Carib Scope

分类： entertainment

  • Bad Bunny makes Grammy history as stars protest against ICE

    Bad Bunny makes Grammy history as stars protest against ICE

    In a historic moment for both the Grammy Awards and Latin music, Puerto Rican superstar Bad Bunny shattered a 68-year barrier by becoming the first Latin artist to claim the prestigious Album of the Year award. His winning work, ‘Debí Tirar Mas Fotos,’ a profound exploration of Puerto Rico’s rich musical heritage, triumphed over formidable contenders including Lady Gaga and Kendrick Lamar.

    The victory served as a catalyst for a ceremony dominated by political discourse, with numerous artists vocally opposing the Trump administration’s immigration policies. Upon accepting his award, the 31-year-old artist, set to headline the upcoming Super Bowl halftime show, dedicated the honor to immigrants worldwide who courageously “leave their home, land, their country, to follow their dreams.”

    This sentiment was echoed across the event. British newcomer Olivia Dean, crowned Best New Artist, paid tribute to her immigrant grandmother from the Windrush generation, stating, “I’m a product of bravery and I think those people deserve to be celebrated.” Prominent figures including Kehlani, Gloria Estefan, and Billie Eilish delivered speeches in support of immigrants, while many attendees sported ‘ICE out’ badges on the red carpet.

    Bad Bunny, born Benito Ocasio, appeared visibly moved by his win. Earlier in the evening, while accepting the award for Best Música Urbana Album, he delivered a more direct message: “We’re not savages, we’re not animals, we’re not aliens, we are humans and we are Americans,” he declared, referencing recent tensions in Minneapolis.

    The political commentary extended beyond immigration. Song of the Year winner Billie Eilish, honored for ‘Wildflower,’ addressed the nation’s broader turmoil, urging continued activism: “Our voices really do matter, and the people matter.”

    The ceremony also witnessed host Trevor Noah provoking former President Donald Trump with jokes linking him to convicted sex offender Jeffrey Epstein, prompting an angry threat of legal action from Trump on social media.

    In other major wins, Kendrick Lamar made history himself by surpassing Jay-Z to become the most awarded rapper in Grammy history, securing his 26th and 27th trophies for Best Rap Album (‘GNX’) and Record of the Year (‘Luther,’ a duet with SZA).

  • Kia Kirwan Thanks Supporters, Team After Miss OECS Pageant

    Kia Kirwan Thanks Supporters, Team After Miss OECS Pageant

    Following her representation of Antigua and Barbuda at the prestigious Miss OECS Pageant in Dominica, Kia Kirwan, the reigning Queen of Carnival 2025, has publicly extended her profound appreciation to her family, supporters, and dedicated team. In a reflective statement, Kirwan emphasized her personal philosophy of embracing open dialogue and constructive criticism, noting that such engagement is instrumental to her development. She characterized the overwhelming support received as essential fuel propelling her journey of self-improvement and her unwavering commitment to personal excellence. While acknowledging that words are insufficient to fully encapsulate her gratitude, she paid special tribute to her team’s relentless efforts. Kirwan concluded by reaffirming her core beliefs in the necessity of continuous evolution and the power of resilience, outlooks that defined her participation in the regional competition.

  • White House Says Nicki Minaj’s ‘Trump Gold Card’ Is Just A Souvenir

    White House Says Nicki Minaj’s ‘Trump Gold Card’ Is Just A Souvenir

    Trinidadian-born rapper Nicki Minaj, who has resided in the United States as a lawful permanent resident for approximately twenty years, recently ignited social media speculation by sharing images of a gold-colored card featuring former President Donald Trump’s likeness. This card has been promoted by Trump’s organization as a premium pathway to U.S. citizenship for individuals making substantial financial contributions—specifically $1 million to the U.S. Treasury plus a $15,000 nonrefundable processing fee. Minaj notably claimed in an online post that she received this item “free of charge.”

    However, a White House official, speaking anonymously to The New York Times, clarified that the card was merely a novelty souvenir with no legal value. The official emphasized that Minaj, already a long-term legal resident actively pursuing standard citizenship procedures, had no need for expedited immigration channels. The card, according to the source, holds sentimental value only and “serves little value” in any official capacity.

