分类: entertainment

  • PRESS RELEASE: Dominica’s Mas Domnik 2026 officially opens today

    PRESS RELEASE: Dominica’s Mas Domnik 2026 officially opens today

    ROSEAU, DOMINICA – The vibrant island of Dominica has officially inaugurated its premier cultural festival, Mas Domnik 2026, with a spectacular National Parade and Opening Ceremony on Saturday, January 10th. The festivities commenced at 2:30 PM in Pottersville, situated in the parking area adjacent to St. Alphonsus Catholic Church, marking the formal commencement of the extended Carnival season, which is celebrated as ‘The Real Mas’.

    The ceremonial opening featured the official proclamation of the Carnival season, a special tribute to cultural figure Darnley Guye, the symbolic handing over of the Carnival key, and addresses from key stakeholders. This was immediately followed by the National Parade from 3:00 PM to 6:00 PM, a dynamic procession showcasing the island’s rich cultural tapestry. The parade was spearheaded by approximately 60 traditional ‘sennsés’ groups, followed by over 60 participating troupes. The spectacle featured a magnificent display of Traditional Mas, including Kalinago têt mas, big boom-boom characters, agile stilt walkers, and dramatic black devils, alongside elaborate costume bands, pageantry, and artistically designed floats.

    The parade route traversed major thoroughfares, beginning along the E.O. LeBlanc Highway at the St. Alphonsus grounds, proceeding down Goodwill Road, crossing the EC Loblack Bridge, and continuing along Independence Street, King George V Street, Dame Eugenia Charles Boulevard, and Kennedy Avenue. The daytime celebrations transitioned into the evening with performances by electronic bands and a calypso truck, offering a tantalizing preview of the energy anticipated for Carnival Monday and Tuesday on February 16th and 17th.

    Authorities issued advisories urging motorists and residents along the parade route to remove vehicles from the streets beforehand to ensure the safe and uninterrupted movement of participants. The public was encouraged to adhere to all traffic directives from law enforcement to support an orderly event.

    Gerard Cools-Lartigue, Chair of the Dominica Festivals Committee, emphasized the event’s national significance, stating, ‘Mas Domnik is one of the most anticipated events on Dominica’s calendar with direct impact on economic activity, employment and visitor arrivals.’ Echoing this sentiment, Marva Williams, Chief Executive Officer of the Discover Dominica Authority, highlighted the season’s robust foundation: ‘Last season recorded a 34 percent increase in visitor arrivals and an estimated EC twenty-five million dollars in economic activity, setting the pace for a season focused on stronger organization, greater creativity and wider participation.’

    Mas Domnik 2026, which runs from December 13, 2025, to February 26, 2026, features over forty events across the island. Residents and international visitors are invited to participate in the festivities that celebrate Dominica’s unique cultural heritage.

  • Ja-US opera singer to host masterclass

    Ja-US opera singer to host masterclass

    Jamaican-American mezzo-soprano Raehann Bryce-Davis, acclaimed as one of the finest vocalists of her generation, is bringing her extraordinary talents home for a series of transformative musical events in Kingston. The celebrated opera star will conduct an exclusive workshop on January 29th followed by an advanced masterclass on January 30th at the Edna Manley College of the Visual and Performing Arts, offering rare mentorship opportunities for music students and professional vocalists alike.

    The educational sessions will focus on performance excellence and sophisticated vocal techniques, providing participants with direct access to Bryce-Davis’s expertise honed on prestigious stages including the Metropolitan Opera and Dutch National Opera. These masterclasses serve as a prelude to the main event: ‘A Moment of Music with Raehann Bryce-Davis,’ a fundraising concert scheduled for February 1st, 2026 at the Vera Moody Concert Hall.

    Presented by the Music Unites Jamaica Foundation (MUJF) under the patronage of Ambassador Audrey Marks, the concert represents a significant cultural initiative. Executive Director Rosina Moder emphasized the event’s dual purpose: “This initiative aligns perfectly with our mission to promote music education through meaningful connections with globally recognized artists who proudly honor their Jamaican heritage.”

    The concert’s proceeds will establish scholarships for voice students at the School of Music and support emerging talents across Jamaica, while also funding the foundation’s ongoing research into Jamaican composers. This financial assistance proves particularly crucial following the widespread disruption caused by Hurricane Melissa, which has affected students and citizens across the island.

    Audiences can anticipate a musically diverse program featuring classical favorites, opera arias, folk selections, Negro spirituals, and innovative fusions blending electronic music with popular Jamaican styles. According to MUJF Deputy Director Janine Coombs, the performance will “present classical music in both traditional and refreshingly modern forms—a one-of-a-kind experience filled with exciting surprises.”

