分类: entertainment

  • Makhoul Calls for Greater Public and Corporate Support for Carnival

    Makhoul Calls for Greater Public and Corporate Support for Carnival

    As organizers ramp up advance planning for Antigua and Barbuda’s highly anticipated 2026 Carnival, the head of the nation’s official Festivals Commission is pushing for greater engagement from both everyday residents and the local business community to make the iconic cultural celebration a resounding success.

    Elizabeth Makhoul, who chairs the Commission, laid out her vision for expanded participation during a recent interview on WTP Media’s popular daily talk show *Morning with Sly J*. She emphasized that the unique energy and joyful excitement that define Antigua and Barbuda’s Carnival do not stem from passive observation, but from the active involvement of the entire community.

    Makhoul encouraged all local residents to step beyond casual spectatorship and throw their support behind the islands’ homegrown creative talent. This includes showing up to attend public events headlined by established calypsonians, rising soca music stars, and the next generation of young junior performers who carry forward the islands’ Carnival traditions.

    Beyond public participation, Makhoul also issued a targeted call to local radio and television broadcasters, challenging media outlets to increase their support for the islands’ cultural ecosystem by expanding promotion of Antiguan and Barbudan original music. She proposed that stations carve out dedicated regular programming slots to showcase both established local artistes and emerging young performers, giving them greater visibility and opportunities to connect with audiences.

    For the private sector, Makhoul highlighted the critical role that local businesses can play in safeguarding Antigua and Barbuda’s cultural heritage for future generations. She urged companies to step up with tangible support, from sponsoring individual creative talents and partnering with local school cultural programs to making strategic investments in long-term cultural initiatives that sustain Carnival and related traditions year-round.

  • Community Notice: Masquerade Traditions Art Exhibition

    Community Notice: Masquerade Traditions Art Exhibition

    A new community-focused art exhibition centered on Caribbean cultural heritage is open to the public this week, offering free admission to visitors eager to explore the unique masked performance traditions of St. Kitts and Nevis. Running from Tuesday, June 23 through Saturday, June 27, 2026, the Masquerade Traditions Art Exhibition is hosted daily between 10 a.m. and 5 p.m. at Shadwell Greathouse, welcoming guests of all ages to engage with the region’s centuries-old cultural practices.

    Defined by UNESCO as encompassing all costumed and masked cultural performers, masquerade traditions hold deep cultural significance across St. Kitts and Nevis, and this exhibition brings these traditions to life through curated displays of original artwork, historical artifacts, and archival documents. The showcase aims to preserve and highlight the rich folklore of the federation, making lesser-known cultural heritage accessible to local communities and visitors alike.

    In a unique public engagement initiative, event organizers are inviting community members to contribute their own personal materials related to local masquerade traditions for digitization. Guests may bring personal photos, handcrafted artwork, and historical articles to the exhibition venue during opening hours. All contributed items will be scanned on-site, returned immediately to their owners, and added to two permanent public collections: the Department of Cultural Heritage’s local archives, and the Federation of St. Kitts and Nevis’ public collection on the Digital Library of the Caribbean, a free online resource hosted at https://dloc.com. This crowdsourcing effort will help expand publicly accessible records of masquerade heritage for future research and cultural preservation.

    The exhibition is the product of a collaborative cultural preservation effort between three partner organizations: Bougainvillea Books and Gifts, the St. Kitts and Nevis Department of Cultural Heritage, and HeritEdge Connection. HeritEdge Connection is a Barbados-based non-profit focused specifically on Caribbean cultural heritage, working to expand public access to both physical and intangible cultural assets across the region.

    For anyone seeking additional information about the exhibition, organizers can be reached directly by calling Bougainvillea Books and Gifts at (869) 664-2224. The exhibition is free and open to the public all week, closing at 5 p.m. on Saturday, June 27.

  • Ten Delegates Unveiled for Optimist Petit Show 2026

    Ten Delegates Unveiled for Optimist Petit Show 2026

    The highly anticipated 2026 edition of the Optimist Petit Show has taken a major step forward, with event organizers officially announcing the first 10 delegates selected to participate in the upcoming cultural showcase. Scheduled to kick off in 2026, this annual event has built a strong reputation for elevating emerging creative talent and providing a platform for young artists to display their unique perspectives to global audiences.

