Carib Scope

分类： entertainment

  • Legendary drummer Sly Dunbar dies at 73

    Legendary drummer Sly Dunbar dies at 73

    The global music community is in mourning following the sudden passing of Lowell ‘Sly’ Dunbar, the iconic Jamaican drummer who formed one-half of the revolutionary production duo Sly and Robbie. The legendary musician, 73, passed away unexpectedly at his residence on Monday morning, according to reports from Observer Online.

    Dunbar’s death marks the end of an era for reggae music, coming just two years after the passing of his musical partner Robbie Shakespeare in 2021. Together, they established themselves as the rhythmic backbone of Jamaican music, crafting an unparalleled legacy that spanned five decades. Their innovative ‘rockers’ drumming style became synonymous with the evolution of reggae and dancehall.

    Tributes from across the musical spectrum have flooded social media platforms, highlighting Dunbar’s extraordinary influence that transcended genres and generations. British radio personality David Rodigan hailed him as “one of the greatest drummers of all time,” emphasizing how reggae had lost a true icon. In an emotional Instagram post, Rodigan noted Dunbar’s remarkable versatility, having produced and performed with an astonishing array of artists from Bob Dylan and Madonna to Bob Marley and The Rolling Stones.

    Jamaican artist Mr Vegas remembered Dunbar as his “greatest teacher/producer,” while sound system pioneer Rory Stone Love described the loss as a “sad day” for Jamaica and reggae music worldwide. The overwhelming response from the international music community underscores Dunbar’s monumental impact on global soundscapes.

    Beyond his performing credentials, Dunbar’s production genius helped shape countless hit records, establishing him as both a creative force and technical innovator. His work with Robbie Shakespeare revolutionized recording techniques and rhythmic patterns that would influence multiple genres beyond reggae, including pop, rock, and hip-hop.

    Observer Online has indicated that further details regarding this developing story will be forthcoming as the music world continues to process this significant loss.

  • Hopeton Lindo releases ‘In The Mood’ ahead of Valentine’s Day

    Hopeton Lindo releases ‘In The Mood’ ahead of Valentine’s Day

    In a strategic move ahead of Valentine’s Day, acclaimed singer-songwriter Hopeton Lindo has re-released his collaborative EP ‘In The Mood’ featuring vocalist Fiona. The six-track collection, distributed by Zojak Worldwide on January 23, marks a creative reunion between the artists and their seasoned production team.

    The EP includes previously chart-topping singles ‘Guilty’ and ‘In Your Eyes,’ which dominated airwaves in New York and South Florida markets. Lindo personally produced four tracks through his Irie Pen Records label, including the title track and their breakthrough hit ‘In Your Eyes.’ The decision to reintroduce the project stems from its overwhelmingly positive reception since its initial July 2021 release.

    Beyond original compositions, the Valentine-themed offering features reinterpreted classics: a soulful rendition of Billy Davis and Marilyn McCoo’s ‘You Don’t Have to be A Star’ and a lovers rock adaptation of Barbara Mason’s timeless ballad ‘Yes I’m Ready.’

    Lindo emphasizes the natural musical chemistry with Fiona, noting: ‘The synergy between us emerges organically. The collaborative atmosphere among musicians and producers proved exceptional, rooted in mutual professionalism and longstanding friendship.’

    The project boasts legendary contributors including the iconic Riddim Twins—Sly and Robbie—alongside guitarist Willie Lindo and multi-instrumentalist Paul Gauntlett. Lindo, whose songwriting credits include reggae classics like ‘Red Rose For Gregory’ and ‘Telephone Love,’ maintains that melodic quality remains the essential ingredient for successful projects.

    ‘Compelling melodies remain paramount—they capture listeners’ attention initially and inspire communal singing,’ the artist concluded, highlighting his philosophy toward music creation.

  • Tameika Daniel crowned 2026 National Calypso Queen

    Tameika Daniel crowned 2026 National Calypso Queen

    In a stunning display of artistic excellence and social consciousness, Tameika Daniel emerged victorious as the 2026 National Calypso Queen during the prestigious competition held at Queen’s Hall, St Ann’s on January 25. The talented performer captivated both judges and audience members with her profound commentary on contemporary societal issues, seamlessly blending powerful vocals with striking visual symbolism.

    Daniel’s stage presence was nothing short of transformative, adorned in an elegant flowing white gown complemented by traditional Zulu isicholo headwear and a dazzling navy-blue waterfall necklace that created an almost otherworldly aura. This deliberate cultural fusion served as a visual metaphor for the universal themes explored in her performance.

