分类: entertainment

  • Carnival 2026 Unveiled With Goal of 10,000 International Visitors

    Carnival 2026 Unveiled With Goal of 10,000 International Visitors

    Brazilian tourism authorities have announced ambitious plans for Carnival 2026, targeting a record-breaking influx of 10,000 international visitors to the world’s largest celebration. The strategic initiative aims to position Rio de Janeiro’s iconic festival as a premier global cultural destination while significantly boosting the country’s post-pandemic tourism recovery.

    The comprehensive plan involves multi-faceted enhancements across entertainment infrastructure, security protocols, and international marketing campaigns. Event organizers are collaborating with airline carriers to create specialized travel packages and streamlined visa processes for foreign attendees. The tourism board emphasizes that this visitor target represents a 40% increase compared to pre-pandemic international attendance figures.

    Cultural officials highlight that the 2026 edition will feature expanded parade viewership areas, multilingual support services, and curated experiences showcasing Brazil’s diverse regional traditions beyond the samba schools. Economic analysts project that successful achievement of this goal would generate approximately $50 million in tourism revenue, creating substantial economic impact for local businesses and hospitality sectors.

    The announcement comes as Brazil continues to strengthen its global tourism positioning, leveraging major events to drive international visitation. Carnival 2026 is scheduled to commence on February 13th, with advanced ticket sales launching eighteen months prior to accommodate anticipated high demand from international markets including Europe, North America, and Asia.

  • Friend to the ‘Coore’

    Friend to the ‘Coore’

    The University Chapel on the Mona campus of The University of the West Indies became a sanctuary of gratitude and musical reverence on Thursday as Jamaica’s cultural community gathered to honor Stephen ‘Cat’ Coore. Rather than a somber farewell, the service transformed into a vibrant celebration of the legendary cellist and guitarist whose artistry propelled Jamaican music onto the global stage.

    Government officials, music industry pioneers, and cultural custodians joined family members in painting a portrait of Coore as both a national treasure and a humble ambassador whose influence transcended generations. The atmosphere balanced poignant reflection with joyful remembrance, where tears were gracefully interwoven with laughter and stories of his enduring impact.

    As a founding member and longtime musical director of the iconic band Third World, Coore’s genius lay in his ability to bridge musical genres, transforming reggae into a universal language that resonated across continents for over five decades. His legacy was celebrated not merely for technical mastery but for the profound substance and consciousness he embedded within every composition.

    Personal tributes illuminated the man behind the music. Pianist Rita ‘Werki’ Widener delivered a powerful wordless homage, blending Third World’s ‘Try Jah Love’ with Jamaica’s national anthem—a fitting testament to Coore’s deep patriotism. His children—Shiah, Kanna, Stephen, and Ashley—shared intimate memories of a father who encouraged global curiosity, listened without judgment, and nurtured their love for music and travel.

    Colin Leslie, a friend of sixty years, recalled Coore’s signature phrase—’You know I love you, right?’—as emblematic of his approach to life and relationships. The sentiment was echoed by music royalty in attendance, including Damian and Stephen Marley, Protoje, Sean Paul, and Maxi Priest, who described Coore as both mentor and ‘bona fide friend’ who guided countless careers.

    Reverend Captain Astor Carlyle framed Coore’s journey as one of stewardship rather than stardom, introducing the concept of ‘Selah’ moments—musical pauses that invite deep reflection. He noted how Coore’s compositions consistently created space for consciousness elevation and behavioral transformation.

    The service attracted cross-sector leadership including Opposition Leader Mark Golding, Finance Minister Fayval Williams, and Science Minister Daryl Vaz, demonstrating Coore’s significance beyond the cultural sphere. His passing on January 18 at age 69 leaves a profound void, but his legacy continues through his four children, grandchildren, and the timeless music that remains a source of unity, consciousness, and joy for generations to come.

  • Jamaican models take New York Fashion Week by storm

    Jamaican models take New York Fashion Week by storm

    NEW YORK — Jamaican modeling powerhouse SAINT International achieved remarkable prominence during New York Fashion Week’s Fall 2026 Ready-To-Wear collections, held from February 11-16. Under the leadership of CEO Deiwght Peters, the agency’s models delivered exceptional performances across numerous prestigious runway shows throughout the city.