    Industry insiders and avid fans alike have been closely following the lead-up to the 2026 show, with many speculating for weeks about which rising stars would earn a spot in the lineup. The official unveiling of the delegate list puts an end to much of that public speculation, marking a key milestone in the event’s planning timeline. Each of the 10 selected delegates brings a distinct creative background and aesthetic, spanning disciplines from fashion design and visual arts to performance art, promising a diverse and dynamic program for attendees.

    In a brief statement released alongside the delegate announcement, event leadership noted that the selection process was highly competitive, with thousands of applications submitted from creators across more than 30 countries. The 10 delegates were chosen following a multi-stage judging process that evaluated creative vision, originality, and potential to contribute fresh ideas to the show’s overarching theme of optimistic cultural expression. Organizers also confirmed that additional delegates will be announced in the coming months as final programming details are confirmed.

    The Optimist Petit Show first launched more than a decade ago as a small, boutique showcase for emerging creative talent, and has grown steadily into one of the most anticipated cultural events on the global calendar for young artists. The 2026 edition is expected to draw thousands of in-person attendees as well as a large global online audience, with live streams of key events scheduled to make the showcase accessible to fans around the world.

  • Culture, creativity on display at Crop Over Gala

    Culture, creativity on display at Crop Over Gala

    Barbados’ rich tapestry of ancestral culture, rhythmic traditions and vivid folk heritage will step into the global spotlight on Saturday, July 4, when the island’s National Cultural Foundation (NCF) hosts the annual Ceremonial Delivery of the Last Canes Gala at Bridgetown’s iconic Queen’s Park. As one of the most beloved and historically significant cornerstone events of the island’s iconic Crop Over harvest festival, this year’s gathering will reimagine Queen’s Park as an immersive, living cultural village, welcoming attendees to a full afternoon of dynamic performances, ceremonial pageantry, hands-on cultural workshops, authentic local cuisine, handcrafted artisan goods, soulful music, and a heartfelt tribute to the generations that shaped Barbadian identity.

    The ceremony traces its roots back to the historic plantation era, when it marked the official end of the annual sugar cane harvest – an industry that for centuries formed the backbone of Barbados’ economy and social fabric. More than a simple seasonal ritual, the event today stands as a living tribute to the labor, resilience and extraordinary creativity of the Barbadian people whose work forged the nation’s distinct social, cultural and economic identity. This year’s iteration builds on that centuries-long legacy, curating a wide-ranging, family-friendly showcase that honors the island’s past while embracing the evolving, inclusive spirit of the modern Crop Over festival.

    One of the most anticipated highlights of the 2026 gala is the Cultural Procession Parade, a vibrant, moving celebration of Barbados’ living cultural heritage that brings centuries-old folk traditions to life. The procession features brilliantly colored traditional costumes, synchronized rhythmic movement and iconic folk characters, woven together into a powerful narrative of national pride. Participants include legendary stiltwalkers, iconic Shaggy Bears, the beloved Mother Sally folk figure, foot-stomping Tuk Bands, Donkey Men, historic reenactors portraying plantation workers, the unique Barbados Landship performance troupe, traditional drummers, cheerleaders, and a host of other folk performers, each adding a distinct, meaningful layer to the story of Barbadian cultural expression. The procession will also feature the iconic dray cart carrying the traditional Mr Harding effigy, a staple of the ceremony for generations.

    Upholding the event’s deep spiritual and ceremonial roots, the Sons of God Apostolic Church will lead the traditional Blessing of the Last Canes, a ritual that has remained a core part of the occasion since its origins. Continuing the theme of commemorating the nation’s milestones, this year’s gala will also showcase six elaborate large-scale masquerade costumes, each crafted around a theme that reflects Barbados’ history, ancestral heritage, folklore, creative imagination, and 60th anniversary of national independence. The standout creations include *Keeper of the Canes* by Trevor Chase, inspired by the King of Crop Over tradition; the Queen of Crop Over costume by Neil Stanley; *Harding’s Fiery March* by Gordon Ashby, centered on the iconic Mr Harding figure; *Kaiso, Kaiso* by Carla Gittens; *Rise of the Ancestors* by Troy Burgess, themed around Emancipation; and *Continuum: Folklore to Future* by Wayne Smith and Adrian Burnett, created to mark the Barbados at 60 milestone.

