分类: entertainment

  • Kalinago artisans showcase traditional arts and crafts at Prevo Cinemall (with pictures)

    Kalinago artisans showcase traditional arts and crafts at Prevo Cinemall (with pictures)

    A vivid celebration of centuries-old indigenous creativity touched down in Dominica’s capital Roseau this week, as Kalinago artisans gathered for a two-day showcase of traditional handcrafts hosted at Prevo Cinemall. Held September 17–18, 2026, the exhibition is a collaborative effort between Prevo Cinemall, the Kalinago Council, and independent craftspeople and vendors based in the Kalinago Territory. The core mission of the initiative is to create a accessible, local platform for Kalinago makers to elevate their work, connect with domestic shoppers, and boost sales of their authentic handmade goods within Dominica.

    This cultural showcase forms a key closing event for Kalinago Week 2026, a 9-day celebration running from September 11 to 19 anchored by the theme “Honouring Our Past. Celebrating Our Culture. Building Our Future.” The annual observance brings focus to the unique identity, history, and ongoing contributions of the Kalinago people, the indigenous community that has inhabited Dominica for generations.

    Attendees who turned out for the exhibition were treated to a diverse array of handcrafted goods, each piece reflecting centuries of Kalinago tradition, specialized skill, and irreplaceable cultural heritage. Artisans displayed a wide range of creations, from handwoven bags and straw hats to intricately designed necklaces, each work demonstrating the meticulous craftsmanship and intergenerational indigenous knowledge that has been preserved and passed down through Kalinago communities for hundreds of years.

    In addition to showcasing emerging and established makers, the exhibition also paid special tribute to the decades-long contributions of one of the Kalinago Territory’s most revered creative voices. Veteran Kalinago artist Faustulus Frederick was honored with the Prevo Cinemall Cultural Heritage Award in recognition of his lifelong work advancing Kalinago art, documenting indigenous history, and preserving both Kalinago culture and the broader national heritage of Dominica. Frederick brings a unique historical context to his work: he previously served as Kalinago Chief from 1975 to 1978, a tenure that overlapped with Dominica’s critical transition to full national independence.

    Organizers emphasized that beyond driving sales for local artisans, the exhibition fills a larger cultural role: it brings much-needed public attention to the quality and cultural significance of Kalinago-made arts and crafts, while fostering direct connections between makers and local consumers who want to support indigenous cultural preservation through their purchases.

  • Rising Riddims: A New Spin on Belizean Sounds

    Rising Riddims: A New Spin on Belizean Sounds

    As local creators push to reimagine Belize’s rich musical heritage for a new generation, the innovative *Rising Riddims* project is bringing its genre-bending fusion sounds to audiences across two major Belizean cities this weekend. What began as a collaborative experiment back in May 2025 is now ready for public showcase, with two consecutive nights of free live performances that celebrate the evolution of Belizean rhythm.

    The project kicks off on the evening of September 18 at Orange Walk’s Banquitas House of Culture, running from 7 p.m. to 10 p.m. The collective will then travel south to Belize City’s House of Culture for a second show on September 19, held during the same evening hours. Entry to both performances is completely free, designed to make the new experimental work accessible to as many local listeners as possible.

    Helmed by producer Deron Thompson of the Belize Sound Syndicate, *Rising Riddims* centers on a core creative mission: blending time-honored Belizean musical traditions with contemporary global genres to craft entirely new, distinct sounds. Thompson describes the work as intentionally experimental, with the collective already developing two fully realized original styles under the project umbrella: xPunta and Boom & Chill.

    Breaking down the xPunta sound, Thompson explains the genre layers driving four-on-the-floor house music beats and edgy alternative production over the backbone of traditional punta rhythm. For Boom & Chill, the team draws inspiration from the local Boom & Chime style, integrating iconic traditional instruments—including the percussive jawbone and boom drum—with modern harmonic progressions that resonate with contemporary listeners. Thompson notes the resulting sound carries a laid-back dancehall energy that also accommodates reggaeton flows, resulting in something that cannot be mistaken for any existing genre.

