分类: entertainment

  • Vegas, Sly Dunbar, Leroy Sibbles to be honoured at Reggae Genealogy 2026

    Vegas, Sly Dunbar, Leroy Sibbles to be honoured at Reggae Genealogy 2026

    Plantation, Florida prepares to host an extraordinary celebration of Caribbean musical heritage as the Reggae Genealogy® Music Festival returns on February 7, 2026. Under the evocative theme ‘Lights. Camera. Reggae.’, Volunteer Park will transform into an immersive sound stage exploring reggae’s profound influence across film, television, gaming, and global popular culture.

    Produced by Island SPACE Caribbean Museum (Island Society for the Promotion of Artistic and Cultural Education), this large-scale outdoor production anticipates welcoming over 3,000 attendees for an evening of musical excellence and cultural storytelling. The festival serves as the official commencement of South Florida’s Reggae Month celebrations, representing the most ambitious production to date through its fusion of high production values and artistic tribute to reggae’s cross-generational impact.

    The event boasts an impressive lineup of reggae royalty. Clifford ‘Mr Vegas’ Smith, whose 1997 breakout hits ‘Nike Air’ and ‘Heads High’ propelled him to international stardom, brings his unique fusion of dancehall, reggae, and gospel influences. The MOBO Award-winning artist continues to push creative boundaries with his message-driven music and irresistible rhythms.

    Legendary drummer Sly Dunbar, half of the iconic production duo Sly & Robbie, brings over four decades of musical innovation. The two-time Grammy Award winner, widely regarded as reggae’s most recorded drummer, has fundamentally shaped the genre through his work with Bob Marley, Grace Jones, and countless other artists.

    Leroy Sibbles, celebrated voice and bassist of The Heptones, represents the foundational architecture of reggae music. As lead singer on classics like ‘Book of Rules’ and ‘Fattie Fattie,’ and as the session bassist who created enduring rhythms including ‘Full Up,’ Sibbles’ contributions to the evolution from ska to reggae remain unparalleled.

    Executive Director Calibe Thompson describes the production as ‘a love letter to the soundtracks of our lives,’ emphasizing the festival’s mission to honor cultural moments that brought reggae into global consciousness. The evening opens with a special tribute to film and reggae legend Jimmy Cliff, establishing the narrative tone for the musical journey ahead.

    Additional confirmed performers include Tifa, Phil Watkis, Roy G, and Bobby Rose, backed by the Code Red Band. The main stage will be hosted by acclaimed actress Audrey Reid of ‘Dancehall Queen’ fame, with musical support from Bigg G, DJ King Mega, and pre-show host Frank!e Red.

    Beyond the musical performances, the festival offers diverse cultural experiences including an intimate fireside chat with Leroy Sibbles, dedicated children’s play zone, culinary offerings from food trucks, artisan vendors, and a corporate circle designed to foster community engagement. Gates open at 4:00 PM for this comprehensive celebration of reggae’s enduring legacy.

  • Tasty Bites @ Footeprints Hotel Negril

    Tasty Bites @ Footeprints Hotel Negril

    Nestled along Jamaica’s iconic coastline, the town of Negril reveals its treasures not through grandeur, but through gradual immersion into its unique rhythm of life. This seaside paradise has mastered the art of understated elegance, where luxury manifests in ocean breezes, panoramic views, and the freedom of authentic existence.

    At the heart of this experience stands Footeprints Hotel, a 32-room beachfront sanctuary that embodies Negril’s philosophy through culinary excellence and genuine Jamaican hospitality. The property, named after the founding Foote family, transforms the conventional hotel stay into a familial journey, with each space bearing the name of family members and extending that warmth to every guest.

    The culinary landscape at Footeprints represents a masterclass in diverse dining experiences. Gatsby’s Restaurant elevates island flavors through contemporary Caribbean cuisine, where Executive Chef Shawn Sawyers—a 16-year veteran with pastry expertise and visual arts background—orchestrates a fusion of local and international dishes. His culinary canvas spans Asian, Jamaican, Indian, and Mexican influences, featuring standout creations like Westmoreland curry goat and lobster.

