New York City was abuzz with glamour and creativity on October 28 as notable figures from the worlds of fashion, beauty, and entertainment gathered for a series of high-profile events. Award-winning journalist and beauty expert Kayla Greaves made a striking appearance at Showgirl LIVE: A Modern Renaissance, an exclusive event hosted by Harlem Perfume Co. The evening featured a fireside chat with founder Teri Johnson, celebrating the brand’s latest fragrance, Showgirl, inspired by iconic figures Josephine Baker and Florence Mills. Meanwhile, actress Taylour Paige turned heads on The Jennifer Hudson Show, showcasing a chic fall ensemble that included the Diotima Medusa Skirt and Khaite S/S 2026 Bomber Jacket. Paige discussed her upcoming role in HBO Max’s horror series IT: Welcome to Derry and shared insights into how motherhood has influenced her personal and professional life. Jamaican-Canadian model Winnie Harlow also stole the spotlight, delivering a flawless Halloween-inspired look. Additionally, Harlow paid homage to Whitney Houston by recreating the cover artwork for the legendary singer’s hit I Wanna Dance With Somebody, with the help of makeup artist Adam Burrell and hairstylist Ashanti Lation. The week kicked off with a celebration of fashion and artistry, offering a refreshing blend of inspiration and style.
分类: entertainment
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Shenseea signed to Since ’93 and Columbia Records
Riki Bleau, the visionary founder and co-president of Since ’93, the UK’s premier black-owned record label, has described his collaboration with Jamaican dancehall sensation Shenseea as a “full circle moment.” This partnership marks a significant milestone in both their careers, as Shenseea’s debut single, *Boss Up*, was released under Since ’93 and Columbia Records on October 24. This release follows her departure from Interscope Records last year, signaling a new chapter in her musical journey.
Bleau, a seasoned music executive with deep Caribbean roots, first connected with Shenseea in 2017. Although initial plans to collaborate didn’t materialize, their paths crossed again this summer, leading to a long-term deal. Bleau emphasized the strategic importance of the UK and Europe as pivotal markets for Caribbean and African artists, citing the success of icons like Bob Marley and Shabba Ranks, as well as contemporary stars such as Wizkid and Burna Boy. He expressed confidence in Shenseea’s potential to achieve international acclaim, leveraging the combined expertise of Since ’93 and Columbia Records.
*Boss Up*, produced by Kristopher Riddick-Tynes and Alex Goldblatt, samples Blu Cantrell’s 2001 hit *Hit Em Up Style (Oops!)*. The track is the first step in a broader strategy to elevate Shenseea’s career, building on her established foundation in the US market. Bleau highlighted the collaborative efforts of his team, including Columbia’s marketing experts and Since ’93’s A&R division, to ensure Shenseea’s global success.
Since ’93, founded in 2016, has a proven track record of nurturing talent, having worked with chart-topping artists like Labrinth, Sam Smith, and Tems. Bleau’s Caribbean heritage and personal connections to Jamaican culture have also shaped his career. He has previously managed Popcaan and collaborated with Vybz Kartel, further cementing his reputation as a champion of Caribbean music.
Bleau’s journey in the music industry began at Channel U, a groundbreaking UK youth culture TV platform, where he honed his skills in talent discovery and promotion. His partnership with Shenseea represents not only a professional milestone but also a personal triumph, bridging his Caribbean heritage with his global ambitions.
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As cost of alcohol increases: Kinetic Mas invites people to bring their drinks
In a bold and unconventional move, Kinetic Mas, a prominent Carnival band, has decided to reduce the price of its costumes in response to increased alcohol prices. This decision comes after Trinidad and Tobago’s Finance Minister Davendranath Tancoo announced higher excise duties on alcohol and tobacco during the 2025/26 budget presentation. Rather than passing the increased costs onto masqueraders, Kinetic Mas chose to embrace a nostalgic approach, reminiscent of the days when participants brought their own alcohol to Carnival celebrations. The band’s 2026 presentation, titled *You…The Masterpiece*, designed by artist Sheldon Warner, will proceed despite rising geopolitical tensions and economic challenges. Peter Samuel, the band’s leader, emphasized that their masqueraders are more focused on the artistry of the costumes than the alcohol experience. The band plans to maintain its medium size, hosting around 400 participants, and will offer discounts to early registrants. While the increased alcohol prices pose challenges, Samuel believes this could benefit local vendors and reshape the Carnival economy. However, geopolitical tensions, particularly between Trinidad and Tobago and Venezuela, cast uncertainty over Carnival 2026. Samuel remains hopeful, stating that dedicated masqueraders will still participate. If Carnival 2026 is canceled, Kinetic Mas plans to showcase its creations at other international Carnivals. The band’s decision reflects a commitment to preserving the cultural essence of Carnival while navigating economic and political complexities.
