分类: entertainment

  • Ten set to compete for national calypso crown

    Ten set to compete for national calypso crown

    The road to the prestigious Calypso Monarch title has narrowed, after a panel of expert judges selected nine competing finalists during a packed semifinal event held Sunday evening at the National Cultural Centre on Barnards’ Hill, Castries. The defending 2025 titleholder, Dezral, will automatically retain his spot in the final round, bringing the total number of competitors vying for the crown to 10 when the grand final kicks off on July 11 at the Sab in Vigie.

    Eighteen talented calypsonians took the stage for the two-song semifinal competition, turning the National Cultural Centre into a hub of electric energy. The venue was filled to capacity inside, while hundreds more gathered outside to soak in the lively festival atmosphere, viewing all performances on a large outdoor screen.

    Fan enthusiasm ran particularly high for Gumtion, who delivered a standout pair of performances with his first-round track *Black Man* and second-round number *Creole Therapy*. Making his impressive local debut, current U.S. Virgin Islands Calypso Monarch John Gotti also earned widespread acclaim for his renditions of *My Proposal* and *Champion or Trumpion*. Across the competition, six female calypsonians – Nacheal, Menell, Devine, Ready, Lushanne and Mica – delivered powerful, soulful vocal performances, with three of the group advancing through to the final round.

    The final lineup boasts impressive depth of experience, with five former Calypso Monarchs claiming spots: TC Brown, Educator, Menell, Herb Black and Walleigh. Rounding out the nine selected finalists are former National Carnival Queen Lushanne, Gumption, Ready, and Gotti. Ahead of the final, defending champion Dezral offered excited fans an early preview of his upcoming performance, staging a playful “mock trial” segment centered on the Joy case to showcase one of his new tracks.

    The July 11 final is already building anticipation among calypso fans across the region, who are preparing to see which artist will claim one of Caribbean music’s most celebrated competitive titles.

  • Twaalf nieuwe SuriPop-composities feestelijk gelanceerd: liefde voert de boventoon

    Twaalf nieuwe SuriPop-composities feestelijk gelanceerd: liefde voert de boventoon

    Suriname’s iconic annual popular song competition SuriPop has officially launched its 23rd edition, with 12 diverse finalist compositions spanning emotional, artistic, upbeat and unexpected styles revealed to the public on Sunday. The 2026 iteration brings a groundbreaking change to the long-running contest: for the first time in the competition’s history, participating composers are allowed to perform their own entries on the final stage, a new opportunity that two competitors have already chosen to take advantage of.

    The celebratory launch event was hosted in Suriname’s Wanica District, where unforeseen severe thunderstorms threw early logistics into disarray for organizers. The designated public parking lot partially flooded, and the planned red carpet welcome for artists arriving via party bus had to be scrapped entirely. Despite these weather-related disruptions, the atmosphere among attendees remained energetic and enthusiastic, with audience excitement never dipping throughout the reveal. Fans cheered loudly, chanted the names of their favorite competing composers, and openly showed their appreciation for the new set of finalist works. One entry even earned a near-standing ovation from the gathered crowd before the official competition begins.

    Before the presentation of the finalist songs, the event opened with a moment of remembrance honoring four former SuriPop participants who have passed away: Ruben Swedo, Maurice Michel Janssen, Jennifer Naarden and Kenneth Arias. A special tribute was paid to Arias, who gained widespread fame for performing the beloved track *Wi Na Wan* composed by Julius Vreden. In a moving show of respect, the entire audience joined together to sing Arias’ iconic hit in unison.

    This year’s field of competing composers brings a warm, community-focused dynamic to the contest, with pairs ranging from a father-son duo and a brother-sister team to two close long-time friends. The most unique entry pairing comes from a grandfather and granddaughter, who are competing as separate individual finalists this year. All 12 finalists were given the chance to share context about their compositions, opening up about their personal sources of inspiration, the core messages they hope to convey, and the creative goals behind their work.

    Love emerges as the central unifying theme across most of the 2026 finalist entries, but competitors have also incorporated a range of thoughtful social and cultural topics into their work. One composition centers on promoting acceptance of people living with visual impairments, while another celebrates the rich, varied culinary traditions that define Surinamese cuisine. That latter food-themed entry earned particularly enthusiastic reception from the launch event audience, drawing a lengthy round of applause that saw a large portion of the crowd rise to their feet to cheer on the composer and performers.