    Beyond the parades and costume displays, the gala invites attendees to engage directly with Barbados’ living cultural traditions through a full schedule of hands-on workshops and artisan demonstrations. Visitors can learn traditional techniques including hand painting, head tying, traditional Barbadian sweet making, natural fiber crafts, mini Sailors’ Valentines, caricature art, recycled jewelry making and basket weaving from master local artisans. As a special community-focused interactive activity, the public will be invited to contribute to the creation of a large-scale Sailors’ Valentine, a collaborative art project celebrating the island’s 60 years of independence.

    Additional attractions across the site include live performances from the Barbados Police Service Band, a mass secondary school choir, a full steelband orchestra, and a special concert production titled *60 Years of Calypso* that traces the evolution of this iconic Barbadian musical form. Attendees will also have opportunities for photos with performers, view curated traditional costume displays, explore the Queen’s Park Gallery Exhibition, browse dozens of local food and craft vendors, and visit the NCF’s dedicated Creatives Hub. The event will also showcase Barbados’ intangible cultural heritage with public demonstrations of sticklicking, and hands-on Maypole workshops and classes, designed to keep these critical traditional practices visible, accessible and engaging for younger generations.

    Organizers have specifically prioritized making the event welcoming for multi-generational family groups, with a large dedicated kids’ playground, age-appropriate interactive cultural activities, and a warm, inclusive community atmosphere that runs throughout the day. A free HIV/AIDS grooming booth will also be operated on-site for attendees. A moving, key ceremonial moment of the day will be the formal recognition of outstanding sugar workers and long-time Crop Over stalwarts, honoring the contributions of the individuals who have worked tirelessly to preserve, grow and sustain the traditions that define the festival to this day.

    The NCF is extending an open invitation to both Barbadian residents and international visitors to join the celebration, promising an afternoon that brings the full spirit of Crop Over to life – from its origins in the island’s cane fields and folk traditions to its modern expressions of calypso, masquerade, craft, music and community connection. The Ceremonial Delivery of the Last Canes Gala will open its gates at 2 p.m. on July 4 at Queen’s Park.

  • Former monarchs, fresh talent advance to calypso semis

    Former monarchs, fresh talent advance to calypso semis

    One of Saint Lucia’s most cherished cultural competitions is gearing up for a thrilling next stage this weekend, with calypso enthusiasts across the island already counting down to a tense, talent-packed semifinal showdown. The 2025 National Calypso Monarch competition has drawn a remarkably varied field of competitors, blending rising young stars, past titleholders, and fan-favorite artists making their return to the national stage, all vying for a shot at the coveted crown.

    Last weekend, the quarterfinal rounds brought the preliminary competition to a close, culling the initial field down to 18 standout calypsonians who have earned their spot in the Sunday, June 28 eliminator. All semifinal performances will take place at the island’s iconic National Cultural Centre, where judges will narrow the group one step further ahead of the grand final.

    Hundreds of attendees from across Saint Lucia traveled to attend the quarterfinal events, which organizers say highlighted the incredible depth and diversity of calypso talent growing on the island. Throughout the preliminary rounds, performers won over crowds with sharp, thoughtful tracks covering a wide range of topics: from breaking current events and stirring odes to national pride, to incisive commentary on pressing social issues and quick-witted satire that showcased the genre’s signature creative wordplay and lyrical skill.

    This year’s competition draws participants from four of the island’s active calypso tents: South Calypso Tent, KPT, Fire One, and Soca Village/Take Of Tent (TOT). The 18 qualified semifinalists split across these groups are: three from South Calypso – Lushane, Menelle, and Gumption; four from KPT – Anwar, Blaze, Devine, and TC Brown; seven from Soca Village/TOT – Ashe, Carlton Roberts, Herb Black, John Gotti, Mica, Narcheal, and Ti Caro; and four from Fire One – Walleigh, Snow, Ready, and Educator.