    For toes-in-the-sand relaxation, Blushy’s Beach Bar offers fresh seafood and vibrant cocktails crafted to complement the rhythm of the waves. Meanwhile, Finkel’s Eatery provides laid-back dining without compromising quality, satisfying cravings with effortless elegance.

    General Manager Ramoy McFarlane emphasizes the property’s commitment to creating memorable experiences beyond dining: ‘We welcome guests into our family, offering amenities like the skywalk with breathtaking views and the infinity pool. Ultimately, we want Footeprints synonymous with exceptional food, wine, and music.’

    The beverage program showcases mixologist Andrumar Mendez’s artistry through signature cocktails like the Tipsy Daze—a sophisticated blend of overproof white rum, vodka, coconut rum, and tropical juices—and the visually stunning Blue Hawaiian. Each drink reflects the vibrant spirit of Jamaican mixology.

    From gourmet pizzas with jerk chicken toppings to signature lobster rolls and breakfast burritos featuring callaloo and bacon, the culinary team demonstrates relentless innovation. Even traditional desserts like bread pudding with vanilla ice cream receive transformative treatment, embodying Chef Sawyers’ philosophy: ‘We have no limits—wherever inspiration comes from, we’ll tweak it and add it to our canvas.’

    Footeprints stands as a testament to Negril’s evolving narrative—a destination where luxury isn’t announced but discovered, where every meal tells a story, and where the footprints left behind are those of culinary excellence and genuine human connection.

  • Kes’ and Etienne Charles’ Unity Jazz Festival at NY Lincoln Center sold out

    Kes’ and Etienne Charles’ Unity Jazz Festival at NY Lincoln Center sold out

    Caribbean music has achieved a monumental milestone as Kes the Band, in collaboration with renowned Trinidadian trumpeter Etienne Charles, has completely sold out their two-night Unity Jazz Festival at New York’s prestigious Jazz at Lincoln Center on January 8-9. This extraordinary achievement underscores the growing global appreciation for Afro-Caribbean musical traditions.

    The festival represents a watershed moment for Caribbean artists, marking their ascendancy onto one of the world’s most iconic cultural stages. The event forms an integral part of Jazz at Lincoln Center’s 38th season programming, which celebrates ‘Mother Africa’ and honors the profound influence of Afro-diasporic music across jazz and related musical traditions.

    Adding to their acclaim, the band received prominent feature coverage in the January 7 edition of The New York Times, further validating their artistic significance. The performances will showcase specially reimagined arrangements from Kes the Band’s extensive catalog, creatively blending soca, calypso, jazz, and soul genres into intimate musical storytelling experiences.

    Trumpeter Etienne Charles, celebrated for his mastery of Afro-Caribbean musical language, will serve as special guest collaborator, enhancing the festival’s core message of cultural unity and artistic exchange. This landmark event follows the massive international success of the band’s latest single, ‘Rum And Coca Cola,’ which achieved record-breaking chart debuts on Apple Music’s Top 100 in over twenty countries and accumulated hundreds of thousands of streams and YouTube views.

  • Local media professional publishes romance book titled, Forgive Us

    Local media professional publishes romance book titled, Forgive Us

    Grenadian media professional Sorana Mitchell has unveiled her second literary work, the romance and erotica collection titled ‘Forgive Us,’ marking a significant milestone in her writing career. The book launch on December 27, 2025, gathered friends and supporters to celebrate Mitchell’s bold entry into sensitive literary territories.

    The collection comprises three distinct novellas set against Grenada’s vibrant backdrop, representing creative concepts that first emerged approximately fifteen years ago. Mitchell reveals these stories began taking shape following her bipolar disorder diagnosis, serving as an outlet for the persistent narratives occupying her thoughts. “Rather than being continuously bombarded by these storylines in my mind,” Mitchell explained, “I channeled them into writing.”

    Mitchell’s affinity for romance literature traces back to her teenage years when such novels provided escape from personal challenges. She humorously recalls being among secondary school students disciplined for reading forbidden romantic materials, highlighting the genre’s controversial history in conservative educational environments.

