分类: entertainment

  • Lila Ike to make Grammy performance debut

    Lila Ike to make Grammy performance debut

    Jamaican reggae sensation Lila Ike is poised for a groundbreaking moment at the 68th Annual Grammy Awards this Sunday, where she will not only compete as a first-time nominee but also grace the stage as a performer at the prestigious event’s opening ceremony. The Manchester-born artist announced her dual participation through social media on Wednesday, marking a significant milestone in her rapidly ascending career.

    Ike’s nomination in the Best Reggae Album category for her critically acclaimed debut project ‘Treasure Self Love’ places her among an elite group of Jamaican artists including Vybz Kartel, Jesse Royal, Keznamdi, and Mortimer. Notably, she stands as the sole female contender in this year’s category, potentially following in the footsteps of Koffee, who remains the only woman to have ever won the Best Reggae Album trophy.

    The album itself represents a collaborative masterpiece, featuring contributions from Grammy-winning R&B superstar H.E.R., renowned rapper Joey Badass, and her mentor Protoje—a Grammy-nominated reggae artist in his own right. This musical convergence has positioned ‘Treasure Self Love’ as both a commercial success and critical darling within the international music scene.

    Reflecting on her journey, Ike shared an emotional tribute to her younger self: “I remember the little girl who loved singing and decided she wanted to be an artiste. Attending the GRAMMYs was a very big dream of hers. Now, not only do I get to walk the red carpet as a nominee, but I’m also honoured to be performing at the opening ceremony.”

    The 2026 Grammy Awards ceremony will be held at the Crypto.com Arena in Los Angeles, where music’s biggest stars will gather to celebrate artistic excellence across genres. Ike’s participation represents not just personal achievement but a significant moment for female representation within the reggae industry.

  • Nicki Minaj says she is Donald Trump’s ‘number one fan’

    Nicki Minaj says she is Donald Trump’s ‘number one fan’

    WASHINGTON, D.C. — In a striking display of political allegiance, global music icon Nicki Minaj publicly proclaimed herself to be former President Donald Trump’s foremost supporter during a presidential summit event this Wednesday. The Trinidadian-born rapper, born Onika Maraj, joined Trump onstage at the White House gathering focused on financial initiatives.

    Trump enthusiastically introduced the performer, hailing her as ‘the greatest and most successful female rapper in history’ and acknowledging her steadfast support. Minaj responded with unequivocal endorsement, stating: ‘I am probably the president’s number one fan, and that’s not going to change.’

    The artist demonstrated remarkable resilience against criticism, noting that opposition only strengthens her commitment. ‘The hate or what people have to say? It does not affect me at all; it actually motivates me to support him more,’ Minaj declared as Trump stood approvingly behind her.

    Addressing Trump’s supporters directly, Minaj framed the political climate as a battle against perceived injustice, asserting: ‘We’re not gonna let them get away with bullying him and the smear campaigns. It’s not going to work. He has a lot of force behind him, and God is protecting him.’

    The rapper’s political alignment marks a significant development in celebrity-political relationships. Having immigrated to the United States at age five, Minaj has built an extraordinary music career while recently expressing conservative leanings through her substantial social media presence.

  • Aswad’s 1988 cover of ‘Don’t Turn Around’ goes gold in New Zealand

    Aswad’s 1988 cover of ‘Don’t Turn Around’ goes gold in New Zealand

    The British reggae ensemble Aswad has attained a significant milestone as their 1988 rendition of ‘Don’t Turn Around’ received gold certification in New Zealand on January 18. This prestigious recognition commemorates the achievement of digital sales and streaming figures equivalent to 15,000 units, underscoring the track’s enduring popularity more than three decades after its initial release.

    Originally composed by Diane Warren and Albert Hammond, ‘Don’t Turn Around’ was first recorded by Tina Turner as the B-side to her 1986 single ‘Typical Male.’ The composition has since been reinterpreted by multiple artists throughout the years, with notable versions by Neil Diamond, Ace of Base, and most successfully by Aswad.

    Aswad’s interpretation served as the lead single from their twelfth studio album, ‘Distant Thunder,’ and achieved remarkable commercial success upon its 1988 debut. The track dominated charts internationally, securing the number one position on the UK Singles Chart and maintaining the top spot for two consecutive weeks on the New Zealand charts in June 1988. The single further demonstrated its cross-continental appeal by entering the top ten in numerous European markets including Norway, Netherlands, Italy, Ireland, Denmark, and Belgium. In the United States, the recording reached number 45 on Billboard’s Hot R&B Singles chart.

