分类： entertainment

Music producer Tony ‘CD’ Kelly’s visionary 2001 ‘Buy Out’ rhythm project has achieved a monumental milestone with Sean Paul’s iconic track ‘Like Glue’ receiving platinum certification in the United Kingdom. The British Phonographic Industry officially certified the song last Friday after it surpassed 600,000 units in combined sales and streams.

The certification marks an extraordinary journey for the rhythm track that Kelly originally created in 1996 but shelved for five years before its eventual release. ‘Like Glue’ emerged as the most successful single from the compilation, reaching #3 on the UK Singles Chart, #13 on the Billboard Hot 100, and achieving top-10 status across multiple international markets including Canada, Australia, and several European countries.

Kelly revealed in an exclusive interview that the rhythm’s creation stemmed from his experimental approach with new equipment. ‘I love to experiment and go against the grain,’ Kelly explained. ‘When I get new equipment, I dive into the sounds to see what may stimulate me and give me a vibe.’

The ‘Buy Out’ rhythm spawned numerous hits including TOK’s ‘Money to Burn’, Mr Easy’s ‘She Drives Me Crazy’ (the first song recorded on the beat), Beenie Man’s ‘Miss LAP’, and Notch’s ‘Nuttin Nuh Go Suh’. All tracks were recorded at Kelly’s Lounge studio and released through his K-Licious label.

This platinum certification represents Sean Paul’s tenth in the United Kingdom, solidifying his status as the most certified Jamaican artist in UK history. Kelly attributes the enduring success to the timeless quality of the music, noting that ‘classics are just that, classics’ and that new generations continue discovering the rhythm through social media and its inherent feel-good quality.

Amidst the devastation wrought by Hurricane Melissa, Jamaican artist Turbulence has discovered a profound source of artistic inspiration, transforming national tragedy into a message of unity. His latest single, ‘Let Love Rain,’ emerges as a direct creative response to the Category 5 storm that ravaged the island on October 28, resulting in 45 fatalities and displacing thousands from their homes.

While the hurricane struck, Turbulence was abroad in The Bahamas. Upon his return, he was profoundly affected not only by the scale of the destruction but more significantly by the transformative spirit of cooperation he witnessed among citizens. He observed a remarkable shift in community dynamics, where previous tensions were replaced by collective action and mutual support in recovery efforts.

In a reflective statement to the Jamaica Observer, the artist articulated this social transformation: ‘Prior to Hurricane Melissa, neighbors were often in conflict. Now, we see them collaborating to construct and reconstruct what was lost. This sense of community is something we should have always nurtured, embodying the principle that it takes a village to raise a child.’

The musical composition, produced by RhomeDaDon, provided what Turbulence described as a ‘heartfelt rhythm’ that perfectly complemented the powerful and unifying imagery from the post-hurricane period, allowing the song’s lyrics to flow organically.

Moving beyond his music, Turbulence has actively participated in relief initiatives. He has personally traveled to some of the most severely impacted parishes, including St. Elizabeth, Westmoreland, and Hanover, to distribute care packages and provide assistance. These regions, along with St. James and Trelawny, endured the full force of Melissa’s 185-mile-per-hour winds, which caused extensive damage to infrastructure and homes across the island.

As Jamaica prepares for its annual Reggae Month celebrations in February, the chairman of the Jamaica Reggae Industry Association (JaRIA) has revealed significant concerns about the event’s developmental stagnation. Ewan Simpson expressed mixed emotions regarding the festival’s trajectory, acknowledging its resilience through pandemic disruptions while lamenting its failure to evolve into the global phenomenon it potentially represents.

The month-long celebration, established by the Jamaican Government in 2008, will commence on February 1st with a special tribute concert at Edna Manley College of the Visual and Performing Arts. This inaugural event, titled ‘Honouring The Crown Prince: A Tribute to Dennis Brown,’ will honor the legendary reggae singer born on that date who passed away in 1999 at age 42.

Under the theme ‘Rhythms of Resilience,’ this year’s programming includes the traditional recognition of both Brown’s and Bob Marley’s (February 6) birthdays, alongside symposiums and weekly live performances. The Edna Manley College will serve as primary venue for most events, including Reggae Wednesdays throughout February and four specialized JaRIA master classes.