    Her philosophical approach to romance centers on mutual choice and partnership. “The concept that two people can meet, choose each other, and collaboratively build a life together represents something profoundly beautiful,” Mitchell reflected. “It’s about no longer facing the world alone.”

    The decision to publish these particular stories involved considerable internal conflict, primarily due to their inclusion of intimate scenes considered taboo within some social circles. Mitchell acknowledged initial concerns about public perception but ultimately embraced her creative vision. “I wrestled with hesitation before stepping into my true being to fully own my creation,” she stated.

    Financial constraints and unforeseen delays temporarily postponed the publication, though Mitchell persevered to complete the project. Demonstrating her commitment to community collaboration, the author intentionally incorporated references to local Grenadian businesses within her narratives. “On a small island like ours,” Mitchell emphasized, “small businesses must find innovative ways to collaborate. I featured their products in my book and even included sensual items from local entrepreneurs in special launch packages.”

    The trilogy begins with ‘Unexpected,’ exploring a romance between a woman in her mid-forties and a younger man. ‘His Pretty Girl’ addresses themes of class stratification, physical appearance, and societal acceptance, particularly regarding weight-related prejudices. The titular novella ‘Forgive Us’ delves into forbidden romance between a priest and his childhood sweetheart.

    ‘Forgive Us’ follows Mitchell’s previously published memoir ‘Still Smiling,’ with both works available through Amazon’s global distribution network.

  • NO LIVE STREAMING at the One Nation Caribbean Music Festival

    NO LIVE STREAMING at the One Nation Caribbean Music Festival

    The Antigua and Barbuda Festivals Commission has implemented stringent broadcasting restrictions for the upcoming One Nation Caribbean Music Festival, prohibiting all live streaming during both nights of the event. This policy stems from contractual obligations with international performing artists whose agreements explicitly limit digital distribution rights.

    Media organizations seeking coverage must acquire official footage through the nation’s state broadcaster, ABS TV, which will serve as the exclusive distributor of professional-grade content. This centralized approach ensures consistent visual quality and perspective across all media outlets.

    While attendees are permitted to capture personal photos and videos using mobile devices for non-commercial purposes, any attempt to live broadcast performances will result in immediate ejection from the venue. Festival security personnel will actively enforce these protocols throughout both evenings.

    The commission emphasizes that these measures align with international entertainment industry standards for protecting intellectual property and artistic rights. By controlling distribution channels, organizers aim to maintain the value of performers’ content while delivering a premium experience for physical attendees.

    These protective measures ultimately serve to honor artistic agreements while preserving the exclusive nature of the live event experience. The commission expresses gratitude for public cooperation in upholding these professional standards within the Caribbean music industry.

  • President Abinader receives Michel Camilo and Berklee College of Music delegation

    President Abinader receives Michel Camilo and Berklee College of Music delegation

    SANTO DOMINGO – In a significant cultural development, Dominican President Luis Abinader hosted an eminent delegation at the National Palace, featuring world-renowned pianist Michel Camilo and officials from Boston’s Berklee College of Music. The high-profile gathering served to evaluate advancements within the groundbreaking ‘Berklee in Santo Domingo 2026’ initiative, a collaborative effort designed to cultivate exceptional musical talent across the Caribbean nation.

    The program represents an extraordinary educational opportunity, providing intensive training to over 200 meticulously selected students from a highly competitive applicant pool. These young musicians are receiving instruction directly from Berklee’s distinguished faculty during the January 5-10 intensive session. As a highlight of the program, Maestro Camilo will conduct an exclusive masterclass at the National Theater on January 7, offering participants invaluable insights from his illustrious international career. The most promising participant will receive the program’s pinnacle award: a comprehensive scholarship to pursue studies at Berklee’s main campus in the United States.

    This ambitious cultural-educational project operates through a strategic alliance between Berklee College and several Dominican institutions, including the Ministry of Culture, the National School of Fine Arts, and the National Conservatory of Music. The collaboration signals a substantial investment in cultural infrastructure and demonstrates the administration’s dedication to creating international pathways for Dominican artists. The initiative not only enhances artistic education but also strengthens the global cultural presence of the Dominican Republic, positioning the nation as an emerging hub for musical excellence in the Caribbean region.

