Carib Scope

分类： entertainment

  • Tourism Pioneer Alexandre de Brito e Cunha Honoured with Lifetime Achievement Award

    Tourism Pioneer Alexandre de Brito e Cunha Honoured with Lifetime Achievement Award

    In a poignant ceremony at the 2025 Tourism Awards Gala, Antigua and Barbuda posthumously celebrated the extraordinary legacy of Alexandre de Brito e Cunha, bestowing upon him the nation’s highest tourism honor. The visionary leader, whose career spanned nearly four decades, was recognized for his transformative impact on the Caribbean hospitality sector.

    De Brito e Cunha’s remarkable journey began in 1987 at Casa de Campo in the Dominican Republic, where he first demonstrated his exceptional aptitude for hospitality management. His most significant contributions emerged through his leadership roles within the Antigua & Barbuda Hotels and Tourism Association, where he served as both Chairman and enduring Board Member. Colleagues and industry stakeholders universally acknowledged his instrumental role in fortifying the association’s operational framework and crisis response capabilities.

    Throughout his distinguished career, de Brito e Cunha became renowned for his unwavering commitment to professional mentorship and service excellence. His strategic guidance proved particularly invaluable during the industry’s most turbulent periods, including the unprecedented challenges posed by the COVID-19 pandemic. He pioneered innovative collaboration models that united competing stakeholders, fostering an environment of shared growth and mutual support.

    The emotional award presentation saw de Brito e Cunha’s wife, Yovanni, and their sons Henrique and Hansel accepting the honor to a resounding standing ovation from assembled industry leaders. The family emphasized that the recognition mirrored not merely professional achievements but embodied his profound belief in human potential and sustainable sector development.

    Event organizers highlighted that de Brito e Cunha’s legacy continues to shape Antigua and Barbuda’s tourism identity, establishing service benchmarks that inspire emerging hospitality professionals across the twin-island nation. His philosophy of excellence through empowerment remains embedded in the industry’s foundational values, ensuring his influence will endure for generations to come.

  • Miss Dominica 2026 contestants revealed

    Miss Dominica 2026 contestants revealed

    Dominica has officially introduced the six contenders who will vie for the prestigious Miss Dominica crown in 2026. The announcement came during the vibrant launch ceremony of Mas Domnik 2026 over the weekend, setting the stage for the highly anticipated pageant scheduled for February 12, 2026, at Windsor Park Sports Stadium.

    The diverse group of contestants represents various communities across the island, each bringing unique advocacy platforms. The delegation includes 22-year-old Ardel Laurent from Mahaut, championing ‘Embracing confidence through sustainable style,’ and 24-year-old Dainisha Eusebe of Grandbay, advocating for ‘Animal Welfare: Humane treatment of animals.’

    Daina Graneau, 23, representing Atkinson/Kalinago Territory, focuses on ‘The hidden victims: Protecting children in violent homes,’ while 21-year-old Darna Eugene, also from Grandbay, promotes ‘From silence to strength: Empowering lives, inspiring hope.’ The contingent includes 24-year-old Sheraine Mills of Jimmit and St Joseph, addressing ‘Breaking the stigma, empowering women to confidently confront PCOS,’ and 19-year-old Sanchia Tyson from Crayfish River in Kalinago Territory, emphasizing ‘Roots and Radiance—Empowering both Kalinago and Dominican women through cultural identity.’

    Charlene White-Christian, Chairperson of the Queen Show Organizing Committee, revealed this year’s theme as ‘Bouyon Bloom’—a celebration honoring Dominica’s distinctive bouyon music genre and the artists who perpetuate this cultural tradition. ‘Bouyon is more than music,’ White-Christian declared. ‘It is the heartbeat of our island, a rhythm that tells our stories, celebrates our culture and connects Dominicans across generations.’