Simpson identified a critical challenge: many artists and creative sector participants fundamentally misunderstand Reggae Month’s purpose, viewing it primarily as financial opportunity rather than cultural celebration. He noted that certain stakeholders have inadvertently contributed to this perception.

In organizational changes, the annual JaRIA Awards will not occur during February for three strategic reasons: avoiding calendar conflict with similar ministry events, allowing volunteer staff to focus exclusively on the 24 scheduled Reggae Month productions, and providing adequate time to secure sponsorship funding.

The festival has navigated substantial operational challenges in recent years, transitioning to virtual formats during COVID-19 restrictions before returning to normalcy in 2023 following government mandate lifts.

A groundbreaking analysis conducted by the history-themed metal band Sabaton has uncovered surprising patterns in musical homage, identifying Jamaican reggae legend Bob Marley as the most frequently referenced historical figure in song lyrics worldwide.

The research initiative originated from the band’s curiosity about historical influences on music prior to creating their latest album. Utilizing AZLyrics’ extensive database, the study meticulously tracked how often historical figures’ full names appeared across distinct musical compositions.

The comprehensive ranking showcases an eclectic mix of cultural icons spanning various domains: influential creators who shaped popular culture, transformative leaders and revolutionaries, alongside philosophical, mythological, and notorious personalities.

Bob Marley emerged as the undisputed champion with 927 lyrical mentions—significantly surpassing all other figures. The Jamaican musician, celebrated for his messages of unity and resistance through music, has become an enduring global symbol of freedom and Rastafarian culture. Notable songs referencing Marley include Jay-Z’s ‘Empire State of Mind’ and Red Hot Chili Peppers’ ‘Give It Away.’

Securing second position is ancient Greek philosopher Plato, referenced in 737 songs. His foundational contributions to ethics, politics, and epistemology continue to influence Western thought and modern society. Musical nods to Plato appear in Van Morrison’s ‘I Forgot That Love Existed’ and The Clash’s ‘The Magnificent Seven.’

The infamous Depression-era outlaw couple Bonnie and Clyde claimed third place with 712 mentions. Their criminal exploits and tragic demise have immortalized them as symbols of doomed romance in tracks like Taylor Swift’s ‘Getaway Car’ and another Red Hot Chili Peppers’ composition ‘If You Have To Ask.’

In a contemporary twist, current U.S. President Donald Trump unexpectedly ranked fourth with 656 lyrical references. The polarizing leader has significantly impacted American and global political discourse, appearing in songs such as Frank Ocean’s ‘Lights’ and Mac Miller’s ‘Donald Trump.’

Completing the top five is American gangster Al Capone, mentioned in 550 lyrics including Queen’s ‘Stone Cold Crazy,’ Madonna’s ‘Superstar,’ and Michael Jackson’s ‘Al Capone.’ The top ten also features music icon John Lennon, rapper Biggie Smalls, and boxing legend Muhammad Ali, demonstrating the diverse nature of musical inspiration across generations and genres.

British dancehall phenomenon Stylo G has once again demonstrated his hitmaking prowess with the release of a potent new single titled ‘Mukky.’ The track emerges as a collaborative effort with acclaimed dancehall producer DJ Mac, featuring prominently on the producer’s currently trending WYFL riddim compilation.

Early indicators suggest the song is rapidly gaining traction across digital platforms and physical sound systems alike. In exclusive comments, Stylo G revealed the track’s immediate impact: ”Mukky’ is already generating significant buzz online and receiving substantial dubplate requests worldwide. This overwhelming response is particularly encouraging since simultaneous street and internet validation typically forecasts major success. I must extend gratitude to all supporters amplifying this record.’

The artist, previously responsible for mainstream crossovers including ‘Dumpling,’ ‘Bam Bam,’ and ‘Too Hot,’ maintains his reputation for creating authentic street anthems. Stylo G attributes his consistent relevance to maintaining direct connections with grassroots musical movements. ‘Being immersed in street culture ensures I remain attuned to current vibrations, which directly informs my creative process. For any artist, sustaining contemporary awareness is crucial to maintaining competitive sharpness,’ he explained.

In parallel developments, the UK-based deejay has also released ‘We Rise Again,’ a humanitarian tribute honoring victims of Hurricane Melissa. Meanwhile, the official music video for ‘Mukky’ is currently undergoing post-production refinement, with scheduled release anticipated before month’s end.