分类: entertainment

  • COMMENTARY: Dominican women writing the island’s stories

    COMMENTARY: Dominican women writing the island’s stories

    On March 8th, as the global community commemorates International Women’s Day, the literary landscape of Dominica stands as a testament to the profound contributions of women in shaping cultural narratives. Beyond the conventional focus on politics and science, Dominican women authors have emerged as pivotal voices in preserving the island’s identity through diverse literary forms.

    The literary heritage traces back to Phyllis Shand Allfrey, whose seminal 1953 novel ‘The Orchid House’ pioneered the portrayal of Caribbean society through feminine perspectives. Allfrey’s dual legacy as both literary innovator and political trailblazer established an enduring connection between artistic expression and civic engagement in Dominican culture.

    Contemporary voices continue this tradition with remarkable vitality. Poet Celia Sorhaindo’s collection ‘Guabancex’ transforms the trauma of Hurricane Maria into profound meditations on resilience and healing. Her work exemplifies how Dominican literature confronts both natural beauty and vulnerability with equal poetic force.

    The children’s literature sector reveals particularly innovative storytelling. Jamie Alleyne’s ‘Why Are Onions So Sad?’ employs whimsical anthropomorphism to explore emotional intelligence, while Petrea Honychurch Seaman’s ‘Goodnight My Sweet Island’ immerses young readers in the rhythmic cadence of Caribbean nature. Bilingual authorship finds expression through Mara Etienne-Manley’s ‘I Am Dominica / Mwen Sé Dominik’, which celebrates linguistic heritage alongside cultural pride.

    Jane Ulysses Grell further enriches this tapestry by weaving oral traditions into written form, preserving the rhythmic storytelling practices intrinsic to Dominican community life. These collective efforts demonstrate literature’s role as both cultural archive and living tradition.

    For a small island nation, these literary contributions transcend aesthetic value—they serve as vital reservoirs of collective memory. Through poetry, fiction, and children’s tales, Dominican women writers capture nuances of experience that statistical data cannot convey, ensuring their island’s stories resonate beyond geographic confines.

    This International Women’s Day recognition underscores that cultural preservation occurs not merely through institutions but through individual dedication to narrative craft. The ongoing work of Dominican authors—from established figures to emerging voices—continues to enrich the Caribbean literary canon while inspiring future generations to carry forward this legacy of storytelling.

  • Tuffheart returns from promo run in Panama, gearing up for local performance

    Tuffheart returns from promo run in Panama, gearing up for local performance

    Emerging reggae artist Tuffheart recently delivered a powerful performance at the global celebration honoring Bob Marley’s 81st birthday in Panama City, marking a significant milestone in his artistic journey. The international tribute concert assembled dedicated reggae performers from across the world, including Jamaican talents Hezron, Ras-I, Christopher Ellis, and Runkus, creating a multicultural homage to the genre’s iconic figure.

    Reflecting on the experience, Tuffheart described the event as a profound celebration of Marley’s enduring legacy and message of universal peace. ‘Witnessing diverse crowds unite through Bob’s vision of one love was truly inspirational,’ the artist shared with Observer Online. His 45-minute performance intentionally mirrored Marley’s philosophical foundations, delivering songs like ‘Oh Girls,’ ‘Give Thanks,’ and ‘Praise Di King’ that emphasized themes of faith, resilience, and spiritual elevation.

    Beyond the stage, Tuffheart’s Panama visit served as strategic cultural diplomacy. His team engaged in extensive networking activities, secured broadcast interviews with local media outlets, and performed for intimate audiences to expand his international reach. The enthusiastic reception demonstrated reggae’s borderless appeal and the continuing relevance of Marley’s message in global communities.

    The artist’s international agenda continues with confirmed appearances at Jamaica’s Ocho Rios Kite Festival (April 3) and St Mary Kite Festival (April 5), followed by a United States tour spanning Austin, Texas, Minneapolis, and Wisconsin. Additional return performances in Panama are scheduled for April and May, reinforcing the artist’s growing presence in Central American markets.

