is authentic Vincy Mas. In my view, he needs to first invest time in learning the nuances of this culture, building his own knowledge and connection, before he can expect the public to buy into his vision for it. That said, I would be delighted to be proven wrong, and I invite him to show the public that my concerns are unfounded.

    I have also observed that Rodney no longer has the same freedom to pursue the bold, ambitious ideas he once brought to the table, and this lack of flexibility may be a key part of the current stagnation. A dear friend of mine, who loved carnival more than almost anyone I knew, passed away in recent years, and he left behind a simple mantra that has stayed with me: “If we’re doing it, do it BIG.” That is the energy and ambition we need as we approach this milestone anniversary.

    This brings me to the most critical issue facing Vincy Mas today: the need for urgent, systemic reform of the mas industry. Right now, the sector operates with what can only be described as small, entrenched interest groups that hold unaccountable power. Too many people hold influential leadership positions on industry committees while also serving on carnival judging panels, creating clear and unavoidable conflicts of interest. This cannot be allowed to continue if we want to grow the festival.

    Conflicts of interest must be addressed directly, not with vague, toothless policy language. We need clear, explicit rules that answer critical questions: Who is eligible to serve as a judge? Who is barred from judging due to existing conflicts? Who can serve on industry governing committees? When are leaders required to recuse themselves from specific decisions? What relationships between decision-makers and mas bands, costume section designers, or masqueraders create unacceptable conflicts, and when must leaders step back?

    Enforceable, transparent rules are non-negotiable. If we are serious about elevating Vincy Mas to new heights, especially as we approach its 50th anniversary, we cannot cling to outdated practices just because “that’s how we’ve always done it.” This milestone demands better. We need bold vision, intentional strategic planning, radical transparency, and leaders who understand that participating in carnival is not the same as having the skills to develop and grow the entire industry.

    Most importantly, we need leaders who recognize that Vincy Mas is far more than just an annual festival. It is the heart of our national culture, a keeper of our shared history, a core part of our national identity, a canvas for our creative community, and a vital economic industry for St. Vincent and the Grenadines. For those of us who love this culture deeply, watching from near and far, we will not look away. We will continue to hold leadership accountable, because when you love something this much, you do not just cheer it on — you demand it lives up to its full potential.

    *Disclaimer: This is an opinion piece. The views expressed are solely those of the author and do not represent the official editorial stance of iWitness News.*

  • Upcoming Carnival Elections Could Transform Annual Road March

    Upcoming Carnival Elections Could Transform Annual Road March

    Belize’s 2026 Carnival Road March drew one of the largest, most energetic crowds the annual cultural spectacle has seen in recent years. Amid the dazzling costumes, pulsing soca beats and joyful street parades, however, growing tensions and structural flaws within the event have moved to the forefront of industry conversations. The 2026 competition saw several of the nation’s most popular and high-profile Carnival bands opt out of the Road March entirely, leaving a single mas camp to claim an unchallenged victory. This lopsided outcome has sparked urgent concerns among stakeholders that the beloved annual event is losing its core competitive spirit, just as regional Carnival events draw increasing numbers of local attendees away. Now, as the Belize Carnival Association prepares to hold its first leadership election in decades this coming November, industry leaders, long-time sponsors and cultural stakeholders are engaged in heated debate over what reforms are needed to reinvigorate the Road March and secure the future of Belizean Carnival. News Five correspondent Shane Williams explores the challenges facing the event ahead of the critical vote.

    The 2026 Road March delivered the same familiar winners to the podium: Soca Moca claimed the senior division crown for the sixth consecutive year, while Soca Massive retained the junior division title. While Soca Moca’s historic six-peat will go down in Belizean Carnival history, the entire event now stands at a critical crossroads. For the first time in more than 30 years, the Belize Carnival Association will open leadership elections to new candidates this November, and the incoming governing body will face the urgent task of reimagining the Road March to compete with a growing number of dynamic regional Carnival celebrations that increasingly draw local and international travelers away from Belize’s event.