    The thematic framework aims to inspire contestants while paying tribute to the creativity and spirit of bouyon artists. According to organizers, the candidates have already commenced intensive training programs featuring transformative workshops in stage presence, professional walking techniques, speech communication, personal development, and cultural refinement.

    White-Christian expressed confidence in the contestants’ preparation, noting their demonstrated ‘passion, discipline and drive’ that promise to deliver a spectacular showcase on pageant night. The months leading to the February event will see these ambassadors undergo comprehensive development, blending cultural preservation with contemporary pageantry standards.

  • It’s time! Masicka, Tommy Lee kick off dancehall’s ‘war season’ with potent diss tracks

    It’s time! Masicka, Tommy Lee kick off dancehall’s ‘war season’ with potent diss tracks

    The dancehall scene has erupted into full-scale lyrical warfare as two of Jamaica’s most prominent artists, Masicka and Tommy Lee Sparta, exchange blistering diss tracks in what fans are calling the official start of the genre’s ‘war season.’ The escalating conflict began when Tommy Lee Sparta launched the opening salvo with his single ‘Control,’ released Monday afternoon, directly challenging Masicka’s credibility and status within the dancehall hierarchy. In his track, Tommy Lee dismissed Masicka as insignficant mosquito lacking authentic street credentials while warning him against comparing himself to Vybz Kartel, the recently crowned ‘King of Dancehall.’ The reference addressed circulating rumors about tensions between Kartel and Masicka, though neither artist has confirmed any direct conflict. Masicka responded with devastating efficiency early Tuesday morning through his five-minute lyrical counterattack titled ‘Vain.’ The Genasyde Records leader declared himself the ‘GOAT’ (Greatest of All Time) while strategically distancing himself from what he characterized as demonic associations—a clear reference to Tommy Lee’s ‘Uncle Demon’ persona. In his meticulously crafted response, Masicka accused the Spartan artist of riding Vybz Kartel’s coattails following his incarceration and revealed that he had rejected collaboration requests from Tommy Lee during his 2021-2023 imprisonment. The most cutting blow came when Masicka suggested his teenage son enjoys a superior lifestyle to that of the Sparta boss, implying Tommy Lee’s career has become ‘watered-down.’ The brewing tensions between their respective fan bases—Genasyde supporters and Gaza loyalists—reportedly intensified following Reggae Sumfest where Vybz Kartel received his official coronation as dancehall royalty. Masicka’s declaration during his performance that it would be his final appearance at the summer show, coupled with his self-proclamation as the ‘greatest of all time,’ created the perfect storm for the current feud. Both camps are now celebrating their artist’s verbal prowess while advocating for the conflict to remain strictly musical rather than physical. The dancehall community has largely welcomed the explosive exchange as a necessary injection of excitement into the scene, particularly as the Christmas season approaches. Social media platforms have erupted with commentary from enthusiastic fans who view the showdown as a return to dancehall’s classic era of competitive artistry.

  • Melissa Wittet’s quilled Christmas ornaments

    Melissa Wittet’s quilled Christmas ornaments

    In the vibrant city of San Fernando, Trinidad, artist Melissa Wittet has transformed Christmas traditions into tangible works of art through her exquisite handmade ornaments. For eight consecutive years, the 33-year-old creative has dedicated herself to crafting delicate paper-quilled decorations that have become cherished family heirlooms across Trinidad and Tobago.

    Wittet’s journey into seasonal décor emerged organically from a lifelong passion for creativity. “I’ve always been artistic since childhood,” she reflects, noting her early fascination with handmade creations. Her specialization in Christmas ornaments began when a family member encouraged her to participate in a seasonal market, initially leading her to create burlap wreaths and decorative centerpieces before discovering her true calling in paper quilling.

    The self-taught artist developed a unique methodology through extensive experimentation. “I came across paper quilling online but developed my own distinctive technique through trial and error,” Wittet explains. Her process involves meticulously rolling, shaping, and assembling paper strips into intricate designs that reflect the spiritual significance of Christmas. “My ornaments, particularly the angels and crosses, celebrate Christ’s birth and my Christian heritage,” she shares.