    Artist Seth Cambranes, who performs under the stage name Flayed Lotus, emphasizes that the project prioritizes collaboration between creators from every region of Belize. The performance lineup for the weekend showcases this wide-ranging collaborative spirit, featuring Flayed Lotus alongside a diverse roster of local talent including Xhaba, Bad Bwau, Mocha, Stina, Viv and more.

    For Cambranes, the project’s creative approach is rooted in respect for Belize’s existing musical identity, rather than attempts to overhaul it. “A lot of our music is very rhythm-based,” he explained. “We’re not removing anything, we’re just adding to it. We’re only adding to the rhythms that we have.”

    DJ and producer Kristopher Arnold, another core member of the collective, says the project does more than create new music—it opens a path for Belizean sounds to connect with younger audiences and grow beyond the country’s current local industry. Arnold says he holds a clear long-term vision for the movement: “I personally see a vision of this music going places, taking Belize’s music industry a little bit further than it is at the moment.” Beyond just creating new genre labels, Arnold says the fusion approach injects fresh, youthful energy into traditional Belizean sounds that can resonate with listeners both at home and abroad.

    For Thompson, *Rising Riddims* is more than just a series of performances—it is part of a broader push to nurture original creativity across Belize’s music scene. The end goal, he says, is to cultivate a truly distinct Belizean fusion sound that gives local creators the platform to share their work with global audiences far outside the country’s borders.

  • 12°N, 61°W Grenada Film Festival returns to Movie Palace

    12°N, 61°W Grenada Film Festival returns to Movie Palace

    One of the Caribbean’s most anticipated cultural events is set to make its return next year, as the 12°N 61°W Grenada Film Festival prepares to kick off its eighth iteration from October 18 to 25, 2026. For years, the festival has maintained a steady collaborative partnership with Grand Anse’s beloved Movie Palace, a relationship that has played a critical role in nurturing and sustaining communal theatrical viewing experiences across the island nation.

    The 2026 festival lineup brings together creative works from 15 different countries and territories, spanning a diverse range of cinematic formats that goes far beyond mainstream feature films. Attendees will be able to explore compelling narrative pieces, deeply researched documentaries, innovative animated projects, boundary-pushing experimental works, and immersive screen dance productions. Unifying the selected entries is a shared focus on resonant thematic questions: family memory, cross-border migration, local folklore, personal and cultural identity, connections to the land, and the intergenerational transmission of traditions that bind communities together.

    The eight-day celebration will launch on Sunday, October 18 with Grenada Night, a special opening segment entirely dedicated to centering Grenadian filmmakers and the unique stories rooted in the island’s culture, history, and people. Two standout films already confirmed for the opening showcase highlight the breadth of local storytelling talent. The first, *Call of the Jab*, follows a father and son as they journey into the heart of Grenada’s rich folklore, unpacking long-forgotten national histories and untangling layers of shared family memory. The second, *Mighty Mari*, is a warm, family-focused adventure centered on a young girl’s remarkable grit, boundless imagination, and unshakable belief in possibility. Additional film selections and special experiential programming for Grenada Night will be announced to the public as details are finalized.

    In comments on the festival’s opening night plans, Festival Director Meschida Philip emphasized that centering local creators on opening night sends a clear message about the organization’s core mission. “Grenadian filmmakers deserve to see their work presented to audiences at home, and Grenadian audiences deserve to see their people, communities and experiences reflected on the big screen,” Philip explained.

    This year’s overarching festival theme, ROOTS: What We Inherit, is directly shaped by the layered history and intergenerational memory of Grenada. The theme invites creators and audiences alike to reflect on the traditions, values, and stories that people carry with them across boundaries of family, culture, migration, and community.

    To deepen this exploration, the 2026 festival will include special retrospective screenings and community-focused film sessions, featuring archival materials, documentaries, and personal testimonies tied to key chapters of Grenadian history. Each of these screenings will be followed by moderated group discussions, creating intentional, accessible space for cross-generational reflection and dialogue.

