分类: entertainment

  • French Finesse & Island Flavour: Fromage debuts new brunch menu

    French Finesse & Island Flavour: Fromage debuts new brunch menu

    Kingston’s culinary scene has witnessed a remarkable elevation of its Sunday brunch experience as Fromage Bistro unveils an innovative menu that masterfully intertwines French culinary artistry with vibrant Jamaican flavors. Under the creative direction of co-principal Lisa-Gaye Chin and French culinarian Chef Dennis Rodriguez, this establishment has established what industry experts are calling the new gold standard in gastronomic excellence.

    The brunch service, available at both the 8 Hillcrest Avenue and Marketplace locations, introduces a sophisticated Moët & Chandon Bubbly Brunch Bucket that sets an indulgent tone for the experience. The beverage program extends beyond champagne to include creatively named cocktails such as Tulum Sunrise, Lychee Margarita, and Rose Summer Spritz, alongside traditional hot and cold beverages.

    Chef Rodriguez, who relocated from Montreal to embrace Jamaica’s vibrant food culture, has undertaken a sophisticated balancing act: preserving the integrity of local Jamaican produce while imprinting his French culinary expertise onto each creation. ‘Arriving in Jamaica opened up a vibrant new playground for me,’ Rodriguez explained. ‘Working with ingredients like ackee and tropical fruits presented a thrilling challenge that inspired a natural marriage between time-honored French techniques and bold local fare.’

    The menu caters to diverse palates with sweet offerings including Tiramisu French Toast, Banana Pancake Stack, and Fried Chicken & Waffle, while savory selections feature Avocado Smash Toast, Smoked Salmon & Ackee Bagel, and Buttered Poached Lobster on Toast with ackee hollandaise. Each dish demonstrates meticulous attention to presentation, offering what Chin describes as ‘something completely different to what people are used to.’

    The collaboration represents Chin’s passion for elevated experiences and frequent travels in search of culinary inspiration. In a gastronomic landscape where culinary ennui remains a constant threat, Fromage Bistro has successfully raised the bar for Sunday brunch through this innovative cultural and culinary fusion.

  • Kraff’s management seeks to clarify circumstances for Galiday Bounce cancellation

    Kraff’s management seeks to clarify circumstances for Galiday Bounce cancellation

    A contractual disagreement between dancehall artist Kraff and event organizers has resulted in the abrupt cancellation of the highly anticipated Galiday Bounce New Year’s Eve celebration at New York’s Amazura Concert Hall.

    Kraff’s management team issued a detailed statement Thursday explaining their position, revealing that the artist’s headline performance was canceled due to unmet contractual obligations. According to the statement, despite prolonged negotiations and good-faith efforts to resolve outstanding issues, the promoters failed to satisfy critical requirements including confirmation of an agreed-upon deposit and finalized travel arrangements.

    The management emphasized that the decision to withdraw was made reluctantly after exhaustive attempts to salvage the situation. “Documentation supporting this timeline is on file,” the statement noted, underscoring the seriousness of the breach. They extended gratitude to disappointed fans while reaffirming their commitment to working exclusively with promoters who maintain professional standards essential for successful productions.

    This development follows earlier accusations from event promoter Galdiez Mendez, who launched social media criticism against Kraff Wednesday alleging unfulfilled contractual duties and demanding repayment of allegedly advanced funds. The conflicting narratives highlight the complex nature of performance agreements in the entertainment industry.

    Kraff’s representatives previously clarified that the performance was never formally contracted, discussed, or approved as a benefit concert, contradicting claims circulating within the industry. The cancellation has left fans disappointed and sparked conversations about professional standards in event planning and artist management.

  • Couva Carnival gets going with pageant screening

    Couva Carnival gets going with pageant screening

    The Couva Carnival Committee (CCC) has unveiled ambitious plans for its 2026 festivities, commencing with the screening of aspirants for the Miss Central Trinidad Pageant on January 3rd at Lisas Gardens Community Centre. This year’s pageant gains distinctive prominence as it coincides with Valentine’s Day celebrations on February 14th, promising unique romantic-themed surprises for both participants and attendees.

