One month following the passing of celebrated Jamaican gospel and Revival music artist Kukudoo, whose legal name was David McDermott, his third studio album Jerusalem is scheduled for a posthumous reissue by Tad’s International Record this coming June. The 16-track project originally debuted to critical and audience attention in October 2020, but the upcoming re-release will bring notable updates to the original listening experience, according to label head Tad Dawkins in an exclusive conversation with the Jamaica Observer.
In his remarks, Dawkins confirmed that the reworked version of the album features remixed cuts of select tracks alongside a full remastering of the entire record, designed to elevate the audio quality for long-time fans and new listeners alike. Kukudoo lost his battle with non-Hodgkin lymphoma just weeks ahead of the planned re-release, leaving behind a decades-long musical legacy that spans two distinct eras of Jamaican music.
Born and raised in Spanish Town, St Catherine, Kukudoo launched his music career in the local sound system circuit, cutting dub plates and performing for iconic setups including Excalibur, Stereo Don and Impression. For the first phase of his professional career, he built a reputation as a dancehall artist, but made a transformative career shift 20 years before his death to focus on Revival-style gospel music, a genre he became deeply passionate about elevating.
After his transition to gospel music, Kukudoo dropped two full-length albums before releasing Jerusalem: Time Waits on No Man and In The Middle of The Night. Widely considered his most ambitious creative work, Jerusalem represented the culmination of his mission to bring Revival music to a broader mainstream audience. In an interview ahead of the album’s original 2020 release, Kukudoo shared his vision for the project, noting that expanded collaborative work on the record would help break down barriers for the genre he loved. “I just want Revival music to be more recognisable and more involved in society, and with this album I know it will. Having more collaborations on this album will see it reaching a wider audience,” he said at the time.
Dawkins, who worked closely with Kukudoo on the upcoming re-release, shared warm memories of the late artist, describing him as a grounded, approachable collaborator whose faith shaped every part of his work. “He was very humble and highly spiritual. [He] loved the revival style of reggae music,” Dawkins said. The posthumous reissue stands as a tribute to Kukudoo’s legacy, bringing his final creative vision to a new generation of listeners just one month after his passing.