Carib Scope

分类： entertainment

  • Alaine working on new album, honing new talent

    Alaine working on new album, honing new talent

    Jamaican recording artist Alaine has officially confirmed the development of her first full-length studio album in ten years, marking a significant return to the music scene after a prolonged creative hiatus. The ‘No Ordinary Love’ vocalist revealed in an exclusive Jamaica Observer interview that she is actively crafting new material with renewed artistic vision.

    “The album is finally coming. I’m dedicating myself to creating meaningful music that truly represents my artistic evolution,” Alaine stated. “This project reflects my authentic self and showcases my musical capabilities in ways fans haven’t experienced before.”

    The artist’s discography includes 2015’s ‘Ten of Hearts,’ preceded by the Japan-exclusive release ‘Luv A Dub’ (2009) and her debut album ‘Sacrifice’ (2008). While fans await the new album, Alaine has released the summer-inspired single ‘Summertime,’ a collaborative effort with Protoje released through Indigg.Nation.Collective in September.

    In a noteworthy patriotic gesture, Alaine disclosed her ongoing recording sessions with production team Daseca to create an anthem for Jamaica’s bobsled team. “Their remarkable ascent couldn’t have come at a better time,” she commented, drawing parallels to Jamaica’s growing presence in international basketball.

    The accomplished singer has maintained an active international performance schedule throughout the year, with recent appearances in Florida and The Bahamas, and upcoming shows scheduled in Antigua and Kenya. “Music transcends borders—songs I recorded two decades ago continue to fuel my international touring career,” Alaine reflected on her enduring global appeal.

    Beyond her performing career, Alaine has transitioned from her role as a judge on Digicel Rising Stars to mentoring emerging artists. “I’m committed to supporting talented young performers by providing them with platforms to showcase their abilities during my performances,” she emphasized regarding her dedication to nurturing new generations of Jamaican musical talent.

  • We’re rocking with Burgerman to these Christmas carols this year

    We’re rocking with Burgerman to these Christmas carols this year

    As the holiday season approaches, music becomes an essential ingredient for creating the perfect festive atmosphere. Edge 105 FM’s renowned Burgerman has curated an exclusive selection of Christmas tracks designed to evoke nostalgia, spread joy, and amplify Christmas spirit across households.

    The playlist opens with Chronixx’s poignant ‘Santa Claus (Do You Ever Come to the Ghetto?)’, a modern reinterpretation of Carlene Davis and Trinity’s cultural classic that delivers soulful reflection during the holidays. Chris Brown’s smooth R&B rendition of ‘This Christmas’ provides instant ambiance enhancement for tree decorating ceremonies or Christmas morning activities.

    Stevie Wonder’s timeless ‘Christmas Time’ radiates pure joy with its uplifting melodies, while Jackson 5’s ‘Give Love On Christmas Day’ features young Michael Jackson’s vocals reminding listeners of the season’s core message about love and generosity. No contemporary Christmas compilation would be complete without Mariah Carey’s iconic anthem ‘All I Want for Christmas Is You’, which has become synonymous with holiday season commencement.

    The selection also includes socially conscious contributions from the 2016 Crime Free Christmas Project. Tarrus Riley’s ‘Crime Free Christmas’ promotes peace and unity through smooth vocal delivery, while Busy Signal injects dancehall energy into the traditional ’12 Days of Christmas’ with distinctive Jamaican flair.

    Rounding out the playlist are Carla Thomas’s soulful throwback ‘Gee Whiz, It’s Christmas’ for cozy evenings and Boney M’s ‘When A Child Is Born’, a Caribbean household staple that signals the true beginning of seasonal celebrations.

  • TUCO opens registration for Carnival competitions, awaits sponsors

    TUCO opens registration for Carnival competitions, awaits sponsors

    The Trinbago Unified Calypsonians’ Organisation (TUCO) has officially commenced registration procedures for its highly anticipated 2026 Carnival competitions. Registration opened December 8 across multiple zonal offices including the head office in Woodbrook, North Zone office in Port of Spain, South/Central Zone office in San Fernando, East Zone office in Arima, and Tobago’s office in Scarborough.

