分类: entertainment

  • Iyanola Online Awards spotlight creatives shaping popular culture

    Iyanola Online Awards spotlight creatives shaping popular culture

    The pioneering Iyanola Online Music and Entertainment Awards has concluded its inaugural ceremony with resounding success, marking a significant milestone in Saint Lucia’s cultural recognition landscape. Held exclusively through digital platforms on January 21, this groundbreaking event honored creatives who have substantially influenced the island’s popular culture through a unique public voting system.

    Sedale Simei, a key architect of the awards program, expressed profound satisfaction with the overwhelming response from both artists and the general public. In an exclusive discussion with St. Lucia Times, Simei revealed that the entertainment community has enthusiastically embraced this initiative to highlight their cultural contributions. “The creators occupying Saint Lucia’s entertainment space have demonstrated tremendous appreciation for this recognition of their work,” Simei noted, adding that the organization already envisions enhancements for future editions.

    The nomination process presented considerable challenges due to the abundance of creative talent across the island. Unlike traditional award ceremonies where committees evaluate artistic merit, the Iyanola Awards employed a distinctive methodology focusing exclusively on cultural impact. “This isn’t about determining superior artistry,” Simei explained. “Our fundamental criterion was identifying those who made the most substantial impact on Saint Lucia’s popular culture, with the public ultimately deciding the winners through democratic voting.”

    Despite the celebratory atmosphere surrounding the successful launch, the organizing team maintains a forward-looking perspective regarding improvements. Simei acknowledged opportunities for refinement in category development and nominee selection processes. “We’re critically examining our nomination mechanisms to ensure equitable opportunities and robust competition within each category,” he stated.

    Future expansions include broadening the award categories to incorporate currently underrepresented entertainment sectors. “We deliberately limited categories initially to avoid overwhelming participants,” Simei commented. “However, we anticipate incorporating recognition for makeup artists, boutique owners, and gender-specific accolades like Best Female Artist of the Year in subsequent ceremonies.”

    The complete list of distinguished recipients includes:

    – Dennery Segment Artist Of The Year: Umpa
    – Best New Artist Of The Year: MC Dalo
    – Best DJ Of The Year: JH & MC Dalo
    – Best Song Of The Year: Natoxie ft. DJ ASAP – Toko Doak
    – Best Music Producer Of The Year: G6 Productions
    – Best Collab Song Of The Year: Dezral ft. Jardel – The Car
    – Best Live Band Of The Year: DYP
    – Music Video Of The Year: Shemmy J x Umpa x Ezra D’FunMachine x Arthur Allain x Sedale x Imran Nerdy – Lucian Carnival (Nothing Sweeter Than That)
    – Best Photographer Of The Year: Shavs Photo
    – Best Videographer Of The Year: Tiz Da Creator
    – Best Carnival Band Of The Year: Just 4 Fun
    – Best Fete Of The Year: Dzassta
    – Best Event Producer Of The Year: Just 4 Fun
    – Best Boatride Of The Year: Sounami
    – Best Weekly Event Of The Year: Gros Islet Street Party
    – Best Instagram Creator Of The Year: Kitania Regis
    – Best Comedian Of The Year: Dhirv 2 Funny
    – Best Viral Phrase Of The Year: “I Voting For You Boss”
    – Best TikTok Creator Of The Year: Soul Peachy
    – Best YouTuber Of The Year: Arthur Knotless Strands

  • Grenadian singer Muddy pays courtesy calls on local ministers

    Grenadian singer Muddy pays courtesy calls on local ministers

    In a significant cultural exchange between neighboring Caribbean nations, Grenada’s reigning Soca Monarch Alex “Muddy” Cuffie conducted diplomatic courtesy visits to senior Trinidadian officials this week. The acclaimed artist, who also holds the People’s Choice Award title, met with Energy Minister Roodal Moonilal at the International Waterfront Centre in Port of Spain.

    The ceremonial meeting featured an exchange of cultural gifts symbolizing the strengthening bonds between the two islands. Cuffie presented Minister Moonilal with an elaborate gift package curated by the Grenadian Prime Minister’s Office, containing authentic Grenadian spices, a heritage photography book, traditional guava jelly and nutmeg jam preserves, alongside a personalized backpack bearing the artist’s signature branding.

    Minister Moonilal reciprocated the diplomatic warmth by expressing his personal admiration for Grenadian culture and revealing his close friendship with Prime Minister Dickon Mitchell. The energy official extended his best wishes for Cuffie’s upcoming performances during Trinidad’s 2026 Carnival season.