    When the semifinal judging concludes this Sunday, nine of these 18 competitors will move forward to the national final. There, they will face off against the reigning National Calypso Monarch, defending champion Dezral, who automatically advances to the final round to protect his title. Industry observers and long-time fans alike are already predicting one of the tightest, most competitive finals in recent years, thanks to the wide range of experience and fresh perspective brought by this year’s qualified field.

  • Roberto Ángel Salcedo opens CAACI Audiovisual meetings in Dominican Republic

    Roberto Ángel Salcedo opens CAACI Audiovisual meetings in Dominican Republic

    The coastal town of Juan Dolio, Dominican Republic, has become the epicenter of Ibero-American cultural collaboration this week, as the country officially opened two landmark gatherings for regional audiovisual and film governance: the 49th Ordinary Meeting of the Conference of Audiovisual and Cinematographic Authorities of Ibero-America (CAACI) and the 29th Extraordinary Meeting of the IBERMEDIA Program’s Intergovernmental Council. The event draws together senior industry delegates from 22 nations across the Spanish- and Portuguese-speaking region, all aligned to deepen collective progress for the audiovisual and film sector.

    The official opening ceremony was led by Dominican Republic Minister of Culture Roberto Ángel Salcedo, who was joined on stage by key regional and national industry leaders. These included Marianna Vargas Gurilieva, Director General of the Dominican Republic’s Directorate General of Cinema (DGCINE); Luís Chaby Vaz, President of Portugal’s Instituto do Cinema e do Audiovisual and Executive Secretary of CAACI; and Marcio Migliorisi, representing the interim presidency of the IBERMEDIA Intergovernmental Council, a role currently held by Uruguay’s ACAU.

    Across the three-day meeting schedule, which runs from June 23 to 26, participating authorities will work through a packed agenda focused on actionable strategies for deeper regional integration. Key discussion topics include the exchange of evidence-based industry best practices, the co-design of supportive policy frameworks, and the alignment of priorities to drive long-term, sustainable growth for the entire Ibero-American film and audiovisual ecosystem.

    In her opening remarks, Marianna Vargas Gurilieva underscored the Dominican Republic’s expanding footprint in regional cultural cooperation. She noted that hosting delegations from 22 countries underscores the nation’s firm commitment to building a more interconnected, globally competitive regional audiovisual industry. Vargas also emphasized that cross-border knowledge sharing and strategic alliance building are critical to unlocking new professional and creative opportunities for creators and industry workers across the region.

    Luís Chaby Vaz echoed these sentiments, praising the Dominican Republic’s consistent and active engagement in regional cultural governance bodies. He stressed that ongoing collaborative effort remains the single most important factor in strengthening the Ibero-American audiovisual network and delivering shared, inclusive growth for all member nations.

    During the opening proceedings, Minister Salcedo reaffirmed the Dominican government’s long-term commitment to nurturing the domestic film industry. He also used the platform to announce a major new funding initiative under the country’s existing Film Promotion Fund (FONPROCINE): the Support Line for National Premieres in Alternative Spaces. This new program will allocate up to RD$200,000 (Dominican pesos) to as many as four projects each year, with the explicit goal of expanding access to Dominican cinema by screening films in cultural centers, educational institutions, and community venues that fall outside the traditional commercial cinema circuit.

    The initiative is designed to address gaps in domestic film distribution, grow domestic audiences for local content, and strengthen alternative film exhibition networks in partnership with the Dominican Republic’s national Network of Audiovisual Spaces (RESCAD).

    Salcedo also took the opportunity to reflect on the remarkable transformation of the Dominican film sector over the past decade and more, following the passage of the country’s foundational film legislation, Law 108-10. He noted that the industry has evolved from a largely informal, scattered collection of projects into a fast-growing, recognized sector that earns increasing acclaim both at home and on the global stage.

    Beyond internal industry progress, the 2024 CAACI and IBERMEDIA meetings solidify the Dominican Republic’s standing as a leading regional hub for audiovisual cooperation and cross-cultural exchange across the entire Ibero-American community, setting the stage for new collaborative projects and policy progress in the years ahead.

  • Merrymen co-founder hailed as cultural pioneer after death

    Merrymen co-founder hailed as cultural pioneer after death

    Barbados has lost one of its most influential cultural ambassadors after the passing of Sir Charles Emile Straker, the legendary singer, songwriter and guitarist who took the island’s homegrown music to a global audience. The 90-year-old, who had been in poor health for an extended period, died in the early hours of Friday.