    Each piece demands exceptional patience and precision, with Wittet marveling at her own dedication to the time-consuming craft. Beyond their visual appeal, these ornaments serve as emotional touchstones for families. “They’re perfect keepsakes to remember loved ones absent during holidays or commemorate special life moments,” Wittet emphasizes.

    The artist balances her ornament business with parallel careers as a certified nail artist, makeup specialist, and lash technician—all fields that channel her creative energy. While she primarily sells through Instagram (@littlemisscreative.mw) and prefers intimate seasonal markets over large vendor events, Wittet remains committed to supporting local artisans and contributing to Trinidad’s creative community.

    Though uncertain about expanding into retail partnerships, Wittet affirms: “As long as there’s Christmas, I’ll continue creating these handmade treasures that transform holiday decorations into lasting memories.”

  • Dean Williams, John Hussain headline December Songshine

    Dean Williams, John Hussain headline December Songshine

    The Songshine Open Mic Series concludes its annual programming with an exceptional double-bill performance featuring two of Trinidad and Tobago’s most accomplished guitarists. Dean Williams and John Hussain will showcase their distinctive musical artistry on December 13 at Kafe Blue (also known as Kaiso Blues) on Wrightson Road in Port of Spain, beginning at 7 pm.

    Founded and hosted by singer-songwriter Gillian Moore, the Songshine franchise has established itself as a premier platform for diverse performers including vocalists, poets, instrumentalists, and comedians. The event’s first segment remains open to all talented individuals seeking to share their gifts with the welcoming Songshine audience community.

    Dean Williams brings formidable technical expertise honed through collaborations with both local and international music legends. His impressive performance history includes work with calypso pioneers Kitchener and Sparrow, soca superstar Machel Montano, Destra, Atlantik, and Xtatik, alongside international icons Shaggy, Wyclef Jean, and Sean Paul. His academic credentials include bachelor’s and master’s degrees in music from the University of Trinidad and Tobago complemented by jazz guitar certification from Berklee College of Music. Williams’ versatile repertoire spans pop, jazz, R&B, calypso, soca, world beat, rock/blues, classical, and folk genres.

    John Hussain offers a contrasting yet equally compelling approach to guitar performance. Rather than simply delivering traditional covers, Hussain creates immersive sonic experiences characterized by unexpected twists and thrilling musical explorations. With over three decades of professional experience, he ranks among Trinidad and Tobago’s most versatile and respected instrumentalists. His extensive career includes tenures with prominent acts including Calypso Rose, Mungal Patasar’s Pantar, Gyazette, 12, and Buzzrock. Hussain’s international performance footprint encompasses tours across Europe, North America, the Caribbean, Australia, and New Zealand. He additionally holds a Master of Arts in Carnival Studies, reflecting his deep scholarly engagement with Caribbean cultural traditions.

    Prospective open mic participants are advised to arrive early to secure performance placement. Additional information regarding the event is available by calling 741-1569.

  • Mary Isaacs takes on Fire

    Mary Isaacs takes on Fire

    Veteran reggae vocalist Mary Isaacs has delivered a captivating reinterpretation of the classic hit ‘Fire,’ originally penned by Bruce Springsteen and popularized by The Pointer Sisters. The Kingston-born artist, who first encountered the track during her time in 1970s New York, has transformed the pop sensation into a soulful reggae rendition under the production expertise of Delroy ‘Phatta’ Pottinger.

    Isaacs’ connection to the song spans decades, having been among the millions captivated by its infectious melody during its chart-topping reign in 1979. ‘I was drawn to its catchy, repetitive lyrics which I’ve been singing along to since the 1970s,’ the artist revealed regarding her long-standing appreciation for the composition.

