分类: entertainment

  • Author uses Judas’s story to inspire personal transformation

    Author uses Judas’s story to inspire personal transformation

    For two millennia, Judas Iscariot has stood as history’s most reviled figure, his name a global byword for treachery and betrayal after he handed Jesus Christ over to authorities for just 30 pieces of silver. Now, a first-time Christian author is upending centuries of conventional wisdom with a provocative new take on the infamous disciple, framing his story as a mirror for the internal moral struggles that all people face.

    Paloma Price, a South Florida-based practitioner of Christianity originally raised in Portmore, St Catherine, spent three years crafting her debut book *Learning From Judas*, which hit shelves in April. Long passionate about writing but never having pursued it as a professional career, Price says the project was born from divine direction. According to Price, God prompted her with a probing question: “Who is a son of perdition?” That inquiry launched her into months of deep research focused on how people who are seen as righteous can lose their moral direction, eventually leading her to the figure that has puzzled biblical scholars for centuries.

    Unlike traditional interpretations that paint Judas as a one-note villain, Price’s work reframes him not as a distant, one-dimensional figure from ancient scripture, but as a reflection of the conflicting internal battles every person navigates. The book invites readers to confront the parts of themselves that long for God’s will but repeatedly resist the path God lays out. Drawing together spiritual revelation, psychological reflection, and actionable practical guidance, *Learning From Judas* guides readers toward deeper self-awareness, emotional healing, and alignment with the divine plan Price argues God has for each person’s life.

    Price explains that Judas emerged as the ideal subject to illustrate a critical lesson: when people refuse to let truth reshape their character and choices, the damage can become irreversible. The author emphasizes that her work is not a text focused on condemnation of Judas or any reader; instead, it is an open invitation to personal transformation. Her core hope for audiences is that after engaging with the book, they will leave with greater compassion for their own failures, clearer insight into their inner world, and the courage to confront the subtle internal forces that drive their choices. For Price, examining the story of Judas is ultimately a journey of self-discovery: confronting the betrayal and moral struggle embodied by the infamous disciple is how people come to better understand themselves and realign their lives with God’s purpose.

  • Stranger Cole, ska and rocksteady pioneer, has died

    Stranger Cole, ska and rocksteady pioneer, has died

    The global music community is mourning the loss of one of ska and rocksteady’s founding trailblazers, Stranger Cole, who passed away at 83 on Thursday at the University Hospital of the West Indies. His death was confirmed by his son Wilburn “Squiddly” Cole, a professional drummer, in an exclusive conversation with Jamaica’s Observer Online. According to Cole’s son, the iconic singer had been in poor health for an extended period before being admitted to the medical facility two weeks prior; no official cause of death has been released to the public.

    A beloved figure across international music scenes, Cole maintained an active performance schedule well into his later life. As recently as December 2023, he completed a run of six sold-out shows in Australia, where he retained a fiercely loyal fan base built on his decades-old catalog of 1960s hits. He also commanded a large, dedicated following across Europe for decades.

    Born in the rural parish of Portland, Jamaica, Cole relocated to the capital city of Kingston during his childhood, eventually settling in the iconic neighborhood of Trench Town. In the early 1960s, Trench Town emerged as the creative heartbeat of Jamaica’s burgeoning music movement, as ska began to capture the attention of clubgoers and dance attendees across Kingston. It was in this fertile creative environment that Cole launched his professional recording career.

    His first breakout charting singles, *Rough And Tough* and *When You Call My Name* (a collaborative track with vocalist Patsy Todd), were produced by legendary Jamaican producer Duke Reid. He followed this early success with a string of enduring hits that remain staples of the ska and rocksteady genres, including *Just Like A River* recorded with keyboardist Gladstone Anderson, and *Bangarang*, which he cut with Lester Sterling of the iconic Skatalites collective.

    Beyond his own celebrated recording career, Cole played a pivotal, often underrecognized role in nurturing the next generation of Jamaican reggae and rocksteady talent. He supported the early careers of legendary artists Ken Boothe and The Mighty Diamonds, even writing and producing the group’s very first commercial release, *Oh My Baby*.