    The controversy emerged following Minaj’s appearance at a White House event promoting children’s investment accounts established under a Trump-endorsed spending initiative. During the event, Trump lavished praise on the artist, hailing her as “the greatest” and “the most successful female rapper in history.” He also acknowledged her financial backing for the program, stating, “Nicki makes a lot of money, and she’s generously stepping up. She’s investing hundreds of thousands of dollars in Trump accounts to support the children.”

    Minaj, who made history in 2024 as the first female rapper to achieve Diamond certification for two songs from the Recording Industry Association of America, has increasingly publicly aligned with Trump and the MAGA movement. Trump described her as “a big Trump supporter and a Trump fan” who has endured criticism but remains “an unbelievable supporter.”

    Appearing alongside Trump in a distinctive white fur-trimmed coat, Minaj declared herself the president’s “No. 1 fan” and asserted that criticism only strengthens her support. “The hate or what people have to say, it does not affect me at all. It actually motivates me to support him more,” she told the audience. She further expressed belief that “God is protecting” the president and condemned what she characterized as “bullying” and “smear campaigns.”

    While Minaj’s political alignment has drawn scrutiny from fans, LGBTQ advocates, and civil rights organizations, the White House has definitively stated that the discussed gold card is purely symbolic and not a functional immigration document.

  • Nine calypsonians advance to 2026 grand finals

    Nine calypsonians advance to 2026 grand finals

    A dynamic ensemble of nine calypsonians has officially clinched their positions in the highly anticipated Calypso Finals, setting the scene for a spectacular musical confrontation on February 14th at Windsor Park Sports Stadium. The selection process culminated during intense quarterfinal bouts held on Saturday, January 31st at the same venue, where performers competed for judicial approval and a coveted spot in the championship round.

    The elite roster of artists advancing to compete for the monarch title includes Abiyah, Nacheal, Karessa, Jaydee, Daddy Chess, Tasha P, Redz, The Bobb, and Checker. This diverse group of musical talents will face the formidable challenge of dethroning the reigning calypso sovereign, Joy Stoute, in what promises to be a memorable Valentine’s Day extravaganza.

    Adding strategic depth to the competition framework, event organizers have designated three reserve performers: De Web, Calpha P, and Observer. These designated substitutes stand ready to seamlessly enter the competition should any primary finalist encounter unforeseen circumstances preventing their participation.

    The upcoming finals represent not merely a competition but a celebration of cultural expression through calypso music, combining artistic excellence with competitive spirit. This event continues the rich tradition of calypso championships that serve as both entertainment and social commentary within the community.

  • 60 years of rocksteady

    60 years of rocksteady

    As Jamaica prepares to commemorate the 60th anniversary of rocksteady music in 2026, the Jamaica Reggae Industry Association (JaRIA) will host a landmark gathering of the genre’s surviving architects. The ‘Back 2 Bass-es’ forum, scheduled for February 4 at Edna Manley College of the Visual and Performing Arts in St. Andrew, will feature legendary bassists Boris Gardiner, Jackie Jackson, and Lloyd Parks sharing firsthand accounts of music history.

    These instrumental pioneers shaped the distinctive sound that bridged ska and reggae, with Jackson having served as the backbone of producer Duke Reid’s Supersonics band during rocksteady’s golden age (1966-1968). His basslines defined timeless classics including Alton Ellis’s ‘Rock Steady’ and The Wailers’ ‘Thank You Lord.’ Jackson notably expresses profound admiration for fellow panelist Gardiner, whose work at Clement ‘Sir Coxsone’ Dodd’s Studio One provided creative inspiration despite the legendary rivalry with Reid’s Treasure Isle label.

    Gardiner’s understated yet revolutionary bass techniques powered anthems like The Heptones’ ‘Party Time’ and Marcia Griffiths’s ‘Feel Like Jumping.’ Meanwhile, Parks transitioned from vocalist with The Techniques to becoming one of reggae’s most sought-after bassists during the 1970s, contributing to definitive works by Dennis Brown and Ken Boothe.

    The event forms part of JaRIA’s Reggae Month programming, addressing what Jackson identifies as a critical knowledge gap: ’99 percent of aspiring bass players and young musicians have no knowledge of the rocksteady era.’ This living history initiative aims to inspire new generations through direct engagement with the creators who established Jamaica’s musical legacy.

    Music historians generally credit Hopeton Lewis’s 1966 recording ‘Take It Easy’ as the first rocksteady composition—a transitional style that replaced ska’s upbeat tempo with slower, bass-heavy rhythms that ultimately catalyzed the global explosion of roots reggae.

