As Jamaica prepares to commemorate the 60th anniversary of rocksteady music in 2026, the Jamaica Observer has embarked on an ambitious project to honor the genre’s most influential figures. While often overshadowed by ska and reggae in mainstream recognition, rocksteady remains arguably the most cherished Jamaican musical form among connoisseurs.
The publication has assembled a distinguished team including contract writers Howard Campbell and Claude Mills, with guidance from renowned broadcaster and rocksteady authority Michael Barnett, to curate the definitive list of ’60 Greatest Rocksteady Personalities.’ The selection criteria prioritize artistic impact and historical significance, with a forthcoming Top 20 Most Influential ranking to complete this comprehensive tribute.
Among the recently revealed honorees (positions 30-16) emerges a tapestry of vocalists, instrumentalists, producers, and innovators who shaped the genre’s distinctive sound. The list includes saxophonist Headley Bennett (30), whose memorable solos graced classics like Delroy Wilson’s ‘Dancing Mood’ and early Bob Marley recordings. Engineer Sid Bucknor (29) possessed the Midas touch behind the console, producing seminal tracks including Hopeton Lewis’s ‘Take It Easy’—considered by many as the first rocksteady song.
The theatrical Roy Shirley (28), known as ‘The High Priest’ for his flamboyant stage presence, contributed what some historians identify as the genre’s inaugural track with ‘Hold Them.’ Drumming virtuoso Joe Isaacs (27) played a crucial role in the rhythmic transition from ska to rocksteady, while vocalist Ernest Wilson (26) of The Clarendonians achieved success both as group member and solo artist.
Groundbreaking producer Sonia Pottinger (25) shattered gender barriers as Jamaica’s first female music producer, releasing hits through her Tip Top label including Marcia Griffiths’ ‘Dreamland.’ Joe Gibbs (24) built his early reputation with rocksteady hits before becoming a reggae powerhouse in the 1970s with artists like Dennis Brown and Culture.
International success came to Desmond Dekker and The Aces (23) with crossover hits ‘007 (Shantytown)’ and ‘Israelites,’ while guitarist Lynford ‘Hux’ Brown (22) contributed his distinctive playing to countless classics across genres. The emotionally charged vocals of Slim Smith (21), whether with The Techniques or The Uniques, left an indelible mark despite his tragically short career.
The higher rankings feature cultural architect U-Roy (20), who pioneered deejay artistry over rocksteady rhythms, and Hopeton Lewis (19), widely credited with recording the genre’s foundational track ‘Take It Easy’ in 1966. Derrick Harriott (18) excelled as both performer and producer with his Crystal label, while The Gaylads (17) delivered impeccable harmonies on classics like ‘Joy in The Morning.’ Songwriting genius Bob Andy (16) completed this segment of honorees, having created some of Jamaican music’s most enduring compositions including ‘I’ve Got to Go Back Home.’
This celebration not only honors individual achievements but contextualizes rocksteady’s vital role in Jamaica’s musical evolution, demonstrating how these artists created a lasting cultural legacy that continues to influence global music.