    In a separate cultural diplomacy engagement, the Grenadian soca ambassador also met with representatives from Trinidad’s Ministry of Culture, presenting Communications Specialist Jerome Lewis with additional heritage gift packages for Culture Minister Michelle Benjamin.

    Cuffie, who has been in Trinidad since early January, expressed profound appreciation for the overwhelming reception of his hit single ‘Payroll’ among Trinidadian audiences. The artist emphasized the historical interconnectedness between the two nations, noting: ‘TT and Grenada have always had good relations with many families relocating between our islands over time—we are essentially extended family.’

    The cultural ambassador is scheduled to headline A Team Events’ A Class VIP Cooler Experience on January 25th at Cipriani Labour College Grounds, joining other top soca performers backed by the renowned A Team Band.

  • Flava Food Village debut a success

    Flava Food Village debut a success

    Trinidad and Tobago’s Carnival 2026 has witnessed the spectacular success of its newest attraction, the Flava Food Village, which has rapidly become a cornerstone of the cultural celebrations. The venue reached new heights during Patrice Roberts’ “Always Us” concert on January 22nd at Queen’s Park Savannah in Port of Spain, where thousands of attendees enjoyed a night of electrifying performances completely free of charge.

    Minister of Culture and Community Development Michelle Benjamin, alongside National Carnival Commission (NCC) chairman Peter Kanhai and other dignitaries, personally experienced the vibrant atmosphere among the massive crowd. Benjamin declared the event “nothing short of incredible,” emphasizing the dual benefits of cultural celebration and economic stimulation for local vendors.

    The Minister highlighted the innovative approach of the new NCC Board and ministry stakeholders in creating this platform that simultaneously showcases Trinidad’s culinary arts, cultural identity, and community development. “This year, through the addition of Flava Food Village we have made a difference, we have made an unforgettable impact,” Benjamin stated in an official release.

    The overwhelming public response has been particularly significant given initial criticisms regarding logistical changes to this year’s Carnival production. Benjamin extended special gratitude to Patrice Roberts and her band for their initiative in organizing the free concert, which featured both emerging and established local artists, creating an unparalleled display of Trinidadian talent and energy.

    The Flava Food Village represents a strategic evolution in Carnival programming, successfully blending gastronomic experiences with musical performances while maintaining accessibility through free admission. This innovative model has established a new standard for cultural events in the region, demonstrating how cultural preservation and economic development can coexist harmoniously.

  • Jamal, Ding Dong for inaugural Clarendon Jerk Fest

    Jamal, Ding Dong for inaugural Clarendon Jerk Fest

    Lance Roache, a returning resident who spent years in Canada after migrating in 2007, is channeling his childhood aspirations into a groundbreaking community event. The inaugural Clarendon Jerk Festival, set for April 4 at Woodleigh Sports Complex, aims to fulfill his long-held vision of creating family-oriented entertainment in his hometown.

    This culinary and cultural celebration forms part of the broader ‘Coolest Weekend Ever’ festival running from April 3-6, which features six distinct events including Coffee Break, Rum Army Ambush, and FBI Pon Di River Soca Fete. The Jerk Festival will showcase performances by dancehall stars Jamal, Ding Dong, and Ravers Clan.

    Roache, an alumnus of Edwin Allen and Garvey Maceo high schools, conceptualized the event as both a tribute to Jamaica’s culinary traditions and an economic catalyst for Clarendon. “This festival was created to celebrate Jamaica’s rich jerk heritage while positioning Clarendon as a major cultural destination,” Roache explained to the Jamaica Observer.

    The event anticipates 10-20 vendors featuring jerk specialists, beverage providers, artisans, and small businesses with emphasis on local Clarendon participants. Beyond immediate economic benefits through vendor sales and temporary employment, organizers project increased transportation usage, accommodation demand, and visitor spending throughout the parish.

    Attendees can expect an extensive culinary journey featuring jerk preparations of chicken, pork, fish, turkey, lamb, duck, goat, beef, oxtail, and seafood alongside traditional sides, vegan options, and desserts with jerk-inspired creativity. The programming carefully balances daytime family activities with evening entertainment transitions.

    The daytime segment commencing at 11:00 AM features dedicated children’s zones with face painting, fun rides, bouncing castles, and interactive games. Senior citizens will receive complimentary health services including diabetes and blood pressure checks. Additional attractions include jerk cooking competitions, interactive game zones, and community activities with gate prizes.

