分类: entertainment

  • Rreecey wants to create riddim

    Rreecey wants to create riddim

    Trinidadian-American artist Chereece ‘Rreecey’ Bernard, currently residing in New York City, has unveiled an ambitious musical trilogy for Carnival 2026, showcasing her evolution from calypso roots to contemporary soca expression. The 36-year-old singer-songwriter’s latest single ‘At Last,’ released November 17, captures the essence of Carnival’s liberating spirit, encouraging listeners to cast aside stress and negative energy during the festive season.

    Rreecey’s musical journey, which began in primary school singing calypso, has expanded to include multiple genres while maintaining her Caribbean foundations. Her October release ‘Fever,’ penned by acclaimed songwriter Jason ‘Shaft’ Bishop, demonstrates her collaborative approach to music creation. A third upcoming collaboration with Devon ‘Dev’ Harris completes her 2026 Carnival trilogy.

    The artist credits her musical development to influences including the late calypso legend Sandra ‘Singing Sandra’ Des Vignes and contemporary collaborator Eggy Dan. Despite the significant financial investment required to produce new music annually, Rreecey remains undeterred, having built a diverse discography that includes tracks like ‘Afrowhine,’ ‘Meh Head Bad,’ and ‘Pong It’ in recent years.

    Looking beyond Carnival, Rreecey plans to explore reggae and dancehall genres while developing an all-female riddim project. Her primary aspiration for 2026 remains connecting with broader Trinidadian audiences and providing uplifting musical experiences during challenging times.

  • NACC hosts semifinal of Young Kings

    NACC hosts semifinal of Young Kings

    In a landmark development for Trinidad and Tobago’s Carnival season, the National Action Cultural Committee (NACC) has unveiled 25 semifinalists for the prestigious 2026 Young Kings Calypso Monarch competition. This year marks the inaugural introduction of a semifinal round, a structural enhancement prompted by overwhelming participation that saw over 90 entrants during preliminary auditions.

    NACC chairman Embau Moheni confirmed the historic expansion, emphasizing that the semifinal format is intended as a permanent fixture rather than a temporary measure. The selection process spanned multiple venues across the nation, with auditions conducted in Tobago on December 13, San Fernando on December 14, Republic Bank Exodus Pan Theatre on December 20, and Port of Spain’s Queen’s Park Savannah on December 21.

    Moheni expressed particular enthusiasm about both the quantity and quality of this year’s submissions, noting exceptional artistic standards that signal positive evolution for the calypso art form. While remaining cautious about discussing specific sponsorship arrangements and prize money, he indicated that negotiations were ongoing despite historical challenges in this area.

    Among the notable semifinalists are defending champion Anthony ‘Squeezy Rankin’ La Fleur, whose 2025 victory came with the crowd favorite ‘Justice’, and last year’s runner-up Kyle ‘KC’ Cowie, who returns with his composition ‘Wah We Fighting For’. The semifinal roster showcases diverse thematic approaches, from Oscar Benjamin’s technologically-themed ‘AI Versus Man’ to Sheldon Bullen and Nyol Manswell’s peace-oriented entries ‘A Call for Peace’ and ‘My Prayer for Peace’ respectively.

    The competitive journey continues with a position draw scheduled for January 5 at the VIP Lounge of Queen’s Park Savannah Grand Stand, leading to the semifinal performances on January 18 at John Cupid Carnival Village. This expansion reflects both growing interest in traditional calypso music and the NACC’s commitment to nurturing emerging talent within Trinidad and Tobago’s rich cultural landscape.

  • R and R Proj steps into soca

    R and R Proj steps into soca

    Trinidadian-American musical collaborators Ron Metivier and Rhonda Rosales have embarked on an exciting new artistic journey with their inaugural soca release titled “Poison,” representing a significant evolution for their collaborative venture known as R and R Proj. Despite relocating to the United States in 2019, the duo maintains profound connections to their Trinidadian cultural heritage, which powerfully informs their creative expression.

