分类: entertainment

  • Schools Panorama Returns Tonight with 15 Bands Competing

    Schools Panorama Returns Tonight with 15 Bands Competing

    The 2025 Independence National Schools Panorama, a highly anticipated steelband competition, is set to commence this evening, Saturday, October 25, at 5 p.m. at the Sir Vivian Richards Stadium. Organized by the Antigua and Barbuda Festivals Commission, the event will showcase the talents of 15 school bands, including six from primary schools and nine from secondary schools, under the theme “Solid, Stable, Soaring.” The evening will begin with an opening performance by DJ Ace, followed by hosting by Steve “Ibis” Freeland and musical interludes by DJ Sparks. Primary school participants include Bendals Primary, T.N. Kirnon Primary, Sunnyside Tutorial, Villa Primary, Nevis Street (Willikies), and Greenbay Primary, performing popular soca hits such as “Swimming Engine” by Burning Flames and “Don’t Go” by Claudette Peters. The secondary division features St. Anthony Secondary, St. Joseph’s Academy, Ottos Comprehensive, All Saints Secondary, Irene B. Williams, Clare Hall Secondary, Christ the King High, Princess Margaret, Antigua Grammar, and Sir Novelle Richards Academy, with performances ranging from Claudette Peters’ “Out Deh” to Burning Flames’ “Stampede.” The event will conclude with judges’ decisions and award presentations for both categories. Admission is priced at $10 for children and $20 for adults.

  • Night of creative brilliance at Crop Over awards

    Night of creative brilliance at Crop Over awards

    The Pelican Lifestyle Centre in Barbados was alive with cultural energy on Thursday evening as the National Cultural Foundation (NCF) hosted the prestigious Crop Over Awards ceremony. The event, a cornerstone of the island’s ‘Sweetest Summer Festival,’ brought together artists, musicians, designers, and key stakeholders to honor the creative forces behind this beloved national tradition. Chief Cultural Officer Andrea Wells, alongside NCF Chair Jasmine Babb, Deputy Chairman Sheldon Hope, and representatives from Affinity Plus Credit Union, UNICEF, Sunshine Snacks, Flow Barbados, and the Sandy Lane Charitable Trust, were among the distinguished attendees. In her opening remarks, Wells praised the resilience and innovation of Barbados’ creative community, emphasizing their pivotal role in making Crop Over a cultural and economic highlight from May to August each year. She also underscored the festival’s growing influence, describing it as the ‘jewel in our suite of festivals.’ The evening’s festivities began with the Pic-O-De-Crop Speciality Awards, recognizing the island’s top songwriters and performers. Anderson ‘Mr Blood’ Armstrong won Best Nation-Building Song, while Billboard Murrell was named Best Songwriter of the Festival. Osvaldo ‘Leadpipe’ Reid took home the Song of the Year award for ‘Tek Charge.’ UNICEF’s Anti-Violence Prize – Calypso Voices of Change went to Damario Foster for ‘Voices of Change,’ and Zarie B received the UNICEF Anti-Violence Soca Prize for ‘Celebrating Life.’ The Junior Kadooment Awards followed, showcasing the talents of young creatives with environmental themes and craftsmanship. Pinelands Creative Workshop dominated the awards, while Wesley Hall Infant School won the UNICEF Best Anti-Violence Message Award. The Grand Kadooment Awards concluded the night, celebrating seasoned designers and bandleaders. Betty West Productions secured multiple accolades, including the HIV/AIDS Award and Best Presentation Heritage Award. Zenobia was named Large Band of the Year, and Rashad Goring from Zenobia won Best Individual Male Heritage. The ceremony ended with electrifying performances by steelpanist Hashim Durant, Mr Showman, Blood, and Leadpipe, leaving attendees in high spirits.

