标签: Saint Lucia

圣卢西亚

  • No Monchy Jazz this year

    No Monchy Jazz this year

    One of Saint Lucia’s most beloved community cultural staples, Monchy Jazz, will not take place in 2026, local lawmaker Kenson Casimir, Member of Parliament for Gros Islet, confirmed during a pre-Cabinet media briefing on Monday.

    As a signature closing event on the annual Saint Lucia Jazz & Arts Festival calendar – which traditionally wraps up its run on Sunday, May 10 each year – Monchy Jazz has built a loyal following under its local tagline *Mizik en Kweyol*. For years, the free-admission gathering has drawn thousands of jazz fans and visitors into the small Monchy community, generating meaningful, direct economic gains for local street vendors, food suppliers, and small business owners. Unlike the higher-priced mainstage performances of the broader festival, Monchy Jazz was created from the ground up to open the jazz experience to local residents who cannot afford premium ticket prices, a core mission that has defined its community-centric identity.

    But growing operational pressures have forced organizers to call off the 2026 iteration. Casimir explained that shifting volunteer dynamics have drastically inflated event costs: many individuals who previously contributed their time for free now request financial compensation, pushing the total budget for the gathering to an estimated range of $175,000 to $200,000 – a figure organizers cannot currently cover.

    Compounding the cost challenge is a sharp decline in targeted sponsorship support. While the Saint Lucia Tourism Authority provides limited baseline funding for community events like Monchy Jazz, the growing number of community gatherings across the island has split available sponsorship dollars thin. Casimir noted that cumulative sponsor commitments for 2026 fell far short of the minimum $175,000 needed to host the event safely and maintain its signature quality.

    Despite this year’s cancellation, organizers remain committed to reviving the fan-favorite event. Casimir confirmed that the team will launch a full structural and financial review of Monchy Jazz over the coming months, with the explicit goal of bringing back the high-quality, community-focused jazz experience that attendees have come to expect when the festival returns in 2027.

  • Decomposing body found hanging in Augier

    Decomposing body found hanging in Augier

    Authorities in the southern Caribbean island nation of Saint Lucia have launched a formal homicide investigation following the grim discovery of a 34-year-old local woman’s decomposed remains in a wooded area of the Vieux Fort district.

    According to official updates from the Royal Saint Lucia Police Force, plainclothes investigators from the Criminal Investigations Department assigned to the Vieux Fort Police Station were dispatched to the Pomme neighborhood of Augier just after 3 p.m. local time on Monday, May 4, 2026, after receiving an anonymous tip about the unusual sighting. Upon arriving at the scene, law enforcement officers located the woman’s body hanging from a tree in a remote, sparsely populated part of the district.

    The remains were quickly removed and transported to St Jude Hospital for forensic processing, where they were positively identified as Talia Norma Hippolyte, a lifelong resident of Augier. A full postmortem examination has been scheduled for Friday, May 8, 2026, to pinpoint the exact cause and manner of Hippolyte’s death. Investigators have confirmed that the case remains active and ongoing, with no further details released to the public as they work through evidence collection.

    News of the discovery has sent shockwaves through the tight-knit local community. Multiple residents who spoke with local outlet SLT confirmed that Hippolyte had struggled with mental health challenges in the months leading up to her death, a disclosure that has rekindled long-running public conversations across Saint Lucia about gaps in mental health awareness and limited access to affordable, reliable support services for residents in need. Public health advocates have used the incident to emphasize how critical it is for community members to recognize early signs of emotional distress and connect at-risk individuals to care before tragedy occurs.

    In addition to the mental health discourse, the incident has sparked urgent concern over the spread of graphic, disturbing content online: multiple unedited videos purporting to show the crime scene and Hippolyte’s remains have circulated widely across social media platforms in recent days. Community leaders and local residents are calling on social media users to immediately stop sharing the footage, urging respect for the victim’s dignity and the privacy of her grieving family.

    As of this report, authorities have not released any further updates on the case, which remains a developing investigation.