    Eligibility extends to all citizens and naturalized citizens, with tiered registration fees reflecting membership status. Financial members will pay $100 for senior competitions, while non-members face a $500 fee. Members with outstanding dues can regularize their status for $150 per year of lapsed membership.

    TUCO President Ainsley King revealed in a December 8 interview that prize structures remain undetermined as the organization awaits commitments from potential sponsors. King acknowledged TUCO’s significant reliance on government funding, noting concerning signals from recent sponsorship withdrawals from other cultural organizations like Pan Trinbago.

    While no official confirmation of funding reductions has been received, King observed that ‘it is not business as usual’ regarding traditional sponsorship patterns. The president confirmed TUCO has contingency plans, including re-engaging previous sponsors, should primary funding sources diminish.

    Critical registration deadlines have been established: National Calypso Monarch (January 9, 3pm), National Extempo Monarch (January 30, 3pm), National Freestyle Monarch (January 30, 3pm), National Road March Competition (February 13, 3pm), and National Junior Calypso Monarch (January 13, 3pm). Interested participants can seek additional information at tucoamc2026@gmail.com.

  • Film “Neurotica Anonima” pays tribute to Cuba and cinema

    Film “Neurotica Anonima” pays tribute to Cuba and cinema

    The Charles Chaplin movie theater recently hosted the premiere of “Neurotica Anonima or Sin Miedo a la Vida,” a 90-minute cinematic masterpiece that serves as both a tribute to Cuban cinema and international film artistry. The production, which garnered enthusiastic applause from audiences, represents a significant contribution to contemporary Cuban filmmaking.

    Co-written by renowned Cuban actor Jorge Perugorria and acclaimed actress Mirta Ibarra—who also stars as the protagonist—the film follows the compelling narrative of Iluminada, an usherette at the neighborhood Cuba movie theater facing imminent closure by authorities. Ibarra, whose distinguished filmography includes landmark titles such as “Adorables Mentiras” (1991) and the internationally celebrated “Fresa y Chocolate” (1993), revealed in an exclusive interview with Prensa Latina that the film addresses two fundamental themes: the societal mistreatment of women and the urgent need for cinematic revitalization.

    The production stands as a poignant homage to the late director Juan Carlos Tabio (1943-2021), who directed the influential “Plaff or Demasiado Miedo a la Vida” (1988). This intentional tribute inspired the film’s title, “Neurotica Anonima or Sin Miedo a la Vida” (Neurotic Anonymous or Not Afraid of Life), reflecting both continuity and evolution in Cuban cinematic tradition.

    Featuring an ensemble of Cuba’s most distinguished acting talent, the film showcases Joel Angelino as the projectionist at the Cuba movie theater and Iluminada’s close friend. Angelino previously shared scenes with Ibarra in both the original play and the seminal film “Fresa y Chocolate.” The stellar cast further includes Fernando Hechavarria as an architect, Osvaldo Doimeadios as a psychiatrist, Andrea Doimeadios portraying the younger Iluminada, and Nestor Jimenez as the delegate. Additional performances are delivered by Paula Ali, Mireya Chapman, Tahimi Alvarino, Barbaro Marin, Mario Limonta, Hilario Pena, Felix Beaton, and Luis Silva.

    This collaborative production brings together the Cuban Film Institute (ICAIC), Itaca Films, and An Ag Studios Company, with Ernesto Granado serving as director of photography. The musical landscape features original compositions by maestro Jose Maria Vitier complemented by additional music from Venezuelan record producer Andres Levin, creating an auditory experience that enhances the film’s emotional depth and cultural resonance.

  • Perugorria’s film with first class cast at Havana Film Festival?

    Perugorria’s film with first class cast at Havana Film Festival?

    A significant new Cuban cinematic work, ‘Anonymous Neurotic or Without Fear of Life,’ is generating attention as a featured entry in the Latin American Competition section of a major film event. The 2025 production stars acclaimed veterans Mirtha Ibarra and Roberto Perdomo, bringing to screen a narrative originally crafted as a theatrical piece by Ibarra herself.