    Leading the contingent was Naki Depass, who secured an impressive nine runway appearances for top-tier designers including Thom Browne, Marc Jacobs, Laquan Smith, and Area. Her colleague Dru Campbell joined her at Michael Kors’ landmark 45th anniversary presentation at the Metropolitan Opera House. Campbell, returning for her second NYFW engagement after debuting in September, commenced her schedule with a appearance for Coach before walking for five additional luxury brands including Tory Burch and Calvin Klein.

    Veteran model Tami Williams, who began her career at 15 with Alexander Wang, booked three significant shows: Sergio Hudson’s 10th anniversary celebration, Cucculelli Shaheen, and Jamaican designer Rachel Scotta’s Diotima presentation. For Scotta’s ‘Femme Cheval’ collection inspired by Cuban artist Wifredo Lam, Williams shared the runway with Depass as Looks 8 and 12.

    Male model Romaine Dixon represented SAINT at Cult Gaia’s ‘Shirzan — The Gathering’ show under creative director Jasmine Larian Hekmat, appearing as Look 43 immediately preceding Depass’s Look 44 in the brand’s 55-look collection.

    Peters described the achievement as ‘a banner season’ for what he termed ‘the SAINT model army,’ referencing over 60 runway events and presentations throughout the weeklong fashion extravaganza. He particularly highlighted Depass’s ‘spectacularly fantastic season’ and Campbell’s successful follow-up to her previous NYFW debut.

  • T&T’s KestheBand featured on ABC News for Black History Month

    T&T’s KestheBand featured on ABC News for Black History Month

    In a significant moment for Caribbean music, Trinidad and Tobago’s acclaimed ensemble Kes the Band received prominent recognition from ABC News during Black History Month. The special feature, broadcast on ABC News Live, was filmed at the prestigious Jazz at Lincoln Center in New York City, symbolizing the genre’s ascending cultural stature.

    The segment, released strategically on Carnival Tuesday, February 17, provided an in-depth exploration of Soca music’s rich heritage and evolving global footprint. Lead vocalist Kees Dieffenthaller engaged in a meaningful dialogue with ABC journalist Morgan Norwood, tracing Soca’s origins to post-Emancipation celebrations and its vital function as an artistic medium for cultural identity within the African diaspora.

    Dieffenthaller offered personal reflections on his Trinidadian upbringing and Kes the Band’s two-decade musical evolution, highlighting their innovative fusion of styles that has propelled Soca onto international platforms. The discussion revealed how profound personal experiences, including periods of grief, have fundamentally shaped his songwriting methodology and creative perspective.

    The feature has achieved viral status across digital platforms, underscoring both the growing appreciation for Caribbean musical traditions within major cultural institutions and Kes the Band’s pivotal role as ambassadors bringing Soca rhythms to worldwide audiences. This mainstream media recognition marks a watershed moment for the genre’s visibility beyond its traditional Caribbean strongholds.

  • San Pedranos Celebrate Juan Carnaval

    San Pedranos Celebrate Juan Carnaval

    The vibrant island community of San Pedro concluded its annual Juan Carnaval celebrations in the early hours of Wednesday morning, marking the culmination of a three-day cultural extravaganza preceding Ash Wednesday. This deeply rooted tradition, passed down through multiple generations, transforms the streets into a dynamic spectacle of dance, music, and colorful expression.

    Resident Marina Kay provided insights into the historical significance and contemporary practices of the festival. According to Kay, the celebration dates back to her great grandparents’ era and was a prominent feature of island life even during her primary school years. The modern iteration maintains this cultural continuity while adapting to contemporary participation patterns.

    This year’s festivities featured three distinct groups, each adopting unique thematic presentations across the celebration days. Participants adorned costumes reflecting their chosen themes and engaged in traditional house-to-house processions. These processions serve both cultural and charitable purposes, with collected funds directly supporting community members facing health challenges.

    Notably, the carnival has witnessed evolving participation demographics. While historically maintained by men in their thirties and forties who traditionally perform in drag with provocative dance routines, there’s been a noticeable increase in youth engagement. These cross-dressing performances remain a hallmark of the event, characterized by their sexually suggestive and intentionally outrageous choreography that challenges conventional gender norms.

    The celebration incorporates multiple sensory elements including live musical performances, the throwing of colored paint and flour, and continuous street dancing that extended through the night into Wednesday morning, preserving San Pedro’s unique cultural heritage through dynamic community participation.

  • Daddy Chess adds Road March title to his 2026 Calypso reign

    Daddy Chess adds Road March title to his 2026 Calypso reign

    In an unprecedented display of artistic mastery, Chester “Daddy Chess” Letang has secured a monumental double victory during Dominica’s 2026 Carnival celebrations. The newly crowned Calypso Monarch has now been officially declared Road March champion by the Dominica Calypso Association, completing a remarkable sweep of the festival’s most prestigious titles.