  • Sly laid to rest

    Sly laid to rest

    The Jamaican music community gathered on March 7, 2026, to honor the life and legacy of master drummer Sly Dunbar in a celebratory funeral service that blended solemn remembrance with vibrant musical tributes. The procession traveled from the Cathedral of the Most Holy Trinity in downtown Kingston to the picturesque Strawberry Hills in St. Andrew, marking Dunbar’s final journey following his passing on January 26 at age 74.

    The historic cathedral hosted an emotional gathering of music icons, family members, and government officials who paid homage to the drummer’s extraordinary 55-year career. An all-star ensemble featuring Dunbar’s longtime collaborators provided musical backing for performances by renowned artists including Chevelle Franklin, Nadine Sutherland, Maxi Priest, Tarrus Riley, and Bitty McLean.

    The most poignant moments came from Dunbar’s daughter Natasha, who shared intimate memories of her father’s humble beginnings in Waterhouse’s Compound area. She revealed how Dunbar arrived at her birth with merely $13 to his name, building his legendary career through ‘sacrifice, discipline, and unwavering commitment’ to his family. Natasha also acknowledged her mother Thelma, Dunbar’s wife of over four decades, for her devoted care during his final years.

    The service highlighted Dunbar’s revolutionary partnership with bassist Robbie Shakespeare, collectively known as the ‘Riddim Twins.’ Their Taxi label produced era-defining hits for Black Uhuru, Dennis Brown, Gregory Isaacs, and countless other reggae luminaries. The duo’s groundbreaking work extended beyond reggae, collaborating with international stars like Grace Jones, Bob Dylan, and No Doubt, earning them a Grammy Award for Best Reggae Album in 1999 for ‘Friends.’

    Bass guitarist Lloyd Parks, Dunbar’s friend for over six decades, delivered a heartrending performance of The Hollies’ ‘He Ain’t Heavy, He’s My Brother.’ Tributes poured in from Entertainment Minister Olivia Grange, opposition leader Mark Golding, and music industry veterans including Copeland Forbes and Herbie Miller of the Jamaica Music Museum.

    The congregation represented the entirety of Jamaica’s music hierarchy, with attendees spanning from Island Records founder Chris Blackwell and Robbie Shakespeare’s widow Marian to contemporary stars like Jesse Royal and Protoje. The collective gathering stood as testament to Dunbar’s immense impact on multiple generations of musicians and the global recognition of Jamaican musical innovation.

  • Tabanca Remedy tonight!

    Tabanca Remedy tonight!

    Kingston’s entertainment scene receives an infusion of Caribbean energy this Saturday, March 7, as Tabanca Remedy transforms Jamminz into a vibrant soca destination. The event, orchestrated by A.B.E. Entertainment, promises to transport attendees from Jamaican rhythms to the infectious beats of Trinidadian carnival culture.

    Featuring acclaimed Trinidadian DJs Kevy and Papi Jae, the celebration kicks into high gear at 8:00 PM. According to director Abe Barakat, the event specifically targets soca enthusiasts who were unable to travel to Trinidad for the traditional Carnival festivities, offering them a authentic Caribbean musical experience closer to home.

    The Jamminz venue, located adjacent to the Courtyard by Marriott hotel in New Kingston, has rapidly established itself as Kingston’s premier soca party destination. This reputation solidified during a previous event on February 7, where revelers defied unusually cool weather conditions, dancing until early morning hours to the pulsating rhythms.

    Looking ahead, A.B.E. Entertainment has already announced plans for a ‘Las’ Lap’ event scheduled for late April at the same location. This subsequent gathering will serve as the official Jamaica Carnival Cool Down edition, extending the carnival season celebrations well beyond the traditional timeline.

