分类: entertainment

  • Nevis Mango Fest 2026 set to showcase island’s rich culinary heritage from July 2-5 – WIC News

    Nevis Mango Fest 2026 set to showcase island’s rich culinary heritage from July 2-5 – WIC News

    Set against the backdrop of Nevis’ sun-drenched Caribbean shores, the 12th edition of the world’s most celebrated single-fruit festival – the Nevis Mango Festival – will welcome visitors from across the globe for four days of culinary celebration, community connection, and agricultural tribute from July 2 to 5, 2026.

    Widely recognized as one of the Caribbean’s most unique and beloved culinary events, this year’s festival marks a major milestone, expanding from its traditional three-day schedule to a full four-day lineup packed with immersive experiences for food lovers, families, and international travelers. The event centers on Nevis’ world-famous “sweet Nevis mango,” a local treasure that has earned the island the official title of “Mango Capital of the Caribbean.” Home to more than 44 distinct mango varieties, many of which are unique to the island’s terroir and cannot be exported for global consumption, Nevis offers festival-goers an exclusive chance to taste flavors found nowhere else on Earth.

    Far more than a gathering for food enthusiasts, the Nevis Mango Festival functions as a vital economic engine for the island, linking local smallholder mango farmers, culinary artisans, small business owners, residents, and international visitors to generate shared, community-wide economic benefits. By weaving together agricultural tradition, culinary innovation, and cultural storytelling, the festival has steadily strengthened Nevis’ two core economic sectors: tourism and local agriculture.

    This year’s expanded schedule kicks off on Thursday, July 2, with an official opening ceremony hosted at the Malcolm Guishard Recreational Park. Immediately following the launch, the festival’s brand-new signature initiative, “Nevis Goes Mango,” will run from noon through the end of the day. The island-wide event invites attendees to travel across Nevis, stopping at participating local businesses to sample hundreds of handcrafted mango-inspired dishes and drinks. The concept is intentionally designed to spread the festival’s economic impact evenly across all island communities, ensuring small businesses off the main tourist corridors also benefit from the influx of visitors. The opening day will conclude with the always popular Celebrity Chef Supper Club at the Four Seasons Resort’s Mango Restaurant, where top culinary talents will serve a carefully curated, multi-course mango-centric tasting menu.

    Day two, Friday, July 3, offers a mix of hands-on learning and family-friendly fun. The morning kicks off with an intimate culinary masterclass hosted at Chaska Restaurant, where visiting celebrity chefs will guide small groups of attendees through step-by-step preparation of signature mango-infused dishes, giving home cooks and food lovers a chance to bring a taste of Nevis back home with them. In the afternoon, the family-focused Mango Mania event opens its gates, featuring a full slate of activities including guided mango tastings, the iconic mango tug-of-war, and the centuries-old traditional mango-stoning contest. Before the day wraps up, local and international bartenders will compete in a lively mango mixology competition, showcasing creative new takes on mango-infused cocktails. Evening brings the festival’s popular Pinney’s Beach Bar Crawl, where attendees can join an organized group tour or explore independent bar stops at their own pace with friends and family, sampling unique mango drinks from coastal venues across the island.

    Saturday, July 4, is dedicated to discovering the authentic, off-the-beaten-path flavors of Nevis through the festival’s fan-favorite Passport Food Tour. Running from 11 a.m. to 6 p.m., the tour transports attendees across the island via open-air party bus or safari vehicle, with stops at family-owned, independent restaurants and street food stalls that few regular tourists get to experience. The tour not only introduces visitors to Nevis’ hidden culinary gems but also directs critical tourism spending directly to small, locally owned food businesses.

    The festival will draw to a close on Sunday, July 5, with its iconic grand finale event, “For the Love of Mangos,” returning to Malcolm Guishard Recreational Park. The closing day features the festival’s world-famous open cooking competition, public culinary showcases from top chefs, and the highly anticipated under-the-stars Mango Festival Concert. Organizers expect attendees to travel from across the Caribbean – including neighboring St. Kitts, Anguilla, and St. Martin – as well as large numbers of international visitors from the United States and Canada, underscoring the event’s growing global reputation as a must-visit culinary destination.