    In the early 1970s, Cole immigrated to Toronto, Canada, where he quickly became a core member of the city’s fast-growing Jamaican expatriate reggae community. His decades of contributions to Toronto’s cultural landscape were chronicled in the 2018 documentary *Ruff and Tuff — Stranger Cole’s Toronto Roots*, directed by filmmakers Chris Flanagan and Graeme Mathieson.

    Cole is survived by seven children, as well as multiple grandchildren and great-grandchildren.

  • Grenadian creatives to attend 2026 Annecy International Animation Film Festival

    Grenadian creatives to attend 2026 Annecy International Animation Film Festival

    The Caribbean island nation of Grenada is poised to step onto the global animation stage for the first time, with three of its homegrown creative talents set to showcase original, culture-driven projects at the Annecy International Animation Festival and MIFA Market — the world’s most prestigious gathering for animation professionals and storytellers.

    The trio of artists — Jassim Thomas, Robert Finlay, and Alleyne Gulston — are all graduates of the Grenada Office of Creative Affairs (GOCA)’s first-ever Animation Accelerator programme, an initiative developed in partnership with local animation studio AnimaxFYB Studios to nurture emerging creative talent and connect it to international opportunities.

    For Francis Y Brown, founder and creative director of AnimaxFYB Studios, the moment marks far more than a simple milestone for the tiny island nation. Rather, it is a tangible demonstration of Grenada’s long-term commitment to building a sustainable creative economy. “This isn’t just a one-off appearance; it’s intentional investment made visible,” Brown explained. He pointed out that the depth and originality of the projects selected for the accelerator, all rooted in Grenada’s unique cultural heritage and local imagination, prove that a strong creative foundation already exists on the island. GOCA’s accelerator programme fills a critical gap, he added, by building the forward-thinking infrastructure that bridges local talent to global markets, speeds up skills development, and integrates local storytellers into the international animation ecosystem. “This is how enduring creative industries are built: through intentional investment, global exposure, and the courage to share our culture beyond national borders,” Brown said.

    Orlando Romain, advisor overseeing Grenada’s creative economy portfolio, echoed that sentiment, emphasizing that the strength and diversity of submissions GOCA received for the inaugural accelerator programme highlight the untapped potential of the country’s creative sector. “This is why we remain committed to making strategic investments in our creatives and the broader creative ecosystem that supports them,” Romain said. “These investments open doors for our artists to access international markets and take their careers to the next level.” He extended congratulations to all participants of the first accelerator cohort, and offered special well wishes to Thomas, Finlay, and Gulston as they prepare to represent Grenada in France.

    Each of the three selected animators is bringing a project that draws deeply from Grenadian and Caribbean cultural roots to share with the global audience at Annecy.

    Thomas, whose project *Isle of Tales* will bring centuries of Grenadian and Caribbean oral storytelling traditions to animated life, said the opportunity carries profound personal and professional meaning. “As a Grenadian creative, this opportunity allows me to share stories inspired by our culture, folklore, and traditions with an international audience,” he explained. Thomas said he is eager to learn from top industry professionals, build connections with creators from across the globe, and highlight the unique richness of Caribbean storytelling through animation.

    Finlay, the creator of *The Golden Nutmeg*, said his project began as a passion project driven by a desire to create something that captures the unique richness, mystery, and storytelling spirit of the Caribbean region. “To now have that vision acknowledged on an international platform is something I am extremely grateful for,” Finlay said. What excites him most, he added, is the chance to immerse himself in one of the world’s most respected animation industry gatherings, connect with inspiring creators from all corners of the globe, and continue pushing the boundaries of what Caribbean animation can achieve as a Grenadian artist.