    The musical accompaniment will feature Jamaica’s most accomplished musicians, including Dean Roger N Williams on piano, Emily Elliott on cello, and Jeremy Ashbourne as band leader/drummer among other distinguished instrumentalists.

    Bryce-Davis’s deep Jamaican connections form a central narrative to the event. Her father Dr. Errol Bryce grew up in Spanish Town while her mother Hortensia Bryce hails from Clarendon. The artist comes from a distinguished musical lineage that includes her late grand aunt Marilyn Bryce-MacDonald, a lead singer with the Jamaican Folk Singers, and her aunt Michelle Bromley, a renowned pipe organist.

    The event enjoys support from prominent sponsors including S Hotel Kingston, Round Hill Hotel and Villas, TAC Printing, and other local businesses, ensuring the success of this cultural celebration that bridges classical tradition with contemporary Jamaican artistry.

  • Natesha defends wifeys with ‘Louis V’

    Natesha defends wifeys with ‘Louis V’

    Emerging dancehall artist Natesha is challenging industry norms with her latest single, ‘Louis V,’ demonstrating that female artists can achieve success without resorting to sexualized imagery. The track, which debuted on December 5th under the production of renowned beatmaker Black Spyda, has generated significant international buzz for its unconventional messaging.

    Natesha characterizes the composition as an anthem for committed women, celebrating monogamy and self-assured partnership. ‘I created this for the boss ladies who maintain exclusive relationships—women who radiate confidence without compromising their values,’ the New Jersey-based artist explained. Her dynamic vocal delivery and clever wordplay transform themes often considered mundane into a compelling musical statement.

    The single’s reception has exceeded expectations, garnering substantial engagement across digital platforms. Natesha reported enthusiastic responses from diverse territories including Brazil, Mexico, India, Ghana, Jamaica, Morocco, and several European nations. The organic popularity surge prompted accelerated production of a music video, scheduled for release this month after hundreds of TikTok users incorporated the sound into their content.

    With musical influences ranging from Toni Braxton to Beyoncé, Natesha has cultivated a distinctive sound blending pop, R&B, and reggae elements. She attributes her vocal prowess and stage presence to genetic inheritance from her father and late grandfather, both recognized within family circles for their musical abilities. The artist, known for previous singles like ‘Reasons’ and ‘Body,’ maintains that her differentiation lies in authentic self-expression: ‘Music chose me—my distinctive style separates me from contemporaries.’

    Natesha’s upcoming schedule includes performances alongside Mad Stunt (formerly known as ‘Real to Real’) as she continues promoting her message of empowerment through artistic integrity.

  • Stacey Mirander attacks societal callousness with People Don’t Care

    Stacey Mirander attacks societal callousness with People Don’t Care

    Jamaican fusion reggae artist Stacey Mirander has released a powerful new single addressing the growing social disconnect and emotional indifference she observes in post-pandemic society. Her song ‘People Don’t Care’ serves as both social commentary and call to action, highlighting the concerning decline in human compassion that has emerged following global health crises.

    Mirander explains the creative inspiration behind her work: ‘I’ve witnessed a painful transformation in how we interact with one another. This composition captures the transition from recognizing our collective disconnection to actively encouraging people to rediscover their capacity for caring.’

    The recording benefited from collaborative excellence with Billboard-charting producer John ‘JonFX’ Crawford handling engineering duties and Karl Morrison serving as arranger and vocal producer. Together, they crafted a sound that blends Mirander’s natural reggae roots with subtle country and jazz influences while maintaining contemporary dancehall appeal.

    Interestingly, Mirander’s message contrasts with Jamaica’s top global ranking for willingness to help strangers according to the 2025 World Happiness Gallup Report, which places the island nation ahead of Liberia and Sierra Leone in generosity metrics.

    The artist cites specific tragedies that motivated her creative direction, particularly referencing a incident where a man died after being mistaken for homeless and left unattended outside a U.S. restaurant. ‘That story remained with me,’ she reflects, ‘as it demonstrates the potentially fatal consequences of our diminishing compassion.’

    Audience response has been overwhelmingly supportive, with the song sparking meaningful dialogue about balancing compassion with personal security. Mirander notes: ‘These conversations reveal that while people still possess empathy, many struggle to express it safely in complex modern environments.’

    Buoyed by this reception, Mirander is financing a music video and planning intimate performance series across South Florida venues. She aims to secure additional live events that foster connection and conversation while expanding her artistic presence.