  • Saint Lucian track athletes hit milestones in weekend action

    Saint Lucian track athletes hit milestones in weekend action

    A cohort of talented track and field athletes from Saint Lucia turned heads across multiple competitive meets held across the United States over the past weekend, delivering standout performances that included three new national records and one confirmed qualifying spot for the 2026 Commonwealth Games in Glasgow.

    Leading the group of high achievers was University of Kansas sprinter Michael Joseph, who capped off his senior home schedule in dominant fashion at the Rock Chalk Classic hosted at Lawrence’s Rock Chalk Park on May 2. The event doubled as Kansas’ annual senior day celebration, and Joseph did not disappoint, taking top honors in both of his scheduled races. In the men’s 400-meter dash, he clocked an impressive 45.54 seconds – marking the third time this season he has run the distance under the 46.46-second qualifying threshold for the Commonwealth Games. His performance locked in his spot at the July tournament in Scotland. Joseph also anchored the University of Kansas 4×400-meter relay team to a winning finish, crossing the line in 3:06.09.

    Halfway across the state of Texas, graduate transfer Lauralyn Clifford of the University of Texas at San Antonio (UTSA) delivered a career-best performance at the Texas A&M Alumni Muster held at College Station’s E.B. Cushing Stadium. Competing in the women’s hammer throw, Clifford saved her best effort for her final attempt of the competition, launching the implement 59.77 meters (196 feet 1 inch). The throw broke Acacia Astwood’s 2023 UTSA program record of 59.39 meters, and also set a new senior national record for Saint Lucia. It currently ranks as the second-best mark in the American Athletic Conference for the 2026 season.

    In the under-20 division, 18-year-old Naya Jules of Garden City Community College made history at the Region VI Championships in Arkansas City, Kansas, where she claimed the silver medal in the women’s heptathlon with a new Saint Lucian U20 national record total of 4477 points. The score also broke Garden City’s program record, and would have been enough to earn silver at the CARIFTA Games, the top regional youth track and field championship for the Caribbean. Across the seven-event competition, Jules notched a 9th-place 16.88-second finish in the 100-meter hurdles, a 2nd-place high jump of 1.54 meters (a personal best), a 1st-place shot put of 10.85 meters (another personal best), and a 7th-place 26.78-second 200-meter run on the first day of competition. On day two, she added an 8th-place long jump of 4.82 meters, a 1st-place javelin throw of 40.53 meters, and a 3rd-place 2:29.71 800-meter run to close out her record-setting performance. Jules also added another program record in the open javelin competition, throwing 41.88 meters to take bronze, and finished fifth in the pole vault with a 3.01-meter clearance.

    Meanwhile, at the Puma East Coast International Showcase in Baltimore, Maryland, Jamaica College’s Denzel Phillips, another U20 athlete from Saint Lucia, claimed gold in the men’s shot put and silver in the men’s discus. He improved his own national under-20 record in both events, throwing 17.21 meters (56 feet 5.5 inches) to win the shot put title, and extending his qualifying mark for the World Athletics Under-20 Championships to 58.39 meters (191 feet 7 inches) in the discus, finishing just behind Jamaican rival Joseph Salmon to take second.

    Beyond the headline-making record-breakers, several other Saint Lucian athletes posted solid results at weekend meets across the country. Khailan Vitalis won the men’s 110-meter hurdles at the Duke Twilight with a time of 13.90 seconds. Cagini Pilgrim placed fourth in both the men’s 100-meter (10.65 seconds) and 200-meter (21.38 seconds) events at the GLVC Championships, while Miguel Charlery notched 13th in the 100-meter (10.62 seconds) and 11th in the 200-meter (21.71 seconds) at the PSAC Championships. At the HBCUAC Championship, Ishmael Durand placed 26th in the 100-meter (11.54 seconds) and 19th in the 200-meter (23.12 seconds), while Shamael Durand finished fifth in shot put (10.84 meters), seventh in discus (29.33 meters), and 12th in javelin (29.50 meters). Asa Francis placed 10th in the men’s 800-meter at the Kehoe Twilight Meet with a 1:50.05 finish, and Rayshawn Harris clocked 2:02.19 for 33rd in the same event. On the women’s side, Naomi London took fourth in the 100-meter (11.45 seconds) and sixth in the 200-meter (23.03 seconds) at the Texas Invite. Carleen Lionel finished 22nd in the 100-meter at the Atlantic 10 Championships with 12.52 seconds, while Jola Felix posted 10th in the 100-meter (12.68 seconds) and 17th in the 200-meter (27.12 seconds) at the Heart of America Championships. Kereser Augustin placed eighth in the women’s 400-meter at the MIAA Outdoor Championships with 55.88 seconds. Jasmine Stiede notched fourth in the 800-meter (2:13.56) and sixth in the 1500-meter (4:35.50) at the Rock Chalk Classic, while Natalie Albert took third in the women’s hammer throw at the Memphis Tiger Invite with a 54.25-meter throw.

