分类： entertainment

Trinidadian gospel-reggae artist Sherwin Gardner has achieved remarkable chart success with his inspirational anthem ‘Find Me Here (Blessings Find Me)’, securing the #44 position on Billboard’s prestigious 2025 Hot Gospel Songs Year-End Top 50 chart. This accomplishment caps an extraordinary journey for the track that initially gained momentum through social media platforms before conquering multiple Billboard charts.

The song’s resurgence began when it went viral on TikTok over a year ago, sparking a renewed commercial and radio presence that propelled it to peak positions across several charts. The track reached #2 on the Gospel Digital Song Sales chart and climbed to #10 on the Hot Gospel Songs chart in January 2025, maintaining presence for over 23 non-consecutive weeks. Its cross-genre appeal was further demonstrated through appearances on the US Afrobeats Songs chart and World Digital Song Sales chart.

This marks Gardner’s second significant entry on the Gospel Airplay chart, following his 2017 single ‘Because of You’ which peaked at #18. The viral phenomenon has generated staggering numbers with 2.3 billion TikTok views and more than 50 million streams across platforms to date.

Gardner recently expanded the project by releasing the ‘Find Me Here’ EP on January 17, 2025, through Flow Masters/Tyscot Records LLC. The extended play includes the collaborative track ‘My Blessing’ featuring Kevin Downswell and Positive. The artist has previously worked with Jamaican gospel deejay DJ Nicholas, demonstrating his collaborative approach to gospel music.

The 2025 Billboard Hot Gospel Songs Year-End chart was dominated by Cece Winans, who claimed both the #1 position with ‘That’s My King’ and #2 with ‘Come Jesus Come’.

The year 2025 witnessed Jamaican social media creators evolving from mere content producers to cultural architects, fundamentally reshaping digital discourse and entertainment landscapes. These digital innovators transcended traditional viewership metrics, establishing profound connections with audiences through authentic storytelling and culturally resonant humor that came to define Jamaica’s online identity.

Leading this cultural transformation was Karlando ‘Bad Sekki’ Bailey, whose journey from security officer to digital sensation culminated in unprecedented social media influence. With 295,000 followers and 47.5 million likes, Bailey’s comedic TikTok content captured national attention through his viral election parody. His fictional For Jamaican People party’s victory against Reuben ‘Ganja Clauze’ Hussey’s Jamaica National Party evolved from digital satire to real-world recognition, earning both creators meetings with Prime Minister Andrew Holness and other government officials.

Kemar ‘Candy’ Jones emerged as Jamaica’s slang innovator, amassing 213,000 followers through razor-sharp wit and phrases like ‘Mi dear’ and ‘Paaaay dead gyal’ that permeated national vernacular. Despite navigating legal challenges, Jones’ cultural impact remained undiminished, with devoted ‘Candyoholics’ cementing their status as linguistic trendsetters.

The creative partnership of Adonique ‘Mr Nose’ Cole and Melanie ‘Ms Petal’ Welsh demonstrated the power of collaborative comedy. Their ‘Nosey Landlord’ series transformed mundane tenant-landlord dynamics into viral gold, with Cole’s personal journey from Edna Manley College rejection to digital stardom adding depth to their success story.

Jhaedee ‘Jaii Frais’ Richards maintained audience engagement through Toxic Talk and Let’s Be Honest podcasts, featuring prominent guests including political figures Mark Golding and Dr Christopher Tufton. Despite controversy surrounding his Prime Minister’s Youth Award nomination oversight, Richards sustained momentum through consistent high-profile content.

Hakeem ‘Uncle Tries’ Bryan expanded his culinary review brand into diverse experiences including awards ceremonies, pilates, and farming collaborations. His family-friendly content partnerships with major brands like Suzuki and Red Stripe demonstrated the commercial viability of authentic digital storytelling.

Reuben ‘Ganja Clauze’ Hussey’s uptown Jamaican perspective provided sophisticated social commentary through the viral election parody. Although his JNP party conceded defeat, the campaign’s cultural impact earned him mainstream recognition and an invitation to the Prime Minister’s swearing-in ceremony.

Juliet ‘Julie Mango’ Bodley combined cultural comedy with mental health advocacy, delivering skits celebrating Jamaican traditions while advancing important social conversations through platforms including a TEDx talk in New York.

Joan McKenzie’s character-driven content, featuring memorable personas like ‘Miss Gladys’ and ‘Princess’, earned her second runner-up in the Miss Clarendon Festival Queen competition alongside awards for best performance and social media popularity.

Rushane ‘RushCam’ Campbell balanced entertainment with substance through his No NDA podcast, hosting candid discussions with guests including his mother Ruth Ann Byfield. His hosting of the Fenty launch at Fontana Pharmacy marked his transition into mainstream brand partnerships.

Joel Youngsang and Chris ‘Seelaing’ Laing sustained their comedic partnership through culturally grounded skits including their popular ‘How Jamaicans Name Roads’ series, maintaining audience engagement through authentic brand integrations.

Honorable mentions included Daindra Harrison, Evert ‘Evy Royal’ Johnson, and RickyTheStoryTeller, whose sustained cultural contributions demonstrated the enduring vitality of Jamaica’s digital creative community.

