After more than 20 years shaping the global dancehall landscape, veteran deejay Spragga Benz retains the same electric enthusiasm for music that drove him at the start of his career, remaining deeply connected to the culture that turned him into a household name across the Caribbean and beyond. Whether he is dissecting the work of today’s rising dancehall stars, penning new original material, or debating shifting production trends in the genre, his commitment to dancehall’s evolution has never wavered.
Currently, the artist’s full attention is turned toward an ambitious new project: a full remix album of his recent studio release *Endeavors*, which pairs his original tracks with guest verses from a lineup of artists he personally admires. In a recent interview, Spragga Benz shared details of the collaborative project, naming established heavyweights including Agent Sasco, Grammy winner Sean Paul, Stonebwoy, Bugle, and I Wayne as already confirmed contributors, adding that he is also working to bring veteran reggae vocalist JC Lodge onto the project. “This next release is all about working with people I truly respect,” he explained.
This focus on cross-generational collaboration aligns with Spragga Benz’s broader perspective on today’s dancehall industry, where conversations about generational rifts often dominate public discourse. Positioning himself as a bridge between older and newer cohorts of artists, he says he has built mutual respect across age groups by leaning into openness rather than conflict. “I see myself as the in-between generation – I have love and respect for every artist out there,” he noted. “I don’t go out looking to disrespect anyone, and I walk away from tension when I can. I have no issues with the young artists coming up, and I hope they feel the same about me. Everything is good, and I’m ready to make music with any of them anytime.”
That open-minded approach has allowed him to keep close tabs on the new wave of talent redefining dancehall, and he has not been shy about highlighting the young artists that have caught his eye. One emerging act that stands out for him is breakout star Skeng, whose magnetic stage presence and unorthodox style he says elevates him beyond traditional deejaying. “I love Skeng’s energy – what he’s doing is totally different,” Spragga Benz explained. “I don’t know if he’s realized it yet, but he’s not just a deejay, he’s a rock star. In this new generation of artists, he’s in a class all his own.”
Other rising acts earning the veteran’s stamp of approval include Masicka, Jashii, and Bittah So Sicka, an up-and-coming artist from his own Red Square crew who he says has massive untapped potential.
Despite embracing the genre’s evolving sound and new generation of creators, Spragga Benz says the core of his passion for music has not changed in 20-plus years. To this day, he says, inspiration strikes immediately when he hears a beat that stands out from the crowd. “I love music, and I will always get excited over a great rhythm,” he shared. “Every time I hear a beat I like, that has a different groove or feels new to me, I immediately want to write a song. Whether I end up releasing it or not, I still create something – this is my work and it’s my hobby.”
One contemporary production trend that has piqued his interest lately is the wave of Hill and Gully Ride-inspired rhythms that have grown massively popular in modern dancehall. “I love the Hill an’ Gully sound – I would absolutely destroy that rhythm,” he said, joking that he has already been pressing producer Stephen McGregor to send him a version of the beat to work on. “It has the same raw energy as the classic Powercut rhythm, which fits right in with my era.”
Even as he welcomes new sounds, however, Spragga Benz did share one observation about a core element of dancehall culture he believes has faded over time: the traditional juggling rhythm format that allowed dozens of artists to layer their own unique perspectives and stories onto a single shared production. Today, he says, most productions are built for solo artists rather than collective juggling projects. “I prefer juggling rhythms because they let everyone get involved and tell their own story,” he explained. That said, he did critique a common trend he has observed in modern juggling projects: too many artists fixating on the same narrow topics, turning the format into a competition of who can repeat the same theme better. “I just want to see more creativity in the topics artists are exploring,” he added.
For Spragga Benz, the career mission he set out with decades ago remains unchanged: keep creating, keep evolving, and keep contributing to the growth of dancehall culture, whether that means collaborating with respected peers or lifting up the next generation of stars set to carry the genre forward.