  • SPL 6 playoff picture set

    SPL 6 playoff picture set

    After a dramatic final weekend of group stage action, the four teams set to compete for the 2024 Saint Lucia Premier League (SPL) T20 title have officially been confirmed, with twists, standout individual performances, and unexpected eliminations shaping the final playoff lineup.

    The opening fixture of the weekend was derailed before it could deliver a result, as an island-wide power outage forced the abandonment of the clash between Choiseul Craft Masters and Mon Repos Pioneers. With neither side able to claim the two points on offer for a win, the draw left both teams trailing in the rankings, dashing their hopes of securing a higher seed heading into the knockout stage.

    On Saturday morning, the first of the Final Four spots was claimed by Soufriere Titans, who pulled off an upset against defending champions Gros Islet Knights to secure their place with a 12-run victory. The match at Soufriere hosted a lively, family-friendly atmosphere, with children enjoying face-painting activities in the stands before the competitive action unfolded.

    The Titans’ win was anchored by a blistering, unbeaten century from middle-order batsman Djourn Charles, who smashed 107 runs off just 54 deliveries, including 10 fours and 8 towering sixes. Charles’ explosive innings carried Soufriere to a total of 203 all out, with Gros Islet’s Tarrique Edward turning in the best bowling performance of the match, claiming three wickets for 36 runs.

    In their chase, the defending champions managed only 191 all out. While experienced batters Kimani Melius and Noelle Leo both got starts, notching 23 runs each, only Dillon Douglas was able to convert his chance, finishing with 64 runs. Tight, disciplined bowling from Kevin Sinclar (1-17 off four overs) and Shani Maximin (2-29 off three overs) kept the Knights’ chase in check, securing the win for the Titans and leaving them second in the final group stage standings.

    The second Saturday match brought another elimination twist, as Micoud Eagles defeated their local rivals Mon Repos Pioneers by 40 runs to book their playoff spot and knock Mon Repos out of title contention. Micoud posted a mammoth total of 257 batting first, powered by a phenomenal near-century from Dominic Auguste. Auguste fell just one run short of a hundred, bowled by Cody Lesmond after striking 10 sixes and six fours, with Samuel Charles adding a valuable 45 runs before also falling short of a personal milestone.

    Mon Repos got off to a strong start in their chase, with Sabinus Emmanuel notching 55 and Keon Gaston hitting a brilliant century of 118, but their efforts were not enough to overhaul the total; they finished at 217 all out. Ted Jones was the standout bowler for the Eagles, claiming three wickets for 34 runs to seal the win and leave Micoud third in the final rankings.

    Sunday opened with a do-or-die clash for Gros Islet Knights, who needed a win over undefeated group leaders City Blasters to keep their hopes of back-to-back titles alive. The tournament’s only unbeaten side proved too strong, however, securing a dominant eight-wicket victory to end the defending champions’ campaign.

    Batting first, Gros Islet collapsed to just 103 all out, with four of their top-order batters dismissed for zero. Only a 36-run knock from captain Kimani Melius pushed the side into triple figures. Amari Goodridge (4-18) and Jaden Elibox (4-20) tore through the Knights’ batting lineup, leaving the Blasters with a tiny target to chase.