    The Clarendon-born artist officially entered the music scene in January 2025 with previously released singles ‘Life’ and ‘Call You Mine,’ plus a successful ‘Mankind’ remix featuring Richie Spice. Her recent philanthropic included performing at the Hearts For Jamaica Relief Festival alongside legendary acts including Third World, Mr Vegas, and Ernie Smith, supporting hurricane relief efforts through Food For The Poor.

  • Uptown Fascinators, D South Band share small pan title

    Uptown Fascinators, D South Band share small pan title

    In an unprecedented turn of events at Skinner Park, San Fernando, Southern Steel Orchestra (D’South Band) from Siparia and Uptown Fascinators from Tobago were crowned joint champions of the National Panorama Small Conventional Band Finals on January 10th. The remarkable deadlock occurred after both ensembles achieved identical scores following an intense musical showdown that extended into the early hours of January 11th.

    The competition witnessed both bands maintaining dominant positions throughout the preliminary and semi-final rounds. When official scores were announced around 2 am, the identical point totals triggered immediate celebrations as musicians from both groups stormed the stage in shared triumph. The announcement by event host Jemma Jordan created such enthusiastic responses that stage managers temporarily struggled to maintain protocol during the trophy presentation ceremony attended by Pan Trinbago president Beverly Ramsey-Moore, Culture Minister Michelle Benjamin, and Parliamentary Secretary Dr. Narindra Roopnarine.

    This represents the second consecutive year where the small band championship has been shared between ensembles from Trinidad and Tobago, demonstrating the remarkable parity in the national steelpan scene. Last year’s co-champions, Golden Hands and T&TEC East New Dimension, were unable to defend their title successfully.

    Golden Hands secured third position with 278 points despite facing significant adversity when a vehicle crashed into their rehearsal facility just hours before the competition. Their performance of ‘All Aboard,’ arranged by Vanessa Headley-Brewster, featured nautical-themed costumes and guest vocalist Tony Prescott.

    Tunapuna Tipicia Steel Orchestra claimed fourth place with 276 points, while T&TEC East Side Dimension and the Trinidad and Tobago Defence Force Steel Orchestra tied for fifth position with 275 points each. The competition overall featured six separate ties among the sixteen finalist bands, highlighting the exceptionally close nature of the musical contest.

    Uptown Fascinators delivered a visually spectacular performance of ‘Crazy’s Band From Space’ arranged by Ojay Richards, complete with science fiction costumes and a spaceship prop from which Richards made his theatrical exit. Richards noted that many prognosticators had expected East Side Dimension to claim victory, but his ensemble’s performance firmly established them as championship contenders.

    D’South Band, performing in the ninth position, generated powerful patriotic sentiment with their presentation of ‘Let Us Build a Nation Together’ arranged by Duvone Stewart. Their performance incorporated national imagery featuring the President, Prime Minister, Opposition Leader and THA Chief Secretary, alongside historical references and a voice-over recording by the late Dr. Eric Williams. This evocative presentation prompted some audience members to prematurely declare victory during the performance.

    Rikella Marshall, vice-captain of D’South Band, emphasized the special significance of their victory, noting this marked only their third appearance in the competition and their second year collaborating with arranger Stewart. She credited two months of intense preparation and personal sacrifices by band members, many of whom are students balancing academic commitments with musical excellence.

    Culture Minister Michelle Benjamin, attending her first small band finals since assuming office, praised the energetic contributions of young performers and reaffirmed governmental support for preserving cultural traditions. Meanwhile, Pan Trinbago president Ramsey-Moore congratulated all participating bands while expressing disappointment regarding logistical challenges including inadequate stage dimensions that contributed to scheduling delays. She apologized to attendees while clarifying that these issues were beyond the organization’s direct control.

  • Virmala Balkaran – TTT’s new morning show host

    Virmala Balkaran – TTT’s new morning show host

    At 6 AM on January 12, while most of Trinidad and Tobago still slumbers, Virmala Balkaran will assume her position as the pioneering host of TTT Ltd’s groundbreaking morning program, ‘Trinidad and Tobago Today.’ The 34-year-old Chaguanas native will helm the two-hour broadcast that strategically follows the 6 AM news bulletin, incorporating subsequent 7 AM and 8 AM newscasts within its framework.

    Balkaran characterizes her return to TTT as both a homecoming and a professional culmination. The program is meticulously designed to engage viewers during their morning routines—providing substantive content without the intensity of evening news formats. Through credible sources and analytical depth, the show will dissect current affairs affecting both the nation and global community, while later segments will transition toward lighter topics including birthday celebrations, Carnival culture, health, and wellness.

