At just 20 years old, rising Belizean artist Newani Martinez is standing at the intersection of legacy and innovation, breathing new life into traditional Garifuna musical styles paranda and punta while building a distinct artistic identity of his own. Born into a family deeply rooted in Garifuna culture, Newani is the son of the late legendary Honduran Garifuna musician Aurelio Martínez, who passed away in a tragic plane crash one year ago.
Aurelio Martínez was far more than a celebrated singer-songwriter. As a global ambassador for the Garifuna people, he dedicated his career to elevating and preserving endangered Garifuna cultural traditions, most notably paranda, a genre that record producer Ivan Duran says Aurelio helped pull back from the brink of extinction. Duran, who collaborated closely with Aurelio for nearly three decades after their first meeting in 1998, recalls that the musician spotted Newani’s innate talent from infancy. “He would send me videos when [Newani] was, like, two years old, knocking around on a drum,” Duran remembered. “He was such a proud dad, and he told me one day you’re gonna have to record him. Newani is a natural talent; even Aurelio was impressed by how naturally the gift came to him.”
For Newani, a career-changing milestone came earlier this year when he got the opportunity to share the stage with iconic soca superstar Machel Montano – a collaboration he had dreamed of for years. “That moment to me was the greatest moment of my life,” Newani shared. “I’ve always told my manager, ‘If anyone in the world, I want to do a collab with Machel Montano.’ She thought it was a big leap, but it happened anyway. That moment basically kick-started a new path in my career.” The performance doubled as a moving tribute to his late father, who gave Newani his first drum as a child that he still keeps to this day. “He gave me that little drum, but we never got to make music together or share a stage, so sharing the stage with Machel, that next best thing, was my way of honoring him,” Newani explained.
While he carries deep pride in his father’s legacy, Newani is determined to carve out his own space in the global music industry. “I create my own music, build my own identity alongside what people know from my dad,” he explained. “Of course that legacy will always be there – people will always first connect me to him – but I want the younger generation to know me for my own work. It’s all about finding that right balance.”
Newani’s love of performance began early, starting with school dances, skits and childhood drumming lessons before he expanded into singing and playing guitar during high school. He founded his own group, The B with the Boys, and has already built an international fanbase, performing across North and Central America to growing crowds. Up next, he is preparing to drop his first collection of original music, a project that will showcase his unique blend of traditional Garifuna rhythms and modern creative sensibilities.
Leaders of Garifuna cultural organizations say Newani’s work carries profound importance for the future of the community. Alex Nolberto, president of the National Garifuna Council, applauded the young artist for stepping into the role of cultural steward. “This underscores the truth that young people are our future,” Nolberto said. “We remain hopeful that we have young people who can take up the mantle and carry on with the work of preserving our culture.”
Beyond his performance schedule, Newani is also balancing his music career with higher education at the University of Belize, where he is studying business. He acknowledges that stepping into the public spotlight so early in his career comes with challenges, but he is grateful for the widespread support he has received from fans at home and abroad. “It’s not that easy just being put into the limelight when you’re this new,” he said. “I’m just learning and growing as I go, and I appreciate that people understand there’s a lot more to this journey than what they see on the surface.”
While he does not claim to know exactly what the future holds, one thing remains certain: music will be a constant through every chapter of his life. As he prepares to introduce his original work to global audiences, Newani Martinez stands as both a guardian of endangered cultural tradition and an exciting new voice reshaping Garifuna music for the 21st century.