    The 2026 edition of the festival has earned the formal endorsement of the Grenada National Trust, a recognition that underscores its alignment with efforts to preserve and celebrate the island’s cultural and historical heritage. Full details on the complete lineup, individual screening times, and ticketing will be released in the coming weeks, with updates posted to the festival’s official website at 1261filmfestival.com and across its social media channels @1261filmfestival.

  • Grenada Soca heads to Caribbean Music Awards in Trinidad

    Grenada Soca heads to Caribbean Music Awards in Trinidad

    The Caribbean music scene is gearing up for a landmark night this September, as the annual Caribbean Music Awards (CMAs) breaks new ground by hosting its first ever ceremony on Caribbean soil. After three consecutive years of staging the event in Brooklyn, New York, the 4th iteration of the awards will open its doors on Saturday, 19 September at Port of Spain’s National Academy for the Performing Arts in Trinidad, drawing hundreds of the region’s most talented musical acts to compete for top honors.

    With more than 250 nominees vying for awards across 40+ categories, the 2025 CMAs have a strong showing from Grenada’s vibrant soca community, boasting both veteran hitmakers and rising breakout stars among the list of contenders. Leading the Grenadian contingent is beloved soca artist V’ghn, who has secured seven nominations overall — a count that ties him for the second-most nominations of any artist attending this year’s awards. Only Trinidad and Tobago’s Lady Lava outpaces him, having earned nine nods ahead of the ceremony.

    Grenada’s outsized influence is particularly visible in the CMAs’ newly launched Jab music categories, where six Grenadian acts have earned nominations for Jab Artist of the Year: V’ghn, Tallpree, Dred Lion, Muddy, Khalifah and Lil Kerry. The Jab Song of the Year shortlist is also dominated by Grenadian talent, with six regional fan favorites making the cut: Lil Kerry’s “Bury All,” Tallpree and Smokie’s “Do for Do,” Dred Lion’s “Grease It,” V’ghn and Terra D Governor’s “Jab Decisions,” Muddy’s “Payroll Xpert,” and Khalifah, MC Straker and Greg Boss’ “Same Boat.”

    Beyond the Jab categories, Grenadian soca holds its own across competitive soca lineups. Renowned performer Mr Killa has earned a nod for Soca Performer of the Year, while breakout star Lil Kerry enters the awards with two total nominations, capping off a standout year that saw him claim third place in the Spicemas Power Soca Monarch competition and secure the 2026 Grenada Road March title for his hit track “Mayhem.”

    V’ghn’s seven nominations span multiple high-profile soca categories in addition to his Jab nods, including Male Soca Artist of the Year, Soca Performer of the Year, Soca Collaboration of the Year and the Soca Impact Award. His collaborative hit “Jab Decisions,” recorded with Terra D Governor, has earned three separate nominations across Jab and soca categories. Beyond earning spots on the nominee list, V’ghn, Lil Kerry and Muddy will also take the stage during the awards ceremony, bringing the distinct sound of Grenadian soca directly to the regional audience.

    Industry observers note that the widespread representation of Grenadian artists across categories highlights the depth and diversity of the island’s soca scene, bringing both established household names and emerging new talent to the forefront of one of the Caribbean’s most high-profile music industry events.

    Disclaimer: This content is adapted from original reporting by Roxanne Thompson for NOW Grenada. NOW Grenada holds no responsibility for contributor opinions and third-party content.

  • Women of Dominica wins best international documentary at Miami festival

    Women of Dominica wins best international documentary at Miami festival

    After six years of dedicated work to center unheard voices, a first-time Dominican filmmaker has earned international acclaim for her intimate portrait of Dominican womanhood: her documentary *Women of Dominica* has been named Best International Documentary at Miami’s 11th annual Urban Film Festival. The award win was officially announced in a September 16, 2025 press statement from Gaia’s Essence, the production company behind the project.