    As evening approaches, the focus shifts to live performances while maintaining family-friendly security standards. Roache emphasized the professional execution: “While a new branded experience, it’s managed by teams with expertise in event planning, logistics, and large-scale community engagements using international best practices.”

    Funding derives from private investment, vendor participation, sponsorships, and strategic partnerships, representing substantial investment in infrastructure, staging, security, and marketing. The festival specifically targets tourists seeking authentic Jamaican experiences alongside corporate partners aligned with cultural development.

  • AfroSzn hits the scene with Jamaican DJs at the helm

    AfroSzn hits the scene with Jamaican DJs at the helm

    KINGSTON, Jamaica – Jamaica’s nightlife landscape is poised for transformation as AfroSzn, an innovative cultural initiative, prepares for its inaugural event on January 29, 2026. Founded by renowned FAME 95FM radio personalities DJ Denvo and DJ Powa, this groundbreaking movement aims to establish a permanent home for African-inspired music genres within Jamaica’s entertainment scene.

    The debut event at Dubwise Kingston will offer complimentary admission from 8:00 PM to midnight, featuring an immersive celebration of Afro House, Afrobeats, Amapiano, and other African-derived musical forms that are currently dominating global dance floors. Unlike conventional parties, AfroSzn represents a structured cultural movement with ambitions to evolve into international tours and ultimately establish an annual AfroSzn Weekend Festival.

    DJ Denvo emphasized the project’s philosophical foundation: ‘While dancehall and reggae remain our musical bedrock, Afro-centric sounds demand dedicated spaces that honor their cultural significance with consistency and respect. This initiative transcends entertainment—it’s about building community and fostering genuine cultural connection.’

    The organizers identified a significant gap in Jamaica’s mainstream nightlife, noting that despite growing popularity among urban youth and demonstrable influence on international fashion and dance trends, African musical genres remain underrepresented in local venues.

    DJ Powa, whose personal passion for Afro House has evolved over two-and-a-half years, described the music’s unique appeal: ‘There’s an inherent rootedness in these rhythms that must be experienced firsthand. People are already embracing this sound—traveling for it, dancing to it—and now Jamaica will have its own authentic platform.’

    Both curators bring exceptional credentials to the venture. DJ Denvo is celebrated for his authentic music selections and expertise in radio programming management, while DJ Powa has built a reputation for high-energy performances and seamless genre blending within corporate and nightlife circuits.

    The long-term vision involves creating a sustainable cultural ecosystem that combines musical appreciation with educational components, ensuring participants understand the cultural contexts behind the rhythms. With strategic timing, expert curation, and clearly identified market demand, AfroSzn appears positioned to redefine African-inspired entertainment throughout the Caribbean.

  • Dancehall artiste Lybran opens restaurant in Antigua

    Dancehall artiste Lybran opens restaurant in Antigua

    KINGSTON, Jamaica — Jamaican dancehall performer Lybran, also known as Rum Boss, has successfully established a culinary landmark in Antigua with the opening of his Reggae Village restaurant. Located in the scenic village of Willikies en route to Long Beach, the establishment caters primarily to the expanding Jamaican diaspora while simultaneously attracting local Antiguan patrons.

    The artist-turned-entrepreneur revealed that the venture was born from necessity during the COVID-19 pandemic, coinciding with the birth of his youngest child in Antigua. ‘I asked God for a way to provide, and the restaurant concept emerged as the answer,’ Lybran confessed, emphasizing the tremendous sacrifice and determined mindset required to transform his vision into reality.

    Reggae Village has rapidly gained recognition for its authentic Jamaican cuisine, drawing both local residents and international celebrities. The restaurant’s clientele includes members of the West Indies cricket team and various football squads, while its catering services constitute a significant portion of business operations.

    Simultaneously maintaining his musical career, Lybran recently delivered a notable performance at Antigua’s One Nation Music Festival in early January. The event featured prominent artists including Capleton, Gramps Morgan, Mr Vegas, and Masicka. In a career highlight, Lybran joined Gramps Morgan onstage for an impromptu rendition of ‘Rum Talk Part 3,’ marking their first live collaboration despite previously recording the Grammy-nominated track ‘Rumnesia’ together in 2021.

    The performance reportedly astonished many Antiguan residents who were previously unaware of Lybran’s artistic background, generating significant local recognition for the multi-talented entertainer originally from St. Thomas, whose given name is Lamon Morvin Cousins.