  • Indie Allen aims for The Best You

    Indie Allen aims for The Best You

    Jamaican reggae musician Indie Allen has unveiled a deeply personal musical project with his latest acoustic single, ‘The Best You,’ released independently on January 16th. The track transcends conventional music creation, functioning as an enduring paternal message to his son designed to provide guidance throughout his life journey.

    Produced through collaboration with Jemoi Monteith of Clearsonix Music and technically refined by Travis Bailey’s mixing and mastering expertise, the song represents Allen’s philosophical approach to artistic legacy. In an exclusive statement to the Jamaica Observer, Allen emphasized the track’s timeless nature: ‘This song isn’t tied to a trend or a moment—it’s tied to legacy. The Best You is a letter I wrote for my son, something that will live far beyond me.’

    The artist elaborated on the profound motivation behind the composition, noting its significance as a permanent vocal presence for his child. ‘With this letter there’s no what if I never get to tell him this or encourage him through any stage of his life. With this he’ll always have my voice as a guide and reminder to always be the best version of himself.’

    Allen’s musical credentials include formal training at the prestigious Edna Manley College of the Visual and Performing Arts, where he earned a bachelor’s degree in jazz and popular music studies as a voice major following his secondary education at Cornwall College in St. James.

    Looking toward the future, the artist-producer outlined his dual focus on creative authenticity and catalog development. ‘My goals moving forward are centred around legacy and ownership, now that I am also a producer. I want to continue creating music that has meaning, depth, and purpose—music my son can be proud of and learn about life and love.’

    Allen anticipates numerous releases throughout the coming year and has expressed interest in potential collaborations with Damian Marley and Ed Sheeran. This latest release follows his November 2024 ‘Oasis EP,’ further establishing his distinctive voice within the contemporary reggae landscape.

  • Sharon Marley premières Island

    Sharon Marley premières Island

    Sharon Marley, the three-time Grammy Award-winning artist and daughter of reggae icons Bob and Rita Marley, unveiled her latest single “Island” on Friday, March 6, 2026. The release marks the second promotional track from her forthcoming debut solo album “Firebird,” scheduled for global distribution on March 20, 2026.

    This roots-reggae composition celebrates Jamaican culture, feminine strength, and communal unity through evocative lyrical imagery. The track features collaborative vocals from her sister Cedella Marley and Rica Newell, both former members of Ziggy Marley and the Melody Makers. Their participation creates a multi-generational bridge between contemporary reggae expression and the enduring Marley family legacy.

    Musically, “Island” employs a resonant drum-and-bass foundation that transports listeners to Jamaica’s scenic landscapes through references to coastal swimming, traditional roots wine, and the distinctive warmth of Caribbean life.

    In alignment with Sharon Marley’s philanthropic ethos, all streaming revenues generated by “Island” will be directed to Humanity Ova Vanity (HOV), a Canadian-based nonprofit organization. HOV currently focuses on the Petersfield Community Resilience Hub initiative, providing transitional housing, child-safe environments, and essential services for families displaced by Hurricane Melissa in Jamaica’s underserved regions.

    The “Firebird” album, produced by Leroy Romans, comprises 11 tracks that blend traditional reggae rhythms with soul-inspired narratives and the therapeutic 432 Hz frequency. This follows her previously released single “Steppah,” which featured dancehall pioneer Big Youth and paid homage to Jamaica’s rub-a-dub era.

  • ‘Proud moment’ as Tuff Gong relaunches in Kingston

    ‘Proud moment’ as Tuff Gong relaunches in Kingston

    Kingston’s iconic Tuff Gong International recording studio has been triumphantly relaunched, with Grammy-winning artist Stephen Marley heralding the occasion as “a proud moment for Jamaica and Jamaican culture.” The historic facility, originally established as Federal Records by the Khouri family (Lebanese-Jamaican pioneers in the music industry), officially reopened its doors on March 5 at its Marcus Drive location following extensive renovations.