    In exclusive dialogue with Prensa Latina, Ibarra—renowned for her roles in iconic films like ‘Adorable Lies’ (1991) and the internationally celebrated ‘Strawberry and Chocolate’ (1993)—disclosed that the film tackles two profound themes: systemic mistreatment of women and the cultural resurgence of cinema as a vital social space.

    The project serves as a tribute to the late Cuban director Juan Carlos Tabío (1943–2021), best known for his groundbreaking work ‘Plaff or Too Much Fear of Life’ (1988). Ibarra emphasized that the title itself acknowledges this artistic homage, reflecting a shared spirit of fearless storytelling.

    Cinephiles will recognize numerous cinematic references woven throughout the film, drawing from both Cuban and international traditions. These elements emerge organically through the perspective of Iluminada, Ibarra’s character, who exists in a liminal space between reality and the imagined world of film.

    The narrative follows Iluminada, a rural young woman who relocates to pursue her aspiration of becoming an actress. When her ambitions are unrealized, she redirects her passion toward training as an art instructor—yet destiny ultimately positions her as an usherette in a historic movie theater. Her marriage to Osvaldo (portrayed by Perdomo) and the tensions of her daily existence gradually precipitate a psychological crisis, exploring themes of identity, ambition, and resilience within a changing society.

  • Cuba’s Failde Orchestra concerts raises excitement in Colombia

    Cuba’s Failde Orchestra concerts raises excitement in Colombia

    The acclaimed Failde Orchestra, a three-time Latin Grammy nominee celebrated for its revitalization of classic Cuban genres, is set to deliver two electrifying performances at Cartagena’s legendary Cafe Havana on January 30th and 31st. This engagement represents a significant cultural event, merging historical musical preservation with contemporary artistic expression.

    Founded in 2012 to honor the legacy of Miguel Failde—the pioneering composer credited with creating the first danzon piece, ‘Las Alturas de Simpson’—the orchestra has established itself as a guardian of Cuba’s rich sonic heritage. While danzon serves as the foundational element of their repertoire, the ensemble masterfully navigates through danzonete, bolero, son, timba, mambo, and cha-cha-cha, occasionally weaving in modern influences to create a dynamic auditory experience.

    The group’s instrumentation pays homage to the traditional Cuban charanga format popular throughout the 20th century, yet distinguishes itself with an augmented brass section. This innovative arrangement features alto saxophone/clarinet, trombone, and dual trumpets, creating a powerful and distinctive sound that honors tradition while pushing artistic boundaries.

    Cafe Havana, located in the vibrant Getsemani district, provides the perfect backdrop for these performances. The iconic venue has built its reputation on promoting authentic Cuban salsa and other traditional rhythms through high-caliber live shows featuring virtuoso musicians and exceptionally talented dancers, making it a cultural hub for music aficionados.

    The orchestra’s upcoming performances follow their recent professional milestone: a nomination for the 2025 Latin Grammy Award in the Best Traditional Tropical Album category for their critically acclaimed work ‘Caminando Piango Piango.’ This marks their third nomination from the Latin Recording Academy, significantly bolstering their international profile and validating their ongoing mission to preserve and innovate within the framework of traditional Cuban music.

  • Reggae statesman and the firebrand: When Jimmy Cliff toured with Peter Tosh

    Reggae statesman and the firebrand: When Jimmy Cliff toured with Peter Tosh

    In a historic convergence of musical giants, the summer of 1982 witnessed one of reggae’s most improbable collaborations as Jimmy Cliff and Peter Tosh embarked on a groundbreaking joint tour across North America. This remarkable partnership between two fundamentally different artists defied industry expectations and created what promoter Copeland Forbes would later call one of the finest productions in his six-decade career.

    The tour emerged as a study in contrasts: Peter Tosh, the militant Rastafarian revolutionary fresh from recording his ‘Mama Africa’ album, paired with Jimmy Cliff, the refined Muslim musician whose mainstream success through films like ‘The Harder They Come’ and radio hits including ‘Wonderful World’ had made him reggae’s global ambassador. Industry skeptics predicted immediate failure, citing their divergent personalities and spiritual paths.