    This recent gold certification in New Zealand adds to the song’s previous accolade of silver certification in the United Kingdom, highlighting the continued resonance of Aswad’s reggae-infused interpretation across generations and geographies.

  • Jamaican model walks Paris show

    Jamaican model walks Paris show

    Jamaican fashion representation reached new heights this week as Sanique Dill, a model from the Kingston-based agency SAINT International, graced the runway for the acclaimed VIKTOR & ROLF Haute Couture Spring/Summer 2026 presentation in Paris. The Wednesday showcase, held in the global fashion capital, featured Dill among an elite selection of models presenting the Dutch design duo’s latest artistic creations. This appearance marks a significant milestone for both the model and the Caribbean fashion industry, demonstrating the continued globalization of haute couture’s traditionally exclusive landscape. Dill’s participation follows her development through SAINT International’s platform, which has consistently propelled Jamaican talent onto international stages. The Spring/Summer 2026 collection itself presented theatrical silhouettes and avant-garde designs that characterize Viktor & Rolf’s signature approach to fashion as wearable art. This runway appearance provides substantial visibility for emerging models from non-traditional fashion markets, potentially signaling increased diversity in high fashion selections moving forward.

  • Young At Art 3.0 exhibition opens Saturday, 31 January

    Young At Art 3.0 exhibition opens Saturday, 31 January

    Art Bar Grenada’s ABG Gallery is set to host its third annual youth art showcase, Young At Art 3.0, on January 31, 2026. The event will unfold from 7:00 PM to 9:30 PM at the gallery’s premises within the Woodlands Commercial Complex in St. George, with a strict 10:00 PM conclusion.

    This year’s exhibition features nine emerging artists aged 13 to 19, each presenting works that interpret the compelling theme “Unmasked: Revealing What’s Within.” The collection delves into profound aspects of personal identity, emotional vulnerability, and authentic self-expression, offering a window into the perspectives of Grenada’s youth.

    The competitive dimension of the event includes prestigious awards for first, second, and third place winners, with distinctions made across two age brackets. Additionally, a People’s Choice Award will be determined through public voting conducted on the gallery’s Instagram platform, encouraging community participation in celebrating young artistic talent.

    By providing a professional venue for exhibition, ABG Gallery reinforces its commitment to nurturing the next generation of Caribbean artists and amplifying their creative voices within the broader cultural conversation.

  • More good vibes from MNR this year

    More good vibes from MNR this year

    Emerging soca sensation Melanie Nicole Richard, professionally known as MNR, is navigating a unique dual path as both a psychology student in Oklahoma and an ascending Caribbean music artist. The St. Lucian performer recently reflected on her musical journey and future aspirations in an exclusive interview with St. Lucia Times.

    Richard’s entry into the competitive soca scene occurred merely four years ago, inspired by fellow female artist Kisha K who served as her initial mentor. “Working with Kisha K marked the starting point,” MNR revealed. “While I’ve always adored soca since childhood television viewings of Soca Monarch competitions, Kisha truly helped me gain footing in the industry.

    Her career milestones include a collaborative debut track “We Jumping” with Kisha K, followed by significant competition achievements. MNR reached the semi-finals of the 2024 Soca Monarch with “Take Over” and advanced to the finals last year with her popular single “No Sweeter.”

    The artist’s trajectory continued upward when she claimed victory at December’s Youth Star competition during MusicFest Sent Lisi, delivering an unreleased soca composition. Interestingly, Richard had initially sought only a guest performer slot at the event. “I wasn’t interested in competing,” she explained. “After reaching out to organizers, they encouraged me to submit my song for competition consideration instead.” Her submission “Pride for Life,” though not yet officially released, earned her a finals placement.

    Richard expressed particular admiration for the dedication shown by fellow MusicFest participants. “I was impressed by all performers who came fully prepared with props and complete presentations,” she noted. “I simply executed my rehearsed performance and thoroughly enjoyed the experience.

    The artist extended gratitude to event organizers and sponsors for providing developmental platforms for young Lucian musical talents. Looking toward 2026, MNR plans increased musical output alongside another Soca Monarch competition entry. “Last year I released only one song, but I’ve commenced my soca journey much earlier this year,” Richard stated. “I hope to release multiple tracks that audiences will genuinely enjoy.

    While acknowledging her background in gospel music cultivated through church involvement, Richard affirmed her current dedication to soca. “I adore soca’s vibrant energy and audience response,” she said. “Although I may explore other genres eventually, soca remains my present focus where I can create lasting impressions while doing what I love.”

