JUNA-VILL Records, the innovative label founded by visionary producer Collin “Junavill” Clarke, has launched its latest musical project titled “Genesis 2026,” featuring an impressive roster of established Jamaican artists. Released on November 28, 2025, the rhythm showcases collaborative works from Sequence Di Boss, Delly Ranx, Utan Green, Sativa D Black 1, D’Angel, Gangoolie, Flourgan, Jigsy King, Little Hero, Emmanuel Stain, T-Drive, and several other talents associated with the JUNA-VILL movement.
Clarke, who maintains residencies in Florida and Europe while retaining strong roots in Mandeville, Manchester, explained his careful artist selection process to the Jamaica Observer: “These artists were chosen for their conscious approach to music, authentic expression, and capacity to create timeless material. Each contributor brings distinctive vocal qualities and lyrical potency, yet all share a common dedication to meaningful, message-driven artistry. Their creative outputs perfectly align with JUNA-VILL Records’ fundamental purpose: constructing music that endures beyond temporary trends.”
The record label, formally established in December 2024, underwent extensive development throughout early 2025 regarding its identity, branding, and operational framework. Clarke emphasized that the official registration merely formalized an entity already built upon intentionality, structure, and commitment to producing conscious music with lasting impact.
JUNA-VILL’s growing catalog includes previous productions such as the “Gyal Teef” and “Fire Rocket” rhythms, along with involvement in the re-edition of the “Two Time” rhythm. Although the label formally emerged between 2025-2026, Clarke’s engagement with artists began significantly earlier through booking arrangements, management services, and creative partnerships.
The producer distinguishes his approach within a competitive industry by maintaining unwavering authenticity and focused vision. “I differentiate myself through mindset and methodology—I don’t compete with other producers but remain concentrated on my own lane and vision. My objective isn’t to pursue temporary trends or hype; it’s to build substantial catalogs. I’m deliberate with artist selection and project development, ensuring alignment with purpose, message, and longevity,” Clarke stated.
Having achieved personal stability outside music, Clarke approaches his craft with artistic purity rather than financial pressure. This position enables creation from clarity rather than desperation, focusing on legacy construction rather than external validation.
Clarke’s ambitions extend beyond immediate success toward enduring international influence. “My ultimate aspiration involves establishing a lasting legacy of conscious, timeless music with global reach. I intend to develop a catalog that grows stronger annually—productions carrying meaningful substance, structural integrity, and cultural significance. I strive to elevate artists committed to positive expression while providing platforms for their voices to resonate worldwide. Music represents purpose for me, and my mission utilizes that purpose to uplift, empower, and contribute valuable artistry to Jamaican music and global culture,” he concluded.