    Forbes, who managed both artists, revealed the initial logistical challenges, particularly Tosh’s refusal to open shows. Cliff generously agreed to take the opening slot, allowing the tour to commence on August 12th at Mesa Community Center Amphitheater in Arizona. What followed was a triumphant two-month journey that silenced critics, with sold-out performances across 28 venues including Los Angeles, San Francisco, Chicago, Philadelphia, and multiple Canadian cities.

    The tour’s success demonstrated reggae’s expanding commercial appeal while highlighting the genre’s philosophical diversity. Tosh brought his activist anthems like ‘Legalize It’ and ‘Get Up, Stand Up’ to the stage, while Cliff delivered his more contemplative hits including ‘Many Rivers to Cross’ and ‘Sitting In Limbo’.

    Following their North American success, the duo performed together at Jamaica’s World Music Festival in Montego Bay that November, and later at Bunny Wailer’s Youth Consciousness Festival in Kingston. The collaboration proved that artistic differences could coalesce into something extraordinary when fueled by mutual respect and musical excellence.

    This historical moment gains renewed significance following Jimmy Cliff’s recent passing on November 24th at age 81. The Jamaican government will honor the two-time Grammy winner and Rock Hall inductee with an official funeral on December 17th, while Tosh’s legacy endures despite his tragic murder in 1987 at age 42.

  • Success-bound

    Success-bound

    In a strategic move set to reshape the international music landscape, New York-based Reservoir Media, Inc.—an award-winning independent music company—has announced a transformative alliance with renowned Jamaican music producer Cordel “Skatta” Burrell and the esteemed reggae and dancehall publisher Abood Music.

    This pioneering joint venture is designed to aggressively acquire catalogs within Jamaica’s vibrant local genres while simultaneously identifying, signing, and nurturing a new generation of entertainers and songwriters. The primary objective is to amplify the global footprint of Jamaica’s rich musical heritage while ensuring its future evolution through dedicated development of emerging talent.

    In an exclusive discussion with the Jamaica Observer, an enthusiastic Skatta Burrell highlighted the critical need for such an initiative. He pointed to a longstanding issue where industry gatekeepers have historically limited access for new artists to major international entities. “We’re trying to break that cycle with this partnership,” Burrell stated, emphasizing the undeniable worldwide influence of dancehall and reggae. He expressed deep honor that Reservoir and Abood Music recognized his success and sought to collaborate on solidifying the genres’ global impact.

    The viability of this model is already proven. Burrell cited the remarkable international resurgence of his 2003 “Coolie Dance” rhythm, which was acquired by Abood Music in 2020 and published in the U.S. by Reservoir. This rhythm, featuring iconic tracks from artists like Elephant Man and Vybz Kartel, has recently enjoyed a renaissance. It has been sampled in Grammy-nominated, gold-selling global hits like Kehlani’s “After Hours” and has been licensed for over 45 major films and television shows, generating millions of streams and significant sales in territories from Turkey to Asia.

    Othman Mukhlis, founder of Abood Music, underscored his profound respect for Jamaica’s cultural output. “For such a small island, Jamaica has always had an extraordinarily large pool of talent. And for such a small territory, Jamaica’s influence on the rest of the world socially and culturally is totally unrivalled,” he remarked. With the financial backing and industry clout of Reservoir—a billion-dollar company—Mukhlis believes the partnership possesses the ultimate vehicle for success. This includes discovering talent at “ground zero,” building their presence in local and global markets, and ultimately securing placements on major labels and in film and television.

    Echoing this sentiment, Reservoir President and COO Rell Lafargue confirmed the company’s commitment to this mission. Reservoir is poised to support both established and developing Jamaican creators, working diligently to amplify their artistry, expand their international reach, and persistently elevate Jamaican music on the world stage.

  • DJ Noi upbeat at Sterling win

    DJ Noi upbeat at Sterling win

    A decade after embarking on his professional musical journey, Jamaican gospel DJ Jade Francis, professionally known as DJ Noi, has achieved a significant milestone by winning the Best Event DJ of the Year award at the 9th annual Sterling Gospel Music Awards. The 28-year-old civil servant, who received his first nomination and subsequent win last month, described the experience as genuinely surprising, with observers noting his astonished reaction on stage.