    Gulston, whose character-driven project *Macee, Wha Go?* has been years in the making, called his selection both a tremendous honor and a defining milestone in his creative career. A graphic designer, visual artist, and illustrator by trade, Gulston noted that visual storytelling has always been the core of his work. “Having the opportunity to showcase a character concept I’ve carried with me for many years on such a prestigious international stage is incredibly rewarding,” he said.

    Gulston specifically credited GOCA and AnimaxFYB Studios for their investment in local talent through targeted training initiatives, including the Toon Boom 2D Animation training that gave him the skills to move his concept from an early idea to a showcase-ready project. Beyond professional growth, he said the trip to Annecy is an opportunity to stand alongside his fellow Grenadian creatives to share the island’s unique stories and perspectives with the world.

    “Grenada may be a small island, but we have powerful stories to tell, unique perspectives to offer, and a rich creative spirit that deserves to be seen and celebrated,” Gulston said. He expressed hope that the trio’s appearance at Annecy will not only position Grenada as a emerging hub of creative storytelling but also open new professional doors for future generations of Grenadian artists, inspiring young creators to pursue their dreams and share their work with global audiences.

    The Annecy International Animation Festival and MIFA Market is scheduled to bring thousands of animation professionals, studio executives, and independent creators from more than 100 countries together this year, offering emerging talent unmatched access to industry networks, distribution opportunities, and skill-building workshops.

  • FRO Fest 2026 set for vibrant return to St. Kitts and Nevis on June 20 – WIC News

    FRO Fest 2026 set for vibrant return to St. Kitts and Nevis on June 20 – WIC News

    One of the Caribbean’s most beloved regional cultural and entrepreneurial festivals is preparing for a lively stop on the islands of St. Kitts and Nevis, with FRO Fest 2026 set to kick off a full day of celebration at National Heroes Park on Saturday, June 20. Built at its core to lift up small businesses and creative minds across the Caribbean, this year’s gathering centers on the theme “Sunflower & Curls,” a framing that prioritizes joyful creative self-expression and tight-knit community spirit.

    Organizers have teased an immersive experience for all attendees, describing the park as transforming into “the ultimate beauty playground” for the event. From interactive curl-focused stations and seasonal cultural activities to live product demonstrations from local makers, the day will blend learning, connection, and nonstop energy, with organizers urging guests to arrive early to take in every offering.

    A sprawling regional marketplace will sit at the heart of the festival, welcoming hundreds of expected attendees from both the local community and the tourism sector. More than 100 vendors from across Caribbean territories will showcase a diverse range of handcrafted and locally made goods, including natural hair care formulations, artisanal skincare, handmade apparel, bespoke jewelry, one-of-a-kind crafts, and holistic wellness products. For small business owners, the gathering is far more than a sales opportunity: it provides a rare platform to connect with new regional customers, build brand recognition across island markets, and grow their ventures beyond their home territories.

    Beyond the marketplace, guests will have access to a full slate of free programming throughout the day, including live musical performances from local artists, curated fashion shows highlighting Caribbean designers, interactive beauty workshops, and family-friendly activities. Local food vendors will also be on-site serving up a wide selection of authentic Caribbean comfort dishes and refreshing tropical beverages to keep attendees fueled throughout the celebration.

    FRO Fest first launched in 2018 in Trinidad and Tobago, and has grown exponentially from its small origins to become a signature multi-island touring event, with successful editions hosted across more than a dozen Caribbean territories to date. Beyond supporting local economic growth, the festival has carved out a reputation for advancing core values of self-love and regional cultural pride, turning each stop into a community-wide celebration of Caribbean identity.

    The 2026 touring iteration of the festival has already wrapped up successful stops in Antigua and Barbuda and Grenada, drawing thousands of attendees across the two islands. After the June 20 gathering in St. Kitts and Nevis, the tour will continue onward to its next stop in Barbados, continuing its mission to lift up creatives and small businesses across the region.

