PORT OF SPAIN – In the heart of Trinidad and Tobago’s vibrant music scene, the legendary D’ All Starz Band is undertaking a profound transformation. For over four decades, this musical institution—first known as Roy Cape’s All Starz—has been synonymous with the nation’s sound. Now, under the stewardship of musical director Carlyle “Juiceman” Roberts and manager Richard Gordon, the ensemble is meticulously rebuilding its identity for a new generation while honoring its storied past.
The band’s journey has been marked by both triumph and tragedy. Founded in 1980 by the late Roy Cape, who passed in 2024, the group earned numerous accolades and released eight albums before his 2017 retirement. The subsequent rebranding to D’ All Starz brought new leadership but was soon challenged by the untimely death of lead vocalist Dexter “Blaxx” Stewart in 2022—a loss that profoundly impacted Roberts and temporarily halted performances.
From their new base at Beats on Tragarete, the leadership reveals a strategic vision balancing tradition with innovation. The band has recruited fresh talent including College Boy Jesse as the new frontman and singer Anika Berry, while maintaining the foundational structure established by Cape—rigorous rehearsals, mentorship programs, and an unwavering commitment to live instrumentation.
“We try to pass on our legacy which Roy Cape gave to us,” Roberts emphasized during an exclusive interview. “Music has no ego—you’re never too old to learn.” This philosophy extends to reciprocal knowledge exchange, where younger members educate veterans on technological trends while receiving guidance on musical craftsmanship.
Facing the dual challenges of artificial intelligence’s rise in music and market penetration difficulties, the band remains committed to organic sound. “Horns are something we will never, ever abandon,” Gordon stated, highlighting their distinctive use of brass sections as a competitive advantage. The management strategy involves Roberts preserving the band’s acoustic integrity while Gordon pursues new audiences.
Despite acknowledging that Blaxx’s absence has hindered market expansion, the team expresses confidence in their Carnival 2026 offerings. Original compositions like College Boy Jesse’s “BenOva” with Sackie and “Vitamins” are anticipated to drive musical ascendancy. Gordon likens their creative process to “a hand-crank ice cream maker”—methodically churning hits until market penetration is achieved.
The organization fosters innovation through an open-door policy encouraging contributions from all members, regardless of tenure. This collaborative environment aims to discover breakthrough talent similar to Blaxx, whose eventual rise to acclaim demonstrated the band’s eye for potential.
As Carnival 2026 approaches amidst venue restrictions and rising alcohol prices, D’ All Starz reaffirms its commitment to delivering authentic performances that honor Trinidad’s musical heritage while evolving for contemporary audiences.