    Straker was the last surviving original founding member of the Merrymen Trio, the group he co-established in 1962 alongside fellow musicians Robin Hunte and Chris Gibbs, which would later become widely known simply as The Merrymen. His death prompted an outpouring of tribute from across the country, including from the political group Friends of Democracy (FOD), which honored his decades-long legacy of shaping Barbadian cultural identity.

    In an official statement released to the public, Ricky Williams, FOD’s spokesperson for sports and culture, celebrated Straker as a towering figure in Caribbean music whose work left an indelible mark on generations of listeners both at home and abroad. Over his decades-long career, Straker wrote and performed dozens of chart-topping hits, the most famous of which is the global fan favorite “Big Bamboo”. Williams confirmed that the track earned unprecedented international acclaim for Barbadian music, holding the number one position on multiple European music charts for 18 straight weeks.

    A defining feature of Straker’s artistry was his instantly recognizable vocal style, and his commitment to centering Bajan culture in the group’s work. A key innovation he brought to The Merrymen’s song catalog was integrating the traditional pennywhistle into their arrangements, reimagining the instrument to fit distinctly Barbadian musical styles. Beyond his crossover hit, Straker crafted many tracks that celebrated local life and Barbadian heritage, including fan favorites such as *Beautiful Barbados*, *Nutseller*, and *Gary Sobers*.

    Williams also highlighted how The Merrymen broke new ground for Caribbean culture on the global stage, booking performances at some of the world’s most iconic and prestigious performance venues. These included New York’s legendary Madison Square Garden, and two of London’s most celebrated cultural spaces: the Royal Festival Hall and the Royal Albert Hall. The group’s trailblazing global tour culminated in a landmark performance as the half-time entertainment at Super Bowl XIII in 1979, one of the most-watched sporting events in the United States at that time. Playing for a live stadium audience of 80,000 people, the band introduced Barbados’ unique indigenous folk music to millions of television viewers tuning in from across the globe.

    “In passing of this giant, we have been left with an irreplaceable vacuum,” Williams said in his statement. “Sir Charles will be deeply missed by all who loved his music and the work he did for our country. On behalf of Friends of Democracy, we extend our deepest condolences to Sir Charles Emile Straker’s family and loved ones at this difficult time. May he rest in peace.”

  • Ministry of Tourism and DDA to host inaugural Wellness Fair on July 4

    Ministry of Tourism and DDA to host inaugural Wellness Fair on July 4

    The Caribbean island of Dominica is preparing to launch its first ever public Wellness Fair, a landmark event jointly organized by the country’s Ministry of Tourism and the Discover Dominica Authority (DDA) to celebrate the island’s growing reputation as a global nature-centric wellness destination.

    Scheduled for Saturday, July 4, 2026, the full-day event will run from 9:00 AM to 4:00 PM at the UWI Global Campus, and carries the fitting theme “Be Well in Nature”. As the flagship activity of the 2026 Tourism Awareness Program — which itself operates under the broader banner “Wellness by Nature” — the fair will unite a diverse cross-section of stakeholders, from independent wellness practitioners and local wellness businesses to certified service providers and community wellness organizations.

    At its core, the initiative is designed to integrate holistic wellness practices into daily life for attendees, highlighting the interconnected roles of preventive healthcare, regular physical movement, balanced nutrition, intentional stress management, and deep connection to the natural world in supporting long-term well-being. Beyond positioning Dominica as a leading wellness travel hub, the fair also carries a domestic mission: to empower local residents to adopt and sustain healthier daily habits, while showcasing the full breadth of homegrown wellness talent and offerings available across the island.

    Attendees can expect a packed schedule of complimentary activities and experiences tailored to all levels of wellness interest. The lineup includes free basic health screenings, one-on-one wellness consultations with local experts, live fitness demonstrations, high-energy cardio jam sessions, open-level yoga classes, and interactive educational exhibits highlighting the local wellness sector. Unlike many industry events, the fair creates dedicated space for direct conversation between attendees and practitioners, giving visitors the chance to ask questions, explore local products and services, and connect with ongoing wellness resources available year-round in Dominica.