  • Claudette “CP” Peters to Headline Montserrat Festival Event in London

    Claudette “CP” Peters to Headline Montserrat Festival Event in London

    One of the Caribbean’s most decorated soca performers, Claudette “CP” Peters from Antigua, has secured a headline spot at the highly anticipated 26th edition of Montserrat Festival UK (MFUK), themed “Rising from the Ashes,” set to take place in London on July 18. Event organizers have confirmed that the 10-time Soca Monarch Queen will anchor a lineup dedicated to honoring Montserrat’s rich cultural heritage, vibrant musical traditions, and tight-knit global community.

    Peters, a trailblazer in Caribbean carnival music, made history as the first woman to claim Antigua and Barbuda’s coveted Road March title, launching a career that has thrived across the region for more than 20 years. Over her decades-long career, she has built a loyal global fanbase through a catalog of beloved hits, including fan favorites *Something Got A Hold On Me*, *All I Know*, *Go Claudette Go*, and *Diva*.

    Beyond her chart-topping discography, Peters has earned widespread acclaim for her lasting impact on Caribbean entertainment. Event organizers highlighted her dual legacy as a pioneer of modern soca and a dedicated mentor to up-and-coming musical talent across the Caribbean, cementing her reputation as one of the region’s most accomplished entertainers.

    The July celebration is projected to draw hundreds of attendees, primarily members of the Montserratian diaspora based in the UK and music lovers from across London’s wider Caribbean community. Organizers note that Peters’ headline appearance will amplify the event’s core themes of heritage preservation, collective resilience, and cross-community unity, making the performance one of the most anticipated highlights of this year’s UK Montserratian cultural calendar.

  • Antigua And Barbuda Festivals Commission Sworn In For A New Two-Year Term

    Antigua And Barbuda Festivals Commission Sworn In For A New Two-Year Term

    A new chapter of cultural event development has begun in Antigua and Barbuda, as the newly formalized Antigua and Barbuda Festivals Commission has officially taken office for a fresh two-year mandate. The inauguration marks a landmark shift for the country’s creative and cultural sectors, built on recently passed national legislation designed to reinforce governance of the island nation’s growing festival and events ecosystem.

    At the head of the restructured commission is Ambassador Elizabeth Makhoul, a leader with three years of prior experience chairing the former Antigua and Barbuda Festivals Board. Her elevation to the top role of the new commission reflects widespread confidence in her proven leadership, deep institutional expertise, and longstanding dedication to elevating Antigua and Barbuda’s profile as a destination for world-class cultural events. Supporting Makhoul are a carefully assembled team of industry professionals and community representatives: Ryan Johnson serves as Deputy Chairperson, Larissa Barnes takes on the position of Recording Secretary, and additional commission members include Annette Aflak, Khan Cordice, Yvonne Benjamin, Dwayne Mussington, Anika Davis, Okera Lee, Terrance Dyett, Devon Perry, and Calbert Francis.

    In remarks following the swearing-in ceremony, Dwayne George, Minister of Sports and the Creative Industries, extended official congratulations to the newly appointed body and emphasized the transformative impact of the new legislative foundation. George framed the inauguration as far more than a routine leadership change, noting that it opens a completely new era for festival growth across Antigua and Barbuda. “The new legislation provides a stronger foundation for governance, accountability, and strategic growth, ensuring that our festivals continue to deliver cultural, social, and economic benefits for our people,” he explained, adding that the government looks forward to collaborating with the commission to elevate iconic events including Antigua Carnival alongside all national cultural festivals to new levels of global recognition.

    For her part, Makhoul expressed sincere gratitude for the trust placed in her and the full commission, and laid out the body’s core priorities for the coming term. Building on the progress achieved in recent years, the commission will center its work on strengthening existing festival offerings, expanding support for local creative workers, and delivering immersive, unforgettable experiences for both domestic audiences and international visitors. “With the support of our stakeholders, sponsors, volunteers, and the people of Antigua and Barbuda, we will continue to build a sustainable and internationally competitive festival product,” Makhoul stated, affirming the team’s shared commitment to advancing the nation’s cultural and creative industries as a core driver of national prosperity.