  • Kamella Carmino unleashes Sōk-D’M, a fusion of soca, EDM

    Kamella Carmino unleashes Sōk-D’M, a fusion of soca, EDM

    Trinidadian entrepreneur and cultural innovator Kamella Carmino has pioneered a groundbreaking musical genre titled Sōk-D’M (pronounced Soak Dem), representing an intentional fusion of Caribbean soca rhythms and electronic dance music (EDM). This innovative soundscape bridges traditional Carnival energy with global festival appeal, creating what industry observers are calling a transformative moment for Caribbean music on the world stage.

    The genesis of Sōk-D’M emerged from a strategic conversation between Carmino and ABM of Platinum Trini Hot 97FM Internet Radio, based in Los Angeles. During their discussion, ABM—who holds promotional licensing rights in Las Vegas—revealed the challenging reality that while EDM dominated the Vegas entertainment market, virtually no platform existed for traditional soca music. This market gap inspired Carmino’s immediate creative response: “So why don’t we fuse soca and EDM and call it Sōk-D’M?”

    Within hours of this conceptual breakthrough, Carmino collaborated with her son Jesus Carmino-Garraway to produce the inaugural Sōk-D’M single “Cross De Stage,” released through JuJu Multimedia. This pioneering track established the genre’s technical parameters and artistic vision, blending soca’s characteristic drum patterns, call-and-response vocal arrangements, and steelpan heritage with EDM’s synthesizer textures, powerful basslines, and dramatic build-and-drop structures.

    Carmino has since expanded the Sōk-D’M catalog with additional compositions including “High on Love” and “Jump Up on Down,” further refining the genre’s sonic identity and emotional resonance. Operating within a tempo range of 125-132 BPM, Sōk-D’M occupies a unique musical space that merges the visceral energy of Trinidad’s J’Ouvert celebrations with the spectacular production values of international festivals like Tomorrowland.

    The term “Sōk-D’M” itself carries profound cultural meaning, with Carmino explaining: “To Soak Dem is to be drenched in rhythm, culture and spirit.” Beyond its musical innovations, the genre represents a philosophical movement advocating for borderless Carnival expression and electronic music with authentic Caribbean soul. This creative initiative invites global producers, DJs, and music enthusiasts to engage with Caribbean culture through rhythm-based connection and collective celebration.

    As Sōk-D’M gains traction across international markets, Carmino envisions the genre transforming how Caribbean music is perceived and consumed worldwide, creating new pathways for cultural exchange and artistic collaboration across continents.

  • Undercover cooler fete full of vibes, energy

    Undercover cooler fete full of vibes, energy

    Farmhouse Events’ ‘Undercover’ cooler experience at Drew Manor in Santa Cruz transformed into an electrifying celebration of Caribbean music and culture last Saturday, with Grenadian artists delivering particularly memorable performances that captivated attendees.

    The meticulously curated event featured an impressive lineup of musical talents including DJs Wayne Small, Team Joy, Adam, Gonzo, and Kenez who maintained infectious energy throughout the night. Local favorites Freetown brought their signature wholesome aesthetic, while Viking Ding Dong entertained with comedic interludes. The dynamic duo Full Blown revived their 2025 hit ‘Big Links riddim,’ adding R&B romance to the diverse musical offerings.

    However, the evening’s most explosive moments came from Grenadian sensations Alex ‘Muddy’ Cuffie and Keron ‘Lil Kerry’ Noel, whose authentic jab energy and cultural connection ignited the massive crowd. Their charismatic stage presence and undeniable talent earned enthusiastic encores as the audience embraced their northern neighbors’ distinctive sound and style.

    Beyond the music, the event offered a visually stunning experience with Instagram-ready photo backgrounds, vibrant decorations, and twinkling overhead lights that created a backyard bashment atmosphere. Attendees elevated the glamour quotient with sophisticated outfits and hairstyles, while Next Level Devils, moko jumbies, and the One Band One Sound rhythm section provided traditional Carnival elements that enhanced the cultural authenticity.

    MC Ancil ‘Blaze’ Isaac skillfully coordinated the evening’s presentations, ensuring seamless transitions between performances. The overall production demonstrated Farmhouse Events’ commitment to creating immersive entertainment experiences that celebrate Caribbean musical heritage while fostering cross-cultural connections within the region.