  • Night one sets the stage ablaze at World Creole Music Festival

    Night one sets the stage ablaze at World Creole Music Festival

    The 25th anniversary of Dominica’s World Creole Music Festival kicked off in spectacular fashion on Friday night, setting Windsor Park Stadium alight with an unforgettable showcase of Creole culture and musical brilliance. Known for its vibrant energy and regional significance, the festival attracted thousands of enthusiastic attendees, all adorned in their most colorful attire, ready to immerse themselves in a night of nonstop entertainment. The evening began with Oswald, whose fusion of reggae and Creole rhythms warmed up the crowd, setting the stage for an electrifying lineup. Burning Flames, the legendary soca band, kept the momentum soaring with their hit-filled repertoire, igniting the audience with their infectious beats. However, it was Romain Virgo who truly captivated the crowd, delivering a performance that underscored his status as one of the Caribbean’s most cherished artists. Masicka further energized the night with his lyrical mastery, cementing the opening night as a testament to the region’s extraordinary talent. As the festivities continued into the early hours of Saturday, the unwavering enthusiasm of the crowd highlighted the festival’s enduring spirit. With two more nights of celebration ahead, anticipation is at an all-time high for what promises to be a landmark silver anniversary event.

  • Latest Creole HeartBeat issue released just in time for World Creole Music Festival 2025

    Latest Creole HeartBeat issue released just in time for World Creole Music Festival 2025

    In a momentous celebration of cultural heritage, Creole HeartBeat has launched its 25th Anniversary Special Edition Magazine, coinciding with the opening night of the World Creole Music Festival (WCMF25). This commemorative publication is a heartfelt tribute to the festival’s rich history, which has played a pivotal role in shaping Dominica’s cultural identity and fostering unity within the Creole community over the past quarter-century. The magazine serves as a bridge, connecting the past, present, and future of the Creole world, emphasizing that the festival is more than an event—it is a shared vision celebrating Creole heritage. Leroy “Wadix” Charles, the Creole Ambassador, remarked, “This publication reminds us that the World Creole Music Festival was not just an event, but a vision that celebrated who we are as Creole people.” The issue takes readers on a journey through the festival’s evolution, honoring its founders, artists, and cultural icons who have infused it with its unique spirit. It also chronicles the festival’s resilience through global challenges and its role in strengthening regional unity and Dominica’s tourism and creative economy. As WCMF25 kicks off, Creole HeartBeat urges all participants to reflect on the festival’s deeper significance, highlighting its role as a celebration of the Creole spirit. The 25th Anniversary Special Edition is available online, with limited printed copies offered during the festival weekend for those seeking a tangible keepsake of this historic milestone.

  • COMMENTARY: World Creole Music Festival – Celebrating culture, heritage, and community

    COMMENTARY: World Creole Music Festival – Celebrating culture, heritage, and community

    The World Creole Music Festival, a cornerstone of Dominica’s cultural identity, recently celebrated its 25th anniversary, marking a significant milestone in the island’s cultural evolution. This premier event has solidified Dominica’s reputation as the Caribbean’s hub for Creole music and heritage, blending rhythm, language, and identity into a vibrant celebration that resonates both locally and globally.

    The festival’s origins trace back to 1995, when the United Workers’ Party (UWP) government revitalized the vision for a cultural festival. The National Development Corporation (NDC) board, under the leadership of Chairman Oliver J. Seraphin, played a pivotal role in establishing the Cadence Festival, later known as the Cadence-Zouk Festival. Key contributors included prominent figures such as McCarthy Marie, Stanley Georges, and Sobers Esprit, who worked tirelessly to bring the festival to life. The establishment of the Dominica Festivals Commission in 1996 further institutionalized the event, ensuring its long-term success.

    Over the years, the World Creole Music Festival has grown into a cultural phenomenon, attracting thousands of visitors annually and significantly boosting Dominica’s hospitality sector. Beyond its economic impact, the festival serves as a platform for preserving and promoting Creole music genres like Cadence-Lypso, Zouk, and Bouyon. It also fosters unity among Dominica’s diaspora and strengthens regional cultural ties.