  • SPBS all white Annual Boat Ride

    SPBS all white Annual Boat Ride

    Every summer, communities of Caribbean and St. Kitts and Nevis expats across New York and the broader United States mark their calendars for one of the most anticipated social gatherings of the season: the Sandy Point Benevolent Society (SPBS) Inc.’s iconic Annual All-White Boat Ride. For 2026, the beloved community event will return to Flushing, Queens, opening its doors to attendees from all backgrounds to celebrate connection, culture, and shared heritage.

    Hosted by members and friends of the New York-based SPBS, the gathering is more than just a social outing—it is a key fundraising event organized by a network of alumni with deep roots in St. Kitts and Nevis. SPBS is an official 501(c) non-profit organization founded by former students of Sandy Point High School, which has since been renamed the Charles E. Mills Secondary School. The group’s membership draws alumni from communities across St. Kitts and Nevis, including Halfway Tree, Sandy Point, Fig Tree, Newton Ground, St Paul’s, and Dieppe Bay, united by their shared school history and commitment to supporting their community.

    This year’s all-white themed boat ride will set sail from World’s Fair Marina, located at 1 Marina Road, Flushing, Queens, NY 11368, on Saturday, June 27, 2026. General admission is priced at $65 per person, with all proceeds going toward the non-profit’s community programming and initiatives.

    Attendees can expect a full evening of entertainment: pre-boarding tailgate activities will kick off at 5:00 PM, followed by boarding beginning at 6:30 PM. The boat will cruise from 7:00 PM to 11:00 PM, with plenty of space for dancing to a curated soundtrack from popular DJs Trauma and Renee. A wide selection of food will be available throughout the evening, alongside a fully stocked cash bar for beverage purchases.

    Tickets are available for purchase through the Eventbrite platform, or directly from any SPBS member. For direct inquiries and ticket arrangements, attendees can contact any of the following representatives: Mervyn Richardson at 914-374-3381, Desmond Warner at 917-903-6185, Trevor Duggins at 917-560-1262, Collette Joseph at 917-497-5272, Tony Warner at 917-328-6875, Paulette Smithen at 347-755-2218, Junie Benjamin at 646-671-9451, and Trevor Hanley at 917-923-7185.

    This announcement is a press release shared in full with SKNVibes.com, which notes that it does not edit for spelling or grammatical errors in contributed press materials, and the views shared do not necessarily reflect those of SKNVibes.com, its sponsors, or its advertising partners.

  • ‘Fire Kay’ and ‘Zizi’ capture secondary schools soca and calypso crowns

    ‘Fire Kay’ and ‘Zizi’ capture secondary schools soca and calypso crowns

    On Friday, Saint Lucia’s annual National Secondary Schools Calypso and Soca Monarch Competition wrapped up to widespread acclaim, with a new generation of young Caribbean performers exceeding every expectation and wowing crowds with talent that many attendees argued could hold its own against professional senior competitors.

    Split across a full day of dynamic programming, the event opened with the hotly contested Calypso segment in the morning, before shifting to high-octane Soca performances in the afternoon. When the final judges’ scores were counted, two schools claimed top honors: Sir Ira Simmons Secondary School took home the national Calypso title, while Corinth Secondary School secured the Soca crown.

    In the individual Calypso competition, Zalaya “Zizi” Fannis of Sir Ira Simmons Secondary claimed the top spot with her original track “Zizi & I”, which earned her a total of 357 points from the panel of judges. Alex “Lexxii” Pinel of Castries Comprehensive Secondary School finished a close three points behind with his socially conscious performance “S.O.S – Save Our Society”, securing first runner-up.

