分类: entertainment

  • Sugar Mas 55 full schedule released as St. Kitts and Nevis prepares for biggest carnival season yet – WIC News

    Sugar Mas 55 full schedule released as St. Kitts and Nevis prepares for biggest carnival season yet – WIC News

    One of the Caribbean’s most anticipated cultural celebrations is gearing up for its 55th iteration, with the St. Kitts & Nevis National Carnival Committee officially dropping the complete event calendar for Sugar Mas 55 on June 9, 2026. Touted as the largest carnival the twin-island nation has ever hosted, the festival blends centuries-old African and European cultural traditions to create one of the region’s most vibrant annual attractions, drawing visitors from across the globe.

    Sugar Mas 55 will unfold across two overlapping tracks: national events, kicking off November 20, 2026, and running through January 2, 2027, and independently organized private events scheduled from November 28, 2026, to January 3, 2027. The core official celebration runs from December 11, 2026, to January 2, 2027, packing more than six weeks of programming that ranges from intimate cultural showcases to large-scale street parties.

    National event programming opens with the Senior Calypso Eliminations on November 20 and 21, building momentum through the Soca Monarch Eliminations on November 27 and the four-day Christmas-themed celebration *In the Spirit of Christmas* held December 7 to 10. The official opening of the carnival, the Midnight Escape, kicks off on December 11, followed by a packed lineup of competitive and cultural events: Senior Calypso Semi-Finals on December 12, Junior Calypso Finals on December 13, the Republic Bank Miss Teen SKN pageant on December 15, Folk Galore cultural showcase on December 17, Soca Monarch Finals on December 18, the Miss SKN Pageant on December 22, the iconic early-morning street party J’ouvert on December 26, the Panorama steelpan competition on December 27, Senior Calypso Finals on December 29, Junior Carnival on December 30, the much-anticipated Grand Parade on New Year’s Day 2027, and the closing Last Lap event on January 2.

    Complementing the official national lineup, the private event schedule offers even more options for attendees, ranging from family-friendly galas to exclusive cruises and brunches. Standout private events include Valour’s Masquerades Cultural Canvas and Traditional Trails Turns Two on November 28, Events R Us Ties & Tiaras Family Gala on December 5, Junior Jouvert on December 12, CaneJuice Carnival Fete on December 19, the ASAP Glow Parade on December 21, multiple holiday fetes and boat rides on Christmas Eve, a full day of events on December 27 including the Sundaze Premium All Inclusive Breakfast Fete and a BYOB catamaran cruise, the Haynes Smith Miss Caribbean Talented Teen Pageant on December 30, the Palm’s Court legendary New Year’s Eve party, and multiple wrap-up events on January 3, 2027.

    Organizers and local industry leaders are projecting that this year’s festival will deliver substantial economic benefits across the islands’ tourism and local business sectors. Hotels, restaurants, craft vendors, taxi operators, and small retail businesses are all expected to see significant revenue gains from the influx of regional and international visitors, with early booking trends pointing to record turnout for the event.

    Sugar Mas 55 has secured broad support from a coalition of corporate and institutional sponsors, including Republic Bank, First Federal Credit Union, the St. Kitts and Nevis Chamber of Industry and Commerce, the Department of Creative Economy, the St. Kitts Tourism Authority, and major local hospitality brands including Marriott St. Kitts Beach Club, Park Hyatt St. Kitts, and Royal St. Kitts Hotel.

    In a promotional post shared to Facebook, the St. Kitts and Nevis National Carnival Committee framed Sugar Mas 55 as “The Ultimate Vibe,” teasing the upcoming celebration for eager attendees. “Here’s a little Sunday sneak peek to get your blood pumping… Start packing your bags….Book those flights… Call your people…Like and Share because Sugar Mas 55 is coming and it’s going to be a VIBE!!” the post read.