    CCC chairman Ramchand Rajbal Maraj revealed that the committee has engineered special Valentine’s-inspired attractions that will create memorable experiences for carnival-goers. “We encourage everyone to arrive promptly on Carnival Saturday evening at the Couva Carnival Centre for an exceptional spectacle,” Maraj announced. “Attendees might depart with extraordinary Valentine-themed surprises that will make this celebration truly unforgettable.”

    The pageant serves as the centerpiece of Couva’s six-day carnival extravaganza and functions as a strategic springboard for young women pursuing careers in the beauty industry. Maraj anticipates robust participation during the screening process, noting the event’s established reputation for launching successful pageant careers.

    Two significant preliminary events will precede the grand finals: the sponsor selection and contestant sashing ceremony at Touch & Taste Restaurant in California on February 6th, followed by an extensive motorcade through central Trinidad’s communities on February 7th.

    Maraj projected that the 2026 celebrations would surpass previous years in scale and quality, citing enhanced organizational structures with specialized sub-committees overseeing specific event aspects. The committee is actively seeking increased sponsorship support from both public and private sector entities, emphasizing the events’ demonstrated capacity to attract thousands of participants due to their exceptional production quality.

    In parallel developments, auditions for the Couva Calypso Monarch competitions will commence on January 11th at Balmain Community Centre, featuring both senior and junior categories starting at 9:00 AM.

  • Couva Carnival gets going with pageant screening

    Couva Carnival gets going with pageant screening

    The Couva Carnival Committee (CCC) has officially announced the commencement of activities for Couva Carnival 2026, beginning with the screening of contestants for the Miss Central Trinidad Pageant on January 3rd at Lisas Gardens Community Centre. This year’s pageant, serving as the centerpiece of the six-day festivities, will take place on Valentine’s Day, February 14th, adding romantic significance to the traditional celebration.

    CCC chairman Ramchand Rajbal Maraj revealed that special Valentine’s-themed surprises await both participants and attendees. “We encourage everyone to arrive promptly on Carnival Saturday night at the Couva Carnival Centre for an exceptional experience,” Maraj stated, hinting at potential prizes for lucky audience members.

    The pageant serves as a strategic platform for aspiring models seeking advancement in the beauty industry, with organizers anticipating strong participation during the screening process. The event structure includes two preliminary activities: sponsor selection and contestant sashing on February 6th at Touch & Taste Restaurant, followed by a highly anticipated motorcade through central Trinidad’s communities on February 7th.

    Maraj expressed confidence that the 2026 celebrations would surpass previous years in scale and quality, citing enhanced organizational structures through specialized sub-committees. The committee is actively seeking sponsorship support from both public and private sectors, emphasizing the events’ consistent ability to attract thousands of attendees due to their high production values.

    Separately, auditions for the Couva Calypso Monarch competition—featuring both senior and junior categories—are scheduled for January 11th at Balmain Community Centre, further expanding the carnival’s artistic programming.

  • 2025 Antigua and Barbuda National Music Awards Set for February 26, 2026

    2025 Antigua and Barbuda National Music Awards Set for February 26, 2026

    The Caribbean nation of Antigua and Barbuda will celebrate its vibrant music scene with the official staging of the 2025 National Music Awards (ABNMA) on February 26, 2026. The announcement was formally made by the Ministry of Creative Industries, highlighting the event’s significance in the cultural calendar.

    Established to honor excellence across the musical spectrum, the ABNMA recognizes the exceptional contributions of musicians, producers, composers, songwriters, vocalists, arrangers, educators, and industry practitioners. The awards platform functions as both a celebration of artistic achievement and a strategic initiative to drive growth, innovation, and elevated standards within the twin-island state’s creative sector.

    Building upon the success of previous editions, the 2025 ceremony aims to broaden its influence by uniting artists from diverse genres, generations, and communities. This gathering is designed to foster a deeper appreciation for the rich and varied tapestry of Antiguan and Barbudan music.

    The nomination process is set to commence on January 6, 2026, with the full roster of award categories being unveiled simultaneously. The Ministry is actively encouraging participation from creatives, industry professionals, and the general public to ensure comprehensive recognition of outstanding talent within the local music industry.

    Reiterating its commitment to cultural development, the Ministry emphasized that the National Music Awards serve as a vital national institution. Beyond honoring current achievements, the platform aims to inspire emerging talent, strengthen cultural identity, and bolster the sustainable development of the creative economy.