    Her media journey began unexpectedly in 2013 following a disillusionment with politics. Although initially hesitant about media careers, a radio broadcasting course sparked her passion for human connection through broadcasting. Her breakthrough came unexpectedly in 2016 when she was thrust into anchoring coverage following the death of former Prime Minister Patrick Manning—an experience she describes as ‘destiny.’

    After leaving CNMG (now TTT) in 2017, Balkaran spent eight transformative years at TT Radio Network’s Star 94.7 FM, where she developed autonomy and digital expertise. Recognizing the importance of formal credentials in a male-dominated industry, she pursued and obtained degrees in journalism and mass communication from Costaatt while simultaneously building her digital marketing consultancy.

    Beyond broadcasting, Balkaran has established herself as a dedicated advocate, working with the Diabetes Association, serving as goodwill ambassador for Support Autism TT, and raising awareness about PCOS. She describes her philosophy as being ‘in the business of people,’ emphasizing that media influence should be leveraged for societal benefit.

    The broadcaster attributes her success to her parents’ sacrifices and her conscious effort to overcome childhood shyness through debate and drama. As she prepares for this new chapter, Balkaran sees the morning show as the perfect synthesis of her journalistic training, advocacy work, and commitment to genuine human connection.

  • Leonce Taylor’s soca gamble – New York-based artiste in Carnival mix

    Leonce Taylor’s soca gamble – New York-based artiste in Carnival mix

    In a strategic move within the competitive soca music landscape, New York-based artist Leonce Taylor has unveiled two distinct tracks for the 2026 Carnival season—marking her first dual release strategy. The calculated gamble demonstrates Taylor’s evolving approach to navigating an industry where emerging artists must balance risk with opportunity.

    Her groovy soca offering, ‘His Loss,’ emerged from an unexpected collaboration with acclaimed songwriter Jason ‘Shaft’ Bishop following their meeting at the 2024 Caribbean Music Awards. Produced by Daddy O Productionz, Rugz Dirty Inc and Rhythym Productionz, the track delivers an empowering message for women overcoming breakups. Taylor describes the creative process as ‘mechanical’ and ‘effortless,’ with the song achieving steady radio play since its October release despite her geographic distance from Trinidad and Tobago’s core soca market.

    Complementing this is her power soca entry ‘Ready Up,’ created through collaboration with producer Alexander Gooding of Lunatix Productions and songwriter Umi Marcano. This track represents a vocal breakthrough for Taylor, pushing her range into higher registers and drawing comparisons to legendary soca vocalist Destra Garcia for its tonal qualities.

    Taylor’s artistic journey reflects both cultural preservation and professional determination. Migrating to the United States at age nine, she maintained strong connections to her Trinidadian musical roots despite growing up in a foreign environment. Her father, a music promoter who worked with renowned calypso bands, insisted she complete her education before pursuing music professionally—a condition she fulfilled by earning a psychology degree with minors in English and French.

    Now balancing motherhood, a full-time job, and pastry chef credentials alongside her music career, Taylor acknowledges the significant sacrifices required—particularly for women in the industry. She faces extended annual tours across Trinidad, St Vincent, Grenada, Belize, and multiple U.S. states while managing familial responsibilities.

    Yet the rewards justify the risks: a single performance can generate earnings equivalent to a week’s salary at her regular job. Beyond financial incentives, Taylor emphasizes the transcendent experience of connecting with audiences through music—the collective energy of raised hands and shared joy that makes the struggle worthwhile. Her dual release strategy represents both a personal gamble and professional evolution in an industry where relevance demands constant innovation.

  • Talk Tent returns for Carnival at Queen’s Hall

    Talk Tent returns for Carnival at Queen’s Hall

    As Carnival season approaches, Trinidad and Tobago’s longest-running talk show performance, Talk Tent, prepares to captivate audiences with its unique blend of cultural storytelling, comedy, and social commentary. Established in 1983 by visionary producer Paul Keens-Douglas, this iconic event has evolved from its humble beginnings in a canvas tent on Victoria Avenue to becoming an institutionalized post-Carnival tradition at Queen’s Hall Conference Centre.

    The event’s foundation rests on bringing together distinguished ‘men of words’ – including midnight robbers, pierrot grenades, and black Indians – showcasing their verbal artistry during Carnival celebrations. Under the motto ‘Where Talk Is Art,’ the production maintains its commitment to quality family entertainment while emphasizing educational values through diverse oral traditions.