    The grand final of the 23rd SuriPop is scheduled to take place on August 1 at the Anthony Nesty Sports Hall. The full list of 12 competing finalist entries is: *Tru Lobi Agin* by Roian Atmopawiro, *Lib’ en So* by Damian Jihntoe, *No Syi Mi Trafasi* by Sjachnae Astria Pengel, *Lobi Tori* by Eunice and Rudy Fernand, *Moy Bromki Fu Mi* by James and Quin Spong, *A Fos Bosi* by Touril Yvonne Dikmoet, *Mek Mi Sor Yu Fa Mi Lob Yu* by Antuan Djoe, *Den Sranan Kukru* by Ferdinand Gustaaf Schet, *Mek Lobi Kon Hesi* by Marcel Pinas, *Mi E Misi Yu* by Martin Gefferie, *Konsensi* by Rodney Deekman, and *Fika* by Roberto Banel and Rafiël ‘Raff Chanko’ Abaas. Rodney Deekman and Rafiël ‘Raff Chanko’ Abaas will make history in this edition as the first composers to perform their own entries during the SuriPop final, taking advantage of the contest’s new rule change.

  • Destiny Wagner Talks Miss Universe: Is Belize Ready?

    Destiny Wagner Talks Miss Universe: Is Belize Ready?

    As the 75th Miss Universe global competition draws near this November in Puerto Rico, Belize’s national pageant franchise has entered a transformative new era, with ownership officially transferred to El Salvador-based production firm Americas Events. In a major announcement this month, the new ownership named Destiny Wagner – Belize’s groundbreaking first Miss Earth winner – as the franchise’s National Director, tasking her with overhauling the national pageant system and grooming Belize’s next contestant for the international stage. With applications already open for aspiring contestants and the national coronation slated for mid-August, local outlet News Five’s reporter Britney Gordon sat down with Wagner to unpack the transition and her vision for the program.

    Wagner, who previously founded Belize Pilates, shared that the leadership appointment came as a complete shock. The deal unfolded rapidly: just one day before her public introduction as National Director, she signed her contract after a last-minute meeting with the new franchise owners in Belize. “I initially thought they wanted me to sign on Belize Pilates as the pageant’s official fitness partner – which we are still doing, and that would have been incredible on its own,” Wagner explained. “When they asked me to step into the National Director role, I was hesitant at first. But after reviewing their full proposal, which included extensive research into Belize’s culture, people, and pageant history, I was convinced this was the right move.”

    Americas Events, the new franchise owner, is headquartered in El Salvador with additional offices across the United States and Central America. The foreign ownership structure has drawn some quiet questions locally, but Wagner pushed back on concerns that outside investment would undermine Belizean interests. “Foreign investment in local pageantry is not a bad thing – it brings valuable resources that young Belizean competitors simply would not have access to otherwise,” she noted. “It is very common for international pageant franchises like Miss Universe and Miss Earth to be owned by entities based outside the country they represent. I am the local face of this initiative, and I would never accept a role that would hurt our delegates or damage my country’s reputation. Belize’s best interests are at the core of every decision I will make, always.”

    With just five months between now and the November Miss Universe competition, the timeline to crown and prepare Belize’s representative is tight. But Wagner, who personally pulled together her own Miss Earth preparation in just two weeks, says the compressed schedule is far from an insurmountable barrier. She has opened casting to all eligible Belizean women, urging candidates to focus on their purpose rather than the logistical challenges of preparation. “The ‘why’ behind joining has to be bigger than the question of ‘how’ you will get it all done,” she said. “I promise every contender, and the eventual winner, will get full support and all the tools they need to succeed on the global stage.”

    Wagner framed her leadership approach as rooted in radical collaboration, rather than top-down management. “This is not something I can build alone, and it’s not something Belize can accomplish in isolation,” she explained. “We are inviting every person and organization that wants to collaborate to join us. Our goal is to give our eventual delegate every possible opportunity and every resource she needs – whether that support comes from local partners or international connections. When we work together, we can turn our representative into a force to be reckoned with at Miss Universe.”

    The first public casting call is scheduled for July 4 at Belize Pilates, with the national Miss Universe Belize coronation set to follow in mid-August.