    A key highlight of the event is a series of educational informational sessions led by local specialist speakers. Topics cover the full spectrum of holistic health, including evidence-based nutrition guidance, practical stress reduction techniques, mindfulness practice, chronic disease prevention, physical fitness planning, personal development, and emotional wellness. Organizers designed these sessions to deliver actionable, practical knowledge that attendees can immediately implement in their own daily routines, rather than focusing solely on abstract discussion.

    To add an extra layer of excitement for attendees, the event will also host multiple prize giveaways through public draws. Grand prizes include round-trip airfare donated by two regional carriers, FRS Express des Îles and Sunrise Airways. Additional high-value giveaways include tickets to the 2026 World Creole Music Festival, one of Dominica’s most anticipated annual cultural celebrations, giving winners the chance to experience the island’s iconic cultural scene alongside their wellness-focused visit.

    Marva Williams, CEO and Director of Tourism at the Discover Dominica Authority, emphasized that the fair reflects the shared commitment of the DDA and Ministry of Tourism to embed wellness into both the island’s tourism identity and local community life. “Wellness is one of the defining experiences that sets Dominica apart. Through Wellness Fair 2026, we are creating an opportunity for residents and visitors to connect with local wellness professionals, learn practical ways to improve their well-being and experience the many ways wellness is naturally woven into life on the Nature Island,” Williams said. “We encourage everyone to join us on July 4 at the UWI Global Campus and take advantage of the free services, information sessions and activities available throughout the day.”

    Admission to the 2026 Wellness Fair is completely free and open to all members of the public, with both local residents and traveling visitors welcome to attend all activities. Organizers have noted that spaces in the specialized informational sessions are limited, so interested guests are encouraged to reserve their spots in advance via the official registration link: https://forms.gle/RcWAuJ1aJB6T5HvV8.

  • From Antigua to London: Windrush descendant shares powerful story of separation, identity and legacy

    From Antigua to London: Windrush descendant shares powerful story of separation, identity and legacy

    On June 20, 2026, London’s Jacksons Lane Arts Centre opened its doors to the 78th Windrush commemoration, hosting a special exhibition and event titled *Windrush Stories: Portraits & Voices* inside the venue’s Studio 1 in Highgate. At the gathering, established Antiguan and Barbudan author William took the stage to share a raw, deeply personal account of how his experience of migration, familial separation and fractured belonging has shaped every layer of his literary work to this day.

    William’s journey begins in the small New Winthropes Village of Antigua and Barbuda, where he spent his entire childhood without any connection to his parents. As part of the mid-20th century Windrush migration wave that saw thousands of Caribbean citizens move to the United Kingdom to fill post-war labor gaps, William’s parents had relocated to Britain years before he was born. It was not until 1970, when William was just an unaccompanied minor, that he made the transatlantic crossing to reunite with them – a meeting that marked the first time he had ever laid eyes on the people who gave him life. Growing up, he had never even seen a photograph of his parents or heard the sound of their voices, making the transition to a new life with strangers in an unfamiliar country all the more disorienting.

    In his address to attendees, William unpacked the layered emotional weight of that life-altering journey, while also pushing back against gaps in how the Windrush generation is often historicized. He pointed out that mainstream narratives around Windrush almost exclusively center the pioneers who made the initial voyage to Britain, leaving the lived experiences of their children and subsequent descendants unacknowledged and sidelined.

    “Our voices matter too, and it is long past time they got the same attention as those of the first generation,” William told the crowd. He explained that every piece of his writing is crafted specifically to reframe the Windrush story through the lens of the descendants who came after the initial migration.

    This mission is embodied in his published work *Betwixt 2 Shores*, a book centered entirely on the unique perspective of Windrush descendants. The text dives deep into themes of fractured identity, forced displacement, and intergenerational cultural memory, seeking to expand public understanding of the Windrush legacy beyond the common focus on arrival stories. For William, the most important story to tell is that of generations who grew up caught between two distinct cultural worlds, navigating the everyday realities of belonging to neither fully.

    A tangible, evocative symbol of William’s decades-long journey is the worn small suitcase, called a “grip”, that he carried with him when he left Antigua more than 50 years ago. Today, the tattered case is preserved as a personal historical artifact, one that William says carries every ounce of his experience: the pain of leaving his childhood home behind, the struggle to adapt to a new country, and the quiet resilience that carried him through.