  • Pretty Vee to host Rum Island Festival in Atlanta this July

    Pretty Vee to host Rum Island Festival in Atlanta this July

    ATLANTA, Ga. — June 9, 2026 — A new landmark Caribbean cultural event is gearing up to make its debut this summer in one of the American South’s most vibrant major cities, and it has locked in a high-profile host to lead the celebration. The first-ever Rum Island Festival, scheduled to take over Piedmont Park Promenade on Saturday, July 11, 2026, has named multi-hyphenate media personality, comedian and entrepreneur Pretty Vee as its official host, organizers announced this week.

    The announcement lands right in the middle of Caribbean-American Heritage Month, a nationwide observance honoring the far-reaching contributions and cultural impact of Caribbean communities across the United States. It also comes on the heels of a packed season of Caribbean cultural festivities in Atlanta, including the well-attended Atlanta Caribbean Carnival held just one month prior — a continuation of momentum event organizers call “di vibes nah stop,” as Caribbean culture grows its footprint across the city and the broader U.S.

    Caribbean cultural expressions — from music to fashion, language to daily lifestyle — have increasingly broken into the global mainstream in recent years. Genres including Dancehall and Soca dominate streaming platforms, viral cultural moments spread rapidly across social media, and Caribbean creative influence now shapes global music charts, digital trends and youth culture worldwide. Against this backdrop, Rum Island Festival arrives at a moment when Caribbean creative energy is reaching larger, more diverse audiences than ever before, cutting across entertainment, sports and digital media spaces.

    Pretty Vee, who boasts a massive following across entertainment and social media, is celebrated for her contagious high energy, sharp comedic timing and widespread cultural influence. As host, she will bring her signature one-of-a-kind charisma to every segment of the full day of live programming.

    “Listen, Atlanta is not ready! Rum Island Festival is about to bring some of the biggest Caribbean vibes the city has ever seen. The culture, the music, the rum, the food, the fashion, and everything in-between! I’m so excited to be the official host of this incredible celebration,” Pretty Vee said in a statement following the announcement. “As someone with Caribbean roots and so much love for Atlanta, this one is personal. July 11, we’re outside!”

    Pretty Vee joins a already stacked, star-studded lineup of talent for the festival. Iconic Dancehall artist Aidonia and fast-rising breakout Caribbean performer Ayetian will top the bill, with a roster of acclaimed DJs including Ricky Platinum, Yung Rage, Unique Soundz, Propa English, Boogy Ranks and DJ Fabb set to keep the crowd moving between sets.

    Built around the core ethos of “Culture. Community. Rum.”, the festival is far more than a standard music event. It is designed as a full premium cultural experience, spanning eight hours of live performances across multiple genres including Dancehall, Soca, Afrobeats and Reggaeton. Attendees will also get access to premium rum tastings, custom curated cocktail activations, immersive themed lounges and a dedicated Caribbean food village highlighting authentic Afro-Caribbean cuisine from local and regional vendors.

    Beyond entertainment, the event is rooted in intentional community impact through a formal partnership with Her Village Inc., a 501(c)(3) nonprofit organization focused on supporting families affected by poverty. A share of all ticket proceeds will go directly to the nonprofit, with additional on-site donation drives and community-focused initiatives planned to create long-term positive change that extends far beyond the one-day event.

    Organizers launched the festival in Atlanta as a starting point, with long-term plans to expand the experience to other major U.S. cities and Caribbean destinations in coming years. The goal is to build a global celebration platform centered on authentic Caribbean culture, connection and collective joy.

    Tickets for the 2026 inaugural Rum Island Festival are on sale now, and updates on the lineup and event logistics are available on the official festival website at www.rumislandfest.com.