    Her championship-winning composition, titled ‘No Love,’ functioned as both artistic expression and social critique. The piece delivered a penetrating examination of modern society’s emotional deterioration, articulating how the cherished African proverb ‘it takes a village’ has been systematically replaced by destructive individualism. Daniel’s lyrics painted a compelling narrative of societal fragmentation, directly linking the disappearance of communal values to escalating crime rates and overall social decay.

    The competition showcased exceptional talent throughout, with Naomi Sinnette claiming second position through her remarkable performance, followed by Kerine ‘Tiny’ Williams-Figaro securing third place and Alana ‘Lady Watchman’ Sinnette-Khan achieving fourth place in the intensely competitive field.

    Beyond its musical merits, Daniel’s performance stood as a cultural manifesto—an urgent appeal for societal reconnection and emotional reawakening. Her artistry challenged citizens to rediscover compassion and collective responsibility, positioning cultural unity as the fundamental cornerstone for national progress and human dignity.

  • Holness saddened by passing of Sly Dunbar

    Holness saddened by passing of Sly Dunbar

    KINGSTON, Jamaica — The Jamaican music community and global entertainment industry are mourning the loss of iconic drummer Lowell “Sly” Dunbar, whose death has prompted an emotional tribute from Prime Minister Andrew Holness. Through an official statement on social media platform X, the nation’s leader commemorated Dunbar’s extraordinary contributions to music, recognizing him as a foundational pillar in the development of reggae and dancehall genres. Holness emphasized that Dunbar’s innovative partnership with bassist Robbie Shakespeare created what became known as the “Taxi” sound—a production style that revolutionized Jamaican music. The Prime Minister highlighted Dunbar’s international collaborations with superstars including Grace Jones and The Rolling Stones, noting how his rhythmic innovations transcended cultural and geographic boundaries. Beyond his technical mastery, Dunbar was celebrated for integrating electronic elements into traditional reggae, ensuring the genre’s continued relevance across decades. Despite achieving global acclaim and receiving Jamaica’s Order of Distinction honor, Dunbar remained deeply connected to his roots, frequently mentoring emerging artists. Holness specifically referenced Dunbar’s signature “rim shot” technique and distinctive drum patterns as auditory signatures of genius. The Prime Minister concluded by affirming that Dunbar’s legacy will endure through countless recordings and future generations of musicians, extending heartfelt condolences to the drummer’s family, friends, and the worldwide music community.

  • 3canal and the Mad Jabs at Queen’s Hall on February 8-10

    3canal and the Mad Jabs at Queen’s Hall on February 8-10

    Trinidad and Tobago’s pioneering rapso collective 3Canal announces their highly anticipated return to the Carnival stage with “Mad Jab,” a provocative theatrical production scheduled for three nights at Queen’s Hall from February 8-10. This year’s performance marks the group’s continued evolution beyond conventional concert formats into a multidimensional experience blending live music, dance, and socially conscious drama.

    For over two decades, 3Canal has redefined Carnival entertainment through productions that simultaneously celebrate cultural traditions while delivering poignant commentary on contemporary issues. The 2026 showcase draws inspiration from the traditional jab jab character—Carnival’s archetypal jester and trickster—reimagined as the “Mad Jab” to address today’s global challenges through the transformative power of satire and laughter.

    The production emerges as a direct response to what the group describes as an era of widespread disinformation and international turmoil. Through original compositions including “Mad World” and “Beyond the Bacchanal,” 3Canal channels the spirit of resistance and resilience that has defined their musical legacy. The performance structure incorporates elements of traditional African drumming, soulful saxophone and flute arrangements, and innovative vocal chorales, creating what promoters characterize as both “joyful noise” and profound social commentary.

    This year’s production features a revitalized ensemble, the Cut + Clear Crew, comprising veteran percussionists Ever-ald “Redman” Watson and Wayne “Lion” Osuna, guitarist Mark Anthony “Emaye” Pierre, and multi-instrumentalist Tony Paul. The ensemble is joined by emerging talent including DJ SouthExst (Joshua Jokhan) and the Mad Jab Chorale under the direction of longtime collaborator Glenda Collens.

    The conceptual framework derives intellectual inspiration from Guyanese poet Martin Carter’s seminal work “This Is The Dark Time,” which provides thematic resonance with current global circumstances. Rather than mere entertainment, 3Canal positions the Mad Jab gathering as a contemporary convois—a traditional assembly for dance, amusement, and subtle rebellion—advocating for community solidarity and peace during increasingly turbulent times.