    Rounding out the top four Calypso finalists were Raygena “Queen Gena” Victor of Patricia D. James Secondary School, whose emotional performance of “Dear Daddy” earned 347 points and second runner-up, and Kenyan “Ti Keno” Osman of Vieux Fort Comprehensive Secondary School, who took third runner-up with 343 points for his track “Teacher”. The additional special award for Best Stage Presence went to Anthony “Mighty Swift” Theophilus of the Saint Lucia Sports Academy, whose dynamic command of the stage captured the attention of judges and attendees alike.

    As the afternoon rolled around, the energy in the venue shifted dramatically for the Soca segment. Backed by raucous groups of school supporters who filled the stands with chants, school colors and homemade signs, every competitor brought infectious energy and commanding stage presence that kept the crowd on its feet throughout the segment.

    When scores were finalized, Kaylee “Fire Kay” Simmons of Corinth Secondary emerged as the new Soca Monarch with her performance of “A Mad Party”, which outscored all competitors. The Soca crown was far from a landslide victory, however: just five points separated Simmons from first runner-up Rickel “Baby T” Joseph of Patricia D. James Secondary, who earned 375 points for his performance of “Ah Bon Ti TayTay La”. Though Joseph narrowly missed taking the top title, his set was widely named one of the most memorable moments of the entire day, drawing some of the loudest cheers and applause from the packed audience.

    Completing the Soca top four were Khloe “Baby K” Joseph of Entrepot Secondary School, who took second runner-up with 341 points for “Put It Up”, and Akayla “Ti Pima” Lewis of Castries Comprehensive Secondary School, who earned 335 points for “Pressure” to claim third runner-up.

    Event organizers have hailed the 2026 iteration of the competition as a resounding success, noting both the exceptional quality of student performances and the event’s critical role in nurturing emerging artistic talent across the island. “This is where we get the next generation of cultural ambassadors, artistes and performers,” said Tamara Gibson, Chairperson of the Carnival Planning and Management Committee, emphasizing the long-term cultural value of investing in youth participation in calypso and soca, two foundational genres of Caribbean culture.

  • National Gallery, Scotia collaborate on new exhibition

    National Gallery, Scotia collaborate on new exhibition

    KINGSTON, Jamaica — A one-of-a-kind collaborative art experience is set to launch in downtown Kingston next week, as the National Gallery of Jamaica (NGJ) and Scotiabank Jamaica join forces to unveil a brand-new exhibition titled *Of Wood and Water: The Scotiabank Collection*. The opening event is scheduled for Sunday, June 14, starting at 1:30 p.m. at the gallery’s downtown location at 12 Ocean Boulevard, with free entry open to all members of the public.

    The exhibition draws its evocative name from Jamaica’s ancestral Taino root, which is widely translated to the “land of wood and water” — a nod to the island’s deep indigenous history that serves as the thematic backbone of the entire showcase. Curators have pulled together more than 40 striking pieces from Scotiabank’s extensive corporate art collection, and paired these works with complementary pieces selected from the National Gallery of Jamaica’s own permanent holdings to create a layered, holistic narrative.

    Organized around core geological concepts that mirror the island’s physical and cultural evolution, the exhibition is divided into three distinct thematic sections: superposition, metamorphism, and rupture. Through this structured curation, the collection invites guests to explore how Jamaica’s landscape has been shaped over centuries by shifting, restless natural forces, and to examine the interconnected relationship between the island’s dynamic terrain and the communities that call it home. Attendees will have the opportunity to engage with works that reflect both the geographic and the social evolution of Jamaica, rooted in the indigenous identity that has defined the island for millennia.

  • Brooky Danger spreads positivity with new single ‘Joy Within My Soul’

    Brooky Danger spreads positivity with new single ‘Joy Within My Soul’

    KINGSTON, Jamaica — A Jamaica-born, New York-based reggae performer Brooky Danger is spreading a message of resilience and hope through his latest uplifting release, the single *Joy Within My Soul*. The track was crafted to push listeners to hold onto motivation and optimism even amid the chaos and hardship that defines much of modern daily life. In a recent interview, the conscious entertainer opened up about the personal and global inspirations behind the project, revealing that the idea for the song took root after watching widespread struggles unfolding across international communities. He noticed that many people were feeling burnt out and adrift, and recognized a growing need for audiences to learn how to draw strength from their own inner resilience.