    The recording represents her latest collaborative effort with Los Angeles-based Issachar Muzik, a label operated by Jamaican music executive Lloyd Shaw. Their previous joint ventures include reimagined versions of ‘I’m Happy,’ ‘Tell Me,’ and a cover of Gregory Isaacs’ ‘Tune In.’

    Isaacs explained her artistic rationale behind selecting this particular track: ‘In keeping with the love themes of my past works, I chose Fire. Its message resonates deeply – when it comes to love you often go against the words you say because you cannot control what the heart feels.’

    The original recording history traces back to Springsteen’s creative peak when he composed the song during his ascension in rock music. The Pointer Sisters’ interpretation became an instant phenomenon, reaching number two on Billboard’s Hot 100 chart and cementing its status as one of 1979’s defining musical moments.

  • Jazz Vesper 2025 set to ring in Christmas spirit

    Jazz Vesper 2025 set to ring in Christmas spirit

    The Bethesda Methodist Congregation, in collaboration with Wesley High School, has unveiled plans for its third annual “Advent Jazz Vesper 2025,” creating anticipation for an evening of musical celebration embracing the Christmas spirit. Scheduled for Sunday, December 7, 2025, at 5:00 p.m., the event will take place at the historic Bethesda Methodist Chapel on Cross Street in Roseau, Dominica.

    This year’s musical extravaganza promises a vibrant showcase of local talent, featuring an impressive roster of performers including the acclaimed Sisserou Singers, solo artists Akim Ismael and Janae Jackson, vocalists Shanice, Shalina, Royette, and Starr, musician Phael Lander, performer Shadrach Ogbonna, the Grace Dancers, alongside the combined choral forces of the Bethesda Choir and Wesley High School Choir.

    Event organizers describe the program as an inspirational fusion of traditional Christmas melodies reimagined through jazz interpretations, creating a reflective atmosphere that captures the essential themes of hope, love, and enlightenment characteristic of the Advent season. The carefully curated performance aims to provide both entertainment and spiritual contemplation as attendees prepare for the holiday period.

    In keeping with the event’s charitable mission, all generated proceeds will be allocated to support educational initiatives and programs at Wesley High School. Ticket availability has been announced at two convenient locations: the Wesley High School administrative office and the Methodist Church Office, both situated in Roseau.

    The community is encouraged to reserve the date and participate in what promises to be a memorable celebration of musical excellence and seasonal joy, welcoming families and friends to share in this annual tradition that combines cultural performance with philanthropic purpose.

  • I And I Records Presents “No More Me, Me”  – A Timely Christmas Single By Enoch

    I And I Records Presents “No More Me, Me”  – A Timely Christmas Single By Enoch

    In a bold departure from traditional holiday music, independent label I And I Records has unveiled a provocative Christmas single titled “No More Me, Me” by artist Enoch. The release strategically counters the season’s characteristic commercialism with a message advocating for spiritual reflection and communal values.

    The composition emerges as a conscious alternative to conventional Christmas music, blending contemporary production with lyrical themes that critique materialistic tendencies surrounding the holiday period. Enoch’s musical approach incorporates elements of soul, gospel, and conscious hip-hop, creating a soundscape that simultaneously honors holiday traditions while subverting expectations.

    Industry analysts note the recording’s timing represents a significant strategic move within the independent music sector, offering consumers an antidote to the typically commercial nature of seasonal releases. The single’s thematic focus on selflessness and spiritual contemplation rather than gift-giving and consumption provides a distinctive narrative position within the holiday music market.

    Early critical reception has highlighted the track’s artistic courage in addressing the tension between modern holiday commercialization and the original spiritual significance of the Christmas season. Music critics have particularly praised Enoch’s authentic delivery and the production’s ability to balance festive atmosphere with thoughtful social commentary.

    The release demonstrates how independent artists and labels are increasingly using holiday themes to communicate substantive messages rather than simply pursuing commercial success. This approach reflects a growing trend within the music industry of leveraging seasonal platforms for artistic expression and social commentary.