    The 64-minute feature, which also earned a nomination for Best Feature Documentary at the festival, weaves together first-person interviews, verité observational footage, and sweeping cinematic shots of Dominica’s landscape to tell the interconnected stories of 10 Dominican women spanning multiple generations. Far more than a collection of personal narratives, the film probes deep into themes of cross-generational mentorship, the enduring power of matriarchal knowledge, and the unshakable cultural pride that binds these women together. It also casts a focused lens on the underrecognized role Caribbean women play in safeguarding collective cultural identity and steering the long-term development of their local communities.

    For director Farrah La Ronde-Hutchison, an accomplished environmental scientist who pursued this film project as her first directorial work, the award marks a full-circle moment for a years-long labor of love. “Winning Best International Documentary at Urban Film Festival validates the six year journey of bringing these women’s stories to life,” she shared in comments following the award announcement. “This award isn’t just for the film, it’s for Dominica and the ten extraordinary Dominican women whose voices, resilience, and cultural legacy deserve to be celebrated and preserved. To have our work honored alongside such talented filmmakers at UFF has been an emotional moment and one I will never forget.”

    The documentary made its Miami festival premiere on September 6, 2025, during the event’s official programming slate. For La Ronde-Hutchison, the festival experience extended far beyond the award recognition, offering invaluable opportunities to connect with fellow independent creators and engage directly with audience reactions to her work.

    “The Urban Film Festival experience was extraordinary,” La Ronde-Hutchison added. “The festival team’s responsiveness, the connections with fellow filmmakers, and the genuine sense of community created an environment where our film could be truly celebrated. Getting to Miami, meeting incredible creators, and witnessing the audience response was life-changing.”

    The Miami honor is just the latest stop for the documentary, which is already booked for additional high-profile festival screenings across North America and the Caribbean. Upcoming showings include a presentation at Toronto’s ScreenShare/CaribbeanTales International Film Festival, and a screening at the Caribbean Film Festival in Trinidad and Tobago. Per the official press release, organizers are currently lining up additional international festival appearances to expand the film’s reach, as it continues its global festival tour to share the stories of Dominica and its women with audiences across the world.

  • Ed Sheeran’s Opening Acts Quit Tour After Macklemore Dropped Over “Free Palestine” Remarks

    Ed Sheeran’s Opening Acts Quit Tour After Macklemore Dropped Over “Free Palestine” Remarks

    A major controversy has engulfed Ed Sheeran’s ongoing international tour, after the removal of supporting act Macklemore for his public pro-Palestine advocacy prompted every remaining opening performer to quit in solidarity, throwing the North American leg of the tour into chaos.

    The dispute began after rapper Macklemore, best known for his 2012 hit *Thrift Shop*, spoke out in support of Palestinian rights during an early tour stop in New Jersey. The 43-year-old artist has been a vocal advocate for Palestine since Israel launched its military campaign in Gaza following the October 7 2023 attacks.

    On Monday, Robert Kraft, owner of the NFL’s New England Patriots and Gillette Stadium in Foxborough, Massachusetts, announced he would block Macklemore from performing at the venue later that month. Shortly after the announcement, Macklemore confirmed he had been dropped from all remaining US tour dates supporting Sheeran. The rapper directly blamed Kraft for the move, claiming the prominent pro-Israel donor pressured other stadium owners to issue an ultimatum to Sheeran and tour organizers: remove Macklemore, or the entire show would be canceled.

    Kraft, who previously cut institutional funding to Columbia University over the school’s response to on-campus Gaza protests, confirmed he supported the cancellation but has not directly addressed Macklemore’s accusation of coordinated pressure across venues.

    Sheeran moved quickly to distance himself from the decision, writing in a public Instagram statement that removing Macklemore was a choice made by the tour’s promoter, not the headlining artist. He added that venue operators had explicitly threatened to cancel the entire remaining shows if Macklemore remained on the lineup. The singer told Macklemore that the phrases “Free Palestine” and displays of the Palestinian flag had been described as hurtful to people he had consulted.

    In response, Macklemore countered that framing these expressions of solidarity as more offensive than the death of more than 70,000 people in Gaza — a majority of whom are women and children — represented a fundamental moral disconnect. The rapper kept the focus of his public remarks on the humanitarian crisis in Gaza, rather than his own removal from the tour.