  • No Ultimate Soca Champion show

    No Ultimate Soca Champion show

    The highly anticipated Ultimate Soca Championship competition will not proceed in 2026 due to economic challenges and lack of governmental support, CEO Jerome ‘Rome’ Precilla has confirmed. The decision marks a significant setback for Caribbean musical talent development during Carnival season.

    Precilla revealed that organizers had reached out to Trinidad and Tobago’s Ministry of Culture and Community Development and the National Carnival Commission (NCC) in January, proposing collaborative budget solutions to accommodate the current economic climate. Despite offering to work within constrained financial parameters, the organization received no response from governmental bodies as the Carnival season approached.

    ‘We recognized the economic realities were different this year,’ Precilla explained via WhatsApp messaging. ‘We presented flexible options to maintain the project based on last year’s demonstrated successes, but without ministerial support, producing our standard of show became impossible.’

    The competition, which launched during Carnival 2025 as a successor to the discontinued International Soca Monarch, had established itself as a crucial platform for emerging artists. Precilla highlighted several success stories including Sucre (lead vocalist for Evolution Band), Anika Berry, Christo, and Christina James – artists who gained significant recognition and career opportunities through the championship.

    Last year’s tournament achieved remarkable reach with over one million combined views across social media and television broadcasts throughout the season. The 2025 edition operated on an $8 million budget and crowned Grenada’s Akim ‘Blaka Dan’ Ogiste as champion.

    Precilla expressed profound disappointment at the cancellation, noting that artists consistently inquire about the competition’s return. While private entities expressed willingness to contribute, Precilla emphasized that large-scale ventures of this nature require foundational government support. Organizers remain hopeful for renewed partnership with ministry officials and the NCC to revive the championship for Carnival 2027.

  • The beat goes on!

    The beat goes on!

    Jamaica is channeling the healing power of reggae music to fuel national recovery efforts following Hurricane Melissa’s catastrophic impact. The island nation has officially launched its 2026 Reggae Month celebrations under the thematic banner ‘Rhythms of Resilience,’ transforming the cultural observance into a symbol of post-disaster restoration.

    The February observance, which honors reggae’s profound influence on Jamaica’s social, cultural, and economic development, takes on heightened significance this year as communities continue rebuilding from November’s devastating storm. At Wednesday’s launch event hosted at J Wray & Nephew headquarters, government officials and music industry leaders united in emphasizing reggae’s therapeutic role during challenging times.

    Culture and Entertainment Minister Olivia ‘Babsy’ Grange addressed attendees with an impassioned plea for heightened participation. ‘We enter Reggae Month at a time when half the country is rebuilding from devastating hurricane damage, and we face so much trouble in the world,’ Minister Grange stated. ‘Our reggae music is therapy. We turn to this music in good and bad times; the rhythm and lyrics provide relief and inspiration.’

    The minister highlighted several significant anniversaries coinciding with the 2026 celebrations: eight years since UNESCO’s official inscription of reggae music, ten years since Kingston’s designation as a UNESCO Creative City, and seventeen years since the Governor General’s proclamation of Reggae Month.

    Tourism Enhancement Fund Director Carey Wallace echoed the minister’s sentiments, noting that reggae music served as a critical source of hope during the grim aftermath of Hurricane Melissa. ‘We’ve been hit by Hurricane Melissa, but this is Jamaica; we will rebound and shine brighter,’ Wallace declared. ‘When we support Reggae Month, we’re supporting the story of Jamaican resilience that we want to replace the story of devastation.’

    J Wray & Nephew Managing Director Daniel Caron emphasized his company’s continued investment in the celebrations, stating: ‘This year’s celebrations are about coming back and coming back stronger. We want to keep the culture alive, the spirit alive, and with that we will always have resilience.’

    The 2026 Reggae Month calendar features an expansive lineup of more than 60 registered events, including Dennis Brown’s birthday celebrations (February 1), Bob Marley’s birthday festivities at Emancipation Park (February 6), the Wickie Wackie Music Festival (commencing February 12), Dancehall Week (February 22-March), and weekly programming organized by JaRIA and JCDC symposiums.

  • Roger George revisits Singing Sandra’s Nobody Wins a War

    Roger George revisits Singing Sandra’s Nobody Wins a War

    In a poignant musical response to global conflicts and divisions, renowned soca artist Roger George has unveiled a heartfelt reinterpretation of the late Singing Sandra’s iconic peace anthem ‘Nobody Wins a War.’ The timeless composition, originally penned by celebrated songwriter and former Calypso Monarch Ortneil ‘Tobago Crusoe’ Bacchus, has been revitalized through the sophisticated musical arrangements of legendary producer Leston Paul.