  • Sly Dunbar ‘lived  for the music’

    Sly Dunbar ‘lived for the music’

    The Jamaican music community has been plunged into a second wave of mourning within a week following the sudden passing of legendary drummer Lowell Fillmore ‘Sly’ Dunbar on Monday morning. This devastating news comes just days after the death of Third World’s Stephen ‘Cat’ Coore, creating a profound sense of loss within the industry.

    Dunbar, celebrated as a pioneering force who helped shape the soundtrack of both the 20th and 21st centuries, leaves behind an extraordinary legacy that extends far beyond Jamaica’s shores. As one half of the iconic production duo Sly & Robbie, his innovative drumming patterns became the rhythmic foundation for generations of reggae and dancehall music.

    Producer Rorey Baker of Sly & Robbie’s Taxi Records camp expressed the collective grief, stating: ‘Jamaica has lost a true visionary. Sly and Robbie were more than musicians—they were pioneers of this great genre. With Robbie’s passing in 2021 and now Sly’s departure, the industry is heartbroken. This marks the final chapter in the foundation of reggae as we know it.’

    Baker emphasized Dunbar’s role as both innovator and mentor: ‘Sly lived for the music. He was a role model, father figure, and humble creative who generously shared his knowledge. He never hesitated to teach others or step into the spotlight.’

    The official family statement confirmed Dunbar’s passing on January 26, 2026, describing him as a ‘beloved husband, father, and legendary musician’ whose ‘extraordinary talent, innovation, and lasting contributions will never be forgotten.’

    Prime Minister Andrew Holness led national tributes, honoring Dunbar as a ‘titan of music’ and ‘architect of sound’ who, alongside Robbie Shakespeare, ‘established a foundation that defined the era of reggae and dancehall.’ The PM highlighted their global influence, from their Taxi label to collaborations with international superstars including Grace Jones and The Rolling Stones.

    Culture Minister Olivia ‘Babsy’ Grange described the loss as ‘devastating for music,’ recognizing Dunbar as ‘one of the greatest drummers ever’ who backed legendary artists from Bunny Wailer and Black Uhuru to Beenie Man and Jimmy Cliff.

    Dancehall veteran Bounty Killer paid emotional tribute to Dunbar’s role in creating his career-defining hit ‘Hey Baby,’ while artist Patra recalled working with the legendary duo on her remake of Grace Jones’s ‘Pull Up To My Bumper.’

    For over four decades, Dunbar’s musical partnership with bassist Robbie Shakespeare formed the legendary ‘Riddim Twins’—more than a professional collaboration, they served as the backbone for thousands of recordings and launched careers of giants like Gregory Isaacs through their Taxi label.

    Dunbar’s contributions earned Jamaica’s highest honors, including the Order of Distinction and the Musgrave Gold Medal for ‘distinguished eminence’ in music. His recent Lifetime Achievement Award from the University of Minnesota in May 2025 recognized his role in establishing reggae as a global brand.

    The legendary duo made Grammy history by winning the first-ever reggae category award in 1985 as producers of Black Uhuru’s ‘Anthem,’ earning another Grammy in 1999 and accumulating 13 nominations throughout their groundbreaking career.

  • ‘One Battle After Another’ and ‘Sinners’ top BAFTA nominations

    ‘One Battle After Another’ and ‘Sinners’ top BAFTA nominations

    LONDON, United Kingdom — The British Academy of Film and Television Arts (BAFTA) unveiled its highly anticipated shortlist, revealing a commanding lead for two distinct cinematic works. The unconventional thriller ‘One Battle After Another’ and the musical horror period piece ‘Sinners’ emerged as the frontrunners, setting the stage for a dramatic awards season climax.

    ‘One Battle After Another,’ a film that navigates the turbulent landscape of radical violence, immigration enforcement, and white supremacist ideologies, secured an impressive 14 nominations. This total includes a coveted spot in the Best Film category, cementing its status as a critical favorite. The film’s gritty narrative and provocative themes have resonated strongly with the academy’s voting members.

    Trailing closely is ‘Sinners,’ a vampire tale interwoven with a haunting musical score, which garnered 13 BAFTA nominations and will also compete for the top prize of Best Film. This recognition comes on the heels of its historic achievement at the Academy Awards, where it shattered records by securing 16 Oscar nominations just days prior.

    The announcement positions the upcoming BAFTA ceremony, scheduled for next month, as a crucial indicator for the subsequent Oscars in mid-March. The strong showing for both films at the UK’s premier film awards suggests a highly competitive international awards landscape, with these two works poised for a potential sweep of major accolades.