  • Seven Delegates Officially Sashed for Queen of Carnival 2026 Competition

    Seven Delegates Officially Sashed for Queen of Carnival 2026 Competition

    One of the Caribbean’s most iconic cultural celebrations has moved one step closer to its 2026 showcase, with organizers officially confirming the seven competing delegates who will now vie for the coveted title of Queen of Carnival. This long-running pageant is far more than a traditional beauty contest; it stands as a cornerstone of Carnival heritage, celebrating the creativity, cultural pride, and community spirit that define one of the world’s most famous annual festival traditions. Each delegate selected this year has already gone through a rigorous multi-stage screening process, designed to test not only their public poise and performance ability but also their deep knowledge of local Carnival history and their commitment to ongoing community outreach initiatives. In the months leading up to the 2026 Carnival season, the seven sashed delegates will participate in a series of public engagement events, charity fundraisers, and cultural workshops across the region. These pre-competition activities are intended to help each contestant connect with local communities, refine their performance pieces for the final show, and build momentum ahead of the coronation night, which will draw thousands of spectators and millions of online viewers from across the globe. Festival organizers have noted that this year’s candidate pool represents one of the most diverse groups in recent competition history, with contestants coming from a range of professional backgrounds including education, healthcare, the arts, and small business ownership. All seven delegates have now received their official competition sashes in a formal launching ceremony that was attended by past Queens of Carnival, local government officials, cultural leaders, and thousands of enthusiastic festival supporters. As preparations ramp up for the 2026 Carnival season, all eyes will turn to these seven contenders as they work to claim the most prestigious title in the global Carnival community.

  • Tizzy Ignites Carnival 2026 With New Ep Featuring Road Anthems And A Powerful Message Of Unity

    Tizzy Ignites Carnival 2026 With New Ep Featuring Road Anthems And A Powerful Message Of Unity

    As carnival communities around the Caribbean and beyond gear up for the 2026 celebration season, breakout soca artist Tizzy has launched a highly anticipated new extended play (EP) built specifically to fuel the festivities. The seven-track collection centers on high-energy road anthems crafted to match the exhilaration of parades, street parties, and masquerade processions that define modern carnival culture.
    What sets this release apart from typical carnival projects is its intentional undercurrent of social cohesion. Across each track, Tizzy weaves lyrics that emphasize cross-community solidarity, bridging divides of class, nationality, and background that can sometimes fragment carnival spaces. In a post-pandemic era where many regional festival communities are still working to rebuild connectedness, the artist’s focus on unity strikes a particularly resonant chord with fans and industry observers alike.
    Early previews of the EP have already generated viral buzz across social media platforms dedicated to carnival culture, with listeners praising the blend of infectious, bass-heavy instrumentals and meaningful lyrical content. Festival organizers across Trinidad and Tobago, Jamaica, and several Caribbean diaspora communities in North America and Europe have already added multiple tracks from the EP to their official event playlists for the 2026 season. Industry analysts note that the release signals a growing shift in carnival music toward more purpose-driven content, without sacrificing the upbeat energy that keeps crowds moving through days of celebration.

  • Echoes of Waltham wins Best Video Production at CTO Media Awards

    Echoes of Waltham wins Best Video Production at CTO Media Awards

    A landmark community-led heritage documentary centered on the Grenadian village of Waltham has earned the region’s top tourism industry recognition, taking home the Best Video Production prize at the Caribbean Tourism Organisation (CTO) Media Awards.

    *Echoes of Waltham*, which captures the personal memories, intergenerational stories and distinct cultural landscape of Waltham in Grenada’s St Mark parish, emerged from the Island Echoes cross-cultural co-production initiative. The project is led by the Caribbean Institute for EcoLiberation (CIEL) in strategic partnership with Paxton House’s Caribbean Connections programme, an effort designed to unpack the little-known historical ties between the 18th-century Scottish Borders stately home and Caribbean communities shaped by the plantation economy.

    The transatlantic collaboration traces its origins to journalist Zoe Smith, who uncovered the hidden history of Waltham Estate while investigating the region’s plantation-era past. After discovering the estate was once owned by Ninian Home, a former colonial governor of Grenada who also owned Paxton House, Smith reached out to Home’s descendants to launch a community-focused heritage project that would center local voices rather than elite historical narratives. Over the course of the project, the partnership brought together a diverse coalition of Waltham residents, community organizers, academic researchers, creative artists, young participants and heritage institutions across Grenada, Scotland and England.

