分类: entertainment

  • Sundiata’s visions of the mind

    Sundiata’s visions of the mind

    After nearly five decades of dedicated artistic practice, Barbadian-born Trinidad-based painter Winston Stewart, professionally known as Sundiata, unveils his comprehensive exhibition \”Visions\” at Arnim’s Art Galleria in Port of Spain. The 75-year-old artist presents approximately 40 oil and mixed-media works that represent the culmination of his lifelong engagement with visual expression.\n\nSundiata’s artistic philosophy centers on raw authenticity, allowing each piece to communicate directly with viewers without intermediary interpretation. \”They’re just an insight into my interests, of how I perceive things and see things,\” the artist explained regarding his exhibition. His creative inspiration derives from continuous engagement with his environment—visual, mental, and social—translated through the distinctive language of art.\n\nThe artist’s background reflects a remarkable synthesis of disciplines. Holding formal qualifications in art, science, and economics, Sundiata received training at the University of Reading in the UK, studied constructivist art in Moscow, and pursued artistic development across multiple countries. This multidisciplinary approach informs his perspective that creative individuals inherently possess capabilities far exceeding societal expectations.\n\nSundiata’s professional journey began with a definitive commitment at age 23 when he abandoned conventional career paths despite societal pressures that dismissed artists as \”crazy or gay.\” His early determination manifested through self-organized exhibitions when traditional galleries rejected his work, eventually leading to international recognition through collector interest and institutional validation.\n\nThe exhibition showcases Sundiata’s stylistic evolution from realism to more expressive forms, featuring architectural elements, figures, still life, and abstract compositions that incorporate aspects of Trinidadian culture. Works including \”Boogsie is Sharp,\” \”Frontline,\” \”St James Hosay,\” \”Femmes aux Mangoes,\” and \”Morning Greetings\” demonstrate his refusal of rigid categorization.\n\nNow celebrating 45 years of marriage and fatherhood, Sundiata maintains his daily artistic practice while rejecting commercial considerations or trends. He creates from genuine motivation rather than market expectations, valuing artistic honesty above external validation. Despite his extensive experience, he remains committed to continuous learning and exploration within his craft.\n\n\”Visions\” runs from December 15 through January 9 at Arnim’s Art Gallery in Port of Spain, offering viewers an intimate glimpse into the mind of an artist who has devoted his life to authentic creative expression.

  • Budding parang star, Beltino Ramdeen

    Budding parang star, Beltino Ramdeen

    In the small village of Sangre Chiquito near Sangre Grande, Trinidad and Tobago, a preschooler has become an unexpected viral sensation through his authentic embrace of traditional parang music. Four-year-old Beltino Chandlin Ramdeen, whose spontaneous maracas performance captivated the nation, demonstrates a natural musicality that runs deep in his family’s heritage.

    The heartwarming story began when Beltino’s grandmother, Allyson Bengochea-Gyton—an established parang vocalist—shared video footage of her grandson confidently shaking maracas (known locally as chac-chac) while dancing with uninhibited joy. The clip rapidly accumulated thousands of views, resonating with viewers across the country who were charmed by the child’s genuine enthusiasm.

    Parang, derived from the Spanish word ‘parranda’ meaning a festive celebration, represents an integral part of Trinidad and Tobago’s Christmas traditions. Typically, parranderos move between households, spreading seasonal cheer through vibrant music, dance, and communal sharing of food and drink while celebrating the birth of Christ.

    For Beltino, however, parang transcends seasonal celebration—it constitutes his daily reality. ‘We don’t wait for Christmas to play music,’ Bengochea-Gyton explained. ‘Some of our videos with him were completely spontaneous—just sitting in the afternoon doing nothing, and he will put on music and start shaking his maracas.’

    The young boy’s musical inclination appears deeply genetic. His grandmother leads her own parang and Latin ensemble, Ritmos Calientes, while his late grandfather, Hanuman Ramdeen, played both maracas and cuatro. The musical legacy continues with his step-grandfather Leo Gyton, a lead vocalist and skilled cuatro player, plus multiple extended family members who actively participate in Trinidad’s music scene.

    Beltino’s relationship with his grandmother is particularly harmonized through music. ‘He calls me his Nani,’ she shared, ‘so he will always say, “Nani, sing for me and I will play.”‘ His learning capacity astonishes the family—he recently absorbed Spanish lyrics simply through listening, without formal instruction. His current favorite is a Latin piece by Peruvian band Corazón Serrano.

    This Christmas, the four-year-old has requested a cuatro from Santa Claus, supplementing the maracas he already guards possessively. His family remains committed to nurturing his talent, with plans for music school should his interest persist. Meanwhile, Beltino himself dreams of becoming a doctor—potentially while leading the family band.