    The revitalized studio now boasts cutting-edge recording technology complemented by distinctive Marley-themed decor. The lobby features an impressive photographic gallery honoring Bob and Rita Marley alongside other legendary artists who have recorded within these hallowed walls. Beyond professional recording spaces, the facility incorporates recreational amenities including a pool table, pinball machine, and table tennis board to foster creative relaxation among musicians.

    Stephen Marley emphasized the cultural significance of this revival, stating: “This is not about the Marley family—we do it for Jamaica and the culture. It’s a proud moment for all of us.” He fondly recalled recording seminal albums like ‘Joy And Blues’ and ‘One Bright Day’ here during the 1990s as part of Ziggy Marley and The Melody Makers.

    The reopening ceremony attracted music industry luminaries with deep connections to the studio, including Cedella Marley (CEO of Tuff Gong International), iconic singers Marcia Griffiths and Judy Mowatt—who together with Rita Marley formed Bob Marley’s legendary harmony group The I Three. Mowatt emotionally recounted recording her first songs at the facility when it operated as Federal Records in the late 1960s, noting “I always felt so comfortable here because it was like my home working with the Marleys.

    Distinguished attendees included Opposition Leader Mark Golding, Parliament Member Anthony Hylton, alongside renowned musicians Richie Stephens, Lukie D, Sangie Davis, keyboardist Robbie Lyn, percussionist Bongo Herman, and bass guitarist Donald Dennis. The studio’s legacy includes recordings by international stars such as Brazil’s Gilberto Gil, Alpha Blondy of Côte d’Ivoire, Senegal’s Youssou N’Dour, and Ireland’s Sinead O’Connor, cementing its status as a global music heritage site.

  • Xillan Macrooy sluit SABI Literatuurfestival 2026 af met wervelende muzikale lezing

    Xillan Macrooy sluit SABI Literatuurfestival 2026 af met wervelende muzikale lezing

    Surinamese artist Xillan Macrooy delivered a mesmerizing multidisciplinary performance Wednesday evening, officially presenting his literary work ‘Mensen als zonnen en mensen als manen’ to a captivated Surinamese audience at a packed Spice Quest venue. The event marked both the triumphant homecoming of his Netherlands-published book and the grand finale of the SABI Literature Festival 2026.

    Macrooy masterfully intertwined poignant readings from his deeply personal narrative with musical interludes, demonstrating exceptional versatility as both writer and performer. His soulful vocals resonated through the hall during musical segments, enhanced by impeccable sound engineering, while musician Jonathan Moeslan provided atmospheric guitar accompaniment. The audience, comprising diverse age groups, remained enthralled throughout the evening, culminating in a spontaneous collective rendition of Macrooy’s earlier commercial work ‘Mi Kondre Tru’.

    The book itself courageously explores themes of identity, coming-of-age, and queer existence within the Surinamese context—particularly significant given the ongoing challenges surrounding LGBTQ+ discourse in the nation. Macrooy emphasized literature’s unique capacity to address such sensitive topics, expressing hope for increased dialogue and action regarding these and other social issues.

    During an intimate conversation with Sharda Ganga, Macrooy revealed his writing process and vulnerability within the text. Ganga observed his remarkable linguistic dexterity, noting how he ’employed the very language that once confined him as a tool for liberation.’ The author also reflected on the universal struggles of identity formation, particularly among youth, advising attendees not to fear inevitable change.

    The evening additionally honored writer Edgar Cairo, whose work profoundly influenced Macrooy’s artistic development. Beyond the main event, Macrooy recorded a podcast exploring queer legacy and visited the Nassy Brouwerschool with activist Sammy Doorson to discuss humanity and gender with students.

    Organized by Stichting Skrifi with support from the Dutch Foundation for Literature, the SABI Literature Festival aims to establish itself as a multi-day platform showcasing Surinamese literary innovation. Through partnerships with Surinamese and Dutch organizations, the foundation continues developing sustainable reading infrastructure despite limited resources, working to structurally strengthen the nation’s literary landscape through venues including Souposo, Spice Quest, and the university library.