  • Nominations Open January 6 for the 2025 Antigua & Barbuda National Music Awards

    Nominations Open January 6 for the 2025 Antigua & Barbuda National Music Awards

    The Caribbean nation of Antigua and Barbuda has officially launched the nomination process for its prestigious 2025 National Music Awards (ABNMA), with submissions opening January 6, 2026. The Ministry of Creative Industries, through its Department of Culture, announced the commencement of the awards’ second edition, which will culminate in a grand ceremony on February 26, 2026, in St. John’s.

    This national initiative serves as the country’s premier platform for honoring exceptional achievements across the musical landscape. The awards recognize diverse contributors including performers, composers, educators, media specialists, producers, and cultural advocates who have significantly enriched the twin-island state’s musical heritage and entertainment sector.

    The 2025 edition introduces a substantially expanded awards framework designed to encompass a broader spectrum of creative and industry contributions. The comprehensive categories now include:

    – MUSICIAN OF THE YEAR honors covering instrumental excellence, steelpan performance, and vocal artistry across genres including Soca, Calypso, Reggae/Dancehall, and Gospel
    – Producer and Songwriter recognition awards
    – People’s Choice categories for Best Recording Artist, Band & DJ, Song & Sound, and Events
    – Emerging artist development awards including the Ricardo Drue Foundation Award for musicians aged 25 and under
    – Special Recognition Awards for individuals and organizations with over a decade of contribution
    – Lifetime Achievement Award honoring those with 20+ years of significant national impact

    The nomination process emphasizes accessibility and transparency, offering both online and in-person submission options through the Ministry of Creative Industries headquarters on Old Parham Road. The program welcomes nominations from the public, provided they have the nominee’s permission, ensuring both accuracy and willingness to participate.

    Nominees are encouraged to prepare comprehensive submission packages including tailored biographies, professional images, project summaries, and other supporting materials that demonstrate their qualifications for specific award categories. Detailed guidelines for each category will accompany the official nomination forms.

    This expanded awards framework reflects the nation’s deepening commitment to celebrating artistic excellence while simultaneously fostering innovation, education, cultural preservation, and industry development. The ABNMA continues to evolve as a unifying cultural force that inspires emerging creatives, showcases national talent, and enriches Antigua and Barbuda’s cultural identity on the global stage.

  • Three to compete for Carnival Princess 2026

    Three to compete for Carnival Princess 2026

    Roseau’s Rotaract Club has officially unveiled the three young contestants who will compete for the coveted title of Carnival Princess 2026 in an eagerly anticipated cultural event. Dubbed the “Fabulous Three” by organizers, these contestants were introduced to the public during a special Facebook Live launch event on Monday evening.

    The distinguished contestants include Shanell Benjamin from Woodfordhill Primary School, sponsored by Morancie and Sons; Arianna Challenger representing Paix Bouche Primary School, backed by the Stephen Paboy Thomas Foundation and Belle Lavi Villa; and Fanayé Shillingford of Bagatelle Primary School, supported by Springfield Trading.

    Event organizers are mobilizing community support, urging Dominica residents to attend in significant numbers to cheer on these talented young ambassadors of culture. The grand Carnival Princess Show is scheduled for Sunday, February 1, 2026, at the Carnival City venue, with festivities commencing at 3:00 PM. The competition represents a cherished tradition that highlights cultural pride, youthful talent, and community spirit through vibrant performances and presentations.

  • UB40’s Labour of Love revisits Billboard

    UB40’s Labour of Love revisits Billboard

    Four decades after its initial success, UB40’s iconic reggae album ‘Labour of Love’ demonstrates remarkable staying power on music charts worldwide. The British band’s fourth studio recording, originally released in 1983, has re-entered Billboard’s Reggae Albums chart at number nine this week, nearly 40 years after its debut. This chart reappearance follows the album’s peak performance in 2022 when it reached number six—its highest position to date on this particular chart.