    For Smith, the project’s lead, the award is far more than an industry honor—it is a validation of the community trust that made the work possible. “This award is a beautiful recognition of Waltham’s story, but more than that, it is a recognition of the elders, residents and neighbours who trusted us with their memories,” Smith explained. “*Echoes of Waltham* was never simply about making a film. It was about honouring a village, preserving living memory, and creating a bridge between Grenada’s past, present and future. I’m especially proud that this work has connected Grenada, Paxton House and the wider Caribbean diaspora.”

    Unlike traditional historical documentaries that rely heavily on archival text and external expert narration, *Echoes of Waltham* centers the unrecorded voices of Waltham’s long-term residents and elders, preserving their oral histories that might otherwise have been lost to time. Through these personal stories, the film opens critical, accessible conversations about plantation history, the value of intergenerational storytelling, and the urgent need to safeguard Grenada’s vulnerable intangible cultural heritage. The production was shaped by collective input: historian and archivist Dr. Angus Martin provided deep contextual historical expertise, Scottish Paxton House curator Dr. Fiona Salvesen Murrell contributed guidance on transatlantic archival records, and Waltham residents Laslynn Andall and Anthony Patrick brought on-the-ground community perspective that anchored the entire project.

    Dr. Salvesen Murrell emphasized that the documentary aligns with the core mission of Caribbean Connections, which seeks to re-examine Paxton House’s colonial ties through a community-centered lens rather than a traditional institutional framework. “We are delighted that *Echoes of Waltham* has received this recognition from the Caribbean Tourism Organisation,” she said. “This highly meaningful film forms part of Paxton House’s wider Caribbean Connections work, which seeks to explore our historic links with the Caribbean in a thoughtful, creative and resident-centred way. We are deeply grateful to the people of Waltham and to all the partners who helped bring this story to life.”

    The award-winning documentary is just one component of the broader Caribbean Connections programme, which also includes *Palimpsest*, a major exhibition by Grenadian-born artist Billy Gérard Frank. Frank’s work served as a central creative anchor for the partnership, illuminating the layered cultural, historical and emotional connections that bind Grenada, the wider Caribbean, and the Scottish Borders to this day. For Frank, the documentary’s award win highlights the transformative power of centering marginalized voices in shared heritage work. “This film demonstrates the power of storytelling to connect generations, preserve local histories, and deepen our understanding of the enduring ties between Grenada, Scotland, and England,” Frank said. “At its heart, *Echoes of Waltham* is a celebration of memory, place, and the voices that shape our shared heritage.”

    Beyond the recognition from the CTO, the project has already sparked new academic and community engagement. It has catalyzed expanded research into the historical links between St Mark parish and Scotland, with a team of researchers from the University of Edinburgh already conducting an on-site visit to Waltham to advance their work. The film has also been screened locally for staff, students and residents at St Mark’s Bonaire Government School, bringing the story of Waltham back to the community that inspired it.

    Looking ahead, the Island Echoes initiative is set to expand its work in Waltham, with new funding secured from the Grenada Office of Creative Affairs. The next phase of the project will deepen the team’s oral history documentation work with Waltham residents, capturing more untold personal stories, and launch an interactive digital mapping project that preserves the village’s stories, historic sites and cultural landmarks for future generations. The project’s model of cross-border, community-led heritage work has already emerged as a groundbreaking example of how to confront shared colonial history while centering the voices of those most affected by that past.