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Egypte opent grootste museum ter wereld gewijd aan één beschaving
Egypt has unveiled a monumental cultural achievement that has captured global attention: the Grand Egyptian Museum (GEM) in Giza. Situated on the outskirts of Cairo, near the iconic Giza Pyramids, this colossal complex is the world’s largest museum dedicated entirely to a single civilization – ancient Egypt. The official opening marks a historic milestone in Egypt’s cultural and tourism history, showcasing over 50,000 artifacts, many of which have never been displayed before. The museum aims to revitalize Egypt’s rich heritage and position the country as a global hub for archaeology, culture, and tourism. The GEM, a national prestige project, took over two decades to complete, with construction beginning in 2002 but delayed by political and economic challenges. With an estimated cost exceeding $1 billion, it stands as one of the most significant cultural investments in modern Egyptian history. The Egyptian Ministry of Tourism and Antiquities describes the museum as a ‘symbol of national pride and cultural continuity,’ expected to boost tourism as Egypt recovers from the economic impacts of the COVID-19 pandemic and regional geopolitical unrest. The museum houses the complete collection of Pharaoh Tutankhamun, featuring over 5,000 items, many previously unseen. Highlights include colossal statues, mummies, reliefs, and papyri spanning thousands of years of Egyptian history. A centerpiece is the massive statue of Ramses II, greeting visitors in the grand entrance hall. Designed by Irish firm Heneghan Peng, the building itself is an architectural masterpiece, blending modern design with ancient Egyptian symbolism. Large glass facades offer views of the pyramids, symbolically bridging the past and present. International collaboration, including significant support from Japan’s International Cooperation Agency, UNESCO, and various archaeological institutions, made the museum possible. Egypt envisions the GEM not only as a tourist attraction but also as a research and educational center, equipped with restoration laboratories, climate-controlled storage facilities, and educational spaces for global scholars. Tourism Minister Ahmed Issa emphasized the museum’s role in Egypt’s strategy to ‘use culture as a driver of sustainable development,’ stating, ‘Our heritage is not just a window to the past but a tool to build our future.’ The GEM is expected to serve as a major economic catalyst, with authorities aiming to attract over 15 million foreign visitors annually by 2026, matching pre-pandemic levels. Tourism accounts for approximately 10% of Egypt’s GDP and is a crucial source of foreign currency. The government is heavily promoting the museum internationally as the ‘gateway to Egyptian civilization.’ International analysts view the GEM as a model for leveraging cultural heritage to enhance national branding, with UNESCO noting that ‘Egypt proves history has future value.’ For developing nations in the region and beyond, the message is clear: investing in culture is investing in sustainable development.