    The backlash to Macklemore’s ousting spread almost immediately. All four remaining opening acts — producer and songwriter Finneas, singer-songwriter Aaron Rowe, Irish folk band Beoga, and Danish pop group Lukas Graham — announced they were withdrawing from the tour in solidarity. Finneas shared his position publicly on Instagram, writing: “Artists must not be silenced when they speak up for the oppressed. I stand with Palestine and its people.”

    The incident has sparked broader debate over freedom of expression in the entertainment industry, particularly around discourse related to the Israel-Gaza conflict. Legal experts note that private venue owners hold the legal right to select which performers may appear on their property. However, Lee Rowland, a representative of the National Coalition Against Censorship, called the episode a visible symptom of a growing, systemic problem of chilling speech around the conflict.

    Macklemore has received widespread public support from a range of high-profile figures since his removal, including U.S. Representatives Ilhan Omar and Pramila Jayapal, both prominent progressive critics of Israeli policy in Gaza, and fellow musicians Zara Larsson and PinkPantheress.

  • Grand Bahama Junkanoo groups get funding boost

    Grand Bahama Junkanoo groups get funding boost

    The recently established National Junkanoo Authority has announced a substantial increase in seed funding for Grand Bahama-based Junkanoo groups ahead of the 2026/2027 parade season, injecting more than $100,000 into the iconic cultural celebration while acknowledging that full funding parity with larger New Providence groups has not yet been achieved.

    At an official contract signing ceremony held at Kingdom Worship Center, the authority formalized agreements with 10 competing groups set to participate in this year’s Explorer’s Way parade. The roster of contracted groups includes five top-tier A Groups, four B Groups, and one community-focused Fun Group. Most notably, the base funding for A Groups has been raised by $3,000, growing from the previous allocation of $12,000 to $15,000 per group, driving the overall increase in total regional funding.

    National Junkanoo Authority Chairman Dr. Christopher Curry emphasized that the funding bump is an intentional step to address longstanding funding gaps between New Providence and out-island Junkanoo communities. The organization’s core mission, he explained, is to work toward full parity and build a more equitable distribution of seed funding across all participating groups across the country. Even so, Dr. Curry confirmed in response to reporter questions that Grand Bahama groups still do not receive the same level of funding as the largest Junkanoo collectives based in Nassau.

    The increased investment has been broadly welcomed by Junkanoo group leaders, who have long described the steep cost of parade participation as a persistent financial burden that has forced organizers and members to cover preparation costs out of their own pockets for years. Chauncey Gray, leader of the Superstar Rockers – the 2025 parade’s winning group – called the creation of the National Junkanoo Authority a win that groups have advocated for over many years.

    “It is something we had been asking for,” Gray noted. “It’s taxing on the leaders to have to go out there and look for funding. And so, with the Authority it is going to help out a lot with the funding.” Gray added that the constant financial strain has directly contributed to declining membership across Grand Bahama’s Junkanoo community, as many participants can no longer afford to contribute personal funds to put on the parade. “We need for the members in the groups to stop digging in their pockets to put the parade on,” he said. “So more people now will get involved because we lose a lot of people every year because people just can’t find the funding and Junkanoo is very expensive. This is a move in the right direction, and we all welcome it with open arms.”

    Thomas Curry, leader of the Platinum Knights Junkanoo Group, echoed that sentiment, calling the additional funding “a step in the right direction.” Curry shared that his group had already spent four months preparing for the upcoming parade using personal funds from members, as they did not wait for delayed government funding to get started. He welcomed the $3,000 funding increase and shared his hope that full parity with Nassau-based groups will be achieved in coming years.

    Addressing concerns about the delayed timing of this year’s funding distribution, Dr. Curry explained that the authority only held its inaugural board meeting roughly four weeks ago, and a more structured, predictable funding timeline will be implemented for future seasons. With contracts now finalized, he said groups can move forward full steam with preparations, including advancing the construction of elaborate parade costumes and performance pieces in their workshops.