  • Eerste editie van Boeken, Bier en Meer succesvol van start

    Eerste editie van Boeken, Bier en Meer succesvol van start

    On a recent Saturday evening, the inaugural edition of the pop-up cultural event *Boeken, Bier en Meer* (translated as Books, Beer and More) launched in Souposo, marking the start of a new monthly gathering that blends literary discussion, live music, and casual community connection. The first event centered on the popular ongoing *Jazz Years* exhibition hosted by the Amsterdam City Archives, with researcher Mark Ponte leading a deep dive into the exhibition and its accompanying official book.

    Ponte’s talk shed new light on a little-recognized chapter of Dutch cultural history: the foundational contributions of Surinamese artists to Amsterdam’s mid-20th century jazz scene. He explained that the 1930s saw not only global jazz legends including Louis Armstrong, Josephine Baker and Coleman Hawkins drawing crowds to Amsterdam, but also a wave of Surinamese musicians rising to prominence in the local circuit.

    Among the pioneering artists Ponte highlighted was Lex van Spall (1903–1982), bandleader of the influential group the Chocolate Kiddies, who recorded several tracks alongside prominent African American jazz musicians Freddy Johnson and Rosie Poindexter. Ponte also noted that American saxophonist Coleman Hawkins, who resided in Amsterdam for several years, served as a key mentor to the growing cohort of Surinamese jazz artists joining the local scene. Many of these musicians adopted American stage names to boost their perceived credibility in the mainstream industry; the most successful among them included trumpeter Teddy Cotton (1912–1977) and renowned performer Kid Dynamite (1911–1964).

    Ponte’s presentation was complemented by a musical accompaniment from DJ Earl da Pearl, whose curated jazz selections enriched the discussion and set a warm, immersive tone for the entire evening. After the talk, attendees took part in an open question-and-answer session that invited guests to share their own knowledge, personal stories, and perspectives on the topic. A casual networking session followed, where visitors mingled over complimentary snacks and drinks, and had the opportunity to purchase the exhibition book – which sold out completely before the event ended.

    Reflecting on the debut, event project manager Shereen Carrot described the evening as an intimate, welcoming celebration that successfully wove together visual presentation, live music, and casual conversation. While Carrot noted that small adjustments, including technical refinements, better scheduling for event segments, and a revised opening introduction, will be implemented for future gatherings, she characterized the first edition as an overall rewarding success.

    *Boeken, Bier en Meer* is a monthly pop-up initiative organized by the Stichting Skrifi foundation, designed to bring literary conversation to accessible, informal settings. Each month, the event centers on a discussion of a selected book, alongside in-depth interviews with authors and literary experts that explore key trends and shifts in contemporary literature. Attendees can enjoy beer or wine in a relaxed, social setting, making cultural engagement feel approachable rather than intimidating.

    Beyond deepening readers’ understanding of literary topics, the event also functions as a community hub for anyone with a passion for storytelling and books. It creates space for attendees to connect with one another, discover new titles, and engage with fresh perspectives from across the literary world. The first edition has been widely described as a resounding success, seamlessly blending literature, jazz music, a cozy café atmosphere, and food and drink into a natural, enjoyable experience for all attendees. Organizers have already begun preparations for the second edition, scheduled to take place in July.

  • Dancehall artiste Munga Honorable’s murder trial gets underway

    Dancehall artiste Munga Honorable’s murder trial gets underway

    After years of repeated postponements and procedural disruptions caused by witness relocation, the long-awaited murder trial involving prominent Jamaican dancehall performer Munga Honorable and his co-defendant Sheridan Gordon finally commenced at Kingston’s Home Circuit Court on Monday.

    The 48-year-old artist, legally named Damian Rhoden, and Gordon stand accused of the 2017 fatal shooting of Cleveland Smith, a 39-year-old resident of the Ackee Walk neighborhood in St Andrew. Court documents confirm Smith is the cousin of fellow dancehall entertainer Mr Vegas, a detail that has drawn widespread public attention to the case since it was first filed.

