The Caribbean School of Dancing (CSD) continues its legacy of blending discipline and creativity with a groundbreaking production titled *Fantasy in Dance: The Coconut Cracker*. Scheduled for November 15 and 16 at Queen’s Hall in St Ann’s, this performance reinterprets the classic ballet *The Nutcracker* through a distinctly Caribbean lens. Choreographed by principal Bridgette Wilson, the show features a cast of 110 dancers and 20 musicians, including members of the UWI Arts Steel, promising a vibrant celebration of local culture, music, and dance.
Wilson, inspired by the late Patricia Roe’s dedication to making ballet accessible to Caribbean audiences, has transformed the traditional European narrative into a story that resonates with Trinidadian heritage. The Nutcracker becomes the Coconut Cracker, a coconut vendor, while the Sugar Plum Fairy is reimagined as the Sugar Cane Fairy. The siblings Clara and Fritz are now Kyara and Junior, and even the toy soldier is redefined as Soldier Larry, drawing from sailor mas traditions.
The production also incorporates local elements such as a Sahara dust storm replacing the snow scene, with moko jumbies guiding Kyara to the Land of Island Paradise, symbolizing Trinidad and Tobago. Wilson’s vision is to reclaim space for Caribbean culture within the traditionally Eurocentric art form of ballet, showcasing the richness of local traditions on a global stage.
In addition to *The Coconut Cracker*, younger students aged three to eight will perform *Anansi and the Magic Shell*, an original story blending ballet, hip-hop, tap, and modern dance. The costumes, designed by Valmiki Maharaj of The Lost Tribe, merge traditional ballet attire with Caribbean aesthetics, further enhancing the cultural narrative.
Wilson sees this production as the beginning of a larger creative journey, aiming to expand and refine *The Coconut Cracker* in future iterations. Her work not only honors the legacy of CSD but also reaffirms the place of Caribbean culture in the world of performing arts.