After more than five decades of artistic dedication, renowned artist and poet Sarah Beckett prepares to depart Trinidad and Tobago with a profound final exhibition that mirrors her lifelong connection to the nation. ‘Echoes of a Lifetime,’ hosted at Horizons Art Gallery on Mucurapo Road from January 21-24, serves as both a retrospective and heartfelt farewell before her relocation to the United Kingdom.
The exhibition assembles approximately 100 works spanning 25 years of creative output, including oils, drawings, acrylics, and gouache pieces ranging from monumental canvases to intricate miniatures. While some works have been previously exhibited, others will debut publicly for the first time. Accompanying these pieces will be a selection of Beckett’s personal sketchbooks, offering visitors an intimate glimpse into the genesis of her artistic ideas.
At nearly 80 years old and following a year of health challenges, Beckett acknowledged her children’s encouragement to relocate closer to family in the UK. She embraces this transition as an opportunity to ‘learn a new song in my 80s,’ maintaining optimism about establishing her own flat while remaining near loved ones.
Despite this geographical shift, Beckett emphasizes this does not mark the conclusion of her creative journey. While conceding that large-scale works requiring physical endurance may become impractical, she intends to continue painting on a reduced scale. Additionally, she remains engaged in developing an illustrated poetry book, a project she plans to advance within her new environment.
Beckett’s connection to Trinidad defies simple explanation. First arriving at age 20 from Southampton with her three children and Trinidadian husband, she subsequently lived elsewhere but consistently returned to the island. A 2015 relocation attempt to the UK lasted merely nine months before she recognized her unreadiness to leave Trinidad permanently, describing the nation as ‘entwined in my blood.’
Her profound affection found expression in the 2024 poetry collection ‘Iere: Living in the Land of the Humming Bird,’ where she reflected that Trinidad nurtured her development as both poet and artist. The publication stands as her lyrical tribute to the island’s beauty, cultural complexities, and enduring spirit, while also acknowledging its struggles.
The current transition inspired her newest poem ‘My Song,’ which opens with the verses: ‘Do not call this ending,/do not name it closure,/I know how to carry the sun/in the palms of my hands,/dye drab walls with color.’ These lines encapsulate her perspective that this departure represents transformation rather than termination.
Beckett acknowledges the emotional complexity of preparing her final exhibition while dismantling decades of life in Trinidad. She expresses gratitude for her extraordinary experiences and artistic opportunities while acknowledging the inherent sadness of farewell. Nevertheless, she affirms the timeliness of this decision and anticipates familial connections in her next chapter.
Her parting wisdom encourages focusing on life’s small blessings rather than lamenting circumstances, emphasizing appreciation over longing for alternatives. The exhibition not only showcases artistic legacy but embodies Beckett’s philosophical approach to transitions—honoring the past while embracing new beginnings.