  • Keith and Tex still flying flag for rocksteady

    Keith and Tex still flying flag for rocksteady

    As the rocksteady genre approaches its 60th anniversary in 2026, pioneering duo Keith and Tex stand among the few remaining ambassadors keeping this foundational Jamaican music style alive. The pair, who achieved substantial success with late 1960s hits, continue to actively tour and create new music, demonstrating the enduring appeal of the genre that bridged ska and reggae.

    Keith Rowe, based in Tampa, Florida, maintains a radio program dedicated to the rocksteady era (1966-1968), while simultaneously recording and performing with his musical partner. Their latest project, ‘Gun Life,’ produced by Spain’s Roberto Sanchez, represents their ongoing commitment to the genre that produced their classic singles ‘Tonight,’ ‘Don’t Look Back,’ and ‘Stop That Train.’

    Rowe emphasizes the timeless quality of rocksteady in an interview with Observer Online: ‘The rocksteady era produced countless memorable songs whose rhythms have been reinterpreted repeatedly through the decades, affirming their profound impact on Jamaican music. As reggae’s essential blueprint, rocksteady remains a cornerstone of our musical identity.’

    Music historians typically credit Hopeton Lewis’s ‘Take It Easy,’ recorded in late 1966 at Kingston’s Federal Records with Lynn Taitt and The Jets, as the inaugural rocksteady recording. This slower evolution of ska launched the careers of legendary artists including Alton Ellis, Delroy Wilson, Ken Boothe, Desmond Dekker, The Wailers, The Heptones, and numerous other iconic singers and harmony groups.

    The genre experienced significant resurgence during the 1990s through concert series like Heineken Startime, which revitalized careers for many original artists. Keith and Tex have maintained consistent European touring schedules since reuniting nearly three decades ago, with 2024 marking their twelfth consecutive year performing for dedicated audiences abroad where vintage Jamaican music commands substantial followings.

    When asked about his personal rocksteady favorites, Rowe highlighted Alton Ellis’s ‘Willow Tree,’ The Techniques’ ‘Queen Majesty,’ Delroy Wilson’s ‘I’m Still Waiting,’ Bob Andy’s ‘Too Experienced,’ and Hopeton Lewis’s ‘Sounds And Pressure’ as definitive examples of the genre’s enduring artistry.

  • LADC bids farewell to 2025 with a grand show

    LADC bids farewell to 2025 with a grand show

    Havana’s cultural scene is set to dazzle as the Teatro Nacional de Cuba prepares for a spectacular ballet presentation this December. The prestigious Avellaneda Hall will serve as the stage for an extraordinary display of artistic excellence on December 13th at 7:00 PM and December 14th at 5:00 PM local time.

    This significant cultural event will feature the distinguished professional company alongside members of the Vocational Workshops and the Children’s and Youth Ballet. Audiences will witness the remarkable artistic progression of students as they demonstrate their technical mastery and perform alongside established professionals.

    The program will include revivals from the renowned repertoire of Lizt Alfonso Dance Cuba, the acclaimed company established in 1991. Founder Lizt Alfonso, recognized as a United Nations Children’s Fund (UNICEF) Goodwill Ambassador for her cultural contributions, has built an institution that represents the pinnacle of Cuban dance education and performance.

    This year-end presentation offers a unique opportunity to observe the seamless transition of dancers from training to professional performance, highlighting Cuba’s enduring commitment to artistic education and cultural preservation. The event stands as a testament to the country’s vibrant dance tradition and its successful mentorship model.

  • Ardel Laurent announces withdrawal from Miss Dominica pageant

    Ardel Laurent announces withdrawal from Miss Dominica pageant

    In an unexpected development for the Caribbean pageant circuit, contestant Ardel Laurent has formally withdrawn from the upcoming Miss Dominica Queen Pageant. The announcement was jointly issued through an official press release by the Discover Dominica Authority (DDA) and the Dominica Festivals Committee (DFC).

    Laurent’s departure from the national competition stems from personal circumstances demanding her complete attention. The contestant personally addressed her withdrawal with a statement expressing profound appreciation for the opportunity while acknowledging the difficulty of her decision. “This was not an easy decision to make,” Laurent stated, “as I truly value and appreciate the opportunity to be a part of such a prestigious event. I am grateful for the experience, the support and the kindness shown to me throughout the process.”

    Event organizers have responded with understanding and support. Monelle Alexis, Public Relations and Communications Specialist at DDA, commended Laurent’s conduct during her participation: “We respect Ms. Laurent’s decision and wish her continued success in her future endeavors. She has shown great promise and professionalism throughout the competition.”

    The pageant’s organizing committee confirmed that preparations continue uninterrupted for the February 12, 2026 event. The competition remains scheduled as a highlight of Dominica’s Carnival celebrations, with the remaining contestants progressing through their preparatory activities. Officials emphasized that the pageant’s timeline and operations remain unaffected by this development.