    Veteran Belizean promoter and businessman John Marsden, who has studied Carnival operations across the globe for decades, argues that fundamental changes to scheduling, marketing and ancillary programming are needed to boost competitiveness and attendance. “I believe we have to market our dates at minimum more than six months in advance, right? Give people a good amount of months to plan, prep, buy tickets, because the cost of tickets is not cheap to reach Belize around high season perse. And carnival is known to be a higher peak of flights, right? So the airlines normally take that up. So marketing is one. We have to try find a way to bridge the gap between sponsorship from the private sector to try help the bands in a number of ways.”

    Marsden emphasizes that Belize already has all the raw ingredients to host a world-class Carnival, from abundant local creativity to unmatched street energy, but event organizers need to adopt a bolder, more holistic approach to building the annual celebration. “Yes, you will have prettier costumes. Yes, you will have more energetic people but you have to find a way to make coming to Carnival more exciting. I have this party to go to, this artist to come in, have our Belizean people step up their game in the music, make them perform, make them get more stage show, right? Learn to make the parties surrounding the Carnival weekend more exciting, more generous, more – encourage more people to come in, right? And all blend into one because if the surrounding parties are good, anywhere you go, any Caribbean country, any – if we want to consider Brazil, it’s the parties surrounding the Carnival that make it exciting and not necessarily solely the Carnival itself.”

    Funding gaps have emerged as the single biggest barrier to greater competition: only two senior bands participated in the 2026 Road March, with most other top groups opting out due to lack of financial resources. Complicating this issue, reports indicate that much of the annual private sponsorship funding is allocated to non-competing bands, including well-known groups like Titans and Belizean Jewels. Longtime Carnival sponsor Reynaldo Malik explains that outdated event rules may be directing much-needed sponsorship revenue away from competing bands. Private businesses seek robust brand visibility in exchange for their investment, but current regulations cap major competing bands like Soca Moca and Mother Nature to just one parade truck, severely limiting the brand exposure they can offer backers.

    Drawing on successful models from regional Carnivals, Malik has called for a rule overhaul that would allow every interested band to compete, including the introduction of separate small and large band categories, permission for multiple parade trucks for bigger groups, and a renewed focus on rewarding creative costume and performance design. The incoming leadership will also need to balance growing demands for a more family-friendly event with the preservation of Belize’s long-held Carnival traditions. The Belize Council of Churches has stated it supports the nation’s cultural heritage but has called for participants to adopt more modest attire, particularly given that the event is open to attendees of all ages.

    As the November election draws closer, the central question remains: which candidate will be able to navigate these competing expectations and steer Belize Carnival into a new, more sustainable era of growth? Shane Williams reporting for News Five.

  • Faith Edgar Wins Top 40 Spot for Belize at Miss World

    Faith Edgar Wins Top 40 Spot for Belize at Miss World

    The 2026 Miss World grand final, held this weekend in the coastal Vietnamese city of Nha Trang, has delivered a historic milestone for Belize, as Faith Edgar, the nation’s representative, has earned a coveted spot in the competition’s Top 40. Edgar secured her placement by taking home first place in the Americas and Caribbean regional round of the pageant’s iconic Beauty With a Purpose challenge, a core segment of the Miss World competition that prioritizes social impact over physical beauty.

    Edgar’s winning project, titled Smiles for Belize, was developed to address widespread gaps in access to dental care and oral health literacy across Belize’s most marginalized communities. The initiative targets children and low-income families who lack consistent access to basic dental services, working to deliver free screenings, preventive care and educational programming that empowers communities to prioritize long-term oral health.

    The final night of the competition crowned Joheirry Mola of the Dominican Republic as the overall Miss World 2026 titleholder. For Belize, Edgar’s Top 40 placement marks a repeat of the nation’s growing success on the international pageant stage. This achievement marks the second time in three consecutive Miss World editions that Belize has placed in the competition’s Top 40, following Elise-Gayonne Vernon’s Top 40 finish at the 2023 competition.

    Edgar’s success underscores how Belizean competitors are increasingly leaving their mark on the global pageant circuit, while highlighting the impact of community-focused development work led by young leaders across the Caribbean and Central America.