  • Caribbean Music Awards set to return for its fourth year…

    Caribbean Music Awards set to return for its fourth year…

    The highly anticipated fourth annual Caribbean Music Awards officially kicked off its 2026 edition on June 10, launching the largest celebration of Caribbean sonic talent in the event’s history and opening public voting for fans across the globe. This year’s installment marks a major milestone for the awards platform, which has grown rapidly from a regional recognition event to a global cultural movement highlighting the expanding influence of Caribbean music worldwide.

    Organizers have unveiled a record-breaking nominee slate for 2026, featuring more than 250 nominated artists and works across over 40 award categories. In a move to deepen its commitment to genre inclusivity and cultural representation, the awards have introduced nine new and expanded categories this year, shining a dedicated spotlight on underrepresented Caribbean subgenres including Dennery, Zess, Konpa, Chutney Soca, and Jab, alongside a new category for French Caribbean music. These additions solidify the Caribbean Music Awards’ position as the most comprehensive global platform honoring the full diversity of Caribbean musical expression.

    Leading the pack of 2026 nominees is cross-genre standout Lady Lava, who secured an unprecedented nine nominations spanning Soca, Zess, Chutney Soca, and performance categories, cementing her status as one of the region’s most versatile rising stars. Close behind Lady Lava, a trio of industry heavyweights – Ayetian, Machel Montano, and V’ghn – each earned seven nominations, reflecting their wide-ranging impact across Dancehall, Soca, and collaborative projects. Hitmakers Shenseea and Skillibeng follow with six nominations apiece, while Masicka, Popcaan, Valiant, Vybz Kartel, and Yung Bredda each take five nominations, reinforcing the enduring global dominance of leading Dancehall and Soca voices. A second tier of top contenders including Full Blown, Jesse Royal, Joé Dwèt Filé, Kes, Lila Iké, Lola Doll, Mical Teja, Mikado, and Voice each earned four nominations, highlighting the depth and competitive balance of talent across Reggae, Soca, Konpa, and other core genres.

    On the track side, the collaborative hit *Shake It to the Max (Fly) Remix* featuring Moliy, Skillibeng, Shenseea, and Silent Addy emerged as the most nominated song of 2026, taking three nominations across multiple categories. Its cross-category success underscores the track’s broad cultural resonance across Dancehall, collaborative work, and music video, making it one of the year’s defining Caribbean records. Other top-nominated tracks include *Wah Yo Deh Pon*, *Passenger Princess*, *Jab Decisions*, and *4 Kampé II*, all of which reflect 2026’s trend of cross-regional collaboration and genre fusion.

    Public voting for the 2026 awards opened immediately alongside the nominee announcement on June 10, and will remain open for global fans to cast their support through August 10, 2026. Fans can view the full list of nominees and submit votes via the official awards website, caribmusicawards.com. Organizers note that an extended voting window was chosen to give fans across all time zones and regions ample opportunity to support their favorite artists and cultural icons. Additional details about the in-person awards ceremony and its official date will be announced in the coming months.

    The 2026 installment builds on the breakthrough momentum of 2025’s event, which marked the first time the Caribbean Music Awards premiered on BET, expanding the platform’s global reach to millions of new viewers and establishing it as a mainstream cultural force far beyond the Caribbean region. More than just an awards ceremony, the event has evolved into a global cultural movement that amplifies both established industry legends and emerging underrepresented voices, connecting Caribbean cultural identity to audiences worldwide through shared sonic storytelling.

    The Caribbean Music Awards is managed by Caribbean Elite Group (CEG), an organization dedicated to advancing Caribbean culture through media, cultural initiatives, and community programming. CEG also oversees Caribbean Elite Magazine, a leading print and digital publication that showcases Caribbean talent across entertainment, culinary arts, fashion, entrepreneurship, and travel, and the Caribbean Elite Foundation, which supports cultural preservation efforts across the region.

    Fans can stay updated on the latest awards announcements by following the official Caribbean Music Awards accounts on Instagram, Facebook, and TikTok, as well as Caribbean Elite Magazine’s social channels.