  • Kendrick Lamar becomes most awarded rapper in Grammy history

    Kendrick Lamar becomes most awarded rapper in Grammy history

    In a historic moment for the music industry, Kendrick Lamar has officially become the most-awarded rapper in Grammy Awards history, eclipsing the previous record long held by hip-hop mogul Jay-Z. The groundbreaking achievement was confirmed during the 2025 Grammy Awards ceremony in Los Angeles, where Lamar’s artistic dominance was prominently displayed throughout the evening.

    Entering Sunday’s festivities with 26 Grammy wins already to his name, Lamar immediately surpassed Jay-Z’s benchmark of 25 victories by capturing the Best Rap Album honor for ‘GNX’ during the pre-telecast ceremony. His triumph continued unabated as the night progressed, ultimately concluding with an impressive total of 27 Grammy awards.

    Lamar’s extraordinary evening was highlighted by multiple major category victories. Beyond the Best Rap Album recognition, the Compton-native artist secured Record of the Year and Best Melodic Rap Performance for his work ‘Luther’, Best Rap Song for ‘TV Off’, and Best Rap Performance for the critically acclaimed ‘Clipse’s Chains & Whips’. His dominance was further emphasized by leading all nominees with nine nominations this year.

    The ‘Luther’ victory carried additional historical significance, making Lamar the first rapper ever to claim the Record of the Year honor twice. Furthermore, he became both the first male artist and first rapper to win this prestigious category in consecutive years, solidifying his unprecedented creative streak.

    This Grammy milestone caps a remarkable period for Lamar, who began 2025 by headlining the Super Bowl LVIII halftime show—making history as the first rapper to perform solo on the NFL’s grandest stage. The artist continues to build upon his previous Grammy success, having performed his diss track ‘Not Like Us’ at last year’s ceremony, which ultimately earned five awards including both Record and Song of the Year.

  • Jamaican drummer Lowell ‘Sly’ Dunbar dies

    Jamaican drummer Lowell ‘Sly’ Dunbar dies

    The music world is mourning the loss of Lowell “Sly” Dunbar, the revolutionary Jamaican drummer and one-half of the seminal production duo Sly and Robbie, who passed away on the morning of January 29, 2026. His wife, Thelma, confirmed the tragic news, stating she discovered him unresponsive around 7 a.m. following a day spent happily with friends. Although Dunbar had been battling illness for some time, the sudden severity of his condition was reportedly unforeseen.

    Dunbar’s legacy is nothing short of monumental. From humble beginnings drumming with The Yardbrooms at just 15 years old, his fateful meeting with bassist Robbie Shakespeare in 1972 ignited a creative partnership that would become the rhythmic backbone of reggae and dub for over five decades. Together, as both session musicians and visionary producers, they were instrumental in crafting the sound of artists like the militant Peter Tosh and were the masterminds behind an estimated 200,000 recordings, a staggering figure that underscores their immense influence.

    Their pioneering work extended beyond performance. In 1980, they founded Taxi Records, a label that became a crucible for Jamaican talent, launching the careers of and releasing seminal works for acts including Black Uhuru, Beenie Man, and the duo Chaka Demus and Pliers. Dunbar’s passing marks the latest in a series of devastating blows to reggae’s foundational figures, coming just days after the death of Third World’s Stephen ‘Cat’ Coore and following the 2021 loss of his own musical soulmate, Robbie Shakespeare.

    In recognition of his unparalleled contributions to music and Jamaican culture, the government honored Dunbar with the Order of Distinction. His mantle of accolades also includes the prestigious Musgrave Gold Medal (2015) and a Lifetime Achievement Award from the University of Minnesota, bestowed just months before his death in May 2025.

  • St. Joseph Carnival kicks off today

    St. Joseph Carnival kicks off today

    The picturesque village of St. Joseph transforms into a pulsating epicenter of cultural celebration today as it hosts its highly anticipated annual carnival. Under the evocative theme ‘Drumming and Sensay 2026’, the event promises an immersive journey into the heart of African heritage through rhythm, tradition, and spectacular visual displays.

    Waynesha Sanderson, representing the St. Joseph Village Carnival Committee, recently outlined the event’s ambitious vision during a weekly Carnival Press Conference. The festival will showcase an authentic cultural experience featuring vibrant costumes and high-energy performances that honor the community’s rich traditions.