    The contract signing ceremony also marked the official launch of the 2026/2027 Junkanoo season on Grand Bahama. Leslia Miller-Brice, Minister of Culture, Arts and Heritage, said her ministry centered stakeholder input in its work, starting with listening sessions with group leaders to gather data on group sustainability and the condition of workshop spaces, ensuring government policy is tailored to the actual needs of the Junkanoo community. She laid out five core commitments for the authority’s first term: “to listen, to protect, to professionalize, to expand, and to empower.”

    These commitments include formal protection of Junkanoo shacks as dedicated creative centers, expanding Junkanoo programming beyond the traditional single annual parade season, and empowering the multigenerational stewards who have kept the cultural tradition alive. Miller-Brice emphasized that Grand Bahama has a distinct Junkanoo identity separate from Nassau’s traditional Boxing Day and New Year’s Day celebrations, noting “Grand Bahama has its own sound, its own talent, its own Junkanoo story, and its own stage.”

    Ginger Moxey, Minister for Grand Bahama, praised the Grand Bahama Junkanoo community for its resilience in keeping the tradition alive through repeated hurricane damage and ongoing economic hardship. She added that the creation of the National Junkanoo Authority provides a critical formal regulatory and organizational framework to “protect, support, and advance” the beloved cultural tradition across the country.

    Dr. Curry confirmed that the authority, which has only recently become fully operational, will continue holding listening sessions and consultations with Junkanoo groups across all islands as it refines its policies and long-term funding strategy.

  • Leisure : Did you know ? #60

    Leisure : Did you know ? #60

    Every week, HaitiLibre delivers two engaging installments of its popular educational trivia feature, \”Did You Know?\”, designed to help readers of all ages deepen their knowledge of Haitian and global history. In the 60th edition of the series, published September 17, 2026, the feature poses a question that probes a pivotal turning point in 19th-century Haitian history: Following the deaths of Henri Christophe and Alexandre Pétion in 1820, which Haitian president oversaw the reunification of the country’s divided northern and southern territories?\n\nThe answer reveals a nuanced portrait of one of Haiti’s most consequential early leaders: Jean-Pierre Boyer, who succeeded Pétion to the presidency in 1818, led the reunification effort shortly after Henri Christophe, the ruler of Haiti’s northern kingdom, died by suicide in 1820. Boyer’s 25-year tenure remains one of the longest continuous presidential terms in recorded Haitian history. Two years after reunifying Haiti’s north and south, in 1822, Boyer extended Haitian control over the eastern portion of Hispaniola, the territory that is now the Dominican Republic, unifying the entire island under Haitian rule for 22 years.\n\nBoyer’s presidency also included a consequential, economically damaging decision that shaped Haiti’s trajectory for generations: in 1825, his administration signed the Ordinance of Charles X, an agreement that secured France’s official recognition of Haiti’s independence in exchange for a crippling financial indemnity to compensate former French slaveholders. This so-called \”independence debt\” siphoned critical resources from Haiti’s young economy for more than a century, stifling growth and development across successive generations.\n\nWhile Boyer’s rule brought a period of relative political stability to Haiti, his authoritarian governing style and the ongoing burden of the independence debt sparked widespread public discontent that culminated in a revolution in 1843. Following the uprising, Boyer was forced into exile, leaving behind a complicated legacy: he consolidated Haitian territorial unity but did so at the cost of catastrophic long-term financial sacrifice for the nation.\n\nThis historical insight is pulled from the official answer key for HaitiLibre’s Haiti History Quiz 1.1, part of the outlet’s growing collection of free, browser-based trivia games. As part of the platform’s scheduled monthly content update on September 1, 2026, 30 new trivia games were added to the platform, bringing the total number of available games to 240, with new content added every month moving forward.\n\nAll of HaitiLibre Quiz’s exclusive games are free to access, require no user registration, and are built to accommodate players of all ages and skill levels. Each game offers three adjustable difficulty tiers—easy, intermediate, and hard—and is available in both French and English to serve a broad audience. Players can access the full collection of quizzes at any time via https://quiz.haitilibre.com/en, explore past “Did You Know?” installments covering a wide range of historical and general knowledge topics, and leave feedback through a comment form at the end of every game. The platform encourages users to share the resource with family and friends, framing trivia as an accessible, fun way to learn new information and impress loved ones with expanded general knowledge.