    The ten-track collection, consisting primarily of covers originally performed by Jamaican artists, includes celebrated renditions of ‘Sweet Sensation’ by The Melodians, Jimmy Cliff’s ‘Many Rivers to Cross,’ Eric Donaldson’s ‘Cherry Oh Baby,’ and Winston Tucker’s ‘Please Don’t Make Me Cry.’ The album’s enduring appeal is further evidenced by its platinum certification status across multiple nations including the United States, New Zealand, Canada, and the Netherlands.

    Billboard’s current reggae chart landscape continues to be dominated by Bob Marley and the Wailers’ ‘Legend,’ which maintains its extraordinary reign at number one for an unprecedented 312 non-consecutive weeks. The chart’s upper ranks feature Shaggy’s ‘Best of Shaggy: The Boombastic Collection’ holding steady at number two, followed by Sean Paul’s ‘The Trinity’ and ‘Dutty Rock’ at three and four respectively. Stick Figure claims three consecutive positions with ‘World on Fire,’ ‘Wisdom,’ and ‘Set in Stone’ occupying spots five through seven.

    Regional charts show significant activity with Neto Yuth and Anthony B’s ‘So Long’ continuing its leadership on the Rebel Vibez Top Ten Canadian Reggae chart. In New York, Sherell Rosegreen’s ‘Come Jesus Come’ retains the top position for a second week, while White Mice’s ‘One Blood’ and Busy Signal’s ‘Conscious Vibes’ show upward movement. South Florida’s reggae chart welcomes a new number one with the Mr Vegas-produced remix of ‘Pitta Patta’ by Ernie Smith and Ed Robinson.

  • Courtney Wilson returns to stage with Boopsie’s Homecoming

    Courtney Wilson returns to stage with Boopsie’s Homecoming

    Courtney Wilson, a foundational pillar of Jamaica’s theatrical scene, marks his triumphant return to the stage in Jambiz International’s newest comedic production, ‘Boopsie’s Homecoming’. Having originated his iconic Shaggy character in the company’s ‘Cinderellisha and the DJ Prince’ 24 years ago, Wilson now embodies Larry, the scheming accomplice to his sister Petal in this domestic drama unveiled on Boxing Day at Kingston’s Courtleigh Auditorium.

    The narrative centers on Boopsie (portrayed by Glen Campbell), a Jamaican expatriate residing in the United States who has diligently financed the construction of his dream home through years of remittances to his wife. His anticipated homecoming transforms into profound disillusionment upon discovering the funds have mysteriously vanished with minimal construction progress to show.

    Though Wilson confesses to never personally participating in such financial deception, he channels profound empathy for Boopsie’s betrayal, drawing upon analogous personal experiences of familial trust violation in business contexts, as revealed in his Jamaica Observer interview.

    His extensive collaborative history with Campbell—Jambiz’s perennial lead—and playwright Patrick Brown (company co-founder and principal writer) creates exceptional synergistic dynamics. Wilson attributes their sustained success in productions like ‘Indecent Proposal’, ‘Room 513’, ‘Windscream Posse’, and ‘Lockdown’ to this deeply ingrained professional familiarity, noting their mutual awareness of each other’s artistic strengths and vulnerabilities both onstage and off.

    Hailing from West Kingston and raised in the McIntyre Villa community (colloquially termed Dunkirk), Wilson’s artistic journey commenced at Excelsior High School through Jamaica Cultural Development Commission events before formalizing his craft with a performing arts degree from Excelsior Community College.

    His uninterrupted tenure with Jambiz since 2002 has provided both artistic refinement and economic stability—a crucial combination for a family man within the acting profession. Wilson emphasizes his enthusiasm for challenging, diverse roles that maintain his creative engagement and financial security.

    The production features Daindra Harrison and Renae Williams alternating as the duplicitous Petal, with David Crossgill completing the ensemble as Papa. Performance schedules maintain Wednesday-through-Friday evening showings at 8:00 PM, supplemented by dual Saturday and Sunday performances at 5:00 PM and 8:00 PM.