    Rosales, whose musical journey began at age five under the mentorship of her grandmother and uncle Anderson Rosales of G Sharp and Friends, brings extensive performance experience to the partnership. Her credentials include a 20-year tenure with parang ensemble Los Alumnos de San Juan, finalist status on Scouting for Talent, membership in Trinbago Unified Calypsonians Organisation (TUCO), and performances at Kaiso House calypso tent (now D’Kaiso Dynasty). She has also served as lead vocalist for parang group Fuego Caribeño and performed internationally as a cultural ambassador alongside legendary artists including the late calypsonian Hawthorn “King Wellington” Quashie.

    Metivier complements this vocal excellence with multi-instrumental mastery, specializing in cuatro, guitar, and bass while skillfully blending traditional Caribbean sounds with contemporary influences. His musical development began at age 13, earning early recognition through the Junior National Parang Association before becoming the youngest cuatro player in renowned band Salsa Picante under maestro Robert Munro’s guidance. His professional experience includes extensive performances across the Caribbean, North America, and Europe, plus directing and arranging for numerous cultural ensembles.

    The collaborators describe “Poison” as an organic development born from their shared musical passion and creative synergy. While both artists have established reputations in parang, soca parang, and calypso genres, this release marks their deliberate entry into mainstream soca music. Metivier explains their motivation: “With our roots in the calypso tent and as proud Trinidadians, we wanted to make a strong contribution to the soca kingdom,” noting how the single captures Carnival’s passion, rhythm, and collective spirit.

    Musically, “Poison” represents a fusion of styles shaped by Metivier’s instrumental versatility and Rosales’ commanding vocal presence. The recording benefited from Samuel Jack’s (Jhaqkmix) production expertise at New York’s Maddagain Production Studio, owned by Roger “Patch” Joseph. Despite its international production, the track maintains authentic Trinidadian roots according to the artists.

    The duo’s collaborative dynamic leverages years of shared performance experience. Metivier describes their partnership as “a blend of voice and vision” where Rosales’ powerhouse vocals provide emotion and energy while his musical direction shapes sound and arrangement. This intimate creative exchange differs from his experience directing full bands, allowing constant idea exchange and co-creation.

    For Rosales, the project represents both artistic growth and personal renewal: “Having spent years in parang and calypso, Poison feels like a fresh chapter for me. It’s a chance to grow as an artiste, try something new and honour my roots.” Early audience responses have been enthusiastically positive, with fans and fellow artists connecting with the track’s energy and vibe.

    An animated music video is currently available on YouTube, with additional visual content planned for forthcoming release. The artists confirm this release merely begins their creative journey, promising more original music that blends genres, experiments with rhythms, and celebrates Caribbean cultural richness while honoring musical traditions. Their vision aims to inspire regional creativity and reach global audiences through evolutionary musical exploration.

  • R and R Proj steps into soca with ‘Poison’

    R and R Proj steps into soca with ‘Poison’

    Trinidadian-American musical collaborators Ron Metivier and Rhonda Rosales have officially entered the soca music scene with their debut single “Poison,” marking a significant evolution in their artistic partnership under the banner R and R Proj. The US-based performers, who migrated from Trinidad in 2019, have channeled their deep cultural roots into this vibrant musical offering that represents their first dedicated foray into the soca genre despite established careers in parang and calypso.

    Rosales brings extensive vocal expertise developed through decades of performance, beginning with childhood guidance from her grandmother and uncle Anderson Rosales of G Sharp and Friends. Her distinguished background includes a 20-year tenure with parang group Los Alumnos de San Juan, membership in TUCO, performances at Kaiso House calypso tent, and vocal leadership with Fuego Caribeño. She has performed internationally as a cultural ambassador alongside legendary figures including the late calypsonian Hawthorn “King Wellington” Quashie.