    As the nation looks toward 2026, the Ministry extended its well-wishes for a prosperous and culturally dynamic year to all artists, stakeholders, partners, and community members. The ABNMA stands as a powerful testament to the extraordinary outcomes achievable through the fusion of talent, dedication, and national pride.

    Additional information regarding award categories, detailed nomination guidelines, and event updates will be disseminated through official channels in the coming weeks.

  • Cuba commemorates centenaries of Fidel Castro and Alfredo Guevara

    Cuba commemorates centenaries of Fidel Castro and Alfredo Guevara

    Havana witnessed the inauguration of a significant photographic exhibition on December 31st, serving a dual commemorative purpose: honoring the 67th anniversary of the Cuban Revolution’s triumph and celebrating the centenary of Che Guevara’s birth. The collection showcases profound historical moments between revolutionary leaders Fidel Castro and Ernesto ‘Che’ Guevara, emphasizing their collaborative efforts in cultivating Cuba’s cinematic and cultural landscape.

    The opening ceremony attracted prominent national figures, including Minister of Culture Alpidio Alonso, Elier Ramírez—Deputy Head of the Ideological Department of the Central Committee of the Communist Party of Cuba—and Alexis Triana, President of the Cuban Institute of Cinematographic Art and Industry (ICAIC). The event was further graced by distinguished artists and government representatives from the cultural sector.

    Central to the tribute was the enduring relevance of the two leaders’ ideological contributions. The exhibition specifically highlighted Guevara’s foundational role in establishing ICAIC and his creation of pivotal projects dedicated to the advancement of Cuban and Latin American cinema. These initiatives were consistently bolstered by the unwavering support of Commander-in-Chief Fidel Castro, underscoring a partnership that extended beyond revolution into cultural nation-building.

  • Alfredo Guevara, a cultural legacy in Cuba and Latin America

    Alfredo Guevara, a cultural legacy in Cuba and Latin America

    Alfredo Guevara’s transformative impact on Cuban culture originated during his academic years at the University of Havana, where he pursued Philosophy and Letters. It was during this formative period that he forged a historically significant friendship with Fidel Castro, which would later shape Cuba’s cultural landscape.

    Following the successful Cuban Revolution in 1959, Guevara established and assumed leadership of the Cuban Film Institute (ICAIC), marking the beginning of an extraordinary cultural revolution that extended far beyond cinema. His visionary approach led to the creation of multiple groundbreaking initiatives that would redefine Latin American cinema.

    Guevara launched the influential publication ‘Cine Cubano’ magazine and established the Latin American ICAIC Newsreel under the directorship of Santiago Álvarez. In 1960, he founded the Cuban Film Archive, simultaneously championing the extraordinary artistic development of cinematic poster art that became internationally recognized for its revolutionary aesthetic.

    His most significant musical contribution came with the establishment of the ICAIC Sound Experimentation Group, which served as the foundational incubator for the Cuban Nueva Trova Movement that revolutionized Latin American music. Among his most cherished accomplishments was the creation of the Havana International New Latin American Film Festival, which debuted on December 3, 1979. The inaugural festival attracted an unprecedented gathering of over 600 filmmakers, establishing Havana as a crucial center for Latin American cinema.

  • Cuba: Marianela Nunez and Patricio Reve marked dance in 2025

    Cuba: Marianela Nunez and Patricio Reve marked dance in 2025

    The National Theater of Cuba witnessed an extraordinary celebration of ballet heritage on December 28th and 30th, as principal dancers Nunez of London’s Royal Ballet and Reve, guest artist from the same renowned British company, delivered a breathtaking performance of the classic ‘Don Quixote.’ Their artistry served as a powerful testament to the enduring legacy of the Cuban ballet school founded by Alicia, Alberto, and Fernando Alonso.

    The performance remarkably embodied the fundamental principles that maestro Alonso consistently emphasized throughout his career: the sensuality of artistic expression, meticulous attention to line, and the seamless harmony between dancers and music. Nunez and Reve moved with such natural elegance and synchronization that they appeared to caress the musical notes with their movements, creating a gentle, poetic communication between their characters.