  • Belles Combo benefit concert set for October 3 in Mahaut

    Belles Combo benefit concert set for October 3 in Mahaut

    Dominica’s legendary local music scene is set to celebrate one of its most influential acts this October, as community organizers prepare a benefit concert to support former members of the iconic band Belles Combo. Scheduled to kick off at 9:00 PM on October 3 at Zaman Park in Belfast, Mahaut, the Belles Combo Benefit Concert has been organized by the volunteer group Friends of Belles Combo, with a dual mission: to honor the decades of cultural contributions the band made to the island, and to raise critical financial support for four former group members – three musicians and one road crew member.

    The story of Belles Combo stretches back more than 60 years, rooted in the 1960s when the ensemble first formed under the name the Embers to meet growing demand for live local entertainment. Drawing its early membership from young people across the Mahaut and Massacre communities, the group rebranded to Belles Combo under the leadership of the multi-talented Michael “Mike” Moreau, quickly building a reputation for its versatility across a wide range of musical genres. What began as a local act soon grew into a cultural ambassador for Dominica, bringing the island’s distinctive Creole music to audiences far beyond its shores: over its 30-plus year run, the band toured extensively across the Caribbean, and made stops in Canada, the United States, and Colombia, carrying the pride of the Mahaut community and Dominican culture to international audiences.

    During its active decades, Belles Combo cemented its legacy in recorded music as well, releasing three full-length LPs and multiple hit singles. Decades after the band’s active run, many of its recordings still receive regular airplay across Dominica and the French West Indies, a testament to the enduring popularity of its work. For generations of Dominican listeners, the band’s music was more than entertainment – it was a unifying force that fostered deep community pride across the island’s towns and villages.

    This upcoming benefit concert will bring together a dynamic lineup that honors Belles Combo’s cross-generational impact, blending performances from veteran Dominican acts and rising contemporary artists. Confirmed performers include the First Serenade Band featuring Senator Joey and Gerry Lloyd, White Fayrie, Janet Azouz, Derek Peter, Colton T, the Swinging Stars, Linford John of Bill-O-Men fame, Julien “Caribbean Cowboy” Riviere, Midnight Groovers, the Belles Combo Tribute Band, and local DJ Rio.

    All proceeds from the event – including ticket sales, on-site donations, individual contributions, and other event revenue – will be directed to the four intended beneficiaries. Organizers plan to present the raised funds at a dedicated follow-up event after the concert concludes. For fans unable to attend the concert, including members of the Dominican diaspora, an exclusive contribution account has been set up in partnership with the Mahaut/Jimmit/Tarreau Village Council to accept additional donations. Donations can be sent via MoBanking to NBD Account No. 100035234, using ID No. 5553727, and the account will remain open for contributions through November 23, 2026.

    Tickets for the event are priced at $30 for general admission and $150 for VIP access, and are available for purchase at multiple locations across Dominica: J&M Enterprises on Campbell Road, Convenience Plus, Majic Mart, the Mahaut/Jimmit/Tarreau Village Council in Mahaut, and Bull’s Eye Pharmacy in Goodwill. Organizers are urging all music lovers across Dominica and visitors to the island to join in the celebration, turning out to recognize Belles Combo’s decades of cultural contribution and support the former members who brought joy and pride to generations of fans. Anyone seeking additional information about the concert can reach organizer Sobers Esprit at 767-245-0431 or [email protected].