    Performances will commence at 8 PM each evening from February 8-10 at Queen’s Hall in St. Ann’s, offering audiences an immersive experience that balances Carnival’s sacred and irreverent dimensions while confronting the complexities of modern reality through artistic expression.

  • Dominican Author from Grand Bay releases new psychological thriller

    Dominican Author from Grand Bay releases new psychological thriller

    S.E. Fabien, the literary pseudonym of Dominican writer Sarai ‘Erslyn’ Fabien, has launched a compelling new entry into the psychological thriller genre with the publication of “The Killer Knows Us.” Hailing originally from Grand Bay and now residing internationally, Fabien maintains active connections with her Dominican roots and the global diaspora community.

    This character-centric narrative delves into the deteriorating relationship of a couple who discover they are under the meticulous observation of an anonymous entity. The plot masterfully examines contemporary anxieties surrounding obsession, the erosion of trust, and the psychological ramifications of surveillance within personal relationships. Fabien’s approach distinguishes itself through its emphasis on cerebral tension rather than physical violence, creating an atmosphere of palpable realism that mirrors modern digital-age vulnerabilities.

    The novel provocatively challenges readers to reconsider their perceptions of intimacy and privacy, exploring how familiarity can be weaponized in disturbing ways. Serving as the inaugural volume in a planned trilogy, “The Killer Knows Us” will be followed by two subsequent installments—”Safe” and “Exposed”—both scheduled for publication before the conclusion of 2026.

    Currently available through Amazon’s global marketplace, the work is accessible in both digital Kindle format and traditional paperback editions, offering readers multiple options to experience this psychologically intense narrative.

  • Lessons from Dad

    Lessons from Dad

    The music world mourns the passing of Stephen ‘Cat’ Coore, the legendary Jamaican musician who reshaped reggae history through his unwavering dedication to cultural authenticity. His daughter Kanna Coore recently shared intimate reflections with the Sunday Observer about her father’s extraordinary journey from classical prodigy to reggae ambassador.

    In a defining moment that would chart his destiny, Coore made the radical choice to decline a prestigious scholarship to New York’s Juilliard School—the pinnacle of classical music education—to pursue his passion for Jamaican rhythms. This decision, made against conventional wisdom, ultimately positioned him as a foundational member of the iconic band Third World and earned him the revered title of ‘Reggae Ambassador’.

    Kanna describes her father as someone who ‘ate, drank, slept, and breathed music,’ with Jamaica representing more than just homeland—it was a spiritual commitment. ‘He believed in Jamaica as if it were a religion,’ she noted, emphasizing how her father’s off-stage persona mirrored his artistic integrity. His performances carried the same technical precision and emotional depth that would have graced the world’s most prestigious concert halls, yet he remained devoted to sharing Jamaica’s musical heritage globally.

    Beyond his musical achievements, Coore’s parenting philosophy reflected his artistic principles. He cultivated an environment of trust and freedom, never pressuring his children to follow specific paths despite their grandfather’s legal career. Two of his sons naturally gravitated toward music—Stephen Jr. on guitar and Shiah on bass—discovering their passions independently. ‘He trusted our decisions and our choices. He trusted us as humans,’ Kanna recounted.

    The most enduring lesson Coore imparted was the courage to pursue one’s authentic path. By witnessing her father fearlessly follow his reggae dream despite societal expectations, Kanna learned that true success emerges from forging uniquely personal journeys. ‘We knew we could take risks because his life showed us that there is always the possibility of things working out,’ she explained.

    Coore’s legacy extends beyond musical innovation to encompass his roles as devoted father, philanthropist, and humanitarian. His sudden passing on January 18 has created a profound void in both Jamaican and international music communities, though his influence continues to resonate through the countless lives he touched and the cultural barriers he broke.

  • Vibes With Voicey – Cheers To 10 on February 12

    Vibes With Voicey – Cheers To 10 on February 12

    Trinidad and Tobago’s acclaimed soca artist Aaron “Voice” St Louis prepares to commemorate a significant career milestone with his Vibes With Voicey X – Cheers To 10 concert on February 12. The event, scheduled for Carnival Thursday at Queen’s Park Savannah beginning at 9 PM, honors ten years of musical evolution since his breakthrough 2016 International Soca Monarch victory with “Cheers to Life.

    The concert represents more than just a personal achievement for the three-time consecutive ISM champion, who subsequently claimed titles with “Far From Finished” (2017) and “Year of Love” (2018). It symbolizes the maturation of an artist who has transcended performance to become a curator of authentic musical experiences. The Vibes With Voicey platform, initially conceived during COVID-19 lockdowns as a digital performance series, has evolved into a respected venue celebrating lyrical craftsmanship, live instrumentation, and genuine artist-audience connections.