  • Don Chief Launches The Hustler’s Chase

    Don Chief Launches The Hustler’s Chase

    From the quiet coastal island of Caye Caulker, Belize, a fresh literary voice has stepped onto the global publishing scene, armed with a memoir-informed guide forged from years of globe-trotting, resilience, and unapologetic ambition. Chrisstoffer Fuller, who writes under the pen name Don Chief, recently launched his debut work *The Hustler’s Chase* — a raw, humorous collection of hard-won life lessons pulled directly from his decades of traversing different countries and cultures. More than just a collection of personal anecdotes, the book acts as a practical handbook for readers navigating uncharted personal and professional territory, outlining actionable advice for building success on one’s own terms.

    For Fuller, the project is far more than a first publication: it is a deliberate act of honoring family legacy. The author drew deep inspiration from his late father, Chris Roggema, a veteran journalist who built his career on bold, unflinching storytelling. In carrying forward that tradition, Fuller says he aims to keep his father’s commitment to authentic narrative alive through his own work.

    The path to publication began with a casual conversation while Fuller was living and working in Valencia, Spain. At the time, he was leading group tours including pub crawls and city walking tours alongside a local friend, who mentioned he was already working on his third book. The offhand comment sparked a realization for Fuller: his own decades of cross-cultural experiences and personal challenges held enough insight to fill a book of his own. What followed was two years of drafting, refining, and shaping those experiences into the structured guide readers hold today.

    Targeted primarily at young men, *The Hustler’s Chase* covers a wide range of practical and personal topics, from processing complex emotions and adapting to new environments to developing healthier relationship habits and embracing the joy of life experience. Fuller intentionally chose to self-publish the work through Amazon, a decision rooted in his desire to make the book widely accessible to his global network of friends and readers. With connections across Europe, Panama, Belize, the United States, and beyond, the platform allows anyone to purchase and access the title quickly and affordably, regardless of their location.

    As of June 2026, *The Hustler’s Chase* is available for purchase worldwide through Amazon’s digital and print storefronts.

  • DJ Mac-ing it!

    DJ Mac-ing it!

    The global dancehall scene is witnessing the rapid rise of one of its most exciting new creative voices: Kingston-born, Jamaica-based producer DJ Mac, born Jason McDowell. What began as a passion for connecting audiences through sound has evolved into a trailblazing career, marked by chart-topping work, industry recognition, and a groundbreaking new partnership that sets the stage for global expansion.

    DJ Mac has built his formidable reputation by crafting infectious rhythms that dominate party sets and streaming playlists alike, resonating deeply with dancehall fans across Jamaica and international markets. What sets his work apart is a deliberate, crowd-informed creative approach: he blends unorthodox, underused sonic textures with the core cultural roots of traditional dancehall, balancing vintage flair with modern innovation. As a working DJ, he brings unique insight to the production process, drawing on firsthand experience of what energizes crowds and keeps audiences engaged to guide every studio session, whether he’s building a beat from scratch or refining an existing track.

    That experimental yet audience-centric strategy has already delivered major career milestones. In 2025, DJ Mac teamed up with co-producer CrashDummy to release the breakout WYFL rhythm, a project that took both the mainstream and underground dancehall worlds by storm, earning a spot on the U.S. iTunes Reggae Songs Chart. The rhythm’s widespread popularity sparked an unprecedented wave of creativity, drawing more than 200 separate recordings from artists across the genre within just a few months of its launch. This response cemented WYFL as one of the largest juggling projects in dancehall history and turned it into a genuine cultural phenomenon.

    With the success of WYFL and other projects, DJ Mac has become one of the most in-demand producers of his generation. As his catalogue grows and attracts international attention, he recognized that creative excellence alone is not enough to build a long-term sustainable career in the modern music industry. To strengthen the business and intellectual property side of his expanding brand, DJ Mac recently signed a global publishing agreement with Hapilos Publishing, a leading publisher in the reggae and dancehall space backed by the global infrastructure of Sony Music Publishing, the world’s largest music publishing group.