  • Ras-I unveils Reggae Mountain (Feel No Way)

    Ras-I unveils Reggae Mountain (Feel No Way)

    Jamaican reggae virtuoso Ras-I has unveiled his compelling new single ‘Reggae Mountain (Feel No Way),’ serving as the inaugural release from his highly anticipated third studio album. This track represents a significant artistic evolution, showcasing a matured musician who masterfully bridges traditional roots reggae with contemporary innovation.

    The composition stands as a spiritual anthem built upon classic drum-and-bass foundations, enhanced by authentic live instrumentation. Drawing inspiration from reggae pioneers like Dennis Brown and Steel Pulse, Ras-I simultaneously cultivates a distinctive sonic identity that remains uniquely his own.

    In a recent statement, the artist revealed his strategic selection of this particular track to establish the album’s overarching tone. ‘We’re bringing feel-good reggae music, and this composition captures that essential energy from the very first note,’ Ras-I explained, emphasizing the single’s capacity to generate positive vibrations among reggae enthusiasts worldwide.

    The release functions as both artistic statement and cultural rebuttal, directly challenging perceptions that reggae’s global influence has diminished. ‘I grew weary of hearing claims that reggae lacks contemporary relevance. This song demonstrates the genre’s enduring power,’ the artist asserted.

    Following his critically acclaimed albums ‘Tsojourna’ (2019) and ‘Kingman’ (2021), Ras-I continues to establish his reputation for creating message-driven music that transcends conventional genre boundaries. His forthcoming project, recorded predominantly with live instrumentation, explores themes of self-reflection, vulnerability, and personal affirmation.

    ‘Reggae Mountain (Feel No Way)’ is now available through Ineffable Records, officially released on December 12, 2025, marking a new chapter in Ras-I’s evolving musical journey.

  • Haitians dance with joy over UNESCO musical listing

    Haitians dance with joy over UNESCO musical listing

    Across Haiti’s vibrant landscape—from the bustling capital of Port-au-Prince to its most secluded villages and throughout its global diaspora—the sensual rhythms of compas music provide a unifying cultural heartbeat. This cherished musical tradition, known locally as konpa or kompa in Creole, achieved international recognition on Wednesday when UNESCO added it to its prestigious Intangible Cultural Heritage list.

    Frantz Duval, director of Haiti’s premier cultural magazine Ticket, emphasized that “compas now stands as Haiti’s primary artistic and musical representation on the global stage.” This cultural milestone arrives as a profound source of national pride for the Caribbean nation, complementing its recent qualification for the 2026 FIFA World Cup amid ongoing challenges of poverty and gang-related instability.

    According to UNESCO nomination documents, compas represents “a defining creation of the Haitian people” that transcends social divisions while forging a unique characteristic within national identity. The genre typically blends percussion, guitars, and keyboard instruments with distinctive syncopated drumming that drives its irresistible rhythm.

    Deeply embedded in Haitian society, compas serves as an essential element of both festive occasions and ritual life, playing pivotal roles in significant moments for individuals, families, and communities. The music resonates daily across the nation—in dance restaurants, public transportation, town squares, and radio broadcasts—with Haitians universally responding to its rhythms through spontaneous head-nodding and dance movements.

    Emmelie Prophete, Haiti’s former culture minister who spearheaded the UNESCO application, described compas as “the collective memory of the nation.” She expressed particular satisfaction that “this recognition comes at a time when we need to discuss Haiti through perspectives beyond political and security challenges.”

    The musical genre traces its origins to a historic July 1955 concert in Port-au-Prince by legendary Haitian saxophonist Nemours Jean-Baptiste. Musician Yves Joseph (known professionally as Fanfan Tibot) explained that compas incorporates African and French influences while drawing inspiration from “Cuban and Dominican songs that Haitians listened to on shortwave radio broadcasts.”

    Pioneering bands like Tabou Combo helped internationalize the genre, with their 1975 track “New York City” achieving success across the Caribbean and in France. This breakthrough prompted strategic shifts toward multilingual performances in English and Spanish, enabling compas to continue crossing borders and winning international admirers.

    Despite Haiti’s status as the Americas’ poorest nation—currently grappling with political instability and gang violence that controls much of the capital—compas demonstrates remarkable resilience. As Duval noted, “It resists crises because everyone listens and dances even during emergencies. If we can’t organize shows in Port-au-Prince, we perform in the regions or within overseas Haitian communities.”