    City Blasters made light work of the 104-run requirement, reaching the target in just 6.3 overs behind an unbeaten 63 from Stephen Naitrum, which included seven sixes and five fours. Tarrique Edward claimed the only two wickets for Gros Islet, finishing with 2-43 off two overs, but it was not enough to stop the group leaders.

    The final group stage match saw Choiseul Craft Masters secure the last remaining Final Four spot, needing a win over already-qualified Micoud Eagles to leapfrog the eliminated defending champions and claim their place. Choiseul’s bowling attack dominated the Eagles, bundling them out for just 134, with Bronte Bess claiming 3-18 and Dornan Edward taking 3-24 to lead the attack.

    Choiseul, nicknamed the Men in Orange, chased down the target in just 8.4 overs, with Jason Simon hitting 56 off 31 deliveries and Junior Henry smashing 50 off 20 deliveries to lead the side to a seven-wicket victory.

    With the group stage now complete, the knockout phase of the tournament is ready to get underway using the Page Playoff System, a four-match structure consisting of Qualifier 1, the Eliminator, Qualifier 2, and the championship Final. The format gives the top two group stage teams a second chance to advance to the Final, while the third and fourth seeds face an immediate sudden-death elimination in the Eliminator.

  • National anti-smoking campaign launched in Saint Lucia

    National anti-smoking campaign launched in Saint Lucia

    Public health officials in Saint Lucia have rolled out a nationwide anti-smoking initiative led by the Substance Abuse Advisory Council Secretariat (SAACS), a division under the country’s Ministry of Health, designed to curb tobacco use, educate the public on the life-threatening impacts of all smoking products, and shine a spotlight on the underrecognized risks of secondhand smoke exposure.

    The campaign comes as public health authorities grow increasingly alarmed by shifting harmful nicotine use patterns across the country. In recent years, Saint Lucia has recorded sharp upticks in recreational vaping, open public use of traditional tobacco products, and rising cannabis consumption, trends that have pushed public health leaders to prioritize targeted intervention to reverse these dangerous habits.

    Caleb Paul, SAACS’s Acting Deputy Coordinator, underscored the urgent need for this proactive public health push, pointing to a steady rise in smoking-related chronic illnesses such as chronic obstructive pulmonary disease (COPD) across all age groups. Unlike many past initiatives that focus only on traditional cigarettes, the new national campaign addresses the full spectrum of smoking-related products, with a core focus on prevention outreach for younger generations, who are most at risk of developing long-term addictive habits.

    Paul explained that the intervention prioritizes transparency around the full scope of health harms tied to every form of smoking, framing prevention as the most effective tool to protect young Saint Lucians from avoidable health complications later in life. “The main aim is to bring the truth out as it pertains to harms associated with all types of smoking… we really want to take a preventive step… saving our young persons,” Paul stated in remarks on the campaign launch.

    This national effort is a core component of the Ministry of Health’s broader public health strategy to cut rates of chronic non-communicable diseases, which are driven largely by preventable behavioural choices like regular tobacco use. By raising widespread public awareness and encouraging sustained lifestyle change, health officials hope to make measurable progress against the leading causes of preventable death and disability in the country.

    The campaign targets a range of key stakeholder groups, from private businesses and primary/secondary schools to large event organizers and local community groups, recognizing that cross-sector collaboration is necessary to create lasting cultural change around smoking. To amplify its reach, SAACS is training a network of peer educators embedded in youth and community sports groups, equipping these trusted messengers with educational resources to share evidence-based anti-smoking messaging with their peers.

    In addition to youth-focused peer outreach, the organization offers free interactive presentations and training sessions for workplaces across the country, and has encouraged interested organizations to reach out to secure a spot for their teams. “We are using peer helpers… training them… and sharing the dangers associated with all types of smoking,” Paul added.

    To meet audiences where they are, campaign messaging will run across a diverse mix of digital and physical public platforms, including popular social media channels, broadcast public service announcements, and large-format community billboards in high-traffic areas. Organizers are urging members of the public to engage with the content and share it with their own networks to expand the campaign’s reach organically.