  • The Carenage comes alive for 3rd annual We Pan Fest

    The Carenage comes alive for 3rd annual We Pan Fest

    On Sunday, June 28, 2026, the waterfront district of The Carenage in Grenada transformed into a vibrant hub of rhythm, joy, and communal connection, as the third annual We Pan Fest kicked off at the Pedestrian Plaza. The one-day cultural gathering united hundreds of attendees spanning generations—from local families and emerging steelpan musicians to established performing artistes, small business vendors, and out-of-town patrons—all gathered to honor one of Grenada’s most cherished cultural traditions.

    Organized by Senator Claudette Joseph in partnership with the local Carenage community, the festival carries a dual mission: to preserve and elevate Grenada’s iconic steelpan heritage, while creating tangible economic and social opportunities for local creators and small entrepreneurs. For Senator Joseph, the event is far more than a concert—it is a vehicle for community-building rooted in shared cultural identity.

    “We Pan Fest continues to reflect my mission of community development through culture, togetherness and opportunity,” Joseph shared in her remarks during the festival. “It is a joy to see The Carenage filled with families, musicians, vendors and residents celebrating something that belongs to all of us. This is how we build pride in our communities and create spaces where people feel connected.”

    This year’s iteration marked notable growth for the still-young festival, expanding its steel orchestra lineup from four groups in 2025 to six ensembles in 2026, giving attendees a broader, more dynamic showcase of Grenada’s thriving steelpan movement. The lineup welcomed first-time participant Corinthians Steel Orchestra, alongside returning favorites including River Road Pan Wizards, Republic Bank Angel Harps, IMA Rainbow City All Stars, Nexa New Dimension, and the reigning Panorama Champions Co-op Bank Commancheros.

    Beyond steelpan performances, the full evening of entertainment featured a diverse lineup of homegrown Grenadian vocal and performance artistes, including Blaka Dan, General PP, Temptress, L.E.D. Bad Artiste, Zeal, Khaos, Alma Boy, Hitz, and Yung Pert, with acts curated to appeal to attendees of all age groups.

    The festival also incorporated heartfelt commemorative moments that honored the legacy and community of steelpan in Grenada. Aligning with the seasonal timing of the event, Senator Joseph led a tribute to recognize the lifelong contributions of fathers who have dedicated their time and talent to advancing the steelpan art form. Attendees also paused for a moment of silence to honor pan players who had passed away in the 12 months leading up to the festival, acknowledging their enduring impact on Grenada’s cultural landscape.

    The event earned high-level support from Grenada’s national leadership, with Prime Minister Dickon Mitchell making a special appearance to greet the crowd and deliver a short address affirming his backing for the festival and the broader Grenadian steelpan community. Mitchell also posed for photos with the newly formed Corinthians Steel Orchestra during his visit.

    As the final notes of the evening rang out across The Carenage, organizers expressed their sincere gratitude to every group and individual that contributed to the festival’s success, including performers, vendors, corporate sponsors, volunteer staff, the production team, the Royal Grenada Police Force, and every patron who attended. Already, planning work is underway for the 2027 edition of We Pan Fest, which is scheduled to take place on Father’s Day, as the event solidifies its place as one of Grenada’s premier annual celebrations of culture, community, and national pride.

  • ‘I Wouldn’t Put Myself in a Situation to Hurt My Country’, Says New MUB Director

    ‘I Wouldn’t Put Myself in a Situation to Hurt My Country’, Says New MUB Director

    Just weeks ahead of the official casting process for the next Miss Universe Belize (MUB), newly appointed national director Destiny Wagner has broken her silence on the controversy surrounding the franchise’s new ownership, pushing back against criticism and stressing that her top priority remains lifting up Belizean women competing on the global stage.

    Wagner, who took on the role after the franchise was transferred to an El Salvador-based production company, says the appointment came as a completely unexpected turn. “It was definitely not something that I had on my vision board this year, but I’m a firm believer that when an opportunity comes your way, it wouldn’t have come your way if it weren’t meant for you,” she shared in her first public interview since taking the position with local outlet News 5. In fact, Wagner was only contacted about the role the day before her public appointment and signed her contract the night before the official announcement.

    The cross-border transfer of ownership has sparked public pushback, with critics raising concerns about foreign control of the national pageant brand. But Wagner argues that foreign ownership of international beauty pageant franchises is far from an unusual practice, and that outside investment can deliver tangible benefits for emerging local talent. “A lot of pageants in Miss Universe or Miss Earth have franchisees that don’t live in that country but own the franchise, but what they bring is valuable resources that the young women can benefit from,” she explained. She emphasized that she would never accept a role that would harm Belize or the young contestants competing in the pageant, adding, “I have Belize’s best interests at heart, and I always will.”