    The deal covers every track in DJ Mac’s existing catalogue as well as all of his future creative work. Under the agreement, Hapilos will take on full administration of his work, including securing licensing and sync placement opportunities, managing global royalty collections, and enforcing copyright protection for his productions around the world.

    DJ Mac noted that his decision to partner with Hapilos stemmed from the company’s reputation for transparency, trustworthiness, and a proven track record of supporting creators. “Hapilos being my publisher is definitely something I would recommend. I’ve recommended it to other people as well, because I feel like it’s a straightforward process,” he explained. “They make sure to notify you on anything you release, even works that were released before. They’re on time and on point with the management of your songs. They pay on time, you get your statements, and everything is clear and straightforward. It’s an easy process to use and something I would highly recommend.”

    As the global music industry continues to shift and adapt, publishing administration has emerged as an increasingly critical pillar of a sustainable career for producers and artists alike. Beyond just collecting royalties, strategic publishing partnerships help creators maximize their earnings, unlock new revenue streams through sync placements for film, television and digital media, protect their intellectual property from infringement, and ensure their work is properly managed across global markets.

    For DJ Mac, this new partnership marks another key milestone in a career built on a foundation of passion for dancehall and a commitment to creating sounds that connect with communities of listeners. With a rapidly expanding catalogue, growing international recognition, and a leading publishing partner behind him, the young producer is well-positioned to reach even greater heights as he brings his distinctive take on modern dancehall to audiences around the world.

  • Casa de Campo Fashion Week brings international attention to Dominican fashion

    Casa de Campo Fashion Week brings international attention to Dominican fashion

    The Dominican Republic’s luxury hospitality landmark Casa de Campo Resort & Villas has marked a major milestone in merging high-end fashion, tourism, art and culture with the successful launch of its first-ever Casa de Campo Fashion Week. This groundbreaking four-day event, held across the resort and nearby Altos de Chavón from June 4 to 7, sets out to elevate the nation’s standing as a top-tier Caribbean destination for luxury lifestyle experiences.

    More than a traditional runway showcase, the inaugural fashion week packed a diverse program that spanned industry presentations, visual art, wellness experiences and invitation-only networking gatherings. At the core of the event were the runway collections hosted at the Marina Riverside Center, where 12 designers from across the globe revealed their newest creations to a crowd of fashion industry leaders, global press and invited guests. The lineup intentionally centered local Dominican talent, with renowned homegrown designers including Giannina Azar, JC Lagares, Jacqueline Then, Jenny Polanco, Carolina Socías, and Oriett Domenech sharing the catwalk with globally celebrated Spanish designer Custo Barcelona, a pairing that underscored the event’s goal of connecting local creativity to the global fashion ecosystem.

    Kicking off the week’s activities was a special photography exhibition at the Altos de Chavón Art Gallery by acclaimed fashion photographer Jesús Cordero. Unlike the temporary fashion presentations, Cordero’s work will remain open to public viewing through July 31, 2026, extending the event’s cultural impact long after the final runway look, and adding a lasting artistic layer to the fashion-focused gathering.

    Event organizers note that the new fashion week aligns with Casa de Campo Resort’s long-term strategic vision to expand its tourism product and cement its status as the Caribbean’s gold standard for luxury hospitality, world-class entertainment and large-scale international events. The initiative has earned official backing from the Dominican Republic’s Ministry of Tourism, reflecting the national government’s push to grow the luxury tourism and creative sectors.

    Bringing international attention to the debut event was former Miss Universe and actress Dayanara Torres, who stepped into the role of official Casa de Campo Fashion Week ambassador. One of the most talked-about moments of the week came when Torres’ son, Ryan Muñiz, joined the lineup as a guest model, marking the first time the mother-son pair have walked a runway together in the Dominican Republic.

    Following a smooth and well-received debut, event leaders plan to grow Casa de Campo Fashion Week into a leading annual platform that elevates Dominican fashion, drives international luxury tourism, and amplifies the nation’s rich creative talent to a global audience, while drawing more high-spending international visitors to the country’s shores.