    This guest performance, orchestrated by the National Ballet of Cuba (BNC) under the direction of prima ballerina Viengsay Valdes, carried special significance. The BNC, declared a Cultural Heritage of the Nation in 2018, concluded a challenging year by continuing its tradition of attracting world-class dance talent to the island. This cultural exchange serves to refresh and reinforce the foundations of Cuba’s prestigious ballet institution, which remains a source of immense pride throughout Latin America.

    The Argentine ballerina Nunez shares deep connections with Cuban ballet royalty, having known renowned teacher Loipa Araujo since age fourteen and previously dancing extensively with Carlos Acosta, another legendary figure from Cuba’s dance tradition. These historical ties added layers of meaning to a performance that both honored tradition and demonstrated the vibrant ongoing evolution of Cuban ballet artistry.

  • Ge’eve Places First Runner-Up at 2025 Queen of Queens Calypso Monarch in Montserrat

    Ge’eve Places First Runner-Up at 2025 Queen of Queens Calypso Monarch in Montserrat

    In a vibrant celebration of Caribbean musical heritage, Antigua and Barbuda’s esteemed calypsonian Ge’eve secured the first runner-up position at the 2025 Queen of Queens Regional Female Calypso Monarch competition. The prestigious event, hosted in Montserrat, showcased the region’s most talented female performers in a night of cultural excellence and artistic expression.

    Competing as contestant number four, Ge’eve delivered two powerful performances that captivated both judges and audience members. Her first round presentation featured the thought-provoking composition ‘One Man,’ followed by an equally compelling rendition of ‘Daughter Come’ in the championship round. These performances collectively earned her a impressive total score of 947 points, demonstrating her exceptional artistry and stage presence.

    The coveted monarch title was claimed by Terri Lyons, who achieved a remarkable winning score of 985 points through her outstanding performances. Roselyn rounded out the top three finalists, securing second runner-up honors with 888 points in the closely contested competition.

    This annual gathering represents one of the Caribbean’s most significant cultural events, specifically designed to highlight and celebrate the extraordinary talents of female calypsonians across the region. The competition forms an integral part of Montserrat’s festival calendar, attracting performers and audiences from multiple Caribbean nations.

    Ge’eve’s notable achievement serves as a testament to Antigua and Barbuda’s growing influence and representation within the regional calypso scene. Her strong showing underscores the nation’s commitment to preserving and promoting this traditional art form while competing at the highest levels of Caribbean musical performance.

  • Petition calling for Nicki Minaj to be deported gathers over 50,000 signatures

    Petition calling for Nicki Minaj to be deported gathers over 50,000 signatures

    A controversial petition demanding the deportation of rapper Nicki Minaj to her birthplace of Trinidad and Tobago has rapidly accumulated over 50,000 signatures on Change.org. The campaign emerged following Minaj’s appearance at Turning Point USA’s AmericaFest, where she publicly endorsed former President Donald Trump and Vice President JD Vance while sharing the platform with prominent conservative figures.

    The petition specifically addresses U.S. government agencies including ICE, the FBI, and the White House, urging authorities to review Minaj’s residency status. It cites multiple grievances including her verbal attacks on The Carters (Beyoncé and Jay-Z), her marriage to registered sex offender Kenneth Petty, and allegations that she has intimidated her husband’s victims. The petition argues that ‘deporting Nicki Minaj back to her home country, Trinidad, seems the most viable solution to curtail her harmful actions’ and would ‘send a clear message that harassment and support of criminal activity will not be tolerated.’

    Many signatories have expressed concerns about Minaj’s apparent political pivot, which marks a significant departure from her previous advocacy for LGBTQ+ rights and racial justice. One signee commented on the petition’s platform about unequal treatment of immigrants, drawing parallels to their own family’s experiences with the immigration system.

    While the petition appears to contain satirical elements—the organizer identifies as ‘Pedonika Minaj’—it touches on factual aspects of Minaj’s immigration status. During a recent TikTok live session, Minaj confirmed she is not a U.S. citizen but holds a green card, while controversially suggesting she deserved honorary citizenship due to taxes paid.

    Legal experts emphasize that such petitions hold no binding authority and deportation proceedings against a long-term legal resident like Minaj would be highly improbable, particularly given her established residency since childhood. Despite its lack of legal standing, the campaign highlights the intense polarization surrounding celebrity political endorsements and the evolving expectations of artists in sociopolitical discourse.