    “The grip holds everything I went through,” he shared. “It is proof of what it means to leave one entire life behind and build another from scratch.”

    The 78th Windrush celebration and accompanying *Windrush Stories: Portraits & Voices* exhibition are part of a broader, ongoing push to protect and amplify under-told Windrush narratives. Through visual portraiture, firsthand testimony, and creative literary expression, organizers work to ensure that both the original Windrush pioneers and their descendants are formally recognized as core parts of Britain’s ever-evolving cultural history.

    For William, the 2026 commemoration was more than a moment to look back on his own story. It was another step forward in his lifelong mission: to pull the voices of Windrush descendants out of the margins of history and place them firmly at the center of the full Windrush narrative.

  • Oprichter en leadzanger van The Merrymen overleden

    Oprichter en leadzanger van The Merrymen overleden

    Barbadian music icon Sir Charles Emile Straker, the founder and creative core of internationally celebrated Caribbean band The Merrymen, passed away on Friday, June 19, 2026, at his beloved Caribbean home island at the age of 90. Knighted for his contributions to culture in 2019, Straker leaves behind a decades-long legacy that reshaped global perceptions of Caribbean music, even amid longstanding industry controversy over his work.

    Straker launched his professional music career in 1961 in Canada. Just one year later, he returned to his native Barbados and co-founded The Merrymen alongside Robin Hunte, who played tenor guitar and electric mandolin, Stephen Fields on guitar and vocals, and Chris Gibbs on bass and vocals. Straker himself took on guitar and steelpan duties, serving as the band’s lead vocalist with his iconic golden voice and signature whistling, while also emerging as a prolific songwriter for the group. Shortly after the band’s founding, drummer Robert Foster joined to complete the original lineup. Today, only Stephen Fields survives from the 1962 founding roster, and he currently lives with dementia.

    As part of a generation of Caribbean artists bringing regional genres like calypso and soca to global audiences, The Merrymen faced sharp criticism from Black Caribbean musicians, who framed the group’s take on these Afro-Caribbean styles as too “white,” dismissing the band as so-called “wannabe calypsonians.”

    The most prominent critic was legendary Trinidadian calypsonian The Mighty Sparrow, who publicly condemned the global success The Merrymen found with their lighter, more accessible style of “white calypso” at a time when he and other Black calypsonians struggled to break through to international audiences. In 1967, Sparrow released his album *Spicy Sparrow*, which included a satirical track mocking The Merrymen’s take on calypso. Originally titled *Bajan Dolphus* (a reference to the demonym for Barbadians, which also describes the island’s local culture and language), the track was renamed *Sing Dolphus Sing* for its official release, with lyrics mocking the band’s popularity and credibility in the calypso space.

    Despite this controversy, The Merrymen racked up one international hit after another through the 1960s and 1970s, particularly in the United States. The band also earned a particularly devoted fanbase in Suriname, where generations of older listeners grew up hearing their tracks played repeatedly on national radio. Beloved hits that still remain cultural touchstones across the Caribbean and global diaspora include *Ring Ting Ting*, *Big Bamboo*, *Sugar Bum Bum*, *Archie*, and the fan-favorite melancholic standard *Yellow Bird*. The band developed a distinct sound they dubbed “Caribeat,” and toured across more than 100 countries, turning Barbados into a household name for music fans around the world.

    In a statement shared by the *Jamaica Observer* following Straker’s death, Barbadian Prime Minister Mia Mottley paid tribute to the legendary musician’s far-reaching impact. “He helped put Barbados on the map far beyond our shores,” Mottley said. “Long before hashtags, marketing campaigns, and global social platforms, Sir Emile and The Merrymen brought our island to the world: on hotel stages, in concert halls, on records that tourists carried home with them, and in the hearts of people who kept returning to Barbados because his music made them feel they already belonged here.”

    Late in his career, in November 2023, Straker released his autobiography *My Island and Me*, edited by John Roett. The project was supported by the Barbados National Cultural Foundation and Prime Minister Mottley’s office, with Straker handing over the first published copy of the memoir to Mottley shortly after its completion.