  • Antigua and Barbuda Festival Commission Launches First-Ever Burning Flames Junior Road March Competition

    Antigua and Barbuda Festival Commission Launches First-Ever Burning Flames Junior Road March Competition

    The Antigua and Barbuda Festival Commission has officially unveiled a groundbreaking initiative to cultivate the next generation of musical talent with the launch of its first-ever Burning Flames Junior Road March Competition. This pioneering event is designed to engage school-aged children across the twin-island nation, inviting them to create and perform original compositions that capture the vibrant essence of Carnival.

    The competition takes its name and inspiration from the legendary local band Burning Flames, synonymous with Antiguan Carnival excellence. The initiative aims to preserve cultural heritage while fostering artistic innovation among youth participants. Selected finalists will receive professional mentorship from established musicians and the opportunity to record their entries in studio settings, providing invaluable industry experience.

    This strategic move addresses longstanding concerns about cultural continuity within Antigua and Barbuda’s Carnival traditions. By creating a dedicated platform for young performers, the Commission hopes to stimulate earlier interest in musical composition and performance, potentially shaping the future soundscape of the country’s premier cultural celebration. The competition structure will include multiple categories divided by age groups, ensuring appropriate challenges for both primary and secondary school students.

    Judging criteria will emphasize lyrical creativity, musical arrangement, and overall performance quality, with winning entries potentially receiving scholarships or musical equipment grants. The initiative represents a significant investment in cultural sustainability, recognizing that the evolution of Carnival depends on actively engaging younger generations rather than relying solely on established artists.

  • 6 events, 4 days

    6 events, 4 days

    Jamaica’s entertainment landscape is poised for an unprecedented cultural explosion as Vacae Weekend prepares to transform Ocho Rios into a dynamic celebration hub from April 3-6, 2026. This meticulously curated four-day festival, backed by title sponsor Campari, promises to deliver an immersive experience blending music, fashion, and Caribbean culture through six distinct events that cater to sophisticated revelers seeking exceptional entertainment.

    The brainchild of event curators Twenty14, Vacae Weekend represents a strategic evolution from its 2019 inception into what organizers describe as a ‘major cultural movement.’ Andrew Ellis, CEO of Twenty14, emphasizes that the festival transcends conventional party parameters by creating spaces where global audiences converge to celebrate Jamaican creativity, cultural expression, and authentic connections through shared experiences.

    Campari Group’s marketing manager Pavell Smith revealed the festival’s ambitious programming, highlighting performances by dancehall sensations Armanii and Malie Donn alongside international rap superstar Fabolous. This fusion of local and international talent underscores the event’s commitment to delivering world-class entertainment while showcasing Jamaica’s vibrant musical heritage.

    The festival circuit encompasses six carefully designed experiences: The Estate’s polished atmosphere, Sandz’s beachside energy, Risqué’s late-night allure, The Lawn’s stylish relaxation, Pic-Nic’s daytime festivities, and the crowd-favorite Tropical Saturday. Each venue offers unique vibes while maintaining the festival’s core commitment to quality entertainment and responsible indulgence.

    Government officials have endorsed Vacae Weekend as a significant economic driver. Minister of Entertainment and Culture Olivia ‘Babsy’ Grange emphasized that such events demonstrate the industry’s substantial contribution to national prosperity, stating: ‘When our creatives thrive, Jamaica thrives. This transformation of Ocho Rios into a living stage where sound systems meet shorelines represents more than entertainment—it’s a growing platform with intentional economic impact.’

    With early buzz building across the entertainment industry, Vacae Weekend 2026 is positioning itself as the must-attend cultural event of the Easter season, combining premium production values, strategic partnerships, and Jamaica’s undeniable creative energy.