    The Road March competition, which measures musical popularity based on song plays during carnival processions, saw Daddy Chess’s infectious tune “Roof Leakin” dominate the soundscape. Official tallies revealed the track was played 101 times during Carnival Monday and Tuesday festivities, far surpassing his nearest competitor. Nachel secured second position with 51 plays, followed by Tasha P (33 plays), Kalfa P (29 plays), and Mystrie (18 plays).

    This dual triumph represents the culmination of a spectacular twenty-year career resurgence for the veteran calypsonian. His winning trajectory began earlier this month when he captured the Stardom Calypso Tent Monarch title, subsequently claiming the overall Calypso Monarch crown on February 14th. In that competition, Nachel emerged as first runner-up, with Joy and De Bobb securing second and third places respectively.

    The 2026 calypso season presented significant organizational challenges for the newly installed DCA executive team, which only assumed office on October 12, 2025. Despite the condensed preparation timeline, the association successfully orchestrated a complete competition schedule featuring eliminations (December 13, 2025), quarterfinals (January 17, 2026), semifinals (January 31, 2026), and grand finals (February 14, 2026).

    Public Relations Officer Peter Letang reflected on the season as a period of dedicated execution and competitive excellence that maintained carnival’s vibrant tradition. Looking forward, the executive committee plans to conduct comprehensive evaluations to identify strengths and areas for improvement to enhance future editions of this culturally significant event.

  • Machel is king of the road

    Machel is king of the road

    Trinidad and Tobago’s Carnival celebrations have witnessed the crowning of an undisputed musical monarch. Soca superstar Machel Montano has cemented his legendary status by securing an unprecedented 12th Road March title, breaking a historic tie with the late calypso icon Lord Kitchener. The announcement came on Wednesday following the evaluation of songs most frequently played during Carnival Monday and Tuesday festivities.

    Montano’s victorious track “Encore” dominated the soundscapes of this year’s parade, marking his first Road March victory since 1997 when he initially claimed the title with “Big Truck.” This latest achievement establishes a new benchmark in Trinidadian Carnival history, demonstrating Montano’s enduring influence on the soca genre.

    The competition saw notable performances from other Caribbean artists, with Voice securing second place through his hit “Cyah Behave,” a collaborative effort with Saint Lucian producer Dwayne Mendes. Bunji Garlin captured third position with “Road Man,” rounding out the top three contenders.

    This international collaboration continues a tradition of cross-Caribbean musical partnerships. Saint Lucian Courtney Louis previously contributed to Montano’s 2007 winning composition “Jumbie,” highlighting the regional creative exchange that characterizes contemporary soca production.

    The winning composition “Cyah Behave” achieved additional distinction as the performance piece that earned Republic Bank Exodus their 2026 Panorama champions title. Both Montano and Voice are scheduled to bring their acclaimed performances to Saint Lucia later this year, with Voice appearing at Soufriere Jazz on May 2nd and Montano headlining Color Me Red on July 17th.

  • Popcaan crowned sub-chief in Ghana, honoured with title ‘Nana Okofo Akro Kese’

    Popcaan crowned sub-chief in Ghana, honoured with title ‘Nana Okofo Akro Kese’

    Internationally acclaimed dancehall artist Popcaan has been formally inducted into traditional Ghanaian leadership, receiving the prestigious title of “Nana Okofo Akro Kese” during a ceremonial event in the West African nation. The honor, which translates to “great/mighty warrior chief,” was bestowed upon the Jamaican performer during his recent visit to Ghana.

    The musician documented the significant occasion through social media, sharing photographs and video footage from the installation ceremony with his global fanbase. His Instagram post carried the caption: “Nana is Grateful!!! Love and respect to my people. Together we push #KESE,” indicating his appreciation for the cultural recognition.

    This visit represents the latest chapter in Popcaan’s ongoing engagement with Ghana, which began in earnest during the country’s 2019 “Year of the Return” initiative. That landmark program invited members of the African diaspora to reconnect with their ancestral heritage. During that emotionally charged 2019 journey, the artist paid solemn respects at Cape Coast Castle—a historic site intimately connected to the transatlantic slave trade—where he laid a commemorative wreath honoring enslaved ancestors transported to Jamaica and other destinations.