    As the festival looks to the future, there is a renewed focus on expanding its global vision. Proposals include incorporating Creole crafts, culinary showcases, and artisan markets to deepen its cultural reach. The event stands as a testament to collaboration, creativity, and community spirit, celebrating the shared identity of Creole communities worldwide.

    Oliver J. Seraphin, a key architect of the festival, reflects on its legacy: ‘The World Creole Festival was born from a shared vision — to honor the richness of Creole culture and position Dominica as its global stage. Its legacy belongs to the people, artists, and visionaries who continue to nurture its spirit.’

  • Scenes from J’Ouvert celebrations for Tobago carnival

    Scenes from J’Ouvert celebrations for Tobago carnival

    The streets of Scarborough, Tobago, came alive on October 25 as thousands of revellers gathered for the vibrant J’Ouvert celebrations, marking the largest street festival of the still relatively new Tobago Carnival on the global calendar. The event, characterized by its infectious energy and colorful displays, saw a mix of locals, returning Trinbagonians from abroad, and international visitors joining in the festivities. The standout band, Fog Angels, led the parade, while spectators and participants alike reveled in the lively atmosphere. Despite the large presence of police and defense forces, the event maintained its reputation as a clean and safe celebration, with revellers freely taking command of the streets. Soca music blared from speakers, and foam-covered partygoers danced with unbridled joy. The event also featured unique moments, such as a mas player being towed in a wheelbarrow and others proudly waving their national flags. Tobago Carnival, though new to the global stage, has quickly established itself as a must-attend event, drawing thousands to its vibrant and inclusive celebrations.

  • Turbulence among stars featured on Dasvibes’ ‘Dancehall Nice Again’ compilation

    Turbulence among stars featured on Dasvibes’ ‘Dancehall Nice Again’ compilation

    From his humble beginnings as a sound system operator in Seaview Gardens, Kingston, Jamaica, Dasvibes has always been driven by a singular mission: to spotlight emerging dancehall talent from underserved communities. Now based in Brisbane, Australia, where he has resided for 16 years, Dasvibes continues to champion the genre with his latest project, ‘Dancehall Nice Again,’ a compilation album released on October 25. The album features a dynamic mix of established stars like Turbulence and rising artists such as Charly B, Wiski D, and Wilful Skillful, representing a diverse array of countries including Jamaica, Australia, the United States, France, Costa Rica, and Guyana. In an interview with Observer Online, Dasvibes emphasized his deliberate approach to curating the album, stating, ‘I handpicked artistes based on authenticity, originality, and their passion for real dancehall culture. I wanted voices that embody the true spirit of dancehall and bring their own cultural flavour.’ One of the standout tracks, ‘One Life,’ a collaboration with Turbulence, has already gained significant traction in the UK and South Africa. Other notable contributions include Wiski D’s ‘Bring That Come,’ Charly B’s ‘Reda Than Red,’ and Yellow Marshall’s ‘Not Like Dem.’ Dasvibes, who spent four years perfecting the project, aims to showcase the vibrancy and global appeal of dancehall. Beyond music, Dasvibes is a mobile application developer and a key figure in Australia’s burgeoning dancehall scene. His earlier success with the EDM track ‘Stickmen Toys Rock’ and his roots as DJ Wade on the Dub Sonic sound system in Seaview Gardens have cemented his reputation as a multifaceted talent. His journey, blending a passion for information technology with music production, underscores his unique contribution to the dancehall genre.

  • Fransiva lands LAFW spot

    Fransiva lands LAFW spot

    Fransiva, the brainchild of Jamaican designer Carcell Fransiva, has achieved a significant milestone by showcasing its collection at The Bureau Los Angeles Fashion Week (LAFW). Held from October 17-18 at the Lot Studios in Hollywood, the event marked a pivotal moment for the brand, which has been steadily gaining traction since its launch in 2014. A total of 18 meticulously crafted looks were displayed, each embodying the brand’s signature blend of structure, movement, and luxury detailing. Fransiva’s participation not only amplified its global presence but also garnered overwhelmingly positive feedback, paving the way for future collaborations and retail opportunities. Born in Pedro District, St. Catherine, Carcell Fransiva’s journey into fashion began during his high school years, where he remixed clothing for social events. His passion for design flourished as he worked with dancehall artists and later pursued a degree in Marketing. Today, Fransiva stands out for its unique fusion of elegance, luxury, and comfort, offering timeless pieces that tell a story. With aspirations to become an international fashion house, Fransiva is now targeting global markets, offering its designs through its official website and select pop-up experiences.