    “The daily events unfolding all over the world are what pushed me to create this track,” Brooky Danger explained. With this new release, he aims to encourage fans to adopt a positive perspective even when confronting unexpected barriers and long-term challenges. “My biggest goal with this song is to give people the motivation to keep moving forward through their everyday lives,” he said.

    For the artist, the message at the core of *Joy Within My Soul* is far more than a marketing hook — it is a deeply personal belief that shapes how he lives his own life. While he does not dismiss the very real difficulties that people face every day, he remains firm in his conviction that intentional optimism is one of the most powerful tools people can hold. “This message is very personal to me. As someone who sees himself as a leader, I have always chosen to stay optimistic,” he shared. When asked about his own greatest source of joy, Brooky Danger pointed to the simple gift of life and good health. “Just the fact that I am alive and well — that is what brings me the most joy,” he stressed.

    Having grown up in Jamaica before relocating to New York to build his career, Brooky credits his life in the United States with expanding his world view and giving him a richer pool of experiences to draw from when writing new music. “Living here has broadened my knowledge base dramatically. I get to see more of the world, which means I always have more stories and ideas to write about,” he explained.

    Though *Joy Within My Soul* centers heavily on themes of hope and encouragement, Brooky Danger is quick to note that this positive tone is no departure from his usual artistic style. “This isn’t something new for me — I have always been a positive person,” he said. He also shared that choosing to release an intentionally uplifting, message-driven track at this moment in history was a fully deliberate choice. “Given everything that the world has been going through recently, releasing this song now was always the plan,” he noted.

    So far, the response to the single from fans in Jamaica and across the global Jamaican diaspora has far outpaced Brooky Danger’s initial expectations. “The response has been absolutely overwhelming, and that has kept me very busy putting new projects and next steps together,” he said.

    Beyond his own music, Brooky Danger advocates for greater support and visibility for culturally rooted, positive reggae music within the broader industry. “I believe this incredible, culture-driven music that we create deserves far more promotion and platform space than it currently gets,” he said. At the same time, he openly acknowledges one of the biggest struggles that message-driven, conscious artists face in today’s streaming era. “It’s sad to say, but right now more audiences are drawn to negative content than positive,” he stated.

    Brooky Danger repeatedly emphasized the critical role that New York’s diverse music scene has played in shaping his growth as an artist. He counts two of Jamaica’s most iconic reggae and dancehall acts — dancehall legend Bounty Killer and reggae superstar Buju Banton — as his biggest artistic influences.

    Describing himself as a highly versatile reggae artist, Brooky Danger says the recording process for *Joy Within My Soul* was an entirely enjoyable experience, and he confirmed that multiple new releases are already in the works and will be dropping in the near future. Looking ahead, he aims to grow his global audience while continuing to use his music as a force for good in people’s lives. “My long-term goals are to tour all over the world and use my platform to help as many people as I can,” he said. For fans and anyone else navigating tough circumstances, he leaves a simple but profound reminder: to cherish life and hold close to what matters most.

  • Dexta Daps climbs to #6 on iTunes Reggae chart

    Dexta Daps climbs to #6 on iTunes Reggae chart

    Fresh off earning silver certification in the United Kingdom for his breakout 2015 hit *Shabba Madda Pot*, popular Jamaican dancehall recording artist Dexta Daps is marking another major career milestone, with a new chart win that cements his growing international footprint.

    On Monday, Daps’ latest studio single *Shine* climbed four spots up the USA iTunes Reggae Chart, jumping from the 9th position to land at number 6, a new career high for the track in one of the world’s largest and most competitive music markets.

    Crafted by production team Aljero Shevon Barnett, Billy Summers, and Daniel Fuller Grossman, with writing credits split between Dexta Daps himself and songwriter Sheldon Taylor, *Shine* generated massive public interest almost immediately after its launch. The track’s resonant message and catchy production helped it climb global reggae charts at an impressive pace, winning over fans old and new in the process.