    On the opening day of proceedings, the prosecution’s first eyewitness took the stand to give her account of the 2017 incident. Under oath, she told the court that she clearly observed both Rhoden and Gordon open fire on Smith as he rode his bicycle through the neighborhood. She testified that after the barrage of bullets stopped, Smith remained motionless on the ground beside his vehicle, leaving no doubt of the severity of his injuries.

    Ahead of the midday adjournment for lunch, the judge revoked bail that had been granted to both defendants shortly after their initial arrest in 2017. Court observers from the Jamaica Observer witnessed the two men being led out of the courtroom in shared handcuffs, escorted by two armed officers of the Jamaica Constabulary Force. The artist was documented moving at a slow pace as he exited the building, with both men remaining in cuffs when they returned to the court for afternoon proceedings.

    When the session drew to a close for the day, lead defense attorney Christopher Townsend formally petitioned the judge to reverse the bail revocation, noting that the pair had complied with all bail conditions for nearly seven years without incident. The judge granted the defense’s request, extending bail for both defendants until the trial resumes this Thursday.

    The official police account of the 2017 incident states that Smith was confronted by a group of armed men while he attended a local community entertainment event. Authorities allege that a confrontation broke out between Smith and the group, during which he was struck by multiple gunshots. He was immediately transported to Kingston Public Hospital by emergency responders, but was pronounced dead shortly after arriving at the facility. The case has remained a high-profile topic in Jamaica’s entertainment community for nearly a decade, with the trial’s opening marking a major milestone in the legal process.

  • 20-y-o med student is MUJ KSA

    20-y-o med student is MUJ KSA

    In a glittering ceremony held last Saturday night at Wolmer’s Boys’ High School’s Douglas Orane Auditorium, history was made as Hannah Collings-Myers, representing Digita Properties Limited, claimed the title of the first-ever Miss Universe Jamaica Kingston & St Andrew. The 20-year-old medical sciences student from The University of the West Indies was just as shocked as the gathered audience when her name was announced as the inaugural winner, marking the culmination of months of rigorous preparation and personal growth.

    Collings-Myers’ pageant journey began two years earlier, when Jermane Blair, franchise manager for the Miss Universe Jamaica Kingston & St Andrew competition, first spotted her at a local fashion show and encouraged her to enter. Speaking to Jamaica Observer shortly after the midnight coronation, the new queen shared her surprise and gratitude for the experience. “Surprise, yes, I am. This journey has been terrifying; I have been so scared to do everything, but I’ve put my best foot forward, and I don’t know why I’m so surprised to see that it came with good results. But I guess that it just wasn’t what I expected, but I’m extremely happy with the results,” she said.

    Looking back on the intensive training and preparation that led her to the crown, Collings-Myers emphasized that the competition offered far more than a title—it was a life-changing opportunity for self-discovery. “The training was definitely hard, lots of long days, but it was worth it. I have taken away a new sense of self. I was so unsure about coming into this competition, and the fact that I came here, put my best out and could win, it shows me that I am much more than I think I am,” she explained. She added that while Blair sparked her initial interest, she chose to see the competition through because it offered a chance to step out of her comfort zone and grow as a person—an outcome she says she has fully achieved.

    Blair, who first recognized Collings-Myers’ unique potential two years prior, shared his pride in the new queen’s achievement. “I met Hannah at a fashion show two years ago and I thought that she was so beautiful. Her way of communicating was just so mature, and her responses were so intellectual. I reached out to her and encouraged her to enter, but she decided to enter this year, and she did the work, and look at her now — she is the new queen tonight,” he said enthusiastically.

    Originally from Manchester, Jamaica, Collings-Myers previously resided in Montego Bay before relocating to Kingston to complete sixth form at Immaculate Conception High School in St Andrew, putting her in the region eligible for the new competition.