  • Tony Roy reflects on ‘I’d Love You to Want Me’

    Tony Roy reflects on ‘I’d Love You to Want Me’

    For Maryland-based Jamaican artist Tony Roy, 2025 is poised to be remembered as the year of his monumental career breakthrough. This milestone was achieved through his reggae cover of “I’d Love You to Want Me,” a reinterpretation of American singer Lobo’s 1972 hit, which has dominated reggae charts across key markets. Roy’s version ascended to the number one position on both the South Florida Reggae Chart and the Foundation Radio Network Chart in July and August, as officially compiled by esteemed broadcaster Clinton Lindsay. Adding to this achievement, the track secured a placement on the prestigious Jamaica Music Countdown Chart—a particularly meaningful accomplishment for the overseas-based artist. Roy expressed profound satisfaction with this recognition from his homeland, noting the significance of maintaining a musical impact in Jamaica despite his base in the United States. The journey to this hit began in 2021 during a Las Vegas vacation, where Roy first encountered a reggae version by the legendary John Holt. Captivated by the rendition, he later explored Lobo’s original, which had peaked at number two on the Billboard Hot 100. Roy collaborated with co-producer Wayne Holness, who contributed bass guitar and keyboards, to create his distinctive version. A native of St. Thomas parish in eastern Jamaica, Roy immigrated to the U.S. in the 1990s and has been a stalwart of the Baltimore/Washington DC reggae circuit for three decades. He has already followed this success with a new single, “On My Mind,” released on his Whylas Records label.

  • Lemon loaf with glaze for home bakers (with orange variation)

    Lemon loaf with glaze for home bakers (with orange variation)

    Renowned pastry chef Naomi Anderson of Trinidad and Tobago’s Unicakery has unveiled a remarkably adaptable citrus loaf formula that empowers home bakers to create professional-quality results with pantry-staple ingredients. This meticulously crafted recipe serves as a dual-purpose blueprint, effortlessly transforming between vibrant lemon and sweet orange variations through simple ingredient substitutions.

    The foundation combines standard all-purpose flour (2 cups) with leavening agents (2 tsp baking powder) and a pinch of salt, creating a structurally sound yet tender crumb. The moisture-rich batter incorporates plain yogurt (1 cup) for tanginess and tenderness, while melted unsalted butter (5 tbsp) and neutral oil (¼ cup) ensure a luxuriously moist texture. Fresh citrus zest (2 tbsp) provides the dominant flavor profile, complemented by freshly squeezed juice (¼ cup) and enhanced with vanilla and citrus extracts.

    Anderson emphasizes technical precision: proper oven preheating to 350°F (180°C), careful batter mixing to prevent overworking, and strategic foil covering during baking to prevent excessive browning. The optional glaze—a simple combination of icing sugar (1 cup) and citrus juice (2-3 tbsp)—adds professional finishing when applied after complete cooling.

    The Port of Spain-based pastry expert, drawing from twelve years of professional experience, designed this formula specifically for home kitchen execution. Her baking studio has become an educational hub where such recipes demonstrate how scientific precision and creative flexibility can coexist in pastry arts. Anderson encourages variations including poppy seeds, blueberries, or shredded coconut for personalized adaptations.

    This citrus loaf represents more than mere recipe sharing—it embodies Unicakery’s philosophy of making sophisticated baking techniques accessible to community enthusiasts while maintaining professional standards of flavor and texture.

  • Macoy releases Birds of a Feather

    Macoy releases Birds of a Feather

    Richard ‘Macoy’ Valentine, the celebrated winner of Synergy Soca Star 2009 previously known by his stage name Chynee, has announced the forthcoming release of his inaugural studio album scheduled for next year. This significant career milestone follows his recent launch of the 2026 soca single ‘Birds of a Feather’ on December 1st, a vibrant anthem promoting the celebration of life and unwavering friendship.

    Macoy’s artistic journey demonstrates strategic development through diverse collaborations and commercial adaptations. His soca parang single ‘Lopinot’ gained remarkable traction, ultimately capturing the attention of Bhagwansingh’s Hardware which transformed the composition into a commercial jingle. This corporate partnership significantly expanded his audience reach, motivating the artist to pursue similar brand collaborations for promotional opportunities.

    The Trinidadian performer emphasizes that strategic partnerships have been instrumental throughout his career evolution. He acknowledges substantial support from a local comedian who provided performance platforms within comedy events, enabling Macoy to showcase his talent to audiences across Port of Spain, San Fernando, Chaguanas and Chaguaramas throughout this year.

    His collaborative network extends to seven years of work with Chainlinxx Productions, alongside creative partnerships with graphic artist Timothy Bootan, Unique Productions, and multimedia company Akua Ltd. Macoy has consciously utilized constructive criticism to refine his artistry, focusing particularly on vocal technique enhancement as advised by his professional circle.

    Further expanding his creative scope, the artist has partnered with Black Hat Designs to promote a children’s book centered on ‘paying it forward’ principles. While currently focused on Carnival preparations, Macoy aspires to achieve the versatility of dancehall/reggae icon Busy Signal. His debut album will feature 10-15 tracks spanning soca, afrobeats, reggae and dancehall genres, including several collaborative performances.