  • Dominica unveils programme for 48th independence celebrations

    Dominica unveils programme for 48th independence celebrations

    The Commonwealth of Dominica is preparing to mark 48 years of sovereign nationhood with an expansive, multi-week series of cultural, civic, and national events under the unifying theme “Our Journey, Our Legacy, Our Future”, running from mid-September through early November 2026. The full event schedule was officially announced by Honourable Greta Roberts, Minister for Culture, Youth, Sports and Community Development, during a press conference held this Wednesday, where she framed the annual independence observance as more than a celebration — it is a moment for national reflection, cultural celebration, and collective forward planning.

    In her remarks to reporters, Roberts emphasized that the 2026 theme was crafted to encapsulate the full arc of Dominica’s national story. “The theme captures the full story of our nation. It calls us to reflect on the journey that has brought us to this point, to preserve the legacy entrusted to us and to work together to create a stronger future for the generations who will follow,” Roberts said.

    Celebrations will kick off with two National Days of Prayer and Thanksgiving on September 19 and 20, a faith-focused opening that invites churches and religious organizations across the island to frame their worship services around prayers for the nation’s peace, unity, and long-term prosperity. “Let us begin this season by giving thanks to God for His continued blessings upon Dominica and by praying for peace, unity, protection, wisdom and prosperity for our nation,” the Minister urged attendees and citizens.

    The formal opening of official celebrations follows shortly after: the Official Opening Ceremony will be hosted at the State House Conference Centre on September 25, with a public Opening Walk-Through Parade taking place the next day at the iconic Dominica Botanic Gardens. The entire month of October has been designated Patriotism and Heritage Month, a dedicated period packed with cultural activities centered on elevating Dominican Creole identity and national history. Highlights of the month include Had Kweyol Fridays, cultural observances Jounen Panyen and Jounen Chapo Pay, National Emblems Week, Flag Day, a national juried Independence Art Exhibition, History Week, the popular street festival Creole in the Street, and “Market Day with a Difference” that centers local artisans and producers.

    Community-led celebration is a core pillar of the 2026 schedule, with every district across the island hosting its own local cultural festivals open to residents and visitors. National Heritage Day will be hosted this year by the village of Paix Bouche on October 18. From October 19 to 22, the immersive Ti Vilaj Kweyol festival will transform the Dominica Botanic Gardens into a living showcase of Dominican heritage, featuring traditional cuisine, folk music, handcrafted goods, Creole language activities, and time-honored cultural practices.

    Two of the most anticipated cultural events on the calendar are the National Miss Wob Dwiyet Pageant, scheduled for October 21 at the Massacre Indoor Facility, and the National Madam Wob Dwiyet Pageant, set for October 28 at the same venue, both celebrating the iconic traditional Dominican garment Wob Dwiyet and cultural heritage. The globally recognized World Creole Music Festival will return for its annual run from October 23 to 25 at Windsor Park Sports Stadium, drawing regional and international artists to showcase Creole musical talent. Young Dominicans will take center stage at the National Youth Rally on October 29, highlighting the next generation’s role in shaping the nation’s future.

    The final week of October will bring Jounen Kweyol (National Creole Day) and the National Dress Parade on October 30, followed by a Cultural Extravaganza and the annual Eat Fish Day on October 31, which celebrates Dominica’s rich coastal fishing heritage. The celebrations will wrap up in early November with the National Cultural Gala held at the Botanic Gardens on November 1, the formal National Day Observance Ceremony on November 3, and a closing National Day of Community Service on November 4 that grounds the independence anniversary in collective action. This year’s community service day will combine neighborhood beautification projects with targeted small-scale infrastructure improvements across communities island-wide.

    Minister Roberts extended an open invitation to all Dominicans, whether residing on the island or living abroad, to join in the celebrations. She encouraged participation through simple, meaningful acts: displaying the national flag, wearing traditional and cultural clothing, attending local events, and intentionally supporting Dominican creatives, small-scale farmers, street vendors, fashion designers, local musicians, and small independent businesses. Closing her remarks, Roberts reaffirmed the core meaning of the anniversary: “Independence is a time to celebrate who we are, remember those whose sacrifices brought us this far, and recommit ourselves to building a peaceful, united and prosperous Dominica,” she said.