    This year’s lineup features an impressive roster of Caribbean performers: spoken word poet Seth Sylvester, performance poet Miguel Browne, pierrot grenades specialists Felix Edinborough and Keomi Serrette, calypsonian Llewellyn ‘Short Pants’ Mac Intosh, along with Farida Chapman, Avion Crooks, MC David Bereaux, and founder Keens-Douglas himself as master storyteller.

    The 2024 performances are scheduled for February 21-22 at Queen’s Hall Conference Centre in St. Ann’s. Tickets priced at $300 are available at multiple outlets including Crosby’s, RIK locations in Trincity and Gulf City, Domon’s Shoe Store in Long Circular Mall, Metropolitan Book Suppliers on Ariapita Avenue, and directly at Queen’s Hall. Attendees can also purchase exclusive show-priced books, CDs, and DVDs featuring the performing artists.

    Organizers emphasize that Talk Tent’s continued success relies on community support from patrons who recognize its vital role in preserving authentic Caribbean cultural expressions. As the release notably states: ‘There are many talk shows but only one Talk Tent!’ For additional information, interested parties can contact 632-1647, 684-1629, 376-5699, or visit the official Facebook page.

  • Over 30 per cent increase in visitors in 2025 cements Mas Domnik as one of the most anticipated event in Dominica, say officials

    Over 30 per cent increase in visitors in 2025 cements Mas Domnik as one of the most anticipated event in Dominica, say officials

    Dominica’s premier cultural celebration, Mas Domnik, is poised to deliver an unprecedented spectacle in 2026 following a remarkably successful previous season that generated substantial economic benefits for the island nation. According to official figures released by the Discover Dominica Authority (DDA), the most recent Carnival season achieved a striking 34 percent increase in visitor arrivals while circulating approximately XCD 25 million within the local economy.

    During a press conference hosted by DDA officials, organizers announced that Mas Domnik 2026 will formally commence on January 10, 2026, with an Official Opening and National Parade. The extended festival period will run from December 13, 2025, through February 26, 2026, featuring an expansive lineup of over forty distinct events across the island.

    Gerard Cools-Lartigue, Chair of the Dominica Festivals Committee, emphasized the event’s dual significance: “Mas Domnik stands as one of the most anticipated events on Dominica’s calendar with direct impact on economic activity, employment, and visitor arrivals. The Board continues to focus on strong governance, effective coordination, and ongoing improvements to ensure the festival’s success.”

    Marva Williams, Chief Executive Officer of the Discover Dominica Authority, outlined ambitious plans building upon the previous season’s achievements: “Last season’s impressive results set a high standard that motivates us to focus on stronger organization, greater creativity, and wider participation. We are committed to presenting a vibrant array of festivities that authentically showcase Dominica’s rich cultural heritage.”

    The comprehensive event schedule promises to engage both residents and international visitors through diverse programming that highlights the nation’s unique traditions and creative expressions. Organizers have positioned Mas Domnik as both a cultural showcase and significant economic driver, demonstrating how cultural preservation and tourism development can synergistically benefit Caribbean nations.

  • Speelfilm ‘Onder de Paramariboom’ wordt in februari opgenomen in Suriname

    Speelfilm ‘Onder de Paramariboom’ wordt in februari opgenomen in Suriname

    Suriname’s film industry is poised for significant growth as international production ‘Under the Paramariboom’ prepares to commence filming in February. The feature film adaptation of Johan Fretz’s acclaimed novel brings together Dutch production company KeyFilm and local foundation Stichting The Back Lot, with Safi Graauw serving as director.

    The ambitious project will involve 22 shooting days across Suriname, employing approximately 60 cast and crew members comprising both international professionals and Surinamese talent. The production team spans various disciplines including acting, direction, production, cinematography, sound engineering, technical support, and facility management.

    Economic impact assessments project substantial benefits for Suriname’s local economy through intensive collaboration with domestic hotels, hospitality businesses, transportation services, and various service providers. The production will generate increased demand for accommodations, catering services, transportation, and logistical support, creating temporary employment opportunities and stimulating economic activity.

    Beyond immediate economic benefits, the production promises long-term developmental advantages for Suriname’s audiovisual sector. The collaboration facilitates crucial knowledge transfer and practical experience sharing between international and local professionals, creating lasting value that will persist long after production concludes.

    The production team is currently seeking Surinamese acting talent for various roles, inviting both experienced performers and emerging actors to participate through an open casting call. This inclusive approach ensures authentic representation while providing opportunities for local artists to gain international exposure.

    This cinematic project represents a significant milestone in Suriname’s cultural development, potentially positioning the country as an attractive destination for future international productions while strengthening its domestic film industry capabilities.