    The chieftaincy title coincides with the artist’s recent musical developments, including the 2025 release of his fifth studio album Nothing Without God. This 14-track project explores themes of faith, perseverance, and spiritual development, completed shortly before Hurricane Melissa affected western Jamaica.

  • Johnny Clarke to receive Bunny Lee Lifetime Achievement Award

    Johnny Clarke to receive Bunny Lee Lifetime Achievement Award

    Jamaican music legend Johnny Clarke, whose dynamic uptempo style propelled him to reggae stardom in the 1970s, will be honored with the inaugural Bunny Lee Lifetime Achievement Award during Reggae Weekend festivities from February 20-22. The celebration, organized by the family of legendary producer Bunny Lee, recognizes Clarke’s monumental contributions to the genre during his prolific collaboration with Lee five decades ago.

    The award ceremony will take place on February 20 at the Bunny Lee Museum in Duhaney Park, St. Andrew, marking a poignant tribute to the producer who passed away in October 2020 at age 79. Bunny Lee Jr. emphasized the significance of honoring Clarke as the first recipient, noting that the singer was instrumental in shaping the distinctive sound that made his father famous.

    ‘Johnny Clarke stood among the premier artists who collaborated with Bunny Lee to elevate reggae into a dominant global force,’ stated Lee Jr. ‘Their 1970s partnership yielded timeless Jamaican classics including None Shall Escape The Judgement and Rock With Me Baby, which garnered widespread acclaim both domestically and internationally.’

    Clarke’s remarkable journey saw him transition from working at Grace, Kennedy Ltd. in 1974 to reggae superstardom following his breakthrough hit None Shall Escape The Judgement—a track originally performed by Earl Sixteen. The unassuming artist, who was also Lee’s brother-in-law, further solidified his legacy with influential tracks like Move Outa Babylon and African Roots under Lee’s Striker label.

    The award presentation launches three days of musical celebrations across Kingston. The weekend includes Saturday’s relaunch of Augustus Pablo’s historic Rockers International record store on Orange Street, an event at Randy’s Museum in downtown Kingston, and Sunday’s Legacy Sunday featuring Kingston Rhythm at Waterfront, a dance event at Victoria Pier, and Closing Dub at the Dub Club.

    The Bunny Lee Museum, which opened one year ago in the producer’s former recording studio, houses an extensive collection of memorabilia including Lee’s flamboyant stage outfits, murals of iconic producers Clement Dodd, Prince Buster and Duke Reid, and instruments used by the pioneering musicians who developed the distinctive Greenwich Farm sound.

  • Stephen ‘Cat’ Coore funeral underway

    Stephen ‘Cat’ Coore funeral underway

    KINGSTON, Jamaica — Jamaica’s political leadership and music royalty gathered today to honor the life and legacy of Stephen ‘Cat’ Coore, the visionary co-founder of pioneering reggae band Third World, in a solemn state-attended funeral service. The ceremony, currently underway, brings together the nation’s most influential figures from both government and entertainment spheres in a powerful demonstration of cross-sector respect for the late musician.

    Among the distinguished attendees are dancehall superstar Sean Paul, Culture Minister Olivia Grange, Finance Minister Fayval Williams, Opposition Leader Mark Golding, and Grammy-winning artists Damian ‘Junior Gong’ Marley and Maxi Priest. This convergence of political and cultural leadership underscores Coore’s monumental status as one of Jamaica’s most revered musical architects.

    The music world was stunned on January 18 when news broke of the iconic guitarist’s sudden passing, triggering an outpouring of tributes from government officials and entertainment professionals alike. Coore’s musical journey began with Inner Circle before he embarked on his revolutionary path by establishing Third World with keyboardist Ibo Cooper.

    Third World’s groundbreaking artistry transformed the global music landscape through their innovative fusion of reggae with soul, funk, pop, and rock elements. This distinctive sound catapulted Jamaican music to international prominence, with timeless hits including ‘Now That We’ve Found Love,’ ’96 Degrees in the Shade,’ and ‘Try Jah Love’ securing their position as one of Jamaica’s most enduring and successful musical exports.

    Celebrated for his exceptional instrumental mastery, compositional genius, and profound musical intellect, Coore received Jamaica’s Order of Distinction in recognition of his extraordinary contributions to the nation’s cultural and creative heritage. He is survived by his wife Lisa, children Shiah, Kanna, Stephen, and Ashley, grandchildren, extended family, bandmates, colleagues, and a global community of devoted admirers.