    Metivier contributes multi-instrumental mastery, particularly on cuatro, guitar, and bass, blending traditional Caribbean sounds with contemporary influences. His musical journey began at age 13, leading to his recognition as the youngest cuatro player with renowned band Salsa Picante under maestro Robert Munro. With extensive performance experience across the Caribbean, North America, and Europe, Metivier has directed and arranged for numerous cultural ensembles and co-founded entertainment group Team Regal Entertainment.

    The collaboration emerged naturally from their shared creative vision, with “Poison” representing a deliberate expansion into soca music. “With our roots in the calypso tent and as proud Trinidadians, we wanted to make a strong contribution to the soca kingdom,” Metivier explained. The track embodies Carnival’s passion, rhythm, and collective spirit through a fusion of Metivier’s instrumental versatility and Rosales’ commanding vocal presence.

    Produced, mixed, and mastered by Samuel Jack (Jhaqkmix) at Maddagain Production Studio in New York, owned by Roger “Patch” Joseph, the recording maintains authentic Trinidadian spirit despite its international production. The artists describe Jack’s contribution as transformative, helping realize their vision into a vibrant, fully-formed sound.

    An animated music video is currently available on YouTube, with additional visual content promised soon. The duo confirms this release signals the beginning of ongoing musical exploration, with more original works planned that will continue blending genres, experimenting with rhythms, and celebrating Caribbean cultural richness while honoring musical traditions.

  • WATCH: Capleton, Jamal, Macka, Jah Bouks and others ignite Angola Festival

    WATCH: Capleton, Jamal, Macka, Jah Bouks and others ignite Angola Festival

    OLD PERA, ST. THOMAS – The annual Angola Festival ushered in the new year with explosive energy as reggae and dancehall icons Capleton and Jamal delivered electrifying performances that captivated attendees despite a modest turnout.

    Capleton, renowned as ‘The Fireman,’ set the stage ablaze with his dynamic presence and hit-packed repertoire. The legendary artist had the audience in a state of euphoria with classic tracks including ‘Who Dem,’ ‘Lotion Man,’ and ‘Phone Line,’ demonstrating why he remains a dominant force in the genre.

    Jamal, celebrated as ‘Dunce Man,’ alongside dancehall queen Macka Diamond, provided equally powerful performances that kept patrons on their feet throughout their sets. Their engaging stage presence and lyrical delivery created an immersive experience for festival-goers.

    Event promoter and recording artist Jah Bouks delivered a heartfelt performance while expressing satisfaction with the festival’s continued growth. In a poignant moment, Bouks paid tribute to his late mother, Zyon Panton, who passed away earlier in 2025.

    The supporting lineup featured strong contributions from Shane O, Eddy G Bomba, Short Ghad, Quick Cook, Predator, Seventeen, Bushman, Bascom X, and Money Pallet. MC Nuffy maintained the event’s high energy levels, expertly engaging the crowd between performances.

    Attendees responded enthusiastically to the production, with many expressing confidence that the Angola Festival would continue to expand in both scale and quality in coming years. The event successfully blended musical excellence with cultural celebration, providing a memorable start to the new year for all present.

  • Errol Wizdom set to release Reggae Dancehall album

    Errol Wizdom set to release Reggae Dancehall album

    KINGSTON, Jamaica — In a significant homecoming for the diaspora music community, Pittsburgh-based reggae artist Errol Wizdom has journeyed back to Jamaica’s capital to capture the authentic sound that defines his latest album, ‘Reggae Dancehall’. This strategic creative decision marks a deliberate departure from his previous stateside recording approach.

    The veteran singer-guitarist, whose given name is Errol Williams, specifically organized Kingston recording sessions featuring accomplished local musicians, including his sons George Williams and Errol Williams. This familial collaboration adds a deeply personal dimension to the project, scheduled for release later this year.

    Wizdom’s previous album, ‘Rivers of Love’, was entirely recorded in Pittsburgh, where he has resided for over three decades. However, the artist expressed artistic dissatisfaction with the final product, noting it lacked the genuine cultural resonance he sought. This realization prompted his determined return to Jamaican studios.