    “Persons will see them through social media… billboards… we want persons to share it,” Paul said. In closing, SAACS issued a call for all Saint Lucian citizens to stand behind the initiative, emphasizing that collective, community-wide action is the only way to protect the long-term health of future generations and build a healthier nation for all.

  • Fond d’Or Jazz sets valley on fire

    Fond d’Or Jazz sets valley on fire

    After a one-year hiatus and a scaled-back 2024 edition, one of Saint Lucia’s most beloved community-focused cultural events, Fond d’Or Jazz, officially made its high-profile return on Sunday, May 3, stepping back into the spotlight as a cornerstone gathering during the annual Saint Lucia Jazz and Arts Festival season.

    Once known for hosting major international acts like the iconic Caribbean band Kassav, Fond d’Or Jazz took a low-key approach in 2024 before pausing entirely last year. For its 2026 comeback, organizing committee members rebuilt the event from the ground up to create an inclusive experience designed to engage attendees across every age group. Positioned as a family-friendly cultural celebration paired with world-class live entertainment, the festival was hosted at the scenic Fond d’Or Nature Heritage Park, located in the coastal Saint Lucian district of Dennery. The venue’s unpolished, natural rustic charm created an intimate, laid-back atmosphere that carried attendees from a late-afternoon kickoff deep into the night.

    To cater to multi-generational groups, the event grounds featured a range of attractions beyond live music, including themed photo marquees for memorable keepsakes, bouncy castles, a dedicated kids’ zone, and dozens of local food and beverage vendors serving a variety of regional and casual fare. Opening celebrations kicked off with welcoming performances from the Dennery North and Dennery South Steel Orchestras, while main sponsor 1st National Bank outfitted a premium VIP experience for ticketholders seeking elevated amenities.

    As the sun began to dip below the Caribbean horizon, the official performance slate got underway with guitarist Carl Gustave, the first act to take the stage. His dynamic set, which wove together elements of jazz, blues, and classic rock, evoked the nostalgic spirit of traditional jazz gatherings, where audiences come to experience both beloved staples and fresh, authentic original music that deviates from mainstream trends.

    Throughout the evening, the full lineup of headliners was complemented by a rotating cast of supporting acts, including a DJ and MC keeping energy high between sets, special guest appearances from contestants of the Mabouya Valley Queen Pageant, and high-energy dance routines from the local Moves 4 Dayes dance troupe.

    Following Gustave’s opening set, fan-favorite Ronald “Boo” Hinkson took the stage alongside his collective of collaborators, engaging the crowd with beloved Tru Tones hits including *Foreign Journalist* and traditional folk numbers like *Estephan*. Vocal performances from TC Brown, Semi Francis, and Christa Bailey rounded out the set, turning it into one of the night’s most memorable offerings. Next, celebrated performer Teddyson John delivered a high-energy, crowd-pleasing set featuring his chart-topping tracks including *Allez* and *New Day*. Local genre stalwart Surbance followed, leaning into the iconic Dennery segment sound to honor the style’s local roots and reinforce his reputation as one of the genre’s leading contemporary artists. Before the night’s headliner took the stage, celebrated Saint Lucian solo artist Deighton Charlemagne delivered a stirring solo set, including his widely popular track *A natty dread is who I am*.

    When the MC called the night’s headliner, Jamaican reggae star Duane Stephenson, to the stage, thrilled fans rushed to the front of the stage to greet him. Stephenson made his entrance shortly after 10 p.m., recalling that his last performance at the very same venue had taken place 15 years prior, alongside fellow reggae artist Taurus Riley. “I hope you don’t take so long to invite me back,” he joked to roaring applause.