  • Groovy & Power Soca Semifinals lineup announced

    Groovy & Power Soca Semifinals lineup announced

    Last weekend, 80 emerging and established soca artists took the stage in Saint Lucia, competing for one of the coveted semifinal spots in the annual National Soca Monarch competition. Split evenly between the Groovy Soca and Power Soca categories, the 40 Groovy and 40 Power contenders performed for a panel of expert judges, each vying to advance in one of the most anticipated events on the Lucian Carnival calendar.

    For decades, the National Soca Monarch competition has been a cornerstone of Saint Lucia’s annual cultural celebration, drawing thousands of local and regional soca fans each year who closely track every round of the contest from preliminary performances all the way to the final showdown. After a weekend of high-energy performances that showcased the breadth of talent in the Caribbean soca scene, event organizers confirmed the quarterfinals delivered one of the most competitive lineups in recent memory.

    When the judges’ final scores were tallied, exactly half of the competing contestants earned their place in the upcoming semifinal round: 20 artists in the Groovy Soca Monarch division and 20 artists in the Power Soca Monarch division will move forward to compete for a spot in the grand finals. The semifinal showdown for both categories is scheduled to take place on June 26, 2026, giving advancing artists time to refine their performances and connect with fans ahead of the next round.

    The confirmed Groovy Soca Monarch semifinalists, alongside their competing tracks, are: Arthur Allain with *Work on Pause*, Carlton CR Roberts with *Hostage*, Danielle Du Bois with *Dancing in the Rain*, Deevon with *Momentum*, Ezra D’funmachine with *Mr Complimentary*, J’urgen with *The Other Man*, Kardo with *Finger*, Keytina with *Let Me Go*, Kisha Kay with *Done*, Mica with *Step Out*, Mighty Taker with *Where We Chipping*, MNR with *Party Count*, Nireti with *Third Party*, QPid with *Backup Plan*, Ricky T with *Not Kissing As*, Sedale with *Insane*, Shemmy J with *Everything*, Siah with *Cho*, Sly with *Captain*, and Twahzzy with *Stop It Stacy*.

    For the Power Soca Monarch division, the advancing semifinalists and their entries are: Bronx, Dhirv 2 Funny & Matta with *Mad People*, Budzilla with *Bwelay*, Carlton CR Roberts with *X-Man*, Da Great with *House Party*, Ezra D’funmachine with *Salute*, Imran Nerdy with *Today I Off*, J’urgen & Lolani with *Can’t Let You Go*, Kisha Kay with *Hot Already*, Mantius with *Fully Charged*, Mica with *Loud*, MNR with *Last Time*, Orion with *Not Going Home*, QPid with *De Fete Mad*, Ricky T with *True Colours*, Sedale, Hollywood HP & Deevon with *Bring Your Cooler*, Shemmy J with *Even If She Cryin’*, Siah with *No Brain*, Sir Lancealot with *Jusso*, Sly with *Rage (Dewange)*, and Tension with *Actimo*.

    As fans begin rallying behind their favorite artists, the countdown to the 2026 semifinal round is already underway, with expectations growing for another unforgettable showcase of Caribbean musical talent ahead of the year’s Lucian Carnival celebrations.

  • COMMENTARY: Pan in Harmony deserves a standing ovation – Kudos to Jacqui Andre and team

    COMMENTARY: Pan in Harmony deserves a standing ovation – Kudos to Jacqui Andre and team

    On the evening of Saturday, June 6, 2026, St. Gerard’s Hall played host to one of the most memorable steel pan performances in recent Dominica history, as three young ensembles took the stage for the annual “Icons on Steel” charity concert held to raise funds for the Dominica Cancer Society. The audience, made up largely of older residents alongside a smaller group of young attendees, was treated to an evening of varied, high-energy musicianship from the Convent High School Steel Pan Group, and both the junior and senior rosters of Pan in Harmony.