    The single’s accompanying music video, a collaborative directorial project between visual creator Lagikz and Daps, was filmed entirely on location in Seaview Gardens, the Kingston community that the artist calls home. Shot among the neighborhood’s residents and infused with the area’s signature vibrant energy, the visual leans into raw authenticity and deeply personal storytelling. It captures the intergenerational spirit of the community, weaving a narrative of homecoming that strikes an emotional chord with viewers even outside of Jamaica.

    In an official statement shared with *Observer Online*, Dexta Daps spoke to the meaning of the latest chart achievement, saying, “To have my own music and message hit the top 10 on iTunes means everything. This is for the people who have always held me down and for everyone who dares to step into their own light.”

    As of this report, *Shine* is available for both streaming and digital download across all major global music platforms.

  • Marcia Griffiths teams with Code Red, producer Sean Lewis Folkes for ‘When You Love Me’

    Marcia Griffiths teams with Code Red, producer Sean Lewis Folkes for ‘When You Love Me’

    Marcia Griffiths, one of the most enduring figures in global reggae music, has continued her decades-long streak of staying culturally relevant with a brand-new release. Titled *When You Love Me*, the track marks a new collaborative partnership between the iconic vocalist, acclaimed producer Sean Lewis Folkes, and prominent South Florida backing ensemble Code Red Band. The single officially dropped June 5 via Folkes’ own LF Label imprint.

    Folkes, a producer with an established track record of working with revered reggae acts including Ed Robinson, Luciano, and Pressure Busspipe, shared glowing feedback about his experience collaborating with Griffiths, describing the project as remarkably seamless from start to finish. In an interview with Observer Online, he emphasized that the partnership was rooted in shared professional respect and deep reverence for reggae’s core traditions. “Marcia comes to every project fully prepared, yet remains open to intuitive creative shifts, constantly refining melodies to center the song’s core message,” Folkes explained. “Her calm, focused energy in the studio guarantees every track retains its authenticity, grounding each work in cultural integrity and intentional artistry.”

    Griffiths’ seven-decade career in music is a testament to her unique ability to adapt and remain beloved by new generations of listeners. She launched her professional career in the early 1960s, breaking into the industry as a rocksteady artist at Jamaica’s iconic Studio One, where her career quickly gained momentum by the end of the decade. Unlike many of her peers from the early reggae and rocksteady eras who faded from mainstream attention, Griffiths has consistently maintained her relevance by partnering with forward-thinking producers who understand current musical currents.

    Her career evolution has seen her find success across multiple eras of Jamaican popular music. In the 1970s, she earned global acclaim as a member of The I Three, Bob Marley’s iconic harmony trio, touring across the world with the reggae legend. That same decade, she recorded a string of classic hit singles including *Dreamland* and *Stepping outa Babylon* for pioneering producer Sonia Pottinger. In 1982, she released her best-selling track, *Electric Boogie*, written by the legendary Bunny Wailer.

    The 1990s brought a new wave of popularity for Griffiths when she found a fanbase among dancehall audiences, recording a run of hits including *I Shall Sing*, *Land of Love*, and *Fire Burning* for Donovan Germain’s influential Penthouse Records. At the start of her career at Studio One, she was mentored by celebrated singer-songwriter Bob Andy, with whom she recorded collaborative hits including *Really Together*; her solo breakthrough hits from that era also include fan-favorites *Feel Like Jumping* and *Mark my Word*.

    Now, with her latest release, the 70-plus-year career veteran shows no signs of slowing down, continuing to add new chapters to her legacy as one of reggae’s most iconic voices.

  • Country reggae singer Wesrok finds faith, purpose with ‘God Knows Me Better’

    Country reggae singer Wesrok finds faith, purpose with ‘God Knows Me Better’

    For genre-blending singer Wesrok, country music has always been a medium for raw, authentic storytelling. But with his latest release, *God Knows Me Better*, the country-reggae crooner opens up about his most intimate narrative yet: a gradual, deeply personal journey of growing Christian faith, self-reflection, and the quiet conviction that life’s deepest answers come from a relationship with God.