    Reflecting on his challenging beginnings, DJ Noi identified access to professional equipment as his primary obstacle due to its substantial cost. His commitment to music eventually convinced his Christian parents to provide both encouragement and practical support after recognizing his serious dedication to the craft. The artist’s musical evolution began with minimal resources—a Compaq computer with 2 GB RAM using Virtual DJ software, initially playing CDs without a formal music library. Today, he boasts an expanded skill set and comprehensive music collection, expressing profound gratitude for his developmental journey.

    Hailing from Comma Pen, St. Elizabeth, DJ Noi grew up as an only child in a Christian household, immersed in church culture where he learned drumming at an early age. His educational path included Munro College followed by The University of the West Indies. As an event DJ, he has performed at numerous gospel gatherings including Reset in Mandeville, Genesis, Realignment, and CeCe Winans’ More Than This tour in Kingston.

    Despite describing his career path as fluctuating between highs and lows, DJ Noi maintains focus on his dual objectives: inspiring youth and spreading gospel messages through music. He currently worships at two locations: Comma Pen Church of God of Prophecy in St. Elizabeth and the Church of God of Prophecy on Old Hope Road in Kingston.

  • Emily sings from the heart

    Emily sings from the heart

    A remarkable musical phenomenon is emerging from Lower Barrackpore, where 10-year-old Emily Roopnarine demonstrates vocal prowess that defies her youthful age. The standard four student at Rochard Douglas Presbyterian School, who maintains exceptional academic performance with Mathematics as her favorite subject, possesses a melodious voice that instantly captivates listeners and leaves audiences spellbound.

    Emily’s musical journey commenced unexpectedly at age four during a Sunday School concert, where she discovered an innate passion for performance. Under the nurturing guidance of her parents, Nancy and Deva Roopnarine, and through dedicated self-study via YouTube tutorials facilitated by her mother, Emily has cultivated her natural talent into refined artistry. Her repertoire now spans multiple genres, showcasing remarkable versatility for someone her age.

    The young vocalist has graced numerous prestigious platforms, including school productions, church programs, and special cultural functions. She has been featured twice on ‘Moments of Inspiration,’ a religious program spotlighting talented performers within Presbyterian communities. Her performance credentials include the National Day of Prayer at the National Council for Indian Culture’s Divali Nagar and the Rhythms ‘n Brews karaoke event.

    Two recent performances particularly stand out in Emily’s budding career. On November 16, she delivered an unforgettable performance at Debe High School during a regional Christmas concert organized by her church, describing the experience as ‘ecstatic.’ Earlier, on November 8, she achieved what she considers her pinnacle performance to date at her school’s cultural show held at Vickar’s Country Club.

    Despite experiencing pre-performance nerves, Emily has developed effective techniques to manage stage anxiety by immersing herself in the music and allowing the melody to guide her delivery. She maintains academic excellence through disciplined time management, balancing school responsibilities with her musical pursuits.

    For Emily, Christmas represents ‘a time of love, happiness and most of all, celebrating the birth of Jesus.’ Her seasonal favorite is ‘Rockin’ Around the Christmas Tree,’ and she cherishes family gatherings and gift exchanges during the holiday period. Inspired by global pop sensation Ariana Grande, Emily aspires to professional performance career.

    Beyond music, Emily enjoys practicing art and karate. She maintains a special connection to her late grandmother, Basdaye (Katie) Dukhoo, who passed away four years ago, and draws strength from her supportive extended family including grandfather Errol Dukhoo, Uncle Andy, Aunt Natalie Rajkumar, and cousin Chad.

    Her mother expresses overwhelming pride in Emily’s accomplishments: ‘We are beaming with pride. Emily has blown us away with her incredible singing talent. We have watched her grow and progress through hard work and dedication for her love for singing. We are very proud parents, and we cannot wait to see where this journey takes her.’

    Emily’s advice to fellow young aspirants embodies her philosophy: ‘Follow your heart, believe in yourself, and dream big’—a mantra that continues to propel her extraordinary journey.