    Throughout his set, Stephenson appeared visibly moved by the crowd’s reaction, at one point pausing as the audience’s loud, united singing overpowered his own vocals. His performances of iconic tracks including *Think Twice*, *Ghetto Pain*, *Cottage in Negril*, *Fool for You*, and *Forever Yours* held the crowd captive from start to finish. During his performance of *August Town*, one audience member was invited on stage for a spontaneous “money pull-up” moment, highlighting the deeply personal connection fans felt to Stephenson’s lyrics. The night closed with an encore performance of Gregory Isaac’s classic *Cool Running*, capping off a standout reggae set that left attendees buzzing. Stephenson’s backing band, led by Danyl Daniel and made up almost entirely of local Saint Lucian musicians, delivered tight, expert support that elevated the entire performance.

    Stephenson’s headline set underscored a enduring truth: audiences across Saint Lucia retain a deep, passionate appreciation for roots reggae and high-quality, authentic live music.

    In a post-event statement, Cornelius Edmund, Chairperson of the Fond d’Or Jazz Committee, expressed sincere gratitude for the large turnout and ongoing community enthusiasm for the event and its unique venue. “There are a few things that we would like to do better next year, but overall we were pleased with the turnout and the performances,” he shared, signaling the event’s full return for future festival seasons.

  • Fire Service responds to 100 calls over Labour Day weekend.

    Fire Service responds to 100 calls over Labour Day weekend.

    The island nation of Saint Lucia’s public emergency responders faced a surge of urgent calls across the 2025 Labour Day long weekend, logging an extraordinary 100 responses from 9 a.m. on Friday, May 1 through 9 a.m. on Monday, May 4, according to official service updates. Among the incidents, three stood out as life-threatening serious emergencies: two separate violent chopping assaults and a cliff-side motor vehicle crash that put a young child at risk.

  • 59 schools to audition for Calypso and Soca Competition

    59 schools to audition for Calypso and Soca Competition

    One of Saint Lucia’s most anticipated annual youth cultural celebrations is about to kick off, with 59 educational institutions across the island stepping into the spotlight to compete in the National Schools Calypso and Soca Competition’s qualifying auditions.

    Organizers have revealed the full breakdown of participating schools across categories and education levels. For the iconic Calypso genre, a total of 40 schools earned audition spots: 26 from the primary school sector and 14 secondary institutions. The high-energy Soca category draws 23 competing schools, made up of 14 primary schools and 9 secondary schools, all vying for a limited number of places in the grand finals.

    The two-day audition process is scheduled to kick off on Monday, May 5, and wrap up on Tuesday, May 6. During this qualifying stage, each school’s performing group will take the stage to present their act before an expert panel of judges, who will evaluate performances to select which contenders advance to the final competition.

    A diverse cross-section of primary schools from every corner of Saint Lucia will feature in the Calypso category, including well-known campuses like Fond Assau Primary, Vide Bouteille Primary, Les Etangs Combined, Canon Laurie Anglican Primary, and Ave Maria Girls Primary. For the primary school Soca division, participating institutions include Vide Bouteille Primary, Les Etangs Combined, Ciceron RC Combined, Gros Islet Primary, and Carmen Rene Memorial Primary, among others.

    At the secondary education level, multiple top schools are set to compete across both genres. Sir Ira Simmons Secondary, St Joseph’s Convent, Babonneau Secondary, Choiseul Secondary, Ciceron Secondary, and St Mary’s College will field teams in both Calypso and Soca. Additional participating secondary schools include Entrepot Secondary and Leon Hess Comprehensive Secondary, rounding out the roster of competing institutions.

    Following the conclusion of auditions, all advancing finalists will gain access to specialized training workshops designed to help them hone their performances, refine their stage presence, and polish their acts ahead of the main competition.

    The schedule for the final events splits competition by education level. The National Primary Schools Calypso and Soca Competition will kick off at 10:00 a.m. local time on Wednesday, June 3, while the Secondary Schools Competition will follow two days later on Friday, June 5. Both the primary and secondary final competitions will be hosted at Saint Lucia’s iconic Mindoo Philip Park.

    Ticketing information for the final events has already been released, with discounted pricing for student attendees set at 10 Eastern Caribbean dollars, and general admission tickets priced at 20 Eastern Caribbean dollars.