    The historic event kicked off just after 8 p.m. with a high-energy opening number that captivated the sold-out audience. Twenty-one competing contestants first introduced themselves to the judges and crowd, before the field was narrowed down to a top 14 semi-finalists: Leighann Dacres-Jones (Miss Mt Sinai Dental and Implant Centre), Shanika Scott (Miss Island Gully Falls Ltd), Rachel Newman (Miss Carefree), Collings-Myers, Shaniece Douglas (Miss Janga’s Soundbar and Grill), Daenya Anderson (Miss Covenant Insurance Brokers Ltd), Shanya Francis (Miss Caribbean Glass Company), Claire Schwapp (Miss STL Solar), Ottavia Bradshaw (Miss Jarrett Auto Parts), Tiyana Mowatt (Miss Saxby), Ruesheen Ricketts (Miss Advance Integrated Systems), Akanke Scott (Miss VM Group), Calethia Campbell (Miss Orion Loss Adjusters), and Tenneil Sewell (Miss Legend Beer).

    Next came the fan-favorite swimwear segment, where competitors showcased designs from Jamaican brand Kaydian Nicely Exclusive, dazzling the crowd before judges cut the field once more to a top 11. Advancing contestants included Dacres-Jones, Akanke Scott, Shanika Scott, Sewell, Schwapp, Ricketts, Mowatt, Douglas, Francis, Newman, and Collings-Myers.

    Between competitive segments, the audience enjoyed standout performances from the Laud Dance Ministry and recording artist Alicia Taylor, before the semi-finalists took the stage in elegant evening wear from designer Atelier Dermoth Williams. Another elimination followed the evening wear round, narrowing the competition down to just three finalists who advanced to the grueling final interview round: Collings-Myers, Mowatt, and Douglas.

    Before the final winner was announced, the competition awarded a series of sectional prizes to recognize standout contestants: Abigail Barnes (Miss Bailey’s Food and Beverage) took home the Most Congenial title; Calethia Campbell won the Altruism Award; Leighann Dacres-Jones claimed both the People’s Choice Award and Best in Swimwear; Shanika Scott won Best in Evening Gown; Shaniece Douglas was named Most Photogenic; and Tiyana Mowatt received the Essence of Style Award.

    When the final results were announced, Collings-Myers claimed the inaugural crown, with Tiyana Mowatt, a practicing medical doctor, securing second place as first runner-up, and Shaniece Douglas finishing in third place. In a major announcement at the close of the event, organizers confirmed that Collings-Myers and both of her runners-up will receive an automatic spot in the national finals of the Miss Universe Jamaica competition, where they will go on to compete for the chance to represent Jamaica at the global Miss Universe pageant.

  • Nintendo to remake classic ‘Zelda’ game ‘Ocarina of Time’

    Nintendo to remake classic ‘Zelda’ game ‘Ocarina of Time’

    In a major announcement from its Paris presentation Tuesday, Japanese gaming powerhouse Nintendo has confirmed that a brand-new remake of its genre-defining 1998 action-adventure masterpiece *The Legend of Zelda: Ocarina of Time* is in development for the company’s upcoming Switch 2 console. The reveal came during a pre-recorded livestream showcasing Nintendo’s pipeline of upcoming releases, though company representatives shared only limited details about the highly anticipated project, confirming only that the title will launch sometime this year to coincide with the 40th anniversary of the entire *Legend of Zelda* franchise. When the original version of Ocarina of Time launched for the Nintendo 64 console in 1998, it revolutionized the global gaming industry. It introduced players to an unprecedentedly immersive, intricately detailed open 3D world and a groundbreaking combat mechanic that let players lock on to individual enemies— a feature that is now a universal standard across nearly all 3D action and adventure games today. The game follows its iconic green-tunic-clad hero Link on a sprawling adventure that bends time itself, splitting his journey between childhood and adulthood, as he battles the dark tyrant Ganondorf to rescue Princess Zelda and save the kingdom of Hyrule from destruction. For decades, *Ocarina of Time* has retained its reputation as one of the greatest video games ever created, consistently topping “best games of all time” lists from leading gaming publications and holding a nearly perfect 99% aggregate critic score on the review platform Metacritic. This is not the first time Nintendo has revisited the classic title: back in 2011, the company released an updated remake for its Nintendo 3DS handheld console, which reworked the original’s low-polygon graphics to leverage the device’s stereoscopic 3D display technology. The entire *Legend of Zelda* franchise has grown into one of Nintendo’s most successful and enduring intellectual properties, with global sales of all series entries topping 140 million units to date. The most recent mainline installment, 2023’s *The Legend of Zelda: Tears of the Kingdom*, became the fastest-selling game in franchise history, cementing the series’ ongoing popularity decades after its debut. Beyond the new game remake, Nintendo is expanding the Zelda franchise beyond interactive entertainment: a big-budget live-action *Legend of Zelda* feature film is currently in production and scheduled to hit theaters worldwide in April 2027.