  • Thomas-Clarke retains Tobago calypso crown

    Thomas-Clarke retains Tobago calypso crown

    Nicole Thomas-Clarke has emerged victorious at the Tobago October Carnival Calypso Monarch finals, held on October 23 in Scarborough. Her win has fueled her determination to secure a spot in the National Calypso Monarch finals next year. Thomas-Clarke, who scored 460 points and won the $100,000 first prize, performed her song ‘Sacrifice,’ which critiques society’s reluctance to work hard for their desires. ‘It is no longer by the sweat of thy brow, they want it now for now,’ she sang, emphasizing the theme of her performance. Dressed in a striking silver and white ensemble, she highlighted the need for genuine effort and sacrifice in achieving success. Thomas-Clarke, a loans officer at Republic Bank Ltd, attributed her victory to a collaborative team effort, ensuring that the presentation, music, and lyrics harmonized perfectly. She expressed optimism about the future of calypso, noting the strong interest shown by the 50 participants in the auditions. The event also saw notable performances from her siblings, Wendy Garrick and Dillon ‘Dilly Suede’ Thomas, who placed second and fourth, respectively. Garrick’s song ‘Family’ addressed the destructive forces of selfishness and greed within families, while Dilly Suede’s ‘One Man’s Trash Is Another Man’s Treasure’ resonated well with the audience. Other standout performers included Giselle ‘GG’ Fraser, who took third place with her social commentary ‘No Village Can’t,’ and Delanie Baynes, who placed fifth with ‘I Dare You,’ addressing recent socio-political issues. The competition, which featured a mix of seasoned and emerging calypsonians, tackled a variety of themes, from Tobago’s quest for autonomy to the importance of respecting the steelpan. The event concluded with performances by veteran calypsonians Lord Nelson, Benjai, Johnny King, Myron B, and King Unique, leaving the audience thoroughly entertained.

  • Christmas tree eggless sugar cookies

    Christmas tree eggless sugar cookies

    As the holiday season approaches, many are eager to dive into festive baking. Naomi Anderson, founder of Unicakery, shares a beginner-friendly recipe for eggless Christmas tree sugar cookies that are soft, buttery, and perfect for decorating. This recipe is ideal for those looking to create festive treats without the use of eggs, making it accessible to a wider audience.

    To make the dough, you’ll need 3 cups of all-purpose flour, ¾ tsp of baking powder, ¼ tsp of salt, 1 cup of softened unsalted butter, 1 cup of granulated sugar, 2 tbsp of milk (with an optional extra tablespoon if needed), and 1 tsp of vanilla extract. Start by sifting the dry ingredients together. Cream the butter and sugar until fluffy, then add the milk and vanilla. Gradually mix in the dry ingredients until a soft dough forms. If the dough feels dry, add a bit more milk.

    Once the dough is ready, divide it in half, wrap it, and refrigerate for at least an hour. Preheat your oven to 375°F (190°C), roll out the dough to ¼-inch thickness, and cut into Christmas tree shapes. Bake for 8-10 minutes until the edges are golden. Let the cookies cool before decorating with royal icing, sprinkles, or powdered sugar.

    Naomi Anderson, a seasoned pastry chef with over 12 years of experience, founded Unicakery in Port of Spain, Trinidad & Tobago. Her studio offers workshops and classes, inspiring bakers of all levels to create beautiful desserts. Follow her on social media @unicakery or visit www.unicakery.com for more culinary inspiration.