KINGSTON, Jamaica — In a significant move within the entertainment industry, global spirits giant Campari has entered into an exclusive year-long title sponsorship agreement with Jamaica’s acclaimed Sandz Music Festival. The newly branded ‘Campari Sandz’ initiative officially commences with its inaugural event on January 1st at Stadium East, featuring chart-topping dancehall sensation Skippa as the headline performer.

Dominic Bell, Communications Manager at Campari, emphasized the strategic alignment between the brand and the festival during an exclusive interview. “Campari strategically positions itself at the convergence of lifestyle, culture, and entertainment—spaces where our consumers naturally congregate,” Bell stated. “Sandz generates exceptional moments of social connection for enthusiasts of premium dancehall entertainment. Our presence in these cultural environments is paramount, and through serving our signature cocktails at Campari Sandz, we’re enhancing experiences where communities unite to forge enduring memories.”

The partnership will see multiple festival editions across Jamaica throughout 2026, including productions in Kingston, Ocho Rios, St. Elizabeth, and a debut staging in Montego Bay. Bell revealed exclusive patron benefits: “The first 100 customers purchasing a 750ml bottle of Campari at Ready Stock Wholesale will receive complimentary event tickets. Attendees can anticipate specially curated cocktail bars featuring favorites like Campari Grapefruit, Campari Orange, and Rumpari.”

Notably, the collaboration carries substantial economic implications. Bell highlighted Campari’s commitment to Jamaica’s orange-economy recovery, which constitutes approximately 5% of the nation’s GDP. “With many communities still rebuilding after Hurricane Melissa, it’s crucial for international brands to invest in Jamaica’s entrepreneurial class who employ, entertain, and elevate local communities,” Bell explained. “This investment simultaneously strengthens the global appeal of Brand Jamaica’s entertainment exports.”

Carlton Davy, Director of Twenty14 Jamaica Limited, expressed profound enthusiasm for the partnership’s potential. “This year-long contract signifies a powerful commitment toward building sustainable, impactful entertainment experiences,” Davy noted. “We’re particularly excited to introduce the premium J Wray & Nephew portfolio to our audience, elevating the Sandz experience through superior taste offerings.”

Davy characterized the agreement as a transformative milestone for the Sandz brand, stating: “Securing a global partnership with Campari validates our evolution into a premier Caribbean lifestyle festival. This endorsement reflects confidence in our vision and execution capabilities, establishing foundations for enhanced productions and deeper patron engagement across all international stagings.”

Since its inception at Sugarman’s Beach in Portmore during May 2014, Sandz has expanded from a local celebration to an international phenomenon with editions in Florida, Atlanta, New York, Canada, and England. The festival has progressively evolved from traditional VIP/general divisions toward inclusive, premium-oriented experiences featuring table sections and cabanas.

The January 1st event will feature musical orchestration by DJs Ricky Platinum, Prince Royal, DJ Dwayne, Di Unit, Fyahman, and Vinchi, promising an immersive journey through dancehall excellence.

Against a backdrop of post-hurricane recovery, the annual Christmas Comedy Cook-Up at Jamaica Pegasus Hotel became an unexpected sanctuary of laughter and emotional release for hundreds of attendees. Despite initial concerns about ticket sales that nearly caused organizers to cancel the event, patrons flocked to the Boxing Day celebration, demonstrating a profound community need for comic relief.

The production, orchestrated by Ian “Ity” Ellis of Ellis International, faced unprecedented doubts during its planning phase. “This is the first year we’ve put on this show with doubts,” Ellis revealed, noting that proper marketing only commenced in mid-December. “Even with the last three days it looked like a colossal failure; we were about to call it off.”

Yet the event proved transformative as a stellar lineup of comedians delivered masterful performances. The roster included Spanish Town-based Pacco, Barbados native Simon Alleyne, Fancy Cat, Owen “Blakka” Ellis, Kathy Grant, Trinidadian Allan D’Entertainer, Leighton Smith, and Dufton Shepherd—each bringing distinctive comedic perspectives that explored relationships, Jamaican culture, food, and politics.

Grant, who recently earned a doctorate in curriculum instruction, demonstrated exceptional improvisational skills. “I started to feed off the audience and gauge what jokes to deliver,” she explained, noting relationships remain her comedic cornerstone. Fancy Cat reflected on the special nature of this year’s event, emphasizing the challenge and blessing of crafting humor during difficult times.

The evening included a poignant moment as Owen “Blakka” Ellis received recognition for his 40-year contribution to comedy. His approach—developing themes rather than scripting routines—exemplified the organic nature of the art form. “I have become accustomed to trusting the energy of the room,” he noted.

International performer Simon Alleyne praised the Jamaican audience’s warmth and the event’s impeccable organization, while Pacco expressed the pressure and honor of his first official booking at the prestigious show.

The Christmas Comedy Cook-Up originated in 2004 when Caribbean comedians envisioned creating a collaborative space in Jamaica. Ellis reflected on its enduring power: “The power of laughter is unquestionable. Some people are depressed and they come for the laughter.” The event ultimately demonstrated how comedy serves as both entertainment and essential therapy for communities facing adversity.