  • Students Celebrate Youth Day at the Art & Cultural Village at Julees

    Students Celebrate Youth Day at the Art & Cultural Village at Julees

    The Art & Cultural Village at Julees became a dynamic hub of youthful creativity as over 80 students from seven Antiguan and Barbudan schools gathered for an immersive Youth Day celebration. This art-infused experience, designed to ignite creative expression and foster national pride, transformed the venue’s parking lot into a spectacular “Art Alley” adorned with vibrant chalk illustrations depicting cultural motifs.

    Coinciding strategically with World Illustration Day on November 28th, the event served as both a tribute to visual storytelling and a platform for emerging talent. Participants explored a comprehensive art exhibition featuring approximately 100 works by local and regional artists while simultaneously engaging in a competitive Youth Chalk Art Contest. Their collaborative creations formed an elaborate colorful “welcome mat” that will greet visitors throughout Antigua and Barbuda Art Week 2025.

    Guiding the young artists was Odessa Whitlock, an aspiring art educator from New Jersey who returned to her native Antigua specifically to contribute to Art Week. Having attended Kids Unlimited elementary school on the island, Whitlock emphasized the significance of mentorship in artistic development. “I am happy for the opportunity to help inspire the next generation of artists,” she noted, highlighting the importance of cultivating supportive environments where youth can explore and refine their creative gifts.

    The Art & Cultural Village stands as a cornerstone venue for the ongoing Art Week 2025, showcasing more than 25 visual artists and artisans alongside culinary creators presenting authentic Antiguan and Barbudan flavors. Beyond merely displaying talent, the Youth Day event powerfully demonstrated the Village’s broader mission: establishing an inclusive, dynamic space where color, culture, and creativity converge to inspire both present and future generations.

  • Bands heat up the Savannah at 2026 Panorama Single Pan finals

    Bands heat up the Savannah at 2026 Panorama Single Pan finals

    The Queen’s Park Savannah in Port of Spain transformed into a pulsating epicenter of musical excellence on November 29th as steelpan orchestras converged for the highly anticipated 2026 Panorama Single Pan Finals. In a spectacular display of rhythmic mastery and cultural celebration, defending champions San Juan East Side Symphony successfully retained their crown, delivering a captivating arrangement of Machel Montano’s “Jumbie” that mesmerized judges and audience alike.

    The competition showcased extraordinary talent from across Trinidad and Tobago, with Diego Martin-based La Creole Pan Groove securing second position and San Juan Chord Masters Steel Orchestra claiming third place. The event featured breathtaking performances from numerous ensembles, each bringing unique interpretations of classic and contemporary Caribbean compositions.

    Hope Pan Groovers from Tobago energized the crowd with their rendition of “Like Ah Boss” by Machel Montano, arranged by Ojay Richards. Arima All Stars Steel Orchestra delivered a memorable performance of “Caribbean Connection” by Merchant, arranged by Gillian Tobias. LA 47 Steel Orchestra from La Brea captivated audiences with their arrangement of “Showdown” by Machel Montano with Xtatik ft Burning Flames, orchestrated by Shaquille Forbes.

    The evening witnessed several standout moments, including D’Original Woodbrook Modernaires Steel Orchestra’s performance of “Ah Cyah Wait” by Shurwayne Winchester, which featured the artist himself joining the ensemble onstage. Another highlight came when East Phonics Steel Orchestra from Valencia performed “Swing” accompanied by soca legend Austin “SuperBlue” Lyons.

    Photographer Lincoln Holder documented the electrifying atmosphere, capturing the vibrant energy and technical precision that defined this celebration of Trinidad and Tobago’s rich musical heritage. The Panorama competition continues to serve as a premier platform for showcasing the evolution and enduring appeal of steelpan music, drawing participants and spectators from across the Caribbean region and beyond.