分类： entertainment

Grammy-winning dancehall icon Shaggy is poised to release his fourteenth studio album, titled ‘Lottery’, in March. This highly anticipated project marks his first full-length release since the 2022 album ‘Come Fly With Me’. Industry sources confirm the album will feature an impressive roster of collaborations with prominent American artists, including R&B sensation Jeremih, pop and soul artist Robin Thicke, and acclaimed neo-soul singer Anthony Hamilton.

The album’s promotional campaign is already underway with the release of two advance singles. ‘Til A Mawning’, a collaboration with legendary artist Sting, previously gained traction by charting on Billboard’s Rhythmic Airplay chart. The more recent single, ‘Boom Body’ featuring Akon and Aidonia, has been officially serviced to US Rhythmic radio stations, generating significant buzz ahead of the album’s launch.

Each featured artist brings substantial credentials to the project. Anthony Hamilton is celebrated for his 2004 double platinum hit ‘Charlene’, while Jeremih is widely recognized for his top-five Billboard Hot 100 success ‘Birthday Sex’. Robin Thicke, whose career was shaped by his entertainment industry lineage, contributes his signature style exemplified by hits such as ‘Lost Without You’ and the chart-topping phenomenon ‘Blurred Lines’ featuring TI and Pharrell.

The late reggae icon Jimmy Cliff, who passed away in November at 81, left behind a complex cinematic legacy defined by one monumental success and one notorious failure. While his starring role in the 1972 classic ‘The Harder They Come’ earned him permanent international recognition, his subsequent venture into Hollywood comedy proved disastrous.

Cliff’s portrayal of Ivan, an ambitious country musician navigating Kingston’s ruthless music scene, became an instant cultural landmark. Director Perry Henzell’s film not only launched Cliff’s acting career but also introduced reggae music to global audiences. Despite this breakthrough performance that suggested a promising acting future, Cliff surprisingly retreated from cinema screens for over a decade.

His cousin, filmmaker Lennie Little-White, reveals Cliff consciously refused numerous acting offers during this period. ‘Either because he did not want to be stereotyped only doing roles like The Harder They Come or the money was not right,’ Little-White explained to Observer Online.

Cliff’s eventual return to acting came in 1986’s ‘Club Paradise,’ a Caribbean-set comedy that paired him with Robin Williams. Directed by Harold Ramis fresh off his ‘Ghostbusters’ success, the film featured an impressive ensemble cast including Peter O’Toole, Twiggy, and Rick Moranis. Despite its US$19 million budget and A-list talent, the project failed spectacularly, generating only US$12.3 million at box offices while receiving scathing critical reviews.

Renowned critic Roger Ebert particularly criticized Williams’ performance, noting ‘when the star of a movie seems desperate enough to depend on one-liners, can the rest of the cast be blamed for losing confidence in the script?’ Little-White concurred with this assessment, identifying fundamental flaws in the film’s direction and scripting: ‘It had a lot of brand-name actors, but the director could not make up his mind about where the greatest emphasis should be.’

Following this disappointment, Cliff largely withdrew from acting, making only minor appearances including a 1990 role in Steven Seagal’s ‘Marked For Death’ and contributing to the successful ‘Cool Runnings’ soundtrack in 1993. His cover of ‘I Can See Clearly Now’ for the Jamaican bobsled team film became an international hit, topping charts in multiple countries and demonstrating where his true artistic strengths lay.

Connecticut-based dancehall artist Libra-Don has channeled the devastation of Hurricane Melissa into musical inspiration with his newly released single ‘Don’t Lose Faith.’ The track, produced by Maddmoni Empire and launched on November 4, serves as both a tribute to hurricane victims and a rallying cry for national recovery.

The artist, born Devon Maddan Jr. to Jamaican parents, described the hurricane as one of the most catastrophic events to ever strike Jamaica, emphasizing the widespread destruction, loss of life, and displacement of thousands. Despite the overwhelming damage, Libra-Don expresses unwavering confidence in Jamaica’s resilience and capacity for renewal.

In an exclusive interview with Observer Online, the musician revealed the emotional origins of the composition. ‘Don’t Lose Faith’ emerged from what he characterized as a state of fear and uncertainty during the hurricane’s onslaught. He initially recorded a demo in his home studio to capture the raw emotional intensity of the moment. The entire creative and production process was completed within approximately five days.

Beyond his musical contribution, Libra-Don is actively participating in relief efforts. With family roots in Westmoreland parishes including Belmont, White House, Bluefields and Grange Hill, he has coordinated the shipment of essential supplies to affected relatives and community members. Together with his management team at MaddMoni Empire, he has committed to ongoing support for Jamaica’s recovery and rebuilding initiatives.

Libra-Don launched his recording career in 2022 with his debut single ‘Honest,’ establishing himself as an emerging voice in the dancehall genre with a conscious message.

The Caribbean music scene has achieved a remarkable crossover success with the viral hit ‘Shake It To The Max (Fly) Remix,’ a collaborative track featuring artists Moliy, Silent Addy, Skillibeng, and Shenseea. The infectious fusion of dancehall and Afrobeats rhythms has earned prestigious recognition from two of America’s most influential music publications, with Rolling Stone ranking it at #52 and Pitchfork at #72 on their respective ‘100 Best Songs of 2025’ lists.

The track’s chart performance has been nothing short of extraordinary, dominating multiple Billboard categories including Rhythmic Airplay, World Digital Song Sales, and US Afrobeats Songs charts. It achieved top-10 placements across several key metrics including Hot R&B/Hip Hop Songs, Radio Songs, and Pop Airplay, while peaking at #44 on the all-genre Billboard Hot 100.

Lionel Ridenour, Executive Vice President of Promotions at gamma, celebrated the achievement: ‘What an amazing year for these artists. A record born in January became one of the top global songs of the summer, reaching #1 on US Urban & Rhythm radio formats while continuing to grow with over a billion streams.’

Industry veterans are recognizing the track’s cultural significance beyond its commercial success. Willie Daniels, a respected American radio programmer known for promoting Caribbean music, declared it ‘the song of the summer’ that dominated both clubs and radio rotations.

The success has sparked important conversations about Caribbean music’s place in mainstream media. Tamara Hernandez, Lead of Mixshow Radio Promotions at Atlantic Records, views the track as ‘more than just a big hit—it’s a statement proving that dancehall and Afro fusion are potent, boundary-breaking genres capable of crossing continents and mixing cultures.’

However, industry experts caution against viewing this as an automatic gateway for broader Caribbean music acceptance. Hernandez notes that ‘US radio moves slow with dancehall because many program directors still see it as ‘specialty’ content. They follow data first—Shazam numbers, streaming metrics, and TikTok trends—rather than cultural momentum.’

An anonymous Warner Records executive provided historical context: ‘Reggae and dancehall have had global presence for decades, particularly during summer seasons. This success reminds us that Caribbean producers and artists can create global impact, but the genre needs continued hits that expand beyond niche markets.’

The track’s organic growth pattern—beginning with viral dance challenges online before gaining radio traction—demonstrates the evolving pathway for Caribbean music penetration. The remix has already earned gold certifications in Greece, New Zealand, and the United Kingdom, with platinum status in France, cementing its status as a genuine international phenomenon.