    Organizers have urged all interested attendees and community members to keep up to date with any adjustments to event schedules, ticketing availability, and connected carnival-related activities by following official competition social media and communication channels. This annual event has long served as a key platform for nurturing young local musical talent and celebrating Saint Lucia’s rich calypso and soca cultural heritage, drawing large crowds of community supporters each year.

  • 22 Electric Vehicles handed over to public sector – What comes next

    22 Electric Vehicles handed over to public sector – What comes next

    A landmark step in sustainable transport development is underway in the Caribbean island nation of Saint Lucia, as 22 new electric vehicles have been fully allocated to key government and public sector institutions, marking the official operational launch of a demonstration pilot under the Nationally Determined Contributions Technology (NDC-TEC) Project.

    The core mission of the initiative is to showcase the practical benefits and real-world feasibility of integrating electric vehicles into public sector operations, while advancing the country’s nationally mandated targets for low-carbon economic and social development. Vehicle distribution, which kicked off in early March, concluded last week with the final batch of EVs assigned to 12 critical public service entities, including the Saint Lucia Postal Service, Customs and Excise Department, Royal Saint Lucia Police Force, National Fire Service, ministries of Education and Health, the Ministry of Infrastructure, Air and Sea Ports Authority, and Sir Arthur Lewis Community College.

    Dr. Madgerie Jameson-Charles, Principal of Sir Arthur Lewis Community College, emphasized the dual value of the institution’s newly received electric vehicle. Beyond meeting daily operational needs, she noted, the EV acts as a hands-on learning tool that connects classroom climate education to real-world action. She also commended the Government of Saint Lucia and its implementing partners for translating national climate policy into tangible on-the-ground action, adding that the inclusion of an educational institution in the pilot underscores the critical role of learning and research institutions in the country’s just transition to a low-carbon future.

    The first wave of handovers, held on March 4, delivered four EVs to the Ministry of Infrastructure, the Water and Sewerage Company (WASCO), and the national police force. The entire pilot initiative is financed by Germany’s International Climate Initiative (IKI) and implemented by the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ), in close partnership with Saint Lucia’s Department for Sustainable Development, with additional regional backing from the Caribbean Community (CARICOM).

    Ina de Visser, Head of the NDC-TEC Programme for GIZ in Saint Lucia, highlighted that the entire vehicle selection process was rooted in collaborative consultation with public sector stakeholders. “We are grateful for the close cooperation and openness of the government services, who shared detailed operational data to help us source the most suitable vehicles aligned with their specific needs,” de Visser explained. She emphasized that this pilot extends far beyond simply replacing gasoline-powered vehicles; it forms a core pillar of broader efforts to embed sustainability across the country’s transport and energy sectors, while also advancing collective climate action goals across the CARICOM region.

    De Visser added that the pilot will generate critical practical experience that brings the government’s formal target of 30% electric vehicles in the national public fleet by 2030 closer to reality. An official public commissioning ceremony for all 22 EVs is scheduled to take place later this year.

    GIZ officials note that the pilot also holds global significance: even with Saint Lucia’s challenging mountainous terrain, which demands high performance from vehicles on high-mileage routes, the project will prove that electric vehicles can meet these operational demands without compromising on functionality. Beyond the core vehicle rollout, the initiative outlines four key strategic objectives that set a replicable model for small island developing states.

    First, the project projects significant long-term fiscal benefits for the government. Compared to comparable internal combustion engine (ICE) vehicles, the EV fleet is expected to cut combined fuel and maintenance costs by a minimum of 30%. The data collected over the pilot period will be used to quantify exact savings and build a scalable model for national fleet electrification.

    Second, the pilot leverages data to inform evidence-based future planning. Every one of the 22 EVs is fitted with advanced telematics systems that track real-time energy use, battery performance and health, and total mileage. GIZ and the Saint Lucia government will analyze this data to produce actionable insights, including projected national greenhouse gas emission reductions, required grid capacity upgrades to support broader EV adoption, and refinements to the national fleet transition strategy.

    Third, the initiative invests in local technical capacity and green job growth. Alongside the vehicle handovers, specialized training programs have already been delivered to local automotive mechanics, emergency first responders from the police and fire departments, and public fleet managers. This training builds the local expertise needed to maintain a growing electric fleet, while creating new skilled job opportunities in the emerging green economy.