    The thoughtfully structured performance was split into two acts and four segments, bookended by the senior Pan in Harmony band. The Convent High School group closed the first half of the show, while the junior Pan in Harmony ensemble opened the second half after a short intermission. The evening kicked off with an opening presentation from students of Convent Prep, and drew a distinguished guest in Her Excellency President Sylvanie Burton, who attended alongside her husband. After formal opening proceedings including the playing of the national anthem, an opening prayer, and remarks from Pan in Harmony manager Jacqueline Andre, master of ceremonies Charlan Commodore guided the evening’s flow without a single hitch.

    The senior and junior Pan in Harmony bands rolled out a diverse repertoire that opened with the beloved hymn *How Great Thou Art*, before moving through iconic popular tracks including Bob Marley’s *Redemption Song*, John Legend’s *All of Me*, Elvis Presley’s *Can’t Help Falling in Love*, and hits from Bill Withers, Nasio Fontaine, and Jimmy Cliff. The show was originally scheduled to close with a medley of works from Lord Kitchener, but enthusiastic audience calls for an encore of Mighty Gabby’s *Doctor Cassandra* – which had already had the crowd tapping along in their seats – led the performers to bring the track back for a second round.

    While all three performing groups delivered stunning sets, the night was stolen by the all-female Convent High School Steel Pan Group, whose outstanding performance was made even more remarkable by the fact that this was their first public appearance, and the ensemble had only been together for seven months. The students flawlessly performed complex works including Johann Strauss II’s *The Blue Danube Waltz*, Paul Simon’s *The Sound of Silence*, and Hoagy Carmichael’s *Heart and Soul*, with a level of professionalism that more than earned a standing ovation – a honor every ensemble on the night deserved. Though most of the audience remained seated to show their appreciation, the reviewer joined front-row attendee Athie Martin in dancing along to the closing encore, capping off what will go down as one of the finest steel pan events the island nation has seen in recent years.

    That said, the extraordinary success of the grassroots event also laid bare long-running challenges facing the performing arts sector in Dominica, long-time cultural sector advocate Severin McKenzie – an architect and chair of the Alwin Bully Foundation Inc. with more than five decades of arts involvement – notes in his review. Notably absent from the audience were elected politicians from all parties, state cultural agencies, and almost all major local media outlets, with only Dominica News Online in attendance. Many other key stakeholders who hold influence over the growth and development of the performing arts were also missing from the crowd.

    Despite St. Gerard’s Hall management offering the venue for the event at no cost, the facility’s conditions are far worse than they were in the 1970s, when the People’s Action Theatre staged regular productions there. It is unacceptable, McKenzie argues, that young local performers in 2026 are forced to work in substandard conditions, while the Arawak House of Culture remains shuttered and underdeveloped after suffering damage during Hurricane Maria.

    McKenzie says the Dominica Festival Commission (DFC) and Discover Dominica Authority cannot ignore the quality of work put on display at *Icons on Steel*, and is calling for Pan in Harmony to be granted a prime-time performance slot at the 2026 World Creole Music Festival, rather than being sidelined to a low-profile fringe event. The DFC holds a responsibility not just to book global stars for the annual festival, but to nurture and elevate emerging local talent, McKenzie notes. Thirty minutes of the high-quality steel pan performance showcased on June 6 would be a electrifying addition to any WCMF lineup, he argues, giving audiences a memorable local interlude between international headliners.

    The standout performance from the Convent High School Steel Pan Group also offers a clear blueprint for education authorities looking to introduce steel pan education into national school curriculums, McKenzie adds. His observation that most local media declined to cover the event points to a broader trend in Dominica: performing arts events rarely receive public attention unless they center an expensive international artist that gets extensive promotional backing. While non-Bouyon genres including steel pan, poetry, and theater have long been sidelined with little public or institutional support, the extraordinary talent on display at *Icons on Steel* offers a spark of hope for the future of local cultural expression. For that reason, McKenzie says, Jacqueline Andre and the entire Pan in Harmony team deserve widespread public recognition and ongoing support for their outstanding work nurturing the next generation of Dominican musicians.