    The carnival parade is scheduled to assemble at 1:30 PM with a prompt 2:00 PM start near V’s Enterprise on the St. Joseph Highway. The colorful procession will culminate at the St. Joseph Playing Field, creating a vibrant river of culture through the village streets.

    A significant highlight of this year’s celebration is the commitment to authenticity by the St. Joseph Sensay Committee. Sanderson emphasized their dedication to providing original Sensei costumes, explicitly avoiding modern shortcuts like plastic or bags in favor of traditional, fully-clothed heavy-duty materials that honor historical accuracy.

    The parade will feature an impressive array of performance groups including the St. Joseph Flag Wavers, NBD Flag Wavers, Gems, T-shirt Bands, Afrikulture Stilt Walkers, New Town Stilt Walkers, Bacchanal Ladies, KariFuna Cultural Group, Lapo kabwit Groups, and the St. Joseph Sensei troupe.

    As the procession concludes, the celebration will transition to live musical performances featuring Triple K International Band, Shelly and the Signal Band, the Explosive Band, and DJ Mj & MV, ensuring the energy continues well into the evening.

    The committee has prioritized safety and organization through close collaboration with police, fire services, and key stakeholders. This coordinated effort aims to deliver a secure, well-structured, and violence-free environment for all attendees. Sanderson extended a heartfelt invitation to the public, encouraging responsible celebration and an authentic experience of St. Joseph’s unique cultural expression.

  • Nicki Minaj declares Trump support while unveiling gold card visa

    Nicki Minaj declares Trump support while unveiling gold card visa

    In a remarkable political reversal, Trinidad and Tobago-born rap superstar Nicki Minaj proclaimed herself former President Donald Trump’s “number one fan” during Wednesday’s Trump Accounts Summit at the US Treasury Department. The announcement signals a dramatic departure from her previous criticisms of Trump’s immigration policies.

    Appearing alongside Trump, Minaj endorsed his trust fund program for children while proudly displaying her recently acquired “gold card” visa. This premium immigration initiative, launched in December, offers expedited citizenship pathways for affluent immigrants through a substantial financial investment.

    Photographs captured the rapper holding hands with Trump on the podium, where she directly addressed her critics. Minaj, who immigrated to the United States as a child with her parents, asserted that negative reactions only strengthen her support for the former president, emphasizing that public opinion cannot sway her convictions.

    The artist subsequently shared images of her gold card on social media platform X, revealing she received it without charge while completing her citizenship documentation. The controversial program requires a $1 million fee plus $15,000 in processing costs for US residency, drawing significant criticism for its timing during periods of intensified immigration enforcement.

  • Don’t Miss Comedy Play ‘Neighbourhood Watch’ Tonight at the Bliss

    Don’t Miss Comedy Play ‘Neighbourhood Watch’ Tonight at the Bliss

    The Bliss Center for the Performing Arts prepares for the concluding performance of “Neighbourhood Watch” tonight, marking the end of the theatrical run for Kathy Esquivel’s interactive comedy production. In recent interviews, including an appearance on the morning program Open Your Eyes, playwright Esquivel characterized her work as an intentionally lighthearted production designed primarily for entertainment rather than delivering profound social commentary. “The fundamental premise is quite simple—we should genuinely care for one another within our communities,” Esquivel explained during her television segment.

    The production distinguishes itself through its innovative participatory format, particularly during a scene simulating a village council meeting where audience members become integral participants in the performance. This deliberate breaking of the fourth wall creates a unique, immersive theatrical experience that blurs traditional boundaries between performers and spectators.

    Despite its comedic foundation, the play maintains connections to everyday social realities, offering both entertainment and subtle reflection on community dynamics. Beyond its artistic merits, the production serves a significant philanthropic purpose, with all generated proceeds designated for the Mental Health Association’s Welcome Resource Centre. This facility operates as a daytime support center offering essential services—including hygiene facilities, nutritional meals, and recreational activities—for individuals experiencing homelessness and mental health challenges.

    Ticket pricing remains structured at three tiers: $20 for general admission, $40 for reserved seating, and $100 for VIP access. Prospective attendees can secure tickets by contacting the box office at 626-7238. Esquivel emphasized the dual purpose of the production: “We’re committed to revitalizing live theater through enjoyable experiences while simultaneously generating crucial funding for community support services.”