分类： entertainment

In a significant announcement, Production One Ltd (POL) has confirmed the cancellation of the Jazz Artists on the Greens event for 2026. The decision, disclosed on November 15, stems from the lingering uncertainties of the post-pandemic economy, coupled with state policies affecting the entertainment sector and its influence on private sector sponsorship. The company highlighted the minimal uptake of tax incentives for sponsorship by private entities as a contributing factor. Additionally, the recent national budget statement underscored public sector funding shortfalls, prompting a reevaluation of financial management strategies. POL emphasized its commitment to realigning its services and products to adapt to these new economic realities. After 22 successful editions—20 in Trinidad and two in Tobago—the company is rebranding and reassessing its business model. While the live event will not proceed, POL plans to commercialize recorded content from previous productions, pending negotiations with rights holders. The company assured patrons that the legacy of the event will endure through digital platforms, where performances, memorabilia, and branded merchandise will remain accessible. POL reaffirmed its mission to support local and Caribbean artists, focusing on recalibrating the jazz ecosystem and exploring new avenues for talent showcase. The company expressed gratitude to its patrons and partners, urging them to stay updated via its website. Meanwhile, Prime Minister Kamla Persad-Bissessar announced measures to address noise pollution, including halting fetes at the Brian Lara Cricket Academy and introducing enhanced noise pollution legislation by the end of 2025.

Marinna Shareef, a 27-year-old full-time artist, fearlessly channels her inner world into her vibrant and surreal creations, often exploring themes of bipolar disorder and Caribbean identity. Her work, rich in color and symbolism, reflects her personal struggles and cultural heritage, offering a deeply intimate narrative. Recently, Shareef completed a one-week residency at York University’s Faculty of Environmental and Urban Change in Canada, where she engaged with students, delivered artist talks, and completed a painting in just three days. During her stay, she also showcased her collaborative piece, *God of Whimsy*, at the *Nature’s Wild with Andil Gosine* exhibition in Toronto. This work, part of her *God of Depression* and *God of Mania* series, marked her first collaboration with another artist. Shareef found resonance in Gosine’s book *Nature’s Wild: Love, Sex and Law in the Caribbean*, which explores themes of inherited trauma and identity. Her art often evokes mixed reactions, ranging from discomfort to laughter, mirroring her own experiences with bipolar disorder, diagnosed at 18. Despite the challenges, Shareef remains stable and uses her art to process her emotions, creating surreal and pop art self-portraits that delve into the highs and lows of her condition. Her work incorporates Trinidadian iconography, such as local snacks and nostalgic objects, blending comfort with metaphor. Shareef’s art is meticulously planned, rarely spontaneous, and serves as a form of advocacy for mental health awareness. She aims to destigmatize mental illness and inspire others to seek help. With a bachelor’s degree in visual arts from UWI, St Augustine, Shareef has already held solo exhibitions and won awards for her work. Mentored by artists like Christopher Cozier and Andil Gosine, she continues to refine her craft and aspires to exhibit at the Museum of Modern Art in New York. For now, she focuses on applying for residencies and grants, determined to share her message through her art.

San Fernando is poised to host an electrifying cultural festival on November 15, as Carib Street becomes the epicenter of music, dance, and artistic expression. The event, titled ‘Culture on Carib Street – 12 Hours of Culture,’ is an expanded version of the annual Children’s Jamboree, now encompassing a broader audience and a diverse array of performances. From 11 am to 11 pm, attendees will be treated to a rich tapestry of indigenous art forms, including pan, kaiso, extempo, soca, chutney, parang, spoken word, and masquerade, all accompanied by the rhythmic beats of engine rooms, tassa, and African drums.

Traditionally held in August, the event has been rescheduled to coincide with San Fernando’s 37th anniversary as a city. ‘This year, we aimed to create an inclusive experience for everyone—children, adults, and all culture enthusiasts,’ said Aquil Arrindel, manager of the San City band.

The day kicks off with a lively children’s program featuring bouncy castles, games, and performances by notable young talents such as Junior Calypso King Xhaiden Darius, dancer Ariella Rishana Jugoon, extempo artist Kevan Calliste, and the Presentation College Drummers. Spoken-word artist Colleen Cleghorn and mas presentations by Cari Vog Kids and Anra Bobb and Friends will also grace the stage.

As the afternoon progresses, the focus shifts to adult performers and renowned steel orchestras. Music aficionados can anticipate performances by 12-time Panorama champions Desperadoes, alongside Siparia Deltones, Tornadoes, Birdsong, Kalomo Kings, and the host band, SanCity. The evening lineup includes extempo maestro Abebele, calypsonians Impulse and Ras Kommanda, soca star College Boy Jesse, Blaka Dan, Chutney Soca champion Daddy Chinee, and the Los Alumnos De San Juan parang band.

Arrindel highlighted the transformation of the venue, with the car park between Presentation College and the SanCity panyard now paved and serving as the main arena. The space will feature two stages, tents, food vendors, and a bar, ensuring a festive atmosphere despite the rainy season. ‘This is a must-attend, entirely free cultural experience,’ Arrindel promised.