    ‘There are definitely great vibes and more prosperity and quality here. No matter what, I have to stick to my roots. I can’t change—Jamaica is my roots and the music as well,’ Wizdom emphasized in an interview with Observer Online.

    Three advance singles from the album—’Cherry of My Life’, ‘Jamming on The Mountain’, and the title track ‘Reggae Dancehall’—were released in 2025 to generate anticipation. The project also features collaborations with Pittsburgh-based Jamaican keyboardist Delroy Clarke and American soul singer Anni Mai.

    Wizdom’s musical legacy traces back to 1970s Kingston, where he began his career recording for producers Prince Tony and Junior Murvin as member of harmony trio The Potentials. Since founding the Errol Wizdom World Beat Reggae Band with American Greg Hampton in 1992, he has remained a foundational figure in Pittsburgh’s reggae scene.

  • Matthew Hails Ge’Eve Phillip’s Queen of Queens 1st Runner-Up Finish as “Monumental” for Antigua and Barbuda

    Matthew Hails Ge’Eve Phillip’s Queen of Queens 1st Runner-Up Finish as “Monumental” for Antigua and Barbuda

    Antiguan calypso sensation Ge’Eve Phillip has delivered another spectacular regional performance, securing the position of First Runner-Up at the prestigious Queen of Queens Calypso Show in Montserrat on December 30, 2025. The rising star amassed an impressive 947 points through her powerful renditions of ‘One Man’ and ‘Daughter Come,’ captivating both judges and audience members with her exceptional vocal control, commanding stage presence, and compelling lyrical narratives.

    The Antigua and Barbuda Festivals Commission (ABFC) officially celebrated Phillip’s achievement, highlighting it as a significant milestone in her already distinguished career. Hon. Daryll S. Matthew, Minister responsible for Creative Industries, characterized the accomplishment as ‘monumental’ for the nation, emphasizing that Phillip’s ‘talent, discipline, and consistency continue to prove that we are a formidable cultural force within the region.’

    Ambassador Elizabeth Makhoul, Chairperson of the ABFC, expressed particular pride in Phillip’s representation of Antigua and Barbuda’s youth on the regional stage, noting that the artist ‘is paving the way for the next generation, demonstrating that age and gender are no barriers to excellence.’

    Phillip’s musical journey represents a remarkable progression from prodigy to professional. She first entered the calypso arena in 2013 at just seven years old through Antigua and Barbuda’s Junior Calypso competitions, where she eventually secured an unprecedented 11 Junior Calypso titles. Her transition to senior competitions in 2022 at age 16 earned her First Runner-Up in the national Calypso Monarch competition. The year 2025 has proven particularly successful, with Phillip first capturing the national Calypso Monarch title before claiming the Leeward Islands Calypso Monarch crown in Anguilla, culminating in her latest achievement at the regional Queen of Queens competition.

  • Kraff’s management seeks to clarify circumstances for Galiday Bounce cancellation

    Kraff’s management seeks to clarify circumstances for Galiday Bounce cancellation

    A contractual disagreement between dancehall artist Kraff and event organizers has resulted in the abrupt cancellation of the highly anticipated Galiday Bounce New Year’s Eve celebration at New York’s Amazura Concert Hall.

    Kraff’s management team issued a detailed statement Thursday explaining their position, revealing that the artist’s headline performance was canceled due to unmet contractual obligations. According to the statement, despite prolonged negotiations and good-faith efforts to resolve outstanding issues, the promoters failed to satisfy critical requirements including confirmation of an agreed-upon deposit and finalized travel arrangements.

    The management emphasized that the decision to withdraw was made reluctantly after exhaustive attempts to salvage the situation. “Documentation supporting this timeline is on file,” the statement noted, underscoring the seriousness of the breach. They extended gratitude to disappointed fans while reaffirming their commitment to working exclusively with promoters who maintain professional standards essential for successful productions.