    Voice emphasizes the reflective nature of this anniversary: “Ten years ago, I was just trying to find my footing and say something honest through music. It was never about trends. It was about growth, performance, and building something real.”

    The event promises to bridge musical eras and genres while maintaining the platform’s reputation for thoughtful curation and artistic integrity. Designed as a collective celebration, Cheers To 10 will honor the community of artists, musicians, and supporters who have contributed to Voice’s journey and the platform’s development.

    “This is not just a show,” Voice noted. “It’s a thank-you. To the artistes, to the musicians, and to the audience that kept showing up and believing in what we were building.”

    With additional details to be announced in coming weeks, tickets are currently available through www.islandetickets.com for what has become an essential Carnival Thursday tradition for many patrons.

  • Rotunda Gallery pays tribute to nation’s icons – Portraits of Honour

    Rotunda Gallery pays tribute to nation’s icons – Portraits of Honour

    The Rotunda Gallery at The Red House in Port of Spain is currently hosting a distinctive portrait exhibition titled “Portraits of Honour: A Tribute to the Nation’s Icons,” showcasing 50 artistic works that recognize both celebrated and unsung contributors to Trinidad and Tobago’s development. Featuring creations from 24 artists across diverse media including painting, photography, sculpture, and digital art, the exhibition aims to redefine the concept of national icons beyond mere celebrity status.

    Curated by Chenelle Maharaj, the exhibition intentionally moves beyond conventional fame to honor individuals whose dedication and service have profoundly impacted the nation’s social, cultural, and political landscape. The selected works depict pioneers across multiple domains including politics, science, literature, music, sports, and community service, with notable figures such as the country’s first prime minister Dr. Eric Williams, celebrated pan arranger Jit Samaroo, former national footballer Dwight Yorke, and ace pannist Len ‘Boogsie’ Sharpe among those represented.

    The gallery’s vision emphasizes that national heroes extend beyond prominent figures to include community activists and groups whose lifelong work has left enduring marks on Trinidad and Tobago. While Maharaj noted that many artists gravitated toward familiar cultural icons, she expressed hope that future exhibitions might explore lesser-known contributors in fields such as science, medicine, and women’s leadership.

    Strategically aligned with the United Nations Sustainable Development Goals, particularly Reduced Inequalities (SDG 10) and Sustainable Cities and Communities (SDG 11), the exhibition strengthens collective identity through cultural preservation. By presenting these narratives visually, the gallery aims to foster conversations about representation, remembrance, and national narrative construction.

    Following the conclusion of Portraits of Honour on January 30, The Rotunda Gallery will transition to exploring Carnival heritage with “Walking with the Spirits: The Legacy of the Moko Jumbie” from February 2-27. This subsequent exhibition will examine the cultural significance of Moko Jumbies as guardians of tradition and living symbols of resilience, further emphasizing the gallery’s commitment to preserving Trinidad and Tobago’s cultural legacy.

  • Cinderella according to The Beatles at Kolkata Film Festival

    Cinderella according to The Beatles at Kolkata Film Festival

    A vibrant Cuban theatrical production featuring musical adaptations of The Beatles’ greatest hits has made its international debut at the Kolkata International Children’s Film Festival. The performance, titled after the legendary band’s iconic anthology album ‘1,’ represents a unique cultural fusion that merges British musical heritage with distinct Cuban artistic expression.

    Directed by acclaimed Cuban theater director Carlos Alberto Cremata of La Colmenita company, the production creatively reimagines Charles Perrault’s classic fairy tales through the lens of The Beatles’ timeless music. Cremata explained to press members that the songs of the famous English group serve as ‘a key element of the entertaining plot,’ providing both narrative structure and emotional depth to the performance.

    The production distinguishes itself through its incorporation of authentically Cuban linguistic elements and traditional rhythms, creating a distinctive cultural hybrid that celebrates both British and Cuban artistic traditions. This innovative approach to children’s theater demonstrates how cross-cultural artistic collaborations can create fresh theatrical experiences that resonate with international audiences.

    The festival, which will continue through January 29, 2026, features an impressive lineup of 180 films from 32 countries, providing a global platform for children’s entertainment and educational content. The event was attended by diplomatic representatives including Cuban Ambassador Juan Marsan and First Secretary Maiky Diaz, who participated in the inauguration of a thematic exhibition alongside Indranil Sen, Minister of State for Information and Culture of West Bengal.