With Saint Lucia’s December 1 General Election approaching, cultural policy has emerged as a significant battleground, particularly regarding the future of Dennery Segment music. Historian Sant Justin has issued a compelling warning to the genre’s artists: maintain creative independence despite political promises. His caution comes as the United Workers Party (UWP) pledges substantial support, including an internationally-produced dedicated event and expanded Carnival celebrations throughout July if elected.
The UWP’s cultural proposals extend beyond events to include placement of Dennery Segment artists on major stages, mirroring the exposure given to international performers during Saint Lucia Jazz. This commitment has garnered strong endorsement from performer Kurtly ‘Pablo’ Estava, who publicly criticized the incumbent Saint Lucia Labour Party (SLP) for what he termed ‘years of neglect’ of the creative sector during a November 16 rally.
Justin provided crucial historical context, describing Dennery Segment as a ’21st-century blend of soca, dancehall, and zouk’ born from ‘rebellion, audacious self-awareness and confidence.’ He emphasized that the genre historically created its own opportunities through timely, regular releases addressing topical issues, rather than waiting for permission or external validation. This independent spirit, Justin argued, embedded the genre firmly in Saint Lucia’s cultural landscape and drove recent entertainment industry growth.
While acknowledging the positive community response to the 2025 D’Vibez festival and the genre’s growing international visibility (including appearances at Expo Dubai, Expo Japan, Miami Carnival, and Soca Monarch victories), Justin maintained that ‘quality and frequent releases remain the best way to continue carving out a niche.’ He advocated for artist unity in participating in development opportunities while preserving the genre’s foundational independence.
The political landscape reveals competing visions for cultural development. The UWP emphasizes immediate support and international promotion, with leader Allen Chastanet promising ‘everybody in the world will know what Dennery Segment is.’ Meanwhile, the SLP has outlined a comprehensive cultural modernization roadmap in its 2025 manifesto, including financial mechanisms like low-interest loans and tax concessions, structural reforms through a transformed Development and Training Agency for the Arts (DATA), and an Orange Economy Unit to coordinate international promotion. The SLP also proposes tangible recognition through National Music Awards, public art installations, and a national museum.
This intersection of cultural preservation and political ambition highlights the delicate balance artists must maintain between welcoming support and safeguarding creative autonomy as Saint Lucia approaches a pivotal election.