    Finally, the project prioritizes circular economy principles to address end-of-life battery sustainability. Aligned with Saint Lucia’s national commitment to circular economic development, the initiative has developed a framework for second-life repurposing of EV batteries. Once batteries can no longer power vehicles, they will be repurposed for secondary energy storage applications before being exported for professional recycling, ensuring no hazardous battery waste is left on the island.

    The NDC-TEC project draws on support from a broad network of regional and international development partners. Beyond GIZ and the Government of Saint Lucia, implementing partners include the Caribbean Centre for Renewable Energy and Energy Efficiency (CCREEE), a CARICOM specialized institution focused on sustainable energy, the Caribbean Development Bank (CDB), the University of the West Indies (UWI) which provides research and analytical support, and Climate Analytics, a global science and policy organization focused on climate action.

  • Reparations to take centre stage at Saint Lucia Jazz & Arts Festival with Repair

    Reparations to take centre stage at Saint Lucia Jazz & Arts Festival with Repair

    This year’s highly anticipated Saint Lucia Jazz & Arts Festival will introduce a fresh, thought-provoking addition to its cultural programming: a satirical musical production titled *Repair*, set to take the stage at Castries’ Anchorage Car Park on May 5. Slated as a core offering of the festival’s popular Art and the City initiative, the production weaves together original music, sharp humor, and intimate storytelling to push audiences toward a deeper examination of the lingering links between Saint Lucia’s colonial past, its current social and economic hurdles, and the transformative changes needed to build a more equitable future.Organized and sponsored by The Repair Campaign, a local advocacy group focused on advancing reparatory justice, *Repair* is designed to open the often complex conversation around reparations to a broad, general audience through approachable, engaging art. Sherween Gonzales, a community organizer based in Saint Lucia who works with The Repair Campaign, explains that the musical frames identity, collective community, and reparatory justice in a format that feels accessible rather than intimidating.

    “As an educator, I have long believed that the arts stand as one of the most powerful tools to connect with people across all backgrounds,” Gonzales shared in an interview ahead of the performance. “*Repair* draws audiences in through laughter, song, and relatable narrative, inviting quiet reflection while still asking hard, necessary questions about who we are as a nation, what inherited legacies we carry, and what tangible reparations could look like for the people of Saint Lucia.”

    The production features a cast of local Saint Lucian performers bringing the story to life, including Christelle Lee in the lead role of Ma Ayo, and Kolbe Devaux portraying the character Robert. Lee emphasizes that the musical’s core message centers on the unbroken connection between historical harm and modern daily life in Saint Lucia.

    “Every part of our lives today is woven through with the legacy of our history,” Lee explained. “The centuries of subjugation, torture, and trauma that our ancestors endured did not stay in the past — it has quietly shaped our collective mindset, influenced how we engage with the world around us, how we view and trust public systems, and even how we show up for one another as community members. That is precisely why this story matters. This play does not lecture; it invites you to reflect, to question, and to reconnect with a history that still lives inside all of us.”

    Devaux echoed that sentiment, noting that *Repair* intentionally reframes reparations from a distant, abstract political debate to a relatable, community-centered conversation rooted in Saint Lucian culture. For the cast and organizing team, the goal is to turn what is often seen as a niche policy topic into a personal, shared reflection.

    “The question of reparations grows more urgent for our nation every day, and we owe it to our people to seize every opportunity to educate and start conversations,” Devaux said. “For me, bringing this conversation to audiences through theater is the perfect combination of art and activism. It creates a new space to share important information with the public, taking a cultural art form that is often dismissed as just entertainment and reimagining it to create real, meaningful impact for every person who attends. That aligns completely with the core goals our team holds for every performance we do.”

    Admission to *Repair* is completely free for all attendees, making the conversation accessible to any member of the public who wishes to participate. The performance is scheduled to begin at 12:30 p.m. at the Anchorage Car Park venue in central Castries.