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Nature Isle Soiree event
The Nature Isle Soirée: La Belle en Rouge – Independence Edition promises to be an exquisite celebration of Dominica’s independence, blending cultural heritage with modern sophistication. This elegant event, set to take place on Sunday, November 2, 2025, from 12 PM to 4 PM at OhSake in Lauderdale Lakes, Florida, will showcase the vibrant spirit of the Nature Isle. Attendees can expect a luxurious brunch experience infused with the island’s rich traditions, including live music, madras-inspired fashion, and a touch of Creole elegance. The dress code encourages brunch chic with accents of red and madras, reflecting the event’s theme of cultural pride and contemporary style. Tickets are available at myfetetickets.com. Join this unforgettable gathering to celebrate Dominica’s independence in a setting where culture, class, and island pride converge. #NatureIsleSoiree #DominicaIndependence #NatureIsle #DominicanPride #CreoleElegance #BrunchChic
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Dominican author Edna Pepén launches introspective new novel at Librería Cuesta
The Dominican literary community gathered in celebration last Friday, October 31st, as Edna Pepén introduced her latest novel, *Lorem Ipsum*, to an enthusiastic audience at the Pedro Mir Room in Librería Cuesta. The event, orchestrated by Río de Oro Editores, highlighted the burgeoning influence of contemporary Dominican literature. Emcee Maira Collazo opened the proceedings, framing the novel as a catalyst for introspection and personal reconciliation. A distinguished panel, including author Natividad Lara, editor Rafael J. Rodríguez Pérez, and professor Fioldaliza Mateo, joined Pepén in discussing the work’s profound themes. Lara praised Pepén’s multifaceted persona, emphasizing her ability to transform lived experiences into literary lessons. Rodríguez Pérez, in his review titled *Un lienzo para encontrar(nos)*, described the novel as a deep dive into the human soul, exploring themes of vulnerability, healing, and authenticity. He underscored the book’s unique approach to addressing mental health and emotional struggles with narrative grace. Mateo reflected on Pepén’s early promise and the role of mentorship in her development. The event also featured a video message from Keyla González Báez of Bienetre Editorial, applauding Pepén’s mature and authentic voice. Pepén herself shared her journey from industrial engineering to literature, expressing gratitude for her family and mentors. She revealed that three new works are in the pipeline, heightening anticipation among her readers. *Lorem Ipsum* marks Pepén’s fourth publication, solidifying her status as a leading voice in Dominican literature.
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Lopesan Costa Bávaro goes full Gaga: Halloween show honors pop icon with massive new opening
Punta Cana, DR – The Lopesan Costa Bávaro Resort Spa & Casino has once again redefined Halloween entertainment in the Caribbean with its tenth annual theatrical extravaganza, ‘Luna de Sangre’ (Moon of Blood). This year, the resort introduced a bold new opening act titled ‘Abracadabra,’ a genre-defying tribute to the iconic Lady Gaga, setting the stage for an unforgettable night of performance art. The ‘Abracadabra’ segment delves into themes of internal conflict, doubt, and ethereal glamour, blending opera and theater styles in a provocative homage to Gaga’s avant-garde artistry. Roxanna Román Báez, the show’s General Producer and Artistic Director, emphasized Gaga’s influence, noting her groundbreaking reinvention and unwavering support for the Drag Queen community, who are the stars of the production. The opening act featured 40 dancers, a massive cast-iron cage as a centerpiece, and a meticulously designed light show, setting the tone for the 60-minute spectacle. The full ‘Luna de Sangre’ show transported audiences through a series of elaborate scenes, including ‘Monarca del Infierno’ and ‘Encadenada en el Infierno,’ with dancers adorned in intricate period costumes and fantasy attire. The night concluded with the grand finale, ‘Somos Nosotros,’ a triumphant celebration of the production’s creative vision, led by Román Báez and supported by choreographer Jhoanna Román Báez and costume designers Cristian Adolfo de los Santos and Freddy Fernando Gutiérrez.
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From Morne Du Don to runways in Paris and Milan
Julzzallure, a brand synonymous with bold individuality and innovative fashion, has captured the attention of the global fashion scene. Founded by Julietta Raoul, a Saint Lucian native now residing in Canada, the brand made waves at Paris Fashion Week with its signature hats showcased during the ‘Flying Solo NYC’ production. Fashion Week Online praised Julzzallure for its daring fusion of creativity and sophistication, describing each piece as a celebration of personal empowerment. Raoul’s journey from her humble beginnings in Morne Du Don, Castries, to gracing international runways is a testament to her resilience and passion. Her love for fashion began with hair styling, a skill she honed from the age of eight. After migrating to Canada in 1992, Raoul expanded her expertise, becoming a licensed hair professional and eventually creating the first Afro-textured mannequins in Alberta. Her foray into hat design began in 2024, leading to her participation in Milan and Paris Fashion Weeks. Despite challenges, Raoul’s work received overwhelming acclaim, particularly in Paris. Now, she is developing a line of hair products and planning to showcase her talent in her homeland. Raoul’s advice to aspiring creatives is to embrace their unique ideas and persevere, as every individual has something distinct to offer.