    This development follows earlier accusations from event promoter Galdiez Mendez, who launched social media criticism against Kraff Wednesday alleging unfulfilled contractual duties and demanding repayment of allegedly advanced funds. The conflicting narratives highlight the complex nature of performance agreements in the entertainment industry.

    Kraff’s representatives previously clarified that the performance was never formally contracted, discussed, or approved as a benefit concert, contradicting claims circulating within the industry. The cancellation has left fans disappointed and sparked conversations about professional standards in event planning and artist management.

  • Couva Carnival gets going with pageant screening

    Couva Carnival gets going with pageant screening

    The Couva Carnival Committee (CCC) has unveiled ambitious plans for its 2026 festivities, commencing with the screening of aspirants for the Miss Central Trinidad Pageant on January 3rd at Lisas Gardens Community Centre. This year’s pageant gains distinctive prominence as it coincides with Valentine’s Day celebrations on February 14th, promising unique romantic-themed surprises for both participants and attendees.

    CCC chairman Ramchand Rajbal Maraj revealed that the committee has engineered special Valentine’s-inspired attractions that will create memorable experiences for carnival-goers. “We encourage everyone to arrive promptly on Carnival Saturday evening at the Couva Carnival Centre for an exceptional spectacle,” Maraj announced. “Attendees might depart with extraordinary Valentine-themed surprises that will make this celebration truly unforgettable.”

    The pageant serves as the centerpiece of Couva’s six-day carnival extravaganza and functions as a strategic springboard for young women pursuing careers in the beauty industry. Maraj anticipates robust participation during the screening process, noting the event’s established reputation for launching successful pageant careers.

    Two significant preliminary events will precede the grand finals: the sponsor selection and contestant sashing ceremony at Touch & Taste Restaurant in California on February 6th, followed by an extensive motorcade through central Trinidad’s communities on February 7th.

    Maraj projected that the 2026 celebrations would surpass previous years in scale and quality, citing enhanced organizational structures with specialized sub-committees overseeing specific event aspects. The committee is actively seeking increased sponsorship support from both public and private sector entities, emphasizing the events’ demonstrated capacity to attract thousands of participants due to their exceptional production quality.

    In parallel developments, auditions for the Couva Calypso Monarch competitions will commence on January 11th at Balmain Community Centre, featuring both senior and junior categories starting at 9:00 AM.

  • Couva Carnival gets going with pageant screening

    Couva Carnival gets going with pageant screening

    The Couva Carnival Committee (CCC) has officially announced the commencement of activities for Couva Carnival 2026, beginning with the screening of contestants for the Miss Central Trinidad Pageant on January 3rd at Lisas Gardens Community Centre. This year’s pageant, serving as the centerpiece of the six-day festivities, will take place on Valentine’s Day, February 14th, adding romantic significance to the traditional celebration.

    CCC chairman Ramchand Rajbal Maraj revealed that special Valentine’s-themed surprises await both participants and attendees. “We encourage everyone to arrive promptly on Carnival Saturday night at the Couva Carnival Centre for an exceptional experience,” Maraj stated, hinting at potential prizes for lucky audience members.

    The pageant serves as a strategic platform for aspiring models seeking advancement in the beauty industry, with organizers anticipating strong participation during the screening process. The event structure includes two preliminary activities: sponsor selection and contestant sashing on February 6th at Touch & Taste Restaurant, followed by a highly anticipated motorcade through central Trinidad’s communities on February 7th.

    Maraj expressed confidence that the 2026 celebrations would surpass previous years in scale and quality, citing enhanced organizational structures through specialized sub-committees. The committee is actively seeking sponsorship support from both public and private sectors, emphasizing the events’ consistent ability to attract thousands of attendees due to their high production values.

    Separately, auditions for the Couva Calypso Monarch competition—featuring both senior and junior categories—are scheduled for January 11th at Balmain Community Centre, further expanding the carnival’s artistic programming.