    Despite initial hesitation about stepping into the high-profile, controversial role, Wagner says she ultimately agreed to take the position after aligning with the production company’s long-term vision for the Miss Universe Belize program.

    The leadership transition has not been without conflict, however. Former national director Destinee Arnold has already publicly stated she plans to mount a legal challenge to reclaim the franchise rights in 2027.

    For the 2026 competition cycle, the process is moving forward as planned. An open casting call is scheduled for July 4 at Belize Pilates, running from 8 a.m. to 2 p.m. Wagner confirmed that the national Miss Universe Belize pageant will be held in mid-August, with the winner going on to compete in the international Miss Universe competition scheduled for November.

  • Soca semis deliver, stage set for finals

    Soca semis deliver, stage set for finals

    The race to claim the 2026 Groovy and Power Soca Monarch titles heated up dramatically last Friday, when 40 competing artists took the stage at Saint Lucia’s National Cultural Centre to fight for one of the coveted spots in the July 10 grand final. What unfolded was a high-energy, unforgettable night of Caribbean musical celebration, as every performer pulled out all the stops to win over both the panel of official judges and the packed audience in attendance.

    The evening opened with the highly anticipated Groovy Soca segment, which delivered no shortage of standout showings. Several acts earned roaring cheers from the crowd, including Kisha K’s rendition of *Done*, Ricky T’s *Not Kissing A$$*, Arthur Allain’s *Work on Pause (#WOP)*, and Shemmy J’s *Everything*. The electric atmosphere built through the intermission, carrying straight into the high-octane Power Soca segment, where fan engagement hit new heights. Standout sets in this round included Ezra D’Funmachine’s *Salute*, Shemmy J’s *Even If She Crying*, the collaborative *Mad People* from Bronx, Dhirv 2 Frunny & Mata, Sirlancealot’s *Jusso*, *Bring Your Cooler* by Sedale, Hollywood & Deevon, and Team Tension’s *Actimo*.

    By the end of the night, the audience’s reaction proved to be a remarkably reliable predictor of which acts would move forward: almost every performer that earned the loudest applause and biggest cheers secured a spot in the upcoming final. Five competitors have a rare shot at double glory: Ezra D’Funmachine, Kisha K, Ricky T, Shemmy J, and Sly all qualified for both the Groovy and Power categories, giving them two separate opportunities to take home a 2026 title.

    All eyes now turn to the SAB venue in Vigie, where the 2026 final will be held. Defending Groovy Monarch Nerdy and current Power Monarchs Dezral & Jardel will take the stage to defend their crowns against the newly qualified contenders. For fans hoping to catch the historic final, advance tickets are priced at EC$60, available for purchase online via 4circlestickets.com, at all The Cell outlets across the island, and at Steve’s Barbershop in central Castries. Tickets purchased at the gate on the day of the event will be priced at EC$80.

  • Caribbean Soca Artist Oscar B Dies

    Caribbean Soca Artist Oscar B Dies

    The Caribbean music community is in mourning this week following the passing of legendary Trinidadian soca artist Oscar Dennis Benjamin, professionally known as Oscar B, who died on a Sunday morning in June 2026 after a prolonged battle with illness. Fans across Belize – a nation where his upbeat tracks became a staple of annual national September celebrations – are among the thousands grieving the loss of a performer who built a decades-long bond with local audiences.

    Oscar B first catapulted to international recognition as the lead vocalist for Byron Lee and the Dragonaires, a group widely regarded as one of the most influential soca and calypso acts in Caribbean history. It was during his tenure with the band that he first established his deep connection to Belize, joining the group for annual performances during the country’s September independence celebrations, quickly growing from a visiting performer to a familiar, fan-favorite figure.

    After departing the Dragonaires to pursue a solo career, Oscar B refused to let his relationship with Belizean audiences fade. He continued to return to the country for regular tour dates, delivering high-energy live sets that drew sell-out crowds, and became just as famous for his iconic signature “butterfly” dance move as he was for his catchy, rhythm-driven tracks.

    In a touching show of regional support just days before his death, Tobago’s Chief Secretary Farley Augustine announced during a budget debate in the Tobago House of Assembly that lawmakers had approved emergency funding to cover Oscar B’s ongoing medical costs. In his announcement, Augustine highlighted the underrecognized impact the singer had on Caribbean culture, noting, “We have Oscar B ordinarily singing at our functions and not realising his mark on the region and the globe.”