    George describes the opportunity to record this meaningful remake as both humbling and spiritually significant. ‘Singing Sandra remains an eternal legend in our culture,’ the artist reflected, recalling his first encounter with the powerful track in 1992 while performing with Charlie’s Roots. ‘The lyrics crafted by Ortneil Bacchus maintain profound relevance today, perhaps even more so than when originally written.’

    The 53-year-old artist’s musical journey began in St. Joseph, where he credits his community-centered upbringing for shaping his artistic identity. ‘My childhood was no bed of roses, but I was blessed with family support and village solidarity,’ George shared. ‘The adage about requiring a village to raise a child truly applied to my development.’

    Music became George’s undeniable calling at age 14 when teachers initially disciplined him for classroom singing and desk-tapping until the school principal recognized his exceptional talent. This led to his victorious performance at the 1988 Junior Calypso Monarch competition, launching a distinguished career influenced by Caribbean music giants including The Mighty Sparrow, David Rudder, and Christopher ‘Tambu’ Herbert.

    George’s artistic evolution included a formative period as frontline performer with Xtatik alongside soca superstar Machel Montano. ‘That experience expanded my understanding of music’s business dimensions and enhanced my artistic versatility,’ he noted. ‘Machel’s discipline and commitment demonstrated how unity cultivates success.’

    The collaboration with arranger Leston Paul proved particularly magical for George. ‘When my vocals intersect with his extraordinary talent, the result transcends ordinary music,’ the artist expressed. ‘The arrangement becomes a spiritual invocation—each instrument contributes to an uplifting, motivational experience that exceeds conventional calypso boundaries.’

    George honored Singing Sandra’s legacy as a cultural guide and maternal figure within the industry. ‘She embodied the wisdom of passing the baton to younger generations, recognizing that everyone contributes to our cultural continuity,’ he stated, acknowledging her role alongside the United Sisters collective.

    At this career stage, George maintains strict criteria for song selection: ‘Each composition must align with my spiritual beliefs and moral standards while conveying meaningful messages.’ The artist views music as a transformative force that can alter perspectives, manage emotions, and prevent poor decisions.

    With multiple projects underway, including a re-voice and video production for ‘These Are the Days,’ George continues his musical mission. His advice to emerging artists emphasizes authenticity and vision: ‘Remain true to yourself, understand the industry beyond performance stages, and lead with innovative thinking rather than following trends.’

    George ultimately hopes his rendition of ‘Nobody Wins a War’ will resonate globally across diverse communities, spreading its urgent message of peace during turbulent times.

  • Chizz Chizem tackles relationship issues on Only You and Nite Monster

    Chizz Chizem tackles relationship issues on Only You and Nite Monster

    KINGSTON, Jamaica — Emerging reggae artist Chizz Chizem, born Shanet Chisholm, expresses growing confidence that her musical career is approaching a significant turning point. Fourteen years after initiating her artistic journey in Mandeville, Jamaica, the singer-songwriter now operates from Cincinnati, Ohio, where she’s cultivating a dedicated following within America’s compact but vibrant reggae community.

    Her two latest singles, ‘Only You’ and ‘Nite Monster,’ released in December 2023, explore themes of romance and emotional complexity. These releases have generated encouraging audience responses that fuel her determination to persist in the competitive music industry. ‘The feedback from these two songs has given me the motivation to continue this journey,’ Chizz Chizem revealed during a recent interview with Observer Online.

    The independent artist emphasized her continuous development of professional networks, vocal technique, and songwriting proficiency. Currently, she’s collaborating with producer Mac Niff to finalize an extended play (EP) project designed for broad audience appeal. ‘Mac Niff is creating the beats and handling recording and mixing. I feel this will be a worthwhile project that everyone can listen to,’ she commented regarding their creative partnership.

    Despite the relatively niche status of reggae in the American Midwest, Chizz Chizem reports steady expansion of her supporter base since relocating to the United States. She characterizes the regional scene as ‘small but united’ and notes measurable progress in building her artistic presence. Her debut single ‘Struggles,’ produced by Ralston Barrett in 2012, marked her initial entry into the music industry, and she now stands poised to deliver her most comprehensive work to date.