  • Elegance Ballroom Experience to fuse fashion, music

    Elegance Ballroom Experience to fuse fashion, music

    A groundbreaking new sophisticated social event is gearing up to debut this summer in Jamaica, blending high-fashion aesthetics, curated entertainment, and charitable giving for an unforgettable experience for attendees across all age groups.

    Organized by veteran stageshow producer Isaiah Laing — the mastermind behind Jamaica’s iconic Sting stage show — ‘Elegance: The Ballroom Experience’ is scheduled to take place July 19 at the Jamaica Pegasus hotel’s grand ballroom, running from 5:00 pm to 11:00 pm. The event is planned as the first installment of an ongoing series focused on refined, accessible entertainment for fashion and music lovers.

    In comments to Jamaica Observer Online, Laing highlighted that the event was designed to fill a gap in the local events landscape: many patrons from diverse age groups are eager for a polished night out, but often avoid informal or unsecure party venues. To address this concern, Laing prioritized securing a safe, upscale location at the Jamaica Pegasus, giving guests the rare opportunity to show off high-end formal wear that often sits unworn in closets between major events.

    The event’s musical lineup has been carefully selected to match its sophisticated vibe, with no overly loud or rowdy tracks planned. Top selectors including Master Rogj, Krazy Kris, Welton Irie, and DJ VJ Snow will bring decades of expertise to the turntables, spinning a curated mix of classic soul, disco, R&B, and lovers rock. Laing noted that DJ VJ Snow was added specifically to enhance the immersive experience, as he pairs his sets with synchronized visual projections displayed on a large screen for attendees.

    Beyond music and fashion, the evening will include complimentary hors d’oeuvres and wine for all guests. Two major prizes will be awarded: $1,000 USD each to the best-dressed couple and the best dancer of the night. A portion of all proceeds from the event will be donated to the JCF Convalescence Home in Black River, St. Elizabeth, extending the event’s impact beyond entertainment to support local community care.

    Laing shared that planning for the debut event has progressed smoothly overall, though he acknowledged the logistical complexity of pulling off the sophisticated experience that attendees expect, even compared to his large-scale work on Sting. “This is a bit easier, but it’s been very technical, too, because of the location and the expectation of what it will be,” he explained.

    For guests looking to secure their spots, tickets are available for purchase online via touchstonelink.com, as well as at multiple physical outlets across Jamaica. Outlets in Spanish Town include the Don P Complex and Sharmz Curry Pot, while Kingston-based buyers can purchase tickets at Fontana Pharmacy Waterloo, DLux Restaurant and Lounge, and Wok Express Restaurant.

    Event publicist Ramona Samuels shared that organizers are confident the event will deliver a one-of-a-kind memorable experience for attendees. “The ballroom ambiance in summer is what makes this event unique,” she said, noting that the elegant dress code, curated throwback music selection, and focus on sophisticated fun set it apart from other local events. “We’re encouraging party lovers and lovers of souls, R&B, disco, and fans of luxury, elegance, and fashion to enjoy an evening of sophisticated enjoyment,” she added.