    In the wake of his passing, heartfelt tributes have flooded social media and community spaces from both Tobago and Belize, with countless fans sharing intimate, personal memories of interactions with the star. One woman recalled celebrating her wedding anniversary on Caye Caulker when she and her husband encountered Oscar B at the famous Split beach spot. After asking for a photograph and mentioning their special occasion, she said the singer immediately serenaded the couple with an impromptu performance that made their day unforgettable.

    Another fan shared the story of being pulled on stage at the Biltmore to dance the iconic butterfly alongside the performer, describing the moment as one of the most joyful experiences of her life. Other memories include a private performance at a friend’s 50th birthday party in 2018, and a 2017 encounter at a Belize City store where Oscar B signed a Trinidadian one-dollar bill for a fan as a personalized keepsake. For many, the legacy of Oscar B extends far beyond his music, living on in the small, kind moments he shared with fans across the Caribbean.

  • Tributes pour in for Oscar B

    Tributes pour in for Oscar B

    The global Caribbean music community is gripped by sorrow this week following the passing of beloved, trailblazing soca performer Oscar “Oscar B” Benjamin, who breathed his last early Wednesday morning. The 57-year-old artist, a lifelong resident of Signal Hill, Tobago, had been battling health complications after suffering a severe stroke back in May, and his sudden passing came just hours before a community-organized benefit concert intended to cover his mounting medical costs and support his ongoing recovery.

    The Tobago Family and Friends Healing Concert had been planned weeks in advance for the Shaw Park Cultural Complex, scheduled to kick off Wednesday evening. Following confirmation of Benjamin’s death, event organizers and the Division of Tourism, Antiquities and Creative Industries operating under the Tobago House of Assembly announced the show would go forward as originally scheduled, but would be reimagined as a moving celebration of Benjamin’s life and his decades-long contributions to the evolution of Caribbean soca culture.

    Within minutes of the official announcement of his passing, tributes began pouring in from across the music industry, government circles, and the local Tobagonian community, all honoring the iconic artist’s legacy. In an official statement released Wednesday, Trinidad and Tobago’s Ministry of Culture and Community Development hailed Benjamin as “a cherished son of Tobago and a celebrated ambassador of our culture”, highlighting his journey from a young choir singer to one of the region’s most recognizable soca performers.

    Benjamin first nurtured his passion for music as a young member of his local church choir, before launching his professional musical career in 1982 when he joined the iconic Signal Hill Alumni Choir. Minister of Culture and Community Development Michelle Benjamin shared a heartfelt tribute to the late artist, noting that Oscar B devoted his entire life to spreading the joy of Caribbean music, delighting audiences across the globe, and proudly uplifting his home of Tobago every time he stepped onto a stage.

    “It is especially heart-breaking that he passed away less than 24 hours before the scheduled Tobago Family & Friends Healing Concert, an event organized by those who loved and admired him to support his recovery following his recent illness,” Minister Benjamin said. “While he may not have witnessed that extraordinary outpouring of affection, it stands as a lasting testament to the lives he touched and the deep respect he earned throughout his career.”

    Veteran soca legend Austin “SuperBlue” Lyons was among the first fellow artists to share his condolences publicly on social media. “Waking up to sad news this morning hearing my dear Friend Oscar B pass away. May you fly with the angels above until we meet again. Always enjoy watching your performance. You will be missed. Rest in Peace,” Lyons wrote in his social media post.

    Signal Hill Secondary School, Benjamin’s alma mater, also shared a tribute remembering the star as far more than a talented performer, calling him “a living legend” whose impact extended far beyond the stage. Former Minister of Tourism, Culture and the Arts Randall Mitchell also offered his condolences, writing: “Oscar, boy we had some really good moments. Thank you for the entertainment and the performances, always. Fly high and rest in eternal peace.”

  • Grand finale delivers unforgettable moments at St. Kitts Music Festival

    Grand finale delivers unforgettable moments at St. Kitts Music Festival

    After three straight nights of electrifying performances spanning genres, generations, and global talent, the 28th annual St. Kitts Music Festival concluded in spectacular fashion on Saturday night, capping an event that organizers and attendees alike are calling one of the strongest editions in the festival’s decades-long history. The closing night’s lineup blended A-list international stars, beloved regional favorites, and standout local acts, turning the final evening into a memorable celebration that left crowds buzzing long after the last note rang out.

    Headline performer Fantasia, a celebrated Grammy Award-winning R&B vocalist, kicked off the night’s high-profile sets with a powerhouse performance that held thousands of attendees spellbound. She wove together decades of fan-favorite hits, from soulful staples like *When I See You* to the raw, emotional *Lose to Win*, before surprising the crowd with a moving cover of Whitney Houston’s iconic I Wanna Dance with Somebody that had the entire venue on its feet. The evening took an even more joyous turn when the festival surprised Fantasia mid-set with an on-stage birthday celebration. As sparkling fireworks lit up the St. Kitts skyline and a custom cake was brought out, thousands of fans sang out birthday wishes in unison, creating the most talked-about heartfelt moment of the entire three-night event.

    Following Fantasia’s unforgettable set, legendary reggae trailblazer Beres Hammond took the stage to a roaring welcome, leading the crowd on a nostalgic musical trip through his decades-spanning catalogue of timeless hits. Fans of all ages sang every lyric back to Hammond from start to finish, a clear testament to the enduring cross-generational appeal of his work that has made him a staple of Caribbean and global reggae culture for decades.

    Next up, iconic R&B vocal group Boyz II Men brought their signature smooth harmonies and choreographed dance moves to the stage, earning roars of approval from the crowd. The trio also paid homage to the legends that paved their way, delivering soulful renditions of classic Michael Jackson tracks and New Edition’s beloved ballad *Can You Stand the Rain* that had the audience singing along in unison.

    As the night stretched into the early hours of Sunday morning, acclaimed reggae star Tarrus Riley stepped into the closing spot, keeping the energy high for the thousands of enthusiastic fans who stayed on-site to witness the festival’s final moments. Alongside the night’s big-name acts, a host of other talented artists delivered solid sets that resonated deeply with their followers: local standout Zu, rising reggae performer D’yani, iconic reggae artist Luciano, and fan-favorite act Gharlic all earned warm receptions from the crowd.

    Early projections from festival organizers indicate that the 28th edition of the event drew the largest total attendance since the festival first launched, solidifying its standing as one of the premier must-attend music gatherings across the Caribbean. For attendees and artists alike, the 2024 (note: original text refers to upcoming 2026, the 28th is the current concluded edition) festival delivered exactly what makes the event special: a diverse, joyful celebration of music that brings together artists and fans from across the globe against the iconic backdrop of St. Kitts.

  • Milan welcomes hundreds for Dominican Parade 2026 celebration

    Milan welcomes hundreds for Dominican Parade 2026 celebration

    MILAN, Italy — Hundreds of members of Italy’s Dominican diaspora filled the city’s central thoroughfares on Sunday for the 2026 edition of the annual Dominican Parade, turning a routine weekend into a vibrant showcase of Caribbean heritage and community solidarity.

    Now in its fifth year, the procession is far more than a public celebration: it has grown into a cornerstone cultural event that binds together the Dominican community spread across Italy and wider Europe. This year’s gathering was collectively organized by three leading institutions: the Dominican Cultural House, the Dominican Republic Chamber of Commerce in Italy, and the Association of Dominican Professionals in Europe. The event drew a diverse cross-section of participants, including sitting Dominican legislators, long-serving community leaders, and a range of local and international Dominican cultural collectives, all marching together under a shared celebration of national identity.

    The colorful procession set off from the bustling Piazza San Babila in Milan’s city center, winding through popular downtown streets before concluding at the city’s world-famous Duomo di Milano, one of Italy’s most recognizable architectural landmarks. After the march ended, attendees and onlookers alike gathered to enjoy immersive displays of Dominican cultural expression, including live sets of the island’s iconic merengue and bachata music, alongside a lineup of traditional folk performances that brought the historical roots of Dominican culture to life for attendees from all backgrounds.

    The day’s festivities wrapped up with a full concluding cultural showcase staged at Chiesa Rossa Square, featuring cross-cultural performances from two notable artists: award-winning Italian singer Annalisa Minetti and prominent Dominican urban creative Lomiiel. In post-event comments, organizing representatives emphasized that the annual parade serves a dual purpose: it fosters closer connection and mutual support among the tens of thousands of Dominican people living across the European diaspora, while also building greater international awareness and appreciation for the rich